Tag: Best Music of 2019

The Best Records 2019 Had to Offer (Now, Forward Into the Past)

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185 really good-to-really great albums of new music. 60 laudable issuings of music recorded in another time. That, my friends, is an embarrassment of riches. Now: if that will rub off on general citizenship, good cheer, charming self-effacement, and energized civic action, we’ll be cooking with gas here.

My Album-Lover’s Honor Roll for 2019 – The Final Unscrolling

(bolded items are new additions to the list)

The Straight and Bent A’s:

  1. Little Simz: Grey Area
  2. Purple Mountains: Purple Mountains
  3. Jamila Woods: Legacy! Legacy!
  4. Junius Paul: Ism
  5. Rapsody: Eve
  6. Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
  7. Chance The Rapper: The Big Day
  8. Byron Asher: Byron Asher’s Skrontch Music
  9. Freddie Gibbs & Madlib: Bandana
  10. Snotty Nose Rez Kids: Trapline
  11. Royal Trux: White Stuff
  12. Ezra Furman: Twelve Nudes
  13. Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith: Songs from The Bardo
  14. Peter Perrett: Humanworld
  15. Yugen Blakrok: Anima Mysterium
  16. Mexstep: Resistir
  17. Mdou Moctar: Ilana (The Creator)
  18. Danny Brown: uknowwhutimsayin
  19. Tomeka Reid Quartet: Old New
  20. J Balvin & Bad Bunny: OASIS
  21. DKV and Joe McPhee: The Fire Each Time
  22. Lightning Bolt: Sonic Citadel
  23. Tanya Tucker: While I’m Livin’
  24. Billy Woods & Kenny Segal: Hiding Places
  25. EARTHGANG: Mirrorland

The Tragically Flawed A- Team:

  1. 75 Dollar Bill: I Was Real
  2. Sheer Mag: A Distant Call
  3. Dumb: Club Nites
  4. Jeffrey Lewis: Bad Wiring
  5. Raphael Saadiq: Jimmy Lee
  6. Young Thug: So Much Fun
  7. Kel Assouf: Black Tenere
  8. James Brandon Lewis: An Unruly Manifesto
  9. Gard Nilssen Acoustic Unity: To Whom Who Buys A Record
  10. Teodross Avery: After the Rain–A Night for Coltrane
  11. Various Artists: Total Solidarity
  12. Lana Del Rey: Norman F***ing Rockwell
  13. Zonal (featuring Moor Mother): Wrecked
  14. Control Top: Covert Contracts
  15. Lizzo: Cuz I Love You
  16. Ifriqiyya Electrique: Laylet El Boore
  17. Elza Soares: Planeta Fome
  18. Abdullah Ibrahim: The Balance
  19. Damon Locks / Black Monument Ensemble: Where Future Unfolds
  20. Andres: Andres IV
  21. Denzel Curry: Zuu
  22. Pere Ubu: The Long Goodbye
  23. Rod Wave: Ghetto Gospel
  24. Eddy Current Suppression Ring: All in Good Time
  25. Dave: PSYCHODRAMA
  26. Moor Mother: Analog Fluids of Sonic Black Holes
  27. Various Artists: The Final Battle—Sly & Robbie vs. Roots Radics
  28. Rocket 808: Rocket 808
  29. 2 Chainz: Rap or Go to the League
  30. Planchettes: The Truth
  31. Joel Ross: Kingmaker
  32. JME: Grime MC
  33. I Jahbar: Inna Duppy SKRS Soundclash
  34. Lee Scratch Perry: Rainford
  35. Bill Orcutt: Odds Against Tomorrow
  36. Joe McPhee / John Butcher: At the Hill of James Magee
  37. Tyler Childers: Country Squire
  38. Pat Thomas, Dominic Lash, and Tony Orrell: Bleyschool
  39. Beyoncé: Homecoming
  40. Sote: Parallel Persia
  41. Jaimie Branch: Fly or Die II—Bird of Paradise
  42. SEED ENSEMBLE: Driftglass
  43. Arto Lindsay, Ken Vandermark, Joe McPhee, Phil Sudderberg: Largest Afternoon
  44. The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
  45. Blacks’ Myths: Blacks’ Myths II

The No-Disgrace B+ Ticklers:

  1. The Coathangers: The Devil You Know
  2. Sudan Archives: Athena
  3. San Cha: La Luz de la Esperanza
  4. GRLwood: I Sold My Soul to the Devil When I Was 12
  5. P. P. Arnold: The New Adventures of P. P. Arnold
  6. Yazz Ahmed: Polyhymnia
  7. FKA Twigs: MAGDALENE
  8. Miranda Lambert: Wild Card
  9. Aquarian Blood: A Love That Leads to War
  10. Preservation Hall Jazz Band: Tuba in Cuba
  11. Quelle Chris: Guns
  12. Heroes Are Gang Leaders: The Amiri Baraka Sessions
  13. DaBaby: KIRK
  14. Ben Lamar Gay: Confetti in the Sky Like Fireworks
  15. Tanya Tagaq: Toothsayer EP
  16. Bobby Watson, Vincent Herring, and Gary Bartz: Bird at 100
  17. Ghostface Killah: Ghostface Killahs
  18. Various Artists: Weaponize Your Sound
  19. Earl Sweatshirt: FEET OF CLAY
  20. Maxo Kream: Brandon Banks
  21. BaianaSystem: O Furturo Nao Demora
  22. Aesop Rock & TOBACCO: Malibu Ken
  23. DaBaby: Baby on Baby
  24. Megan Thee Stallion: Fever
  25. Sleater-Kinney: The Center Won’t Hold
  26. Dan Weiss Trio + 1: Utica Box
  27. Davido: A Good Time
  28. Michael Kiwanuka: Kiwanuka
  29. Saul Williams: Encrypted & Vulnerable
  30. Young M.A.: Herstory in the Making
  31. Ken Vandermark: Momentum 4—Consequent Duos 2015-2019
  32. Poncho Sanchez: Trane’s Delight
  33. Gang Starr: One of the Best Yet
  34. The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
  35. Mario Pavone: Philosophy
  36. Alcorn/McPhee/Vandermark: Invitation to a Dream
  37. Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
  38. Chuck Cleaver: Send Aid
  39. Rachid Taha: Je Suis Africain
  40. Barrence Whitfield Soul Savage Arkestra: Songs from The Sun Ra Cosmos
  41. The Sensational Barnes Brothers: Nobody’s Fault But Mine
  42. GoldLink: Diaspora
  43. Harriet Tubman: The Terror End of Beauty
  44. Usted Saami: God is Not a Terrorist
  45. Mantana Roberts: COIN COIN Chapter Four—Memphis
  46. Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
  47. black midi: Schlagenheim
  48. Nots: 3
  49. Guitar Wolf: Love & Jett
  50. Robert Forster: Inferno
  51. Aziza Brahim: Sahari
  52. Jacob Wick & Phil Sudderberg: Combinatory Pleasures
  53. Ingrid Laubrock & Aki Takase: Kasumi
  54. LPX: Junk of the Heart (EP)
  55. Helado Negro: This is How You Smile
  56. Joe McPhee and Paal Nilssen-Love: Song for the Big Chief
  57. G & D: Black Love & War
  58. Boris: Love & Evol
  59. Girl Band: The Talkies
  60. Steve Riley & The Mamou Playboys: 30 Years Live
  61. Kris Davis: Diatom Ribbons
  62. Gilberto Gil: OK OK OK
  63. JPEGMAFIA: All My Heroes Are Cornballs
  64. Ras Kass: Soul on Ice 2
  65. Flying Lotus: Flamagra

Hey! A “B” is a Decent Grade!:

  1. Angel-Ho: Death Becomes Her
  2. The Paranoid Style: A Goddamn Impossible Way of Life
  3. Bobby Rush: Sitting On Top of the Blues
  4. JD Allen: Barracoon
  5. Big Thief: Two Hands
  6. Kele Okereke: 2042
  7. Various Artists: Queen & Slim—The Soundtrack
  8. Tinariwen: Amadjar
  9. Various Artists: Typical Girls Three
  10. Leyla McCalla: Capitalist Blues
  11. Tyshawn Sorey and Marilyn Crispell: The Adornment of Time
  12. Tropical Fuck Storm: Braindrops
  13. Santana: Africa Speaks
  14. Judy and The Jerks: Music for Donuts
  15. Tyler, The Creator: IGOR
  16. Rodney Whitaker: All Too Soon—The Music of Duke Ellington
  17. Sault: 5
  18. Whit Dickey Tao Quartets: Peace Planet / Box of Light
  19. The Art Ensemble of Chicago: We Are On the Edge
  20. Nick Dunston: Atlantic Extraction
  21. Ibibio Sound Machine: Doko Mien
  22. Warren Storm: Taking the World by Storm
  23. Solange: When I Get Home
  24. Freddie Douggie: Live on Juneteenth
  25. Ranky Tanky: Good Time
  26. Ahmad Jamal: Ballades
  27. Dump Him: Dykes to Watch Out For
  28. Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
  29. Little Brother: May the Lord Watch
  30. Blood Orange: Angel’s Pulse
  31. Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
  32. Doja Cat: Hot Pink
  33. Kelsey Lu: Blood
  34. Dopolarians: Garden Party
  35. Bassekou Kouyate & Ngoni Ba: Miri
  36. Hama: Houmeissa
  37. Ill Considered: 5
  38. Girls on Grass: Dirty Power
  39. Stella Donnelly: Beware of the Dogs
  40. Matthew Shipp Trio: Signature
  41. Shovels & Rope: By Blood
  42. Angel Bat Dawid: The Oracle
  43. Spiral Stairs: We Wanna Be Hyp-No-Tized
  44. Our Native Daughters: Songs of Our Native Daughters
  45. Rosie Flores: A Simple Case of The Blues
  46. Aki Takase Japanic: Thema Prima
  47. Mekons : Deserted
  48. Lee Scratch Perry: Life of the Plants (EP)
  49. Marquis Hill: Love Tape
  50. Serengeti: Quail (EP)

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New Releases of Older Material

A = Thoroughly Enjoyable:

  1. Peter Laughner: Peter Laughner
  2. Eric Dolphy: Musical Prophet
  3. Burnt Sugar: 20th Anniversary Mixtapes—Groiddest Schizznits, Vols. 1-3
  4. Creedence Clearwater Revival: Live at Woodstock
  5. The Royals: Gish Abbai
  6. Various Artists: Bulawayo Blue Yodel
  7. Merle Haggard & The Strangers: Live in Austin, ‘78
  8. Various Artists: Put The Whole Armour On—Female Black Gospel 1940s and 1950s
  9. Various Artist: WXAXNXD Sessions
  10. Screaming Females: Singles Too
  11. Sonny Sharrock: Ask the Ages (Bill Laswell Remix)
  12. Jessie Mae Hemphill: Run Get My Shotgun
  13. Chic: The Chic Organization: 1977-1979
  14. Griot Galaxy: Kins
  15. Various Artists: Mogadisco—Dancing Mogadishu (Somalia 1972-1991)
  16. Various Artists: No Other Love—Midwest Gospel (1965-1978)
  17. Horace Tapscott and the Pan Afrikan Orchestra: Why Don’t You Listen–Live at Lacma, 1998
  18. The Jewell Gospel Trio: Many Little Angels In The Band
  19. Various Artists: Love is All I Bring—Reggae Hits & Rarities by the Queens of Trojan Records
  20. Johnny Griffin and Eddie Lockjaw Davis: Ow! Live at the Penthouse

A- = You’ll Barely Notice the Rough Spots:

  1. Various Artists: Outro Tempo II–Electronic and Contemporary Music from Brazil 1984-1996
  2. Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks
  3. David S. Ware New Quartet: Theatre Garonne, 2008
  4. Various Artists: Cadillac Baby’s Bea & Baby Records—The Definitive Collection
  5. Gregory Isaacs / Ossie All-Stars: Mr. Isaacs
  6. Various Artists: Jambu
  7. Erroll Garner: Closeup in Swing
  8. Clifford Jordan: Glass Bead Games
  9. James Booker: Live at Onkel PO’s, Carnegie Hall, Hamburg 1976
  10. Cornell Campbell: I Man a the Stall-A-Watt
  11. Various Artists: World Spirituality Classics 2—The Time for Peace is Now
  12. Various Artists: J-Jazz–Deep Modern Jazz from Japan 1969-1983 (Volume 2)
  13. John Coltrane: Blue World
  14. Moondog: The Stockholm 1981 Recordings
  15. Tubby Hayes: Grits, Beans and Greens—The Lost Fontana Studio Sessions 1969
  16. Star Band de Dakar: Psicodelia Afro-Cubana de Senegal
  17. Smokey Haangala: Aunka Ma Kwacha
  18. Big Stick: Some of the Best of Big Stick
  19. Various Artists: Blues Images Calendar Companion, Volume 17
  20. Primal Scream: Maximum Rock ‘n’ Roll—The Singles
  21. Masayuki Takayanagi New Directions Unit: April is the Cruellest Month
  22. Various Artists: Rhapsody in Bronze
  23. Various Artists: Fania Goes Psychedelic
  24. Various Artists: Brutal Africa—The Heavy Metal Cowboys of Botswana
  25. Stan Getz: Getz at the Gate
  26. Sir Shina Peters and His Internation Stars: Sewele
  27. The Heptones: Swing Low
  28. Sounds of Liberation: Sounds of Liberation
  29. Prince: Originals
  30. Various Artists: Nigeria 70–No Wahala, Highlife, Afro-Funk & Juju 1973-1987

B+ = A Three-Beer Buzz:

  1. Lee Moses: How Much Longer Must I Wait? Singles & Rarities 1965-1972
  2. John Carter & Bobby Bradford Quartet: No U-Turn
  3. James Wayne: Junco Partner–The Very Best Of James Wayne 1950-1955
  4. Various Artists: Siya Hamba! 1950’s South African Country and Small Town Sounds
  5. Johnny Shines: The Blues Came Falling Down–Live 1973
  6. Terry Allen & The Panhandle Mystery Band: Pedal Steal + Four Corners
  7. Neil Young & The Stray Gators: Tuscaloosa
  8. The Replacements: Dead Man’s Pop
  9. Scientists: Not for Sale (Live, 1978-1979)
  10. Abdallah Oumbadougou: Anou Malane

Inverse Proportion Theory of Musical Succor: “Records Were as Great This Year as Our World was Terrible”

I’m making no bones about it: we did not do a good job living as humans with other humans this year. Not. At. All. I really didn’t expect to turn 57 and come to the conclusion that, despite reading, enjoying, and occasionally subscribing to the viewpoint of many cynics and curmudgeons, I have been naive. A lot of us dig fascism as a possible salve on our fear. It’s hard to know how many, but even a big little is a lot.

I ain’t going into the nooks and crannies of that now, though. 2019’s music-makers responded with some very convincing aural evidence that we can actually do a very transcendent job working, playing, speaking, and listening to each other, and–especially–calling on us to be our best possible selves, rather than wallow in self-pity and misguided resentment. If the music that was produced this year is a real representation of who we are, how we feel, and what we want, then the hate-wave is operating on borrowed time.

Remember: naive at 57.

Anyway, I endorse all the albums below as interesting. Also, please note my somewhat half-hearted grading scale. And think about sending the artists the most money you can and just buying physical media to defy Marie Kondo. You know she’s marketing a bunch of worthless shit to fill your houses with, don’t you? Seriously: we’re not all grifters, especially the folks that made this stuff…

My Album-Lover’s Honor Roll for 2019 — THE FINAL COUNTDOWN

(bolded items are new additions to the ongoing list)

For those that need a harness on this burgeoning list:

1-10: Straight A (no A+ record this year)

11-66: A-

67-118: B+

119-170: B (and a B is still a good record)

  1. Little Simz: Grey Area
  2. Purple Mountains: Purple Mountains
  3. Jamila Woods: Legacy! Legacy!
  4. Junius Paul: Ism
  5. Rapsody: Eve
  6. Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
  7. Chance The Rapper: The Big Day
  8. Byron Asher: Byron Asher’s Skrontch Music
  9. Freddie Gibbs & Madlib: Bandana
  10. Snotty Nose Rez Kids: Trapline
  11. Royal Trux: White Stuff
  12. EARTHGANG: Mirrorland
  13. Ezra Furman: Twelve Nudes
  14. Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith: Songs from The Bardo
  15. Peter Perrett: Humanworld
  16. Yugen Blakrok: Anima Mysterium
  17. Mexstep: Resistir
  18. Mdou Moctar: Ilana (The Creator)
  19. Danny Brown: uknowwhutimsayin
  20. Pere Ubu: The Long Goodbye
  21. J Balvin & Bad Bunny: OASIS
  22. DKV and Joe McPhee: The Fire Each Time
  23. Lightning Bolt: Sonic Citadel
  24. MARK LOMAX, II: Afrika United (one part of a box set—if it’s all this good, woah!)
  25. Sheer Mag: A Distant Call
  26. Dumb: Club Nites
  27. Billy Woods & Kenny Segal: Hiding Places
  28. Jeffrey Lewis: Bad Wiring
  29. Raphael Saadiq: Jimmy Lee
  30. Young Thug: So Much Fun
  31. Kel Assouf: Black Tenere
  32. James Brandon Lewis: An Unruly Manifesto
  33. Gard Nilssen Acoustic Unity: To Whom Who Buys A Record
  34. Teodross Avery: After the Rain–A Night for Coltrane
  35. Various Artists: Total Solidarity
  36. Lana Del Rey: Norman F***ing Rockwell
  37. Zonal: Wrecked
  38. Control Top: Covert Contracts
  39. Lizzo: Cuz I Love You
  40. Tanya Tucker: While I’m Livin’
  41. Ifriqiyya Electrique: Laylet El Boore
  42. Elza Soares: Planeta Fome
  43. Abdullah Ibrahim: The Balance
  44. Damon Locks / Black Monument Ensemble: Where Future Unfolds
  45. Andres: Andres IV
  46. Denzel Curry: Zuu
  47. Rod Wave: Ghetto Gospel
  48. Eddy Current Suppression Ring: All in Good Time
  49. Dave: PSYCHODRAMA
  50. Moor Mother: Analog Fluids of Sonic Black Holes
  51. Various Artists: The Final Battle—Sly & Robbie vs. Roots Radics
  52. Rocket 808: Rocket 808
  53. 2 Chainz: Rap or Go to the League
  54. Joel Ross: Kingmaker
  55. JME: Grime MC
  56. I Jahbar: Inna Duppy SKRS Soundclash
  57. Lee Scratch Perry: Rainford
  58. Bill Orcutt: Odds Against Tomorrow
  59. Joe McPhee / John Butcher: At the Hill of James Magee
  60. Tyler Childers: Country Squire
  61. Pat Thomas, Dominic Lash, and Tony Orrell: Bleyschool
  62. Beyoncé: Homecoming
  63. Sote: Parallel Persia
  64. Jaimie Branch: Fly or Die II—Bird of Paradise
  65. SEED ENSEMBLE: Driftglass
  66. Arto Lindsay, Ken Vandermark, Joe McPhee, Phil Sudderberg: Largest Afternoon
  67. The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
  68. Blacks’ Myths: Blacks’ Myths II
  69. Sudan Archives: Athena
  70. The Coathangers: The Devil You Know
  71. GRLwood: I Sold My Soul to the Devil When I Was 12
  72. Yazz Ahmed: Polyhymnia
  73. FKA Twigs: MAGDALENE
  74. Miranda Lambert: Wild Card
  75. Aquarian Blood: A Love That Leads to War
  76. Preservation Hall Jazz Band: Tuba in Cuba
  77. Quelle Chris: Guns
  78. Heroes Are Gang Leaders: The Amiri Baraka Sessions
  79. DaBaby: KIRK
  80. Ben Lamar Gay: Confetti in the Sky Like Fireworks
  81. Tanya Tagaq: Toothsayer EP
  82. Ghostface Killah: Ghostface Killahs
  83. Various Artists: Weaponize Your Sound
  84. Earl Sweatshirt: FEET OF CLAY
  85. Maxo Kream: Brandon Banks
  86. BaianaSystem: O Furturo Nao Demora
  87. Aesop Rock & TOBACCO: Malibu Ken
  88. DaBaby: Baby on Baby
  89. Megan Thee Stallion: Fever
  90. Sleater-Kinney: The Center Won’t Hold
  91. Dan Weiss Trio + 1: Utica Box
  92. Davido: A Good Time
  93. Michael Kiwanuka: Kiwanuka
  94. Saul Williams: Encrypted & Vulnerable
  95. Young M.A.: Herstory in the Making
  96. Ken Vandermark: Momentum 4—Consequent Duos 2015-2019
  97. Poncho Sanchez: Trane’s Delight
  98. The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
  99. Mario Pavone: Philosophy
  100. Alcorn/McPhee/Vandermark: Invitation to a Dream
  101. Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
  102. Chuck Cleaver: Send Aid
  103. Rachid Taha: Je Suis Africain
  104. Barrence Whitfield Soul Savage Arkestra: Songs from The Sun Ra Cosmos
  105. The Sensational Barnes Brothers: Nobody’s Fault But Mine
  106. GoldLink: Diaspora
  107. Harriet Tubman: The Terror End of Beauty
  108. Usted Saami: God is Not a Terrorist
  109. Mantana Roberts: COIN COIN Chapter Four—Memphis
  110. Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
  111. black midi: Schlagenheim
  112. Nots: 3
  113. Guitar Wolf: Love & Jett
  114. Robert Forster: Inferno
  115. Aziza Brahim: Sahari
  116. Jacob Wick & Phil Sudderberg: Combinatory Pleasures
  117. The Paranoid Style: A Goddamn Impossible Way of Life
  118. Ingrid Laubrock & Aki Takase: Kasumi
  119. LPX: Junk of the Heart (EP)
  120. Helado Negro: This is How You Smile
  121. Joe McPhee and Paal Nilssen-Love: Song for the Big Chief
  122. G & D: Black Love & War
  123. Boris: Love & Evol
  124. Girl Band: The Talkies
  125. Steve Riley & The Mamou Playboys: 30 Years Live
  126. Gilberto Gil: OK OK OK
  127. JPEGMAFIA: All My Heroes Are Cornballs
  128. Ras Kass: Soul on Ice 2
  129. Flying Lotus: Flamagra
  130. Angel-Ho: Death Becomes Her
  131. JD Allen: Barracoon
  132. Big Thief: Two Hands
  133. Various Artists: Queen & Slim—The Soundtrack
  134. Tinariwen: Amadjar
  135. Various Artists: Typical Girls Three
  136. Leyla McCalla: Capitalist Blues
  137. Tyshawn Sorey and Marilyn Crispell: The Adornment of Time
  138. Tropical Fuck Storm: Braindrops
  139. Santana: Africa Speaks
  140. Judy and The Jerks: Music for Donuts
  141. Tyler, The Creator: IGOR
  142. Sault: 5
  143. Whit Dickey Tao Quartets: Peace Planet / Box of Light
  144. The Art Ensemble of Chicago: We Are On the Edge
  145. Ibibio Sound Machine: Doko Mien
  146. Solange: When I Get Home
  147. Freddie Douggie: Live on Juneteenth
  148. Ranky Tanky: Good Time
  149. Ahmad Jamal: Ballades
  150. Dump Him: Dykes to Watch Out For
  151. Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
  152. Little Brother: May the Lord Watch
  153. Blood Orange: Angel’s Pulse
  154. Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
  155. Doja Cat: Hot Pink
  156. Kelsey Lu: Blood
  157. Bassekou Kouyate & Ngoni Ba: Miri
  158. Hama: Houmeissa
  159. Ill Considered: 5
  160. Girls on Grass: Dirty Power
  161. Stella Donnelly: Beware of the Dogs
  162. Matthew Shipp Trio: Signature
  163. Shovels & Rope: By Blood
  164. Angel Bat Dawid: The Oracle
  165. Spiral Stairs: We Wanna Be Hyp-No-Tized
  166. Our Native Daughters: Songs of Our Native Daughters
  167. Rosie Flores: A Simple Case of The Blues
  168. Aki Takase Japanic: Thema Prima
  169. Mekons : Deserted
  170. Serengeti: Quail

New Releases of Older Material

1-12: Straight A (no A+ record this year)

11-27: A-

27-45: B+

46-55: B (and a B is still a good record)

  1. Peter Laughner: Peter Laughner
  2. Eric Dolphy: Musical Prophet
  3. Burnt Sugar: 20th Anniversary Mixtapes—Groiddest Schizznits, Vols. 1-3
  4. Creedence Clearwater Revival: Live at Woodstock
  5. The Royals: Gish Abbai
  6. Various Artists: Bulawayo Blue Yodel
  7. Merle Haggard & The Strangers: Live in Austin, ‘78
  8. Various Artists: Put The Whole Armour On—Female Black Gospel 1940s and 1950s
  9. Various Artist: WXAXNXD Sessions
  10. Screaming Females: Singles Too
  11. Sonny Sharrock: Ask the Ages (Bill Laswell Remix)
  12. Jessie Mae Hemphill: Run Get My Shotgun
  13. Chic: The Chic Organization: 1977-1979
  14. Griot Galaxy: Kins
  15. Various Artists: Mogadisco—Dancing Mogadishu (Somalia 1972-1991)
  16. Various Artists: No Other Love—Midwest Gospel (1965-1978)
  17. Horace Tapscott and the Pan Afrikan Orchestra: Why Don’t You Listen–Live at Lacma, 1998
  18. The Jewell Gospel Trio: Many Little Angels In The Band
  19. Johnny Griffin and Eddie Lockjaw Davis: Ow! Live at the Penthouse
  20. Various Artists: Outro Tempo II–Electronic and Contemporary Music from Brazil 1984-1996
  21. Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks
  22. Various Artists: Cadillac Baby’s Bea & Baby Records—The Definitive Collection
  23. Gregory Isaacs / Ossie All-Stars: Mr. Isaacs
  24. Various Artists: Jambu
  25. Erroll Garner: Closeup in Swing
  26. James Booker: Live at Onkel PO’s, Carnegie Hall, Hamburg 1976
  27. Cornell Campbell: I Man a the Stall-A-Watt
  28. Various Artists: World Spirituality Classics 2—The Time for Peace is Now
  29. Various Artists: J-Jazz–Deep Modern Jazz from Japan 1969-1983 (Volume 2)
  30. John Coltrane: Blue World
  31. Moondog: The Stockholm 1981 Reccordings
  32. Tubby Hayes: Grits, Beans and Greens—The Lost Fontana Studio Sessions 1969
  33. Star Band de Dakar: Psicodelia Afro-Cubana de Senegal
  34. Big Stick: Some of the Best of Big Stick
  35. Various Artists: Blues Images Calendar Companion, Volume 17
  36. Primal Scream: Maximum Rock ‘n’ Roll—The Singles
  37. Masayuki Takayanagi New Directions Unit: April is the Cruellest Month
  38. Various Artists: Rhapsody in Bronze
  39. Various Artists: Fania Goes Psychedelic
  40. Stan Getz: Getz at the Gate
  41. Sir Shina Peters and His Internation Stars: Sewele
  42. Sounds of Liberation: Sounds of Liberation
  43. Prince: Originals
  44. Various Artists: Nigeria 70–No Wahala, Highlife, Afro-Funk & Juju 1973-1987
  45. Lee Moses: How Much Longer Must I Wait? Singles & Rarities 1965-1972
  46. John Carter & Bobby Bradford Quartet: No U-Turn
  47. James Wayne: Junco Partner–The Very Best Of James Wayne 1950-1955
  48. Various Artists: Siya Hamba! 1950’s South African Country and Small Town Sounds
  49. Johnny Shines: The Blues Came Falling Down–Live 1973
  50. Terry Allen & The Panhandle Mystery Band: Pedal Steal + Four Corners
  51. Neil Young & The Stray Gators: Tuscaloosa
  52. The Replacements: Dead Man’s Pop
  53. Scientists: Not for Sale (Live, 1978-1979)
  54. Abdallah Oumbadougou: Anou Malane
  55. George Jones: United Artists Rarities

Exactly What Nobody Wanted: The Best Records of 2019 (so far), With Two Months Left to Survive It

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Observations of October (OOO for short!)

This has been a pretty great year for music tomes. Simply at present, three are battling for my attention and holding it why they get it: John Doe, Tom DeSavia, and friends’ sequel to the LA punk kinda-oral-history Under the Big Black Sun, titled More Fun in the New World: The Unmaking and Legacy [key subtitular words] of LA Punk; Vivien Goldman’s Revenge of the She-Punks: A Feminist Music History from Poly Styrene to Pussy Riot [oh, those subtitles!], which is passing my first rule of excellent music books by costing me money in buying CDs (yes, I know I could download or stream, but fuck it); and Will Ashon’s inventive and surprising Chamber Music: Wu-Tang and America 9in 36 Pieces, which keeps Jeff Chang’s streak alive of never blurbing a bad book. In the recent past, I’ve devoured Hannah Ewens‘ groundbreaking FANGIRLS, due out in the States next year and possibly landing in my freshman comp/pop music womens’ college class as an assigned text next semester (Ewens’ book passed my second rule of excellent books in that it forced me to read another book, in this case Sady Doyle’s Trainwreck, which in turn led me to the aforementioned Goldman book), and luxuriated in Celeste Bell and Zoe Howe’s Day Glo! The Poly Styrene Story, an oral history of the life, times, vision, and work of Ms. Bell’s influential punk mom. Again, that’s just the last three weeks or so. Get your ass to the library.

 

Speaking of books, Will Friedwald’s The Great Jazz & Pop Vocal Albums is finally letting go its grip on me. However, thinking about the eccentricity of some of his choices, I began to wonder why the distinctive Al Hibbler, a fellow Missouri native (from the metropolis of Tyro!) and maker of terrific albums with the likes of both Ellington and Kirk, didn’t make the cut. Hibbler had a resonant, rich-coffee voice as well as quirky, almost-Cockney articulation on some words (such his pronunciation of “I” as “Oy”). The resulting weird sound matched perfectly with those produced by Rahsaan, as can be sampled on their splendid A Meeting of the Times, on the short list of the best albums ever made by two blind men teaming up:

I’ve played that album many times, but lately I moved on to Hibbler’s two Classics label entries (featuring much of his work with Duke) as well as his romantic, passionately sung, but little-heard mid-Fifties releases (most of them piquantly-titled, such as Torchy & Blue and Al Hibbler Sings the Blues Monday Every Day).

 

Black Sabbath is really good peace-making music. My wife and I were having a mild dispute Saturday evening as she attempted to prepare some pulled pork sandwiches and I tried to convince her I was correct about several non-pork-related points. It had been her turn for stereo control about a half-hour prior to this discussion, and she asked for some Sabbaf. I pulled the two-CD compendium Symptom of the Universe, loaded, and cranked it up, and headed back into the kitchen. Did you know it is fairly impossible to keep a straight face while arguing about anything with a Black Sabbath song as a backdrop? “God knows as your dog nose, bog blast all of you / Sabbath, bloody sabbath, nothing more to do / Living just for dying, dying just for you, yeah”?” Well, OK, then! (I can’t resist sharing the below, which is kind of how I feel about this set):

 

I have to put in a strong word for New Orleans’ Sinking City Records and its new release, Byron Asher’s Skrontch Music. This label’s put out precious few records, and it doesn’t knock itself out in getting them distributed, but they are always very interesting and usually really damn good on top of that (try their 79rs Gang or Michot’s Melody Makers or Stooges Brass Band records–or their reissues of Ricky B and Danny Barker singles). Take it from me; I think I’ve bought them all, and I never wait for a review or stream samples to cut my losses. Asher’s only-in-NOLA experiment, which–and this doesn’t capture it–reaches both forwards and backwards through Crescent City music history and features some very bracing ghost appearances, is likely to inch into my Top 10 by the end of next month. Think about giving it a shot. Also, SCR’s pretty much vinyl-only, and I like that.

 

Many of my friends consider me at least somewhat of a music expert, but I regularly demonstrate I couldn’t possibly be. Just f’rinstance: last week, I screened Asif Kapadia’s harrowing documentary Amy for my Stephens College students. They’d been working on writing reviews, we’d Zoomed in some very excellent thinkers and writers to give advice, and they’d sampled several divergent models. For our final piece in the unit, I thought the film (which is more than a little complicated, and that’s a compliment) would make excellent substance for our final Socratic seminar. I’d seen it thrice before, still wasn’t sure it didn’t exploit what it seemed to want to criticize, and–most important to this blather–found myself still pretty resistant to Winehouse’s wiles. Something about her delivery (even after she’d really perfected it) seemed affected to me, without Dap Band bolstering I questioned whether her work would stand up as straight and strong, and I didn’t trust the throwback bouffant, which played to my taste (I love me some girl groups, as well as some bad girls). While watching the film two more times (I have two classes), performance clips of “You Know I’m No Good” and “Love is a Losing Game” finally perforated my shell of ignorance, and I spent a good chunk of the weekend listening to Back to Black. You know what? That sucker is a classic! Eureka–it only took me a decade to figure that out. The thing is, pop music’s so deep and rich that, even if you’re an occasional lunkhead in perceiving it (like me), at least (we hope) you’ll catch up to it later when you need something durable, powerful, and wonderful.

My Album-Lover’s Honor Roll for 2019 (as of November 3, 2019)

(bolded items are new additions to the ongoing list)

  1. Little Simz: Grey Area
  2. Various Artists: A Day in the Life–Impressions of Pepper*
  3. Jamila Woods: Legacy! Legacy!
  4. Peter Perrett: Humanworld
  5. Rapsody: Eve
  6. Mexstep: Resistir
  7. Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
  8. Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith: Songs from The Bardo
  9. Chance The Rapper: The Big Day
  10. Freddie Gibbs & Madlib: Bandana
  11. Royal Trux: White Stuff
  12. Yugen Blakrok: Anima Mysterium
  13. Mdou Moctar: Ilana (The Creator)
  14. Purple Mountains: Purple Mountains
  15. Danny Brown: uknowwhutimsayin
  16. Pere Ubu: The Long Goodbye
  17. J Balvin & Bad Bunny: OASIS
  18. Lightning Bolt: Sonic Citadel
  19. Sheer Mag: A Distant Call
  20. Billy Woods & Kenny Segal: Hiding Places
  21. Damon Locks / Black Monument Ensemble: Where Future Unfolds
  22. Jeffrey Lewis: Bad Wiring
  23. Raphael Saadiq: Jimmy Lee
  24. Byron Asher: Byron Asher’s Skrontch Music
  25. Young Thug: So Much Fun
  26. Kel Assouf: Black Tenere
  27. James Brandon Lewis: An Unruly Manifesto
  28. Teodross Avery: After the Rain–A Night for Coltrane
  29. Various Artists: Total Solidarity
  30. Lana Del Rey: Norman F***ing Rockwell
  31. Control Top: Covert Contracts
  32. Miranda Lambert: Wildcard
  33. Beyoncé: Homecoming
  34. The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
  35. 2 Chainz: Rap or Go to the League
  36. Joel Ross: Kingmaker
  37. Tyler Childers: Country Squire
  38. Preservation Hall Jazz Band: Tuba in Cuba
  39. Sote: Parallel Persia
  40. I Jahbar: Inna Duppy SKRS Soundclash
  41. Quelle Chris: Guns
  42. Heroes Are Gang Leaders: The Amiri Baraka Sessions
  43. DaBaby: KIRK
  44. Ben Lamar Gay: Confetti in the Sky Like Fireworks
  45. Tanya Tagaq: Toothsayer EP
  46. Abdullah Ibrahim: The Balance
  47. Senyawa: Sujud*
  48. Dave: PSYCHODRAMA
  49. Rocket 808: Rocket 808
  50. Various Artists: Weaponize Your Sound
  51. Maxo Kream: Brandon Banks
  52. BaianaSystem: O Furturo Nao Demora
  53. Aesop Rock & TOBACCO: Malibu Ken
  54. Lizzo: Cuz I Love You
  55. DaBaby: Baby on Baby
  56. DKV and Joe McPhee: The Fire Each Time
  57. Elza Soares: Planeta Fome
  58. Denzel Curry: Zuu
  59. Michael Kiwanuka: Kiwanuka
  60. Saul Williams: Encrypted & Vulnerable
  61. Young M.A.: Herstory in the Making
  62. Ken Vandermark: Momentum 4—Consequent Duos 2015-2019
  63. The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
  64. Mario Pavone: Philosophy
  65. Alcorn/McPhee/Vandermark: Invitation to a Dream
  66. Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
  67. Rachid Taha: Je Suis Africain
  68. Barrence Whitfield Soul Savage Arkestra: Songs from The Sun Ra Cosmos
  69. The Coathangers: The Devil You Know
  70. GoldLink: Diaspora
  71. Joe McPhee and Paal Nilssen-Love: Song for the Big Chief
  72. Megan Thee Stallion: Fever
  73. Lee Scratch Perry: Rainford
  74. G & D: Black Love & War
  75. Girl Band: The Talkies
  76. The Paranoid Style: A Goddamn Impossible Way of Life
  77. Steve Riley & The Mamou Playboys: 30 Years Live
  78. Sleater-Kinney: The Center Won’t Hold
  79. Gilberto Gil: OK OK OK
  80. JPEGMAFIA: All My Heroes Are Cornballs
  81. Resavoir: Resavoir
  82. Jaimie Branch: Fly or Die II—Bird of Paradise
  83. Ras Kass: Soul on Ice 2
  84. Flying Lotus: Flamagra
  85. Angel-Ho: Death Becomes Her
  86. JD Allen: Barracoon
  87. Big Thief: Two Hands
  88. Usted Saami: God is Not a Terrorist
  89. Mantana Roberts: COIN COIN Chapter Four–Memphis
  90. Youssou N’Dour: History
  91. Guitar Wolf: Love & Jett
  92. Tinariwen: Amadjar
  93. Cashmere Cat: Princess Catgirl
  94. Mannequin Pussy: Patience
  95. LPX: Junk of the Heart (EP)
  96. Chuck Cleaver: Send Aid
  97. Terry Riley and Kronos Quartet: Sun Rings
  98. Boris: Love & Evol
  99. Deerhunter: Death in Midsummer
  100. Various Artists: Typical Girls Three
  101. Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
  102. black midi: Schlagenheim
  103. Nots: 3
  104. Josh Berman / Paul Lytton / Jason Roebke: Trio Correspondences
  105. Jacob Wick & Phil Sudderberg: Combinatory Pleasures
  106. Leyla McCalla: Capitalist Blues
  107. Tyshawn Sorey and Marilyn Crispell: The Adornment of Time
  108. Tropical Fuck Storm: Braindrops
  109. Santana: Africa Speaks
  110. Judy and The Jerks: Music for Donuts
  111. Tyler, The Creator: IGOR
  112. Fennesz: Agora
  113. Salif Keita: Un autre blanc
  114. Robert Forster: Inferno
  115. Harriet Tubman: The Terror End of Beauty
  116. Whit Dickey Tao Quartets: Peace Planet / Box of Light
  117. Blacks’ Myths: Blacks’ Myths II
  118. The Art Ensemble of Chicago: We Are On the Edge
  119. Ibibio Sound Machine: Doko Mien
  120. Solange: When I Get Home
  121. James Carter Organ Trio: Live from Newport Jazz
  122. Freddie Douggie: Live on Juneteenth
  123. Joe McPhee / John Butcher: At the Hill of James Magee
  124. Ahmad Jamal: Ballades
  125. Dump Him: Dykes to Watch Out For
  126. Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
  127. Helado Negro: This is How You Smile
  128. Little Brother: May the Lord Watch
  129. Blood Orange: Angel’s Pulse
  130. Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
  131. slowthai: Great About Britain
  132. Silkroad Assassins: State of Ruin
  133. Steve Lacy: Apollo XXI
  134. Mekons: Deserted
  135. Que Vola: Que Vola
  136. Kelsey Lu: Blood
  137. Bassekou Kouyate & Ngoni Ba: Miri
  138. Hama: Houmeissa
  139. Steve Earle: Guy
  140. Mdou Moctar: Blue Stage Session
  141. Ill Considered: 5
  142. Girls on Grass: Dirty Power
  143. Stella Donnelly: Beware of the Dogs
  144. Matthew Shipp Trio: Signature
  145. Shovels & Rope: By Blood
  146. Angel Bat Dawid: The Oracle
  147. Spiral Stairs: We Wanna Be Hyp-No-Tized
  148. Our Native Daughters: Songs of Our Native Daughters
  149. Rosie Flores: A Simple Case of The Blues
  150. Jenny Lewis: On the Line

*Technically, these are 2018 releases, but for now, I’m claiming their impact is being felt more strongly this year.

New Releases of Older Material

  1. Peter Laughner: Peter Laughner
  2. Eric Dolphy: Musical Prophet
  3. Burnt Sugar: 20th Anniversary Mixtapes—Groiddest Schizznits, Vols. 1-3
  4. Creedence Clearwater Revival: Live at Woodstock
  5. The Royals: Gish Abbai
  6. Various Artists: Bulawayo Blue Yodel
  7. Various Artists: Put The Whole Armour On—Female Black Gospel 1940s and 1950s
  8. Screaming Females: Singles Too
  9. Horace Tapscott and the Pan Afrikan Orchestra: Why Don’t You Listen–Live at Lacma, 1998
  10. Various Artists: Outro Tempo II–Electronic and Contemporary Music from Brazil 1984-1996
  11. Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks
  12. Gregory Isaacs / Ossie All-Stars: Mr. Isaacs
  13. Various Artists: Jambu
  14. Erroll Garner: Closeup in Swing
  15. John Coltrane: Blue World
  16. James Booker: Live at Onkel PO’s, Carnegie Hall, Hamburg 1976
  17. Cornell Campbell: I Man a the Stall-A-Watt
  18. Various Artists: World Spirituality Classics 2—The Time for Peace is Now
  19. Tubby Hayes: Grits, Beans and Greens—The Lost Fontana Studio Sessions 1969
  20. Star Band de Dakar: Psicodelia Afro-Cubana de Senegal
  21. Big Stick: Some of the Best of Big Stick
  22. Primal Scream: Maximum Rock ‘n’ Roll—The Singles
  23. Masayuki Takayanagi New Directions Unit: April is the Cruellest Month
  24. Various Artists: Rhapsody in Bronze
  25. Various Artists: Fania Goes Psychedelic
  26. Stan Getz: Getz at the Gate
  27. Sir Shina Peters and His Internation Stars: Sewele
  28. Sounds of Liberation: Sounds of Liberation
  29. Prince: Originals
  30. Various Artists: Nigeria 70–No Wahala, Highlife, Afro-Funk & Juju 1973-1987
  31. Lee Moses: How Much Longer Must I Wait? Singles & Rarities 1965-1972
  32. John Carter & Bobby Bradford Quartet: No U-Turn
  33. Various Artists: Siya Hamba! 1950’s South African Country and Small Town Sounds
  34. Johnny Shines: The Blues Came Falling Down–Live 1973
  35. Terry Allen & The Panhandle Mystery Band: Pedal Steal + Four Corners
  36. Neil Young & The Stray Gators: Tuscaloosa
  37. The Replacements: Dead Man’s Pop
  38. Scientists: Not for Sale (Live, 1978-1979)
  39. Abdallah Oumbadougou: Anou Malane
  40. George Jones: United Artists Rarities

How Do Songs from The Bardo Go?: 135 Damn Nice Records from This Calendar Year, 35 Releases of Older Records

 

 

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New Stuff News:

My freshman comp/pop music class engages in a Socratic seminar every month focused on a new release by an artist of reasonable significance. This month, they discussed Lana Del Rey’s Norman Fucking Rockwell. Funny how different two classes of 18-to-20-year-old women can be. My first class was fascinated by the contradictions created in Del Rey’s work: soothing sounds concealing horror and danger, nostalgia presaging dystopia, “Is this a dream or is it wreckage?”, sexual assertiveness vs. sexual passivity. My second class just hated it: the songs are too long, repetition and filler create boredom, too few dynamics. My take, via Wilde: when the critics are in disagreement, it’s a sign the artist is in harmony with herself.

 

Nicole and I attended Columbia’s annual Dismal Niche Experimental Music Festival (October 3-6) and were blown away. Thursday night we witnessed Makaya McCraven’s shape-shifting jazz improv unit (left-hand pic), augmented by the mesmerizing young vibraphonist Joel Ross, Blacks’ Myths’ thundering and throbbing bassist Luke Stewart, and Jeff Parker of Tortoise fame. At times, I find McCraven’s recorded music sounding perilously close to chill-lounge fare, but witnessing him live, conducting master musicians in the moment, I became a believer. Locked into a groove, the group would fixate on a figure developed by one player, and McCraven would lead them into a new movement built around it–when, in the blink of an ear, they sidestepped into Latin land, I almost felt dizzy. On Saturday night, we came prepared for Mdou Moctar’s Tuareg guitar assault (right-hand pic), having deeply indulged in so-called desert blues for the better part of the last decade, but Moctar elevated beyond even that level. Conjuring Sharrock and Hendrix, sending crackling beams of electricity through his band’s Saharan dance grooves, and just LOSING IT on the final number, exploiting every inch of his axe’s strings from every angle he could reach them, he left more than a few of us younger folks (I’m 57) wondering if we’d ever heard the like. A Top Five concert for us, and great praise is due Columbian Matt Crook, the fulcrum beneath the fest ($50 for four nights plus workshops and assorted other fun stuff??? You’ve got to be kidding me!).

I have always liked Laurie Anderson at arm’s length (is that possible?). I have no problem with pretentiousness as long as its properly put in service, but I’ve often detected a light scent of bullshit hovering over her work. However, Heart of a Dog moved me, and her new readings from The Tibetan Book of the Dead are relatively free from self-consciousness and–honestly speaking–just what the doctor ordered for me (and perhaps you?) inna this ya time. Sometimes I think I can’t take another day of this furor and flapdoodle, but one listen to this record set my feet firmly on the ground. Not an easy thing for art to do right now.

Old Stuff News:

Leave it to me to be so far behind in my music study that the old seems new. True, American music is a deep, deep well, but–really–I should not just now be luxuriating in the music of Kay Starr, Peggy Lee, Bobby Troup, and (especially) Shirley Horn. I’ve been daily dipped in Will Friedwald’s The Great Jazz and Pop Vocal Albums, in which the author explores in considerable depth 50-plus records one would think I’d (and likely you) would have already been familiar with. I’d tried to read one of Friedwald’s Sinatra books and found it too gushy, but I bought this one used for a pittance, and, skimming it and noticing the likes of Tiny Tim, Bobby Short, Steve & Eydie, and Robert Goulet in the table of contents, perversity overcame me and I just had to read it, and listen along. Not every one of Friedwald’s choices enraptured me, but Kay Starr (the white Dinah Washington!), Peggy Lee (no fucking joke), Barb Jungr (few better Dylan interpreters, and she actually fomented a mini-revolution), and Maxine Sullivan (didn’t she disco?) sent me straight to Discogs. Also: Carmen McRae’s ultra-rare Live at The Dug? A sheer A+ that I will be playing regularly til i croak. The chief discovery I made, though, was of an artist who didn’t even make the list of albums, but who was referred to peripherally in a few other artists’ entries: Shirley Horn. An early influence on Miles, a musical double-threat via vocals and 88s, almost obsessively proceeding at a very unhurried and hypnotic pace, and flawlessly choosing songs, she sounds to me like a MAJOR voice in jazz. Her early Embers and Ashes? Pour a drink and just let her flow over you.

On with the show…

My Album-Lover’s Honor Roll for 2019 (as of October 5, 2019)

(bolded items are new additions to the ongoing list)

  1. Little Simz: Grey Area
  2. Various Artists: A Day in the Life–Impressions of Pepper*
  3. Jamila Woods: Legacy! Legacy!
  4. Peter Perrett: Humanworld
  5. Rapsody: Eve
  6. Mexstep: Resistir
  7. Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
  8. Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith: Songs from The Bardo
  9. Chance The Rapper: The Big Day
  10. Freddie Gibbs & Madlib: Bandana
  11. Royal Trux: White Stuff
  12. Yugen Blakrok: Anima Mysterium
  13. Mdou Moctar: Ilana (The Creator)
  14. Purple Mountains: Purple Mountains
  15. Pere Ubu: The Long Goodbye
  16. J Balvin & Bad Bunny: OASIS
  17. Sheer Mag: A Distant Call
  18. Billy Woods & Kenny Segal: Hiding Places
  19. Damon Locks / Black Monument Ensemble: Where Future Unfolds
  20. Raphael Saadiq: Jimmy Lee
  21. Young Thug: So Much Fun
  22. Kel Assouf: Black Tenere
  23. James Brandon Lewis: An Unruly Manifesto
  24. Teodross Avery: After the Rain–A Night for Coltrane
  25. Various Artists: Total Solidarity
  26. Lana Del Rey: Norman F***ing Rockwell
  27. Control Top: Covert Contracts
  28. Beyoncé: Homecoming
  29. The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
  30. 2 Chainz: Rap or Go to the League
  31. Joel Ross: Kingmaker
  32. Preservation Hall Jazz Band: Tuba in Cuba
  33. Sote: Parallel Persia
  34. I Jahbar: Inna Duppy SKRS Soundclash
  35. Quelle Chris: Guns
  36. Heroes Are Gang Leaders: The Amiri Baraka Sessions
  37. DaBaby: KIRK
  38. Ben Lamar Gay: Confetti in the Sky Like Fireworks
  39. Tanya Tagaq: Toothsayer EP
  40. Abdullah Ibrahim: The Balance
  41. Senyawa: Sujud*
  42. Dave: PSYCHODRAMA
  43. Rocket 808: Rocket 808
  44. Various Artists: Weaponize Your Sound
  45. Maxo Kream: Brandon Banks
  46. BaianaSystem: O Furturo Nao Demora
  47. Aesop Rock & TOBACCO: Malibu Ken
  48. Lizzo: Cuz I Love You
  49. DaBaby: Baby on Baby
  50. DKV and Joe McPhee: The Fire Each Time
  51. Elza Soares: Planeta Fome
  52. Denzel Curry: Zuu
  53. Saul Williams: Encrypted & Vulnerable
  54. Young M.A.: Herstory in the Making
  55. Ken Vandermark: Momentum 4—Consequent Duos 2015-2019
  56. The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
  57. Mario Pavone: Philosophy
  58. Alcorn/McPhee/Vandermark: Invitation to a Dream
  59. Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
  60. Barrence Whitfield Soul Savage Arkestra: Songs from The Sun Ra Cosmos
  61. The Coathangers: The Devil You Know
  62. GoldLink: Diaspora
  63. Joe McPhee and Paal Nilssen-Love: Song for the Big Chief
  64. Megan Thee Stallion: Fever
  65. Lee Scratch Perry: Rainford
  66. G & D: Black Love & War
  67. Girl Band: The Talkies
  68. The Paranoid Style: A Goddamn Impossible Way of Life
  69. Steve Riley & The Mamou Playboys: 30 Years Live
  70. Sleater-Kinney: The Center Won’t Hold
  71. JPEGMAFIA: All My Heroes Are Cornballs
  72. Resavoir: Resavoir
  73. Ras Kass: Soul on Ice 2
  74. Flying Lotus: Flamagra
  75. Angel-Ho: Death Becomes Her
  76. JD Allen: Barracoon
  77. Usted Saami: God is Not a Terrorist
  78. Youssou N’Dour: History
  79. Guitar Wolf: Love & Jett
  80. Tinariwen: Amadjar
  81. Cashmere Cat: Princess Catgirl
  82. Mannequin Pussy: Patience
  83. LPX: Junk of the Heart (EP)
  84. Chuck Cleaver: Send Aid
  85. Deerhunter: Death in Midsummer
  86. Various Artists: Typical Girls Three
  87. Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
  88. Nots: 3
  89. Josh Berman / Paul Lytton / Jason Roebke: Trio Correspondences
  90. Jacob Wick & Phil Sudderberg: Combinatory Pleasures
  91. Leyla McCalla: Capitalist Blues
  92. Tyshawn Sorey and Marilyn Crispell: The Adornment of Time
  93. Tropical Fuck Storm: Braindrops
  94. Santana: Africa Speaks
  95. Judy and The Jerks: Music for Donuts
  96. Tyler, The Creator: IGOR
  97. Fennesz: Agora
  98. Salif Keita: Un autre blanc
  99. Robert Forster: Inferno
  100. Harriet Tubman: The Terror End of Beauty
  101. Whit Dickey Tao Quartets: Peace Planet / Box of Light
  102. Blacks’ Myths: Blacks’ Myths II
  103. The Art Ensemble of Chicago: We Are On the Edge
  104. Ibibio Sound Machine: Doko Mien
  105. Solange: When I Get Home
  106. James Carter Organ Trio: Live from Newport Jazz
  107. Freddie Douggie: Live on Juneteenth
  108. Joe McPhee / John Butcher: At the Hill of James Magee
  109. Ahmad Jamal: Ballades
  110. Dump Him: Dykes to Watch Out For
  111. Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
  112. Helado Negro: This is How You Smile
  113. Little Brother: May the Lord Watch
  114. Blood Orange: Angel’s Pulse
  115. Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
  116. slowthai: Great About Britain
  117. Silkroad Assassins: State of Ruin
  118. Steve Lacy: Apollo XXI
  119. Mekons: Deserted
  120. Que Vola: Que Vola
  121. Kelsey Lu: Blood
  122. Bassekou Kouyate & Ngoni Ba: Miri
  123. Hama: Houmeissa
  124. Steve Earle: Guy
  125. Mdou Moctar: Blue Stage Session
  126. Ill Considered: 5
  127. Girls on Grass: Dirty Power
  128. Stella Donnelly: Beware of the Dogs
  129. Matthew Shipp Trio: Signature
  130. Shovels & Rope: By Blood
  131. Angel Bat Dawid: The Oracle
  132. Spiral Stairs: We Wanna Be Hyp-No-Tized
  133. Our Native Daughters: Songs of Our Native Daughters
  134. Rosie Flores: A Simple Case of The Blues
  135. Jenny Lewis: On the Line

*Technically, these are 2018 releases, but for now, I’m claiming their impact is being felt more strongly this year.

New Releases of Older Material

  1. Peter Laughner: Peter Laughner
  2. Eric Dolphy: Musical Prophet
  3. Burnt Sugar: 20th Anniversary Mixtapes—Groiddest Schizznits, Vols. 1-3
  4. Creedence Clearwater Revival: Live at Woodstock
  5. The Royals: Gish Abbai
  6. George Jones: United Artists Rarities
  7. Horace Tapscott and the Pan Afrikan Orchestra: Why Don’t You Listen–Live at Lacma, 1998
  8. Various Artists: Outro Tempo II–Electronic and Contemporary Music from Brazil 1984-1996
  9. Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks
  10. Gregory Isaacs / Ossie All-Stars: Mr. Isaacs
  11. Various Artists: Jambu
  12. John Coltrane: Blue World
  13. James Booker: Live at Onkel PO’s, Carnegie Hall, Hamburg 1976
  14. Cornell Campbell: I Man a the Stall-A-Watt
  15. Various Artists: World Spirituality Classics 2—The Time for Peace is Now
  16. Tubby Hayes: Grits, Beans and Greens—The Lost Fontana Studio Sessions 1969
  17. Star Band de Dakar: Psicodelia Afro-Cubana de Senegal
  18. Big Stick: Some of the Best of Big Stick
  19. Primal Scream: Maximum Rock ‘n’ Roll—The Singles
  20. Masayuki Takayanagi New Directions Unit: April is the Cruellest Month
  21. Various Artists: Rhapsody in Bronze
  22. Various Artists: Fania Goes Psychedelic
  23. Stan Getz: Getz at the Gate
  24. Sir Shina Peters and His Internation Stars: Sewele
  25. Sounds of Liberation: Sounds of Liberation
  26. Prince: Originals
  27. Various Artists: Nigeria 70–No Wahala, Highlife, Afro-Funk & Juju 1973-1987
  28. Lee Moses: How Much Longer Must I Wait? Singles & Rarities 1965-1972
  29. John Carter & Bobby Bradford Quartet: No U-Turn
  30. Various Artists: Siya Hamba! 1950’s South African Country and Small Town Sounds
  31. Johnny Shines: The Blues Came Falling Down–Live 1973
  32. Terry Allen & The Panhandle Mystery Band: Pedal Steal + Four Corners
  33. Neil Young & The Stray Gators: Tuscaloosa
  34. The Replacements: Dead Man’s Pop
  35. Abdallah Oumbadougou: Anou Malane

August Augury: 67% Exhausted, The End of The End of the Decade Finds a Second Breeze

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Warm Takes

I originally did not buy Lana Del Rey‘s set-up. The nostalgia, iconography, and icon-checks (I liked the dark tinge, but I just didn’t trust it); the tempos; the (somewhat) whispery delivery and sexy presentation (what’s wrong with sexy? I don’t truss it!); the desperation and decadence: the machine seemed built to manipulate. However, friends encouraged me to keep listening, and eventually her strange combination of deviance, sincerity, and trap-springing won me over last year as I consumed her oeuvre up to that point at very close listening range. The new one? She seems to have perfected that combo, the record just sounds magnificent, and the times have further lent themselves to draining one of fucks to give (and that’s scary, actually). Big winner for me–might just move up.

 

There may not be a better-named MC in rap than Rapsody. Her Eve is a tour de force of checklist skillz, and the tribute concept make the album an excellent pairing with Jamila Woods’ r & b version of the same.

Sheer Mag? Rock and FUCKING roll! Fresh and energetic at that! A friend joked that it was a Judas Priest album but that is a compliment right now.

No long-term observer of Raphael Saadiq would deny that the fellow is criminally talented. But from the Tonies through his collaborations and two solo joints, he’s never seemed to me to really get it all together–his career reminds me a bit of Bobby Womack. But the more personal nature of Jimmy Lee‘s songs and its consistent and dynamic flow may mean he’s finally really nailed it. I think he has.

I trust if you’re reading this, you are aware of Poland’s swing to the right, especially in its attitude toward its LGBTQIA population. If you have $50 to donate as the calendar flips, think about trying the 122-track electronic pig-out compilation Total Solidarity. It’s angry, the artists mean it, man, the quality’s hella consistent–and you can dance to it.

And now…

My Album-Lover’s Honor Roll for 2019 (as of August 31, 2019)

(bolded items are new additions to the ongoing list)

  1. Little Simz: Grey Area
  2. Various Artists: A Day in the Life–Impressions of Pepper*
  3. Freddie Gibbs & Madlib: Bandana
  4. Jamila Woods: Legacy! Legacy!
  5. Lana Del Rey: Norman F***ing Rockwell
  6. Peter Perrett: Humanworld
  7. Rapsody: Eve
  8. Mexstep: Resistir
  9. Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
  10. Royal Trux: White Stuff
  11. Yugen Blakrok: Anima Mysterium
  12. Pere Ubu: The Long Goodbye
  13. J Balvin & Bad Bunny: OASIS
  14. Control Top: Covert Contracts
  15. Sheer Mag: A Distant Call
  16. Billy Woods & Kenny Segal: Hiding Places
  17. Damon Locks / Black Monument Ensemble: Where Future Unfolds
  18. Raphael Saadiq: Jimmy Lee
  19. Kel Assouf: Black Tenere
  20. James Brandon Lewis: An Unruly Manifesto
  21. Teodross Avery: After the Rain–A Night for Coltrane
  22. Various Artists: Total Solidarity
  23. Beyoncé: Homecoming
  24. The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
  25. Mdou Moctar: Ilana (The Creator)
  26. 2 Chainz: Rap or Go to the League
  27. Preservation Hall Jazz Band: Tuba in Cuba
  28. Purple Mountains: Purple Mountains
  29. Sote: Parallel Persia
  30. I Jahbar: Inna Duppy SKRS Soundclash
  31. Quelle Chris: Guns
  32. Young Thug: So Much Fun
  33. Heroes Are Gang Leaders: The Amiri Baraka Sessions
  34. Chance The Rapper: The Big Day
  35. Ben Lamar Gay: Confetti in the Sky Like Fireworks
  36. Tanya Tagaq: Toothsayer EP
  37. Abdullah Ibrahim: The Balance
  38. Senyawa: Sujud*
  39. Dave: PSYCHODRAMA
  40. Various Artists: Weaponize Your Sound
  41. Maxo Kream: Brandon Banks
  42. Aesop Rock & TOBACCO: Malibu Ken
  43. Lizzo: Cuz I Love You
  44. DaBaby: Baby on Baby
  45. DKV and Joe McPhee: The Fire Each Time
  46. Denzel Curry: Zuu
  47. Saul Williams: Encrypted & Vulnerable
  48. The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
  49. Mario Pavone: Philosophy
  50. Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
  51. The Coathangers: The Devil You Know
  52. GoldLink: Diaspora
  53. Megan Thee Stallion: Fever
  54. Lee Scratch Perry: Rainford
  55. G & D: Black Love & War
  56. Tropical Fuck Storm: Braindrops
  57. The Paranoid Style: A Goddamn Impossible Way of Life
  58. Joel Ross: Kingmaker
  59. Steve Riley & The Mamou Playboys: 30 Years Live
  60. Sleater-Kinney: The Center Won’t Hold
  61. Resavoir: Resavoir
  62. Flying Lotus: Flamagra
  63. Angel-Ho: Death Becomes Her
  64. JD Allen: Barracoon
  65. Usted Saami: God is Not a Terrorist
  66. Youssou N’Dour: History
  67. Guitar Wolf: Love & Jett
  68. Mannequin Pussy: Patience
  69. LPX: Junk of the Heart (EP)
  70. Chuck Cleaver: Send Aid
  71. Deerhunter: Death in Midsummer
  72. Various Artists: Typical Girls Three
  73. Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
  74. Nots: 3
  75. Josh Berman / Paul Lytton / Jason Roebke: Trio Correspondences
  76. Jacob Wick & Phil Sudderberg: Combinatory Pleasures
  77. Leyla McCalla: Capitalist Blues
  78. Santana: Africa Speaks
  79. Judy and The Jerks: Music for Donuts
  80. Tyler, The Creator: IGOR
  81. Fennesz: Agora
  82. Salif Keita: Un autre blanc
  83. Robert Forster: Inferno
  84. Harriet Tubman: The Terror End of Beauty
  85. Whit Dickey Tao Quartets: Peace Planet / Box of Light
  86. The Art Ensemble of Chicago: We Are On the Edge
  87. Ibibio Sound Machine: Doko Mien
  88. Solange: When I Get Home
  89. Freddie Douggie: Live on Juneteenth
  90. Joe McPhee / John Butcher: At the Hill of James Magee
  91. Dump Him: Dykes to Watch Out For
  92. Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
  93. Helado Negro: This is How You Smile
  94. Blood Orange: Angel’s Pulse
  95. Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
  96. slowthai: Great About Britain
  97. Silkroad Assassins: State of Ruin
  98. Steve Lacy: Apollo XXI
  99. Mekons: Deserted
  100. Que Vola: Que Vola
  101. Kelsey Lu: Blood
  102. Bassekou Kouyate & Ngoni Ba: Miri
  103. Hama: Houmeissa
  104. Steve Earle: Guy
  105. Mdou Moctar: Blue Stage Session
  106. Ill Considered: 5
  107. Girls on Grass: Dirty Power
  108. Stella Donnelly: Beware of the Dogs
  109. Matthew Shipp Trio: Signature
  110. Shovels & Rope: By Blood
  111. Angel Bat Dawid: The Oracle
  112. Spiral Stairs: We Wanna Be Hyp-No-Tized
  113. Our Native Daughters: Songs of Our Native Daughters
  114. Rosie Flores: A Simple Case of The Blues
  115. Jenny Lewis: On the Line

*Technically, these are 2018 releases, but for now, I’m claiming their impact is being felt more strongly this year.

New Releases of Older Material

  1. Peter Laughner: Peter Laughner
  2. Eric Dolphy: Musical Prophet
  3. Burnt Sugar: 20th Anniversary Mixtapes—Groiddest Schizznits, Vols. 1-3
  4. Creedence Clearwater Revival: Live at Woodstock
  5. George Jones: United Artists Rarities
  6. Horace Tapscott and the Pan Afrikan Orchestra: Why Don’t You Listen–Live at Lacma, 1998
  7. Various Artists: Outro Tempo II–Electronic and Contemporary Music from Brazil 1984-1996
  8. Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks
  9. Gregory Isaacs / Ossie All-Stars: Mr. Isaacs
  10. James Booker: Live at Onkel PO’s, Carnegie Hall, Hamburg 1976
  11. Cornell Campbell: I Man a the Stall-A-Watt
  12. Tubby Hayes: Grits, Beans and Greens—The Lost Fontana Studio Sessions 1969
  13. Star Band de Dakar: Psicodelia Afro-Cubana de Senegal
  14. Big Stick: Some of the Best of Big Stick
  15. Primal Scream: Maximum Rock ‘n’ Roll—The Singles
  16. Masayuki Takayanagi New Directions Unit: April is the Cruellest Month
  17. Various Artists: Rhapsody in Bronze
  18. Stan Getz: Getz at the Gate
  19. Sir Shina Peters and His Internation Stars: Sewele
  20. Sounds of Liberation: Sounds of Liberation
  21. Prince: Originals
  22. Various Artists: Nigeria 70–No Wahala, Highlife, Afro-Funk & Juju 1973-1987
  23. Lee Moses: How Much Longer Must I Wait? Singles & Rarities 1965-1972
  24. John Carter & Bobby Bradford Quartet: No U-Turn
  25. Various Artists: Siya Hamba! 1950’s South African Country and Small Town Sounds
  26. Johnny Shines: The Blues Came Falling Down–Live 1973
  27. Terry Allen & The Panhandle Mystery Band: Pedal Steal + Four Corners
  28. Neil Young & The Stray Gators: Tuscaloosa
  29. Sonic Youth: Battery Park, NYC: July 4th 2008

Halfway to Listville: Slabs from 2019 That Have Been Consistently Good To Me (and Some Music Moments That’ve Been Good For Me)

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We’re halfway through 2019 and the tanks are rolling into DC! Nice! Anyway, I’ve heard almost 100 new records that are damn good, as well as 20 issuances of older music that might cause you to get revelated. They’re further down the page. But first…

Top 10 Music-Related Moments of My Month:

ONE: I was out of town running sound for a wedding, and went for two early morning walks with headbuds in, not my usual mode of listening (I don’t like being aurally cut off from my immediate environment). On the first, 84-year-old Abdullah Ibrahim’s new album The Balance (with an impressive front line of tenor, flute, and baritone) dovetailed harmoniously with a southwest Missouri sunrise.

On the second–here I was listening out of obligation, because my expectations were low for the release but it was “required listening”–I surrendered to Freddie Gibbs, thanks to an uptick in the MC’s wit and Madlib’s subtle facilitation. The name of the album, easily one of the year’s best, is Bandana.

TWO: Speaking of that wedding, the bride had originally chosen Stevie Wonder’s “Signed, Sealed, and Delivered” as the pick to click right after she and her hubby kissed and were presented–then she changed it, much to my initial dismary, to Toby Keith’s “God Love Her.” Besides being less than moved by Mr. Keith, I thought the sentiment left out the poor groom. When Apple Music suddenly dropped the original single (fortunately, I had been testing the playlist daily and noticed), I thought that was a sign–but it turned out the video of the song was still available, so out of obligation (notice I take those seriously?) I plugged it in. Pretty good song, and the young lady’s gum-popping coincided with the couple hitting the “red carpet” after descending the altar steps. Perfectly irreverent!

THREE: I stumbled onto a neat new French label, Dark Tree. Along with a ton of other items, Dark Tree is offering two rare recordings from master pianist, composer, bandleader, and arranger Horace Tapscott’s “Watts school”: an inspiring Tapscott live show (his discography is so small and scarce every new addition is an event–to my ear and mind, anyway) and a wild and woolly concert by a quartet fronted by clarinetist John Carter and Ornette-connected trumpeter Bobby Bradford.

FOUR: Peter Perrett should never have survived the Eighties, but lo and behold the old reprobate has checked in with his second strong album in a row, Humanworld. It could use one more uptempo tune, but his sardonic lyricism and daring phrasing sound undimmed by forty years’ passage. There may be hope for the rest of us.

FIVE: Listen, I am not a fan of Iran’s fundamentalist leadership, but it’s not like every Iranian should be tarred with that brush, especially its youth and its uneasy artists. Out of solidarity with the hopeful people of that country against our stupidly-start-a-fire-then-heroically-put-it-out president, I’ve been getting deeply into the work of Sote. Subversive electronica twining traditional sounds with near-futuristic ones–you should give it a try yourself.

SIX: I don’t get out to much live music here in Columbia, Missouri. I will freely admit why: the offerings seldom interest and almost never excite me. However, I am still needing five cups of coffee in order to sleep after learning that the upcoming Dismal Niche Experimental Music Festival (October 3-6) will spotlight Agadez guitar lightning-forker Mdou Moctar [his new album Ilana (The Creator)–see below–is one of the year’s best], Chicago mix-Mesmer Makaya McCraven, soundscape weaver Julianna Barwick, and hypnotic finger-picker Yasmin Williams.

SEVEN: I received a new James Booker find and a Professor Longhair reissue in the mail on the same day, though I ordered them on different days from different outlets. The Fess record has worse sound than the original LP, but because I am a well-known nut about Booker, I am frequently asked which Booker album it should be bought if only one were to be. It might very well be the title bolded in the second list below.

EIGHT: John Corbett is one of the more enthusiastic music writers I know of. His style isn’t snazzy–in fact, it’s frequently a bit awkward and corny–but the power of his love has persuaded me on numerous occasions and I’ve seldom been disappointed. His new listening memoir, Pick Up the Pieces: Excursions in Seventies Music, is a fun read (it was worth it to me just to be directed to The Fall’s Dragnet!), and his record label, Corbett Vs. Dempsey, specializes in reissuing free jazz and experimental records that have long been out of print. A new C vs. D release I purchased made the second list below (Sounds of Liberation–Byard Lancaster’s sax backing a Black Power singing group!), and another, Tetterettet, by the wacky, sly, and skilled Instant Composers Pool Tentet, sent me on an a deeper ICP (nope–not Insane Clown Posse!) dig that netted me not quite half-a-hundred albums. Yes, I just typed that.

NINE: The first blues album I ever bought with my own money was Fenton Robinson’s Somebody Loan Me a Dime (White Dog Records, Fayetteville, AR, 1981). In the ensuing years, I was finally able to buy Howlin’ Wolf and Sonny Boy Williamson records (and plenty other masters’, as well), and I forgot about ol’ Fenton. I broke it out one afternoon out of the clear blue sky, and realized it was, in Christgauvian terms, an A+. Nicole, a blues hardliner, turned to me and said, “Why haven’t we been playing this five times a year every year since we met?” That’s a twenty-nine-year expanse, and she’s correct.

TEN: A very young septuagenarian friend of mine who lives in Austin and has very high standards recently told me, “Dylan hasn’t cut shit since Blonde on Blonde.” OK. No.I was obliged to shatter his misconceptions. Being as chronologically gifted as he is, he still buys and listens to CDs–giving me the perfect excuse to do something I live to do but never get the chance to: MAKE SOME MIX DISCS! He asked for one, and in characteristic overkill I sent him four–and I didn’t even allow myself songs Dylan waxed prior to 1980.

I haven’t heard back from him. Maybe he’s still working through the discs. But unsurprisingly as I compiled the playlist, I ran across a track even I had overlooked. It stunned me in its humility, sorrow, and depth of understanding–I’d link it, but it ain’t available. Next time you pull out World Gone Wrong, give your full attention to “Lone Pilgrim.”

BONUS TRACK: I was fortunate to attend one of only twenty nationwide theatrical screenings of Martin Scorsese’s new Rolling Thunder Tour movie. In it, he mixes fascinating footage from the tour with recently filmed interviews with participants. The house was packed–at 57, I was probably in the youngest quartile of the attendees–and we were virtually sitting on top of each other. Two elderly female friends–slightly more elderly than I, at least–were kibbitzing a bit in the aisle in front of me, and upon Dylan’s first talking head appearance (likely filmed in 2018), one turned to the other and, in complete seriousness, asked:

“Who’s that?”

My Album-Lover’s Honor Roll for 2019 (as of July 3rd, 2019)

(bolded items are new additions to the ongoing list)

  1. Little Simz: Grey Area
  2. Various Artists: A Day in the Life–Impressions of Pepper*
  3. Freddie Gibbs & Madlib: Bandana
  4. Jamila Woods: Legacy! Legacy!
  5. Beyoncé: Homecoming
  6. Control Top: Covert Contracts
  7. Peter Perrett: Humanworld
  8. Billy Woods & Kenny Segal: Hiding Places
  9. Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
  10. Royal Trux: White Stuff
  11. Yugen Blakrok: Anima Mysterium
  12. James Brandon Lewis: An Unruly Manifesto
  13. Damon Locks / Black Monument Ensemble: Where Future Unfolds
  14. Kel Assouf: Black Tenere
  15. Teodross Avery: After the Rain–A Night for Coltrane
  16. The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
  17. Aesop Rock & TOBACCO: Malibu Ken
  18. Heroes Are Gang Leaders: The Amiri Baraka Sessions
  19. Mdou Moctar: Ilana (The Creator)
  20. 2 Chainz: Rap or Go to the League
  21. Senyawa: Sujud*
  22. Dave: PSYCHODRAMA
  23. Sote: Parallel Persia
  24. Quelle Chris: Guns
  25. Ben Lamar Gay: Confetti in the Sky Like Fireworks
  26. Tanya Tagaq: Toothsayer EP
  27. Abdullah Ibrahim: The Balance
  28. Various Artists: Weaponize Your Sound
  29. Lizzo: Cuz I Love You
  30. DKV and Joe McPhee: The Fire Each Time
  31. The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
  32. Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
  33. The Coathangers: The Devil You Know
  34. GoldLink: Diaspora
  35. Megan Thee Stallion: Fever
  36. Lee Scratch Perry: Rainford
  37. Joel Ross: Kingmaker
  38. Steve Riley & The Mamou Playboys: 30 Years Live
  39. Flying Lotus: Flamagra
  40. Angel-Ho: Death Becomes Her
  41. Usted Saami: God is Not a Terrorist
  42. Youssou N’Dour: History
  43. Guitar Wolf: Love & Jett
  44. Mannequin Pussy: Patience
  45. LPX: Junk of the Heart (EP)
  46. Deerhunter: Death in Midsummer
  47. Various Artists: Typical Girls Three
  48. Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
  49. Nots: 3
  50. Santana: Africa Speaks
  51. Judy and The Jerks: Music for Donuts
  52. Denzel Curry: Zuu
  53. Tyler, The Creator: IGOR
  54. Fennesz: Agora
  55. Salif Keita: Un autre blanc
  56. Robert Forster: Inferno
  57. Harriet Tubman: The Terror End of Beauty
  58. The Art Ensemble of Chicago: We Are On the Edge
  59. Ibibio Sound Machine: Doko Mien
  60. Solange: When I Get Home
  61. Freddie Douggie: Live on Juneteenth
  62. Joe McPhee / John Butcher: At the Hill of James Magee
  63. Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
  64. Helado Negro: This is How You Smile
  65. Ahmed Ag Kaedy: Akaline Kidal
  66. Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
  67. slowthai: Great About Britain
  68. Silkroad Assassins: State of Ruin
  69. Steve Lacy: Apollo XXI
  70. Mekons: Deserted
  71. Zeal & Ardor: Live in London
  72. Que Vola: Que Vola
  73. Miguel: Te Lo Dije EP
  74. Mary Faust: Farm Fresh
  75. Kelsey Lu: Blood
  76. Bassekou Kouyate & Ngoni Ba: Miri
  77. Hama: Houmeissa
  78. Steve Earle: Guy
  79. Mdou Moctar: Blue Stage Session
  80. Beth Gibbons with the Polish National Radio Symphony Orchestra (conducted by Krzysztof Penderecki): Henryk Gorecki—Symphony #3 (Symphony of Sorrow Songs)
  81. Ill Considered: 5
  82. Leyla McCalla: Capitalist Blues
  83. Girls on Grass: Dirty Power
  84. Stella Donnelly: Beware of the Dogs
  85. Matthew Shipp Trio: Signature
  86. Weyes Blood: Titanic Rising
  87. Shovels & Rope: By Blood
  88. The King Khan Experience: Turkey Ride
  89. Angel Bat Dawid: The Oracle
  90. Better Oblivion Community Center: Better Oblivion Community Center
  91. Alfredo Rodriguez and Pedrito Martinez: Duologue
  92. Spiral Stairs: We Wanna Be Hyp-No-Tized
  93. Our Native Daughters: Songs of Our Native Daughters
  94. Rosie Flores: A Simple Case of The Blues
  95. CZARFACE & Ghostface Killah: Czarface Meets Ghostface
  96. Jenny Lewis: On the Line

*Technically, these are 2018 releases, but for now, I’m claiming their impact is being felt more strongly this year.

New Releases of Older Material

  1. Eric Dolphy: Musical Prophet
  2. Burnt Sugar: 20th Anniversary Mixtapes—Groiddest Schizznits, Vols. 1-3
  3. Horace Tapscott and the Pan Afrikan Orchestra: Why Don’t You Listen–Live at Lacma, 1998
  4. Various Artists: Outro Tempo II–Electronic and Contemporary Music from Brazil 1984-1996
  5. Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks
  6. James Booker: Live at Onkel PO’s, Carnegie Hall, Hamburg 1976
  7. Big Stick: Some of the Best of Big Stick
  8. Primal Scream: Maximum Rock ‘n’ Roll—The Singles
  9. Masayuki Takayanagi New Directions Unit: April is the Cruellest Month
  10. Various Artists: Rhapsody in Bronze
  11. Sir Shina Peters and His Internation Stars: Sewele
  12. Sounds of Liberation: Sounds of Liberation
  13. Prince: Originals
  14. Various Artists: Nigeria 70–No Wahala, Highlife, Afro-Funk & Juju 1973-1987
  15. Lee Moses: How Much Longer Must I Wait? Singles & Rarities 1965-1972
  16. John Carter & Bobby Bradford Quartet: No U-Turn
  17. Johnny Shines: The Blues Came Falling Down–Live 1973
  18. Terry Allen & The Panhandle Mystery Band: Pedal Steal + Four Corners
  19. Neil Young & The Stray Gators: Tuscaloosa
  20. Sonic Youth: Battery Park, NYC: July 4th 2008

Where (The) Future Unfolds: Five Months of Engaging Rekkids, Year 2019

 

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My Album-Lover’s Honor Roll for 2019 (as of June 3, 2019)

(bolded items are new additions to the ongoing list)

  1. Little Simz: Grey Area
  2. Various Artists: A Day in the Life–Impressions of Pepper*
  3. Jamila Woods: Legacy! Legacy!
  4. Beyoncé: Homecoming
  5. Royal Trux: White Stuff
  6. Control Top: Covert Contracts
  7. Senyawa: Sujud*
  8. Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
  9. Yugen Blakrok: Anima Mysterium
  10. James Brandon Lewis: An Unruly Manifesto
  11. Damon Locks / Black Monument Ensemble: Where Future Unfolds
  12. Kel Assouf: Black Tenere
  13. The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
  14. Aesop Rock & TOBACCO: Malibu Ken
  15. Heroes Are Gang Leaders: The Amiri Baraka Sessions
  16. Mdou Moctar: Ilana (The Creator)
  17. 2 Chainz: Rap or Go to the League
  18. Dave: PSYCHODRAMA
  19. Quelle Chris: Guns
  20. Ben Lamar Gay: Confetti in the Sky Like Fireworks
  21. Tanya Tagaq: Toothsayer EP
  22. Steve Lacy: Apollo XXI
  23. Various Artists: Weaponize Your Sound
  24. Lizzo: Cuz I Love You
  25. DKV and Joe McPhee: The Fire Each Time
  26. The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
  27. Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
  28. The Coathangers: The Devil You Know
  29. Megan Thee Stallion: Fever
  30. Lee Scratch Perry: Rainford
  31. Joel Ross: Kingmaker
  32. Flying Lotus: Flamagra
  33. Angel-Ho: Death Becomes Her
  34. Usted Saami: God is Not a Terrorist
  35. Youssou N’Dour: History
  36. Guitar Wolf: Love & Jett
  37. LPX: Junk of the Heart (EP)
  38. Deerhunter: Death in Midsummer
  39. Various Artists: Typical Girls Three
  40. Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
  41. Nots: 3
  42. Judy and The Jerks: Music for Donuts
  43. Tyler, The Creator: IGOR
  44. Fennesz: Agora
  45. Salif Keita: Un autre blanc
  46. Robert Forster: Inferno
  47. Harriet Tubman: The Terror End of Beauty
  48. The Art Ensemble of Chicago: We Are On the Edge
  49. Ibibio Sound Machine: Doko Mien
  50. Solange: When I Get Home
  51. Freddie Douggie: Live on Juneteenth
  52. Joe McPhee / John Butcher: At the Hill of James Magee
  53. Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
  54. Helado Negro: This is How You Smile
  55. Ahmed Ag Kaedy: Akaline Kidal
  56. Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
  57. slowthai: Great About Britain
  58. Silkroad Assassins: State of Ruin
  59. Mekons: Deserted
  60. Zeal & Ardor: Live in London
  61. Que Vola: Que Vola
  62. Miguel: Te Lo Dije EP
  63. Mary Faust: Farm Fresh
  64. Kelsey Lu: Blood
  65. Bassekou Kouyate & Ngoni Ba: Miri
  66. Hama: Houmeissa
  67. Steve Earle: Guy
  68. Mdou Moctar: Blue Stage Session
  69. Beth Gibbons with the Polish National Radio Symphony Orchestra (conducted by Krzysztof Penderecki): Henryk Gorecki—Symphony #3 (Symphony of Sorrow Songs)
  70. Ill Considered: 5
  71. Leyla McCalla: Capitalist Blues
  72. Girls on Grass: Dirty Power
  73. Stella Donnelly: Beware of the Dogs
  74. Matthew Shipp Trio: Signature
  75. Weyes Blood: Titanic Rising
  76. Shovels & Rope: By Blood
  77. The King Khan Experience: Turkey Ride
  78. Angel Bat Dawid: The Oracle
  79. Better Oblivion Community Center: Better Oblivion Community Center
  80. Alfredo Rodriguez and Pedrito Martinez: Duologue
  81. Spiral Stairs: We Wanna Be Hyp-No-Tized
  82. Our Native Daughters: Songs of Our Native Daughters
  83. Rosie Flores: A Simple Case of The Blues
  84. CZARFACE & Ghostface Killah: Czarface Meets Ghostface
  85. Jenny Lewis: On the Line

*Technically, these are 2018 releases, but for now, I’m claiming their impact is being felt more strongly this year.

New Releases of Older Material

  1. Eric Dolphy: Musical Prophet
  2. Burnt Sugar: 20th Anniversary Mixtapes—Groiddest Schizznits, Vols. 1-3
  3. Various Artists: Outro Tempo II–Electronic and Contemporary Music from Brazil 1984-1996
  4. Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks
  5. Primal Scream: Maximum Rock ‘n’ Roll—The Singles
  6. Various Artists: Rhapsody in Bronze
  7. Sir Shina Peters and His Internation Stars: Sewele
  8. Various Artists: Nigeria 70–No Wahala, Highlife, Afro-Funk & Juju 1973-1987
  9. Lee Moses: How Much Longer Must I Wait? Singles & Rarities 1965-1972
  10. Terry Allen & The Panhandle Mystery Band: Pedal Steal + Four Corners

 

Trust in the Lifeforce: Best New Records from the First Third of 2019 (Updated 5/1 with Two Significant Add-Ons and Two Bye-Byes)

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I think I’m back to thinking this is a bit of a weak year. Or maybe I’m just saying that to see 2019 hit me back. It worked last time. Some recent observations:

*I’ve been following the huzzahs and hisses directed at Ms. Knowles’ live album. Not having always been vulnerable to her wiles, I understand both sides of the argument (as well as those on middle ground). But I know what I’m hearing, and I find very little not to love: the brass/marching band support (the arrangements make it all sound so easy, but it couldn’t have been), the tougher vocals (something I’ve always wanted from her and knew she could offer), the song selection (I’ve now been converted to tunes I’d tuned out on), the showcases (especially for Freedia! she was owed!), and, honestly, the educational content. It’s a tour de force, and it stands up without visuals, as outstanding as those must have been–I’ve yet to see anything but clips.

*I’d like to thank my friend Dan Weiss for forcefully suggesting I listen to Control Top’s furious Covert Contracts. I have many compadres who ask me, “Well, what about punk rock NOW?” That album’s an answer.

*Billie Eilish may tempt some who know me to wonder if I am bending over backwards to stay hip with the kid-crowd, but I’d argue her material isn’t exactly kid stuff. If you hung around humans her age as much as I do (I have no choice: I teach them), you might hear her record differently. The booga-booga cover pose is not entirely a joke–her generation is indeed dealing with stressors the hoarier among us might well have sidestepped, and it ain’t about how tough we are and they ain’t. And I hear that twining through the songs–along with some charming and funny backtalk and a mordant sense of humor that probably helps Eilish on more than just her music. One way I know she must be doing something right is that she defeats my resistance to “little baby voices” with sheer weirdness, chutzpah, and attitude.

*I recently raided Sublime Frequencies’ Bandcamp site after reading an article on the label in The New Yorker. Several of their more recent offerings are budget-priced, so I indulged myself, expecting really just to be educated about some international music I’d never heard before. Indonesia’s Senyawa’s 2018 album Sujud, however, did that and more, extended traditions of their country’s music into the realm of the self-consciously experimental. If that doesn’t sound like a strong bet, maybe it wasn’t–but they won it. I haven’t heard a more mesmerizing, unique album this year (by the way, I’m counting Sujud as a 2019 offering since, thanks to the above article, that’s when its impact is likely to be more substantial.

*Don’t you love it when a band that’s never done anything for you does something for you? I can’t put my finger on it–I think it’s the songwriting and dynamics–but Shovel & Ropes’ By Blood has me rockin’, and rooting for it.

*It’s too easy, very absurd, and not a little lazy to call Mdou Moctar “The Hendrix of the Sahara.” However, there is a reason he has two records in my Top 70 (!) so far.

And there’s also a reason why, last time, he was compared to Prince.

*LATE-BREAKING ADD-ON: I finally broke down after playing it more times than any other record this year and claimed A Day in the Life–Impressions of Pepper as a 2019 record; it was a 2018 RSD release, but saw an issue to the rest of humanity in December. The jazzer take on The Beatles’ inescapable album might sound like a must-to-avoid (I initially streamed it with some trepidation myself), but it’s quirkily catchy and inventive–plus the jazzers in question include Mary Halvorson, Makaya McCraven, and Shabaka Hutchings, not exactly the paint-by-numbers type and the latter two in the midst of a pretty substantial moment. But don’t trust me; sample it yourself. Also, I wrinkled my nose at LPX being compared to Robyn (and could she not name herself something less mechanical?), then I played her Junk of the Heart EP and felt quite a bit of joy. In fact, a lot of joy.

2019 New Release Honor Roll

  1. Little Simz: Grey Area
  2. Various Artists: A Day in the Life–Impressions of Pepper*
  3. Beyoncé: Homecoming
  4. Royal Trux: White Stuff
  5. Control Top: Covert Contracts
  6. Senyawa: Sujud*
  7. Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
  8. 2 Chainz: Rap or Go to the League
  9. Yugen Blakrok: Anima Mysterium
  10. James Brandon Lewis: An Unruly Manifesto
  11. Kel Assouf: Black Tenere
  12. The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
  13. Aesop Rock & TOBACCO: Malibu Ken
  14. Heroes are Gang Leaders: The Amiri Baraka Sessions
  15. Mdou Moctar: Ilana (The Creator)
  16. Dave: PSYCHODRAMA
  17. Quelle Chris: Guns
  18. Ben Lamar Gay: Confetti in the Sky Like Fireworks
  19. Tanya Tagaq: Toothsayer EP
  20. Various Artists: Weaponize Your Sound
  21. Lizzo: Cuz I Love You
  22. DKV and Joe McPhee: The Fire Each Time
  23. The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
  24. Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
  25. The Coathangers: The Devil You Know
  26. Angel-Ho: Death Becomes Her
  27. Usted Saami: God is Not a Terrorist
  28. Zeal & Ardor: Live in London
  29. LPX: Junk of the Heart (EP)
  30. Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
  31. Fennesz: Agora
  32. Salif Keita: Un autre blanc
  33. Robert Forster: Inferno
  34. Harriet Tubman: The Terror End of Beauty
  35. The Art Ensemble of Chicago: We Are On the Edge
  36. Ibibio Sound Machine: Doko Mien
  37. Solange: When I Get Home
  38. Joe McPhee / John Butcher: At the Hill of James Magee
  39. Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
  40. Helado Negro: This is How You Smile
  41. Ahmed Ag Kaedy: Akaline Kidal
  42. Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
  43. Silkroad Assassins: State of Ruin
  44. Mekons: Deserted
  45. Que Vola: Que Vola
  46. Miguel: Te Lo Dije EP
  47. Kelsey Lu: Blood
  48. Bassekou Kouyate & Ngoni Ba: Miri
  49. Hama: Houmeissa
  50. Steve Earle: Guy
  51. Mdou Moctar: Blue Stage Session
  52. Beth Gibbons with the Polish National Radio Symphony Orchestra (conducted by Krzysztof Penderecki): Henryk Gorecki—Symphony #3 (Symphony of Sorrow Songs)
  53. Ill Considered: 5
  54. Leyla McCalla: Capitalist Blues
  55. Girls on Grass: Dirty Power
  56. Stella Donnelly: Beware of the Dogs
  57. Matthew Shipp Trio: Signature
  58. Weyes Blood: Titanic Rising
  59. Shovels & Rope: By Blood
  60. Angel Bat Dawid: The Oracle
  61. Better Oblivion Community Center: Better Oblivion Community Center
  62. Alfredo Rodriguez and Pedrito Martinez: Duologue
  63. Bad Bunny: X 100PRE
  64. The Clifford Thornton Memorial Quartet (featuring Joe McPhee): Sweet Oranges
  65. Our Native Daughters: Songs of Our Native Daughters
  66. Rosie Flores: A Simple Case of The Blues
  67. Wynton Marsalis: Bolden (Soundtrack to the Motion Picture)
  68. People Under the Stairs: Sincerely, The P
  69. CZARFACE & Ghostface Killah: Czarface Meets Ghostface
  70. Jenny Lewis: On the Line

*Technically, these are 2018 releases, but for now, I’m claiming their impact is being felt more strongly this year.

New Releases of Older Material

  1. Eric Dolphy: Musical Prophet
  2. Burnt Sugar: 20th Anniversary Mixtapes—Groiddest Schizznits, Vols. 1-3
  3. Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks
  4. Various Artists: Rhapsody in Bronze
  5. Sir Shina Peters and His Internation Stars: Sewele
  6. Belton Richard: The Essential Cajun Music Collection, Volume 2

“Weaponize Your Sound”: Best Albums of ’19, 25% through the Briar Patch

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All I had to do was bitch about 2019 and it stepped to me–almost immediately. Top 25s in particular are getting a lot of replay.

Bold-faced entries represent older music, which I usually separate into a dedicated list later. Notable: some very emotionally intense desert blues up in here, and it parallels some shit coming down at the source; some really talkative rap records striking deep; my reading as always effects my musical perceptions–I just finished Dave Cullen’s Parkland.

  1. Little Simz: Grey Area
  2. Eric Dolphy: Musical Prophet
  3. Quelle Chris: Guns
  4. Burnt Sugar: 20th Anniversary Mixtapes—Groiddest Schizznits, Vols. 1-3
  5. Dave: PSYCHODRAMA
  6. Royal Trux: White Stuff
  7. 2 Chainz: Rap or Go to the League
  8. Harriet Tubman: The Terror End of Beauty
  9. The Coathangers: The Devil You Know
  10. Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks
  11. Mdou Moctar: Ilana (The Creator)
  12. Ben Lamar Gay: Confetti in the Sky Like Fireworks
  13. Usted Saami: God is Not a Terrorist
  14. Robert Forster: Inferno
  15. Heroes are Gang Leaders: The Amiri Baraka Sessions
  16. Yugen Blakrok: Anima Mysterium
  17. James Brandon Lewis: An Unruly Manifesto
  18. Kel Assouf: Black Tenere
  19. The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
  20. Aesop Rock & TOBACCO: Malibu Ken
  21. Zeal & Ardor: Live in London
  22. Joe McPhee / John Butcher: At the Hill of James Magee
  23. Various Artists: Weaponize Your Sound
  24. Helado Negro: This is How You Smile
  25. Ahmed Ag Kaedy: Akaline Kidal
  26. Various Artists: Live at Raul’s
  27. Solange: When I Get Home
  28. Tanya Tagaq: Snowblind
  29. Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
  30. Steve Earle: Guy
  31. Rosie Flores: A Simple Case of The Blues
  32. Jenny Lewis: On the Line
  33. Silkroad Assassins: State of Ruin
  34. Various Artists: Rhapsody in Bronze (featuring Cousin Joe, James Booker, and Snooks Eaglin)
  35. Angel-Ho: Death Becomes Her
  36. DKV and Joe McPhee: The Fire Each Time
  37. Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
  38. Que Vola: Que Vola
  39. Sir Shina Peters and His Internation Stars: Sewele
  40. Bassekou Kouyate & Ngoni Ba: Miri
  41. People Under the Stairs: Sincerely, The P
  42. Powder: Powder in Space (DJ Mix)
  43. Hama: Houmeissa
  44. Ill Considered: 5
  45. Leyla McCalla: Capitalist Blues
  46. M’dou Moctar: Blue Stage Session
  47. CZARFACE & Ghostface Killah: Czarface Meets Ghostface
  48. Matthew Shipp Trio: Signature
  49. Angel Bat Dawid: The Oracle
  50. Better Oblivion Community Center: Better Oblivion Community Center
  51. Alfredo Rodriguez and Pedrito Martinez: Duologue
  52. Bad Bunny: X 100PRE
  53. The Clifford Thornton Memorial Quartet (featuring Joe McPhee): Sweet Oranges
  54. Our Native Daughters: Songs of Our Native Daughters
  55. Bob Mould: Sunshine Rock
  56. Ty Segall: Deforming Lobes
  57. The Specials: Encore
  58. Meat Puppets: Dusty Notes
  59. Mekons: Deserted
  60. Greg Ward and Rogue Parade: Stomping Off from Greenwood

Best Rekkids of ’19 – End of Febru-weary Edition

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Behold–a rather tentative list of 30 pretty damn decent releases from the 2019th year of our lord (is that right? asks the history-challenged heathen). I would not say that, so far, our musical high priests have laid a cornucopial spread before our weary, hungry, hopeful selves; I would say, however, that plenty of interesting stuff is at your fingertips. The following are in rough order of how much enjoyment I’ve gained from and willing repetition I’ve applied to each long-player. Certain of my regular prejudices are in play: Joe McPhee is a genius and a saint to me, musically and personally, and in his 79th year (50 or so of them as a devoted free-playing jazz multi-instrumentalist and happy noise-maker) he shows no signs of slowing down or having passed his sell-by date–I love all three of his new records, including all six discs of his “Nation Time!”-keyed live collaboration with DKV (that’s Hamid Drake, Ken Kessler, and Ken Vandermark); I come alive at the sound of a Tuareg guitar, no matter how familiar or how augmented by Western intrusion; I am certain Yugen Blakrok needs more recognition and I will bend over backwards to see that, at least within my very circumscribed social range, she gets it; I have a very soft spot for the hoarier artist. But I’d almost argue that those strong prejudices, built from high expectations, might just make me more likely than most to recognize why records therein don’t really cut it. Almost.

Also, I am being very strict about releases being from 2019. If I am not, I will get my wrists slapped.

If anything really obvious is missing (Sharon Van Etten, Future, Gary Clark, Jr.) it might well be assumed that I am immune to its spells.

Finally, I am including new releases of material recorded in bygone days (rather than listing those separately) because pickings are just that slim. So far. [Ex Hex, Mekons, Jamila Woods, Lost Bayou Ramblers, Royal Trux (Royal Trux?), Quelle Chris, hell, ol’ dead Marvin Gaye each have one in tha chamba for future firing.]

After the list is a YouTube playlist where you can test-drive some of the stuff if it’s unfamiliar to you.

  1. Harriet Tubman: The Terror End of Beauty
  2. DKV and Joe McPhee: The Fire Each Time
  3. Yugen Blakrok: Anima Mysterium
  4. Heroes are Gang Leaders: The Amiri Baraka Sessions
  5. Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks
  6. Various Artists: Travailler, C’est Trop Dure–The Lyrical Legacy of Caesar Vincent
  7. Que Vola: Que Vola
  8. Kel Assouf: Black Tenere
  9. Aesop Rock & TOBACCO: Malibu Ken
  10. Sir Shina Peters and His Internation Stars: Sewele
  11. Eric Dolphy: Musical Prophet
  12. Usted Saami: God is Not a Terrorist
  13. Joe McPhee / John Butcher: At the Hill of James Magee
  14. Bassekou Kouyate & Ngoni Ba: Miri
  15. People Under the Stairs: Sincerely, The P
  16. Powder: Powder in Space (DJ Mix)
  17. Hama: Houmeissa
  18. Bob Mould: Sunshine Rock
  19. Ill Considered: 5
  20. M’dou Moctar: Blue Stage Session
  21. CZARFACE & Ghostface Killah: Czarface Meets Ghostface
  22. Greg Ward and Rogue Parade: Stomping Off from Greenwood
  23. Matthew Shipp Trio: Signature
  24. Angel Bat Dawid: The Oracle
  25. Better Oblivion Community Center: Better Oblivion Community Center
  26. Alfredo Rodriguez and Pedrito Martinez: Duologue
  27. Bad Bunny: X 100PRE
  28. The Clifford Thornton Memorial Quartet (featuring Joe McPhee): Sweet Oranges
  29. Our Native Daughters: Songs of Our Native Daughters
  30. The Specials: Encore

A note on the playlist: two-three full albums are included (one of them a three-disker) because single tracks were not available, so you may want to be prepared to click past them after an initial taste. Or you may not…