Lovin’ a 45: I Choose Vinyl Over Soundcloud for No Really Good Reason (November 6th, 2018, Columbia, MO)

VOTE! Intelligently! Doesn’t matter if the weather is bad or the lines are long or you have to interact with other humans–just do it.

OK, now that that’s over with, have you ever dreamed of having your own jukebox? I do, all the time. I am fortunate enough to have everything in life that I really need (as long as music and books keep comin’), and I for damn sure don’t need a jukebox. But I have a small but powerful collection of 45s that are just dyin’ to get inside a machine, and I still buy the little boogers, really, because I think that I am bound to one day own a working model. Guests will be able to play songs gratis (just like they do at Milton’s Cocktails in Fulton, Missouri!), and I’ll set it up right next to my free beer-vending machine!

I had planned ahead for a musical buffer to arrive for the midterm elections, and just in time the postman delivered. From 12XU Records came a sampling from the newest project from Niangua (MO)-born rock and roller John Schooley, Rocket 808. I’ve been following Schooley’s work for over twenty years, from his time in Columbia, MO’s long-lost and -missed Revelators to his raving One Man Band 45s (on Goner) and albums (on Voodoo Rhythm) to his defiant albums with The Hard Feelings to his exciting team-ups with master harp-blower Walter Daniels on Dead Mall Blues. I’m committed to his records ’cause he’s committed to making good ones, and the new 7″ (album coming soon) is no exception. If I told you he deliberately set out to meld instro guitar-hero twang-‘n’-tremble with nerve-rattling Suicide-inspired mechanical percussion, then realized that idea’s potential straight out of the gate, would you believe me? Yeah, I encourage you to question authority, too, so here:

On the flip, Schooley is the latest to hop on “Mystery Train” for a ride, and while it doesn’t provide as unique a rush as “Digital Billboards,” it does wail–as does the artist, trading Presley’s whoop for a hanging-from-a-railcar scream.

I will keep you posted on that album, folks.

 

Also stuffed in the mailbox was a package of singles straight from the New Orleans streets–specifically, from the mysterious mostly-vinyl-only Sinking City record label. I do not know much about the folks behind Sinking City, and they (rather refreshingly) do not issue releases in torrents. I will say that since my first purchase, a 12″ re-release of Ricky B’s absolutely essential, absolutely addictive, absolutely yellable “Shake For Ya Hood,” I’ve bought almost everything the label’s released with great satisfaction. They’ve marched into my home as if they owned it (and they do)–they are Louisiana-stamped. Stooges Brass Band’s Street Music, maybe the best brass band record of the decade. 79rs Gang’s Fire on the Bayou, a Mardi Gras Indians record stripped down to the basics like Run-DMC did their attack (also, it teams 7th and 9th Ward Indians). A classic 45 RPM-set reissue of the first commercially-recorded Mardi Gras Indian chants, fired by legendary guitarist and NOLA griot Danny Barker. This year’s haunting Blood Moon, by Michot’s Melody Makers, easily a best-of-2018 candidate and too powerful to be called a Lost Bayou Ramblers spin-off.

Their newest gem, released in tandem with Urban Unrest Records, is simply titled “The SCR Hip Hop 45 Series.” Three new, very street, very historically aware, very catchy singles by the likes of Blackbird & Seprock, Paco Troxclair, and and Ze11a, with guest appearances by Anderson Paak and (no surprise) Mannie Fresh–plus (enough of an inducement to buy it right here) the great “Shake For Ya Hood” itself. Subject matter? Customary for (and lovable about) a NOLA hip hop offering, a neighborhood call-out; the ins and out of not being in one’s right mind; duffy-ness; nostalgia for ladies coloring their hair with “all flavors” of Kool-Aid; a boast that one’s “honey will get her nut / like Cheerios”; and observations of the dangerous life. I’ve already played all four of them four times since I opened the package last night at 5:30 pm, so my enthusiasm is not just jerked from my knee. You try ’em:

Only quibble: Sinking City should have thrown in a 5th single, by NOLA MC Charm Taylor, a woman whose handle is both perfectly fitting and subtly ironic. You can buy her newest tracks for a buck (as well as her reissued 2015 album) on Bandcamp, or sample her here:

 

 

“Baby, I’m Scared of You”: A Halloween Playlist! Plus: Best Records of ’18, 83% of the Way Through This Mess

Please ramp up your Halloween anxiety with this YouTube playlist of my favorite scary records! It’s not meant to be comprehensive–these are the ones we regularly blast out into the street when we await trick-or-treaters in the driveway, a firepot in front of us and libations beside us (tonight: a single barrel Four Roses). It’s heavy on Roky, Dead Moon, The Cramps, and Screamin’ Jay, but it ranges into punk, rap, jazz, and country, too.

Halloween

 

Also, what would the end of the month be without an OCD update of my favorite records released this year? It’s been an outstanding one: after thinning the herd in September, I’m back up to 135 records I’d give a B+ or better to if they were my students (some of ’em do grow on you over time!). My list of reissues is up to 25 from 20 for those of you who range across the years or just think music’s been over for awhile. Sad to say, some new records (particularly the new Cloud Nothings) have not made it to my inner ear yet, but I got a sneakyloo listen to the new Pistol Annies and I’m betting heavy on that.

Overeem’s “Best of 2018,” two months from New Year’s

  1. Tracy Thorn: Record
  2. CupcaKe: Ephorize
  3. Bettye LaVette: Things Have Changed
  4. JLin: Autobiography (Music from Wayne McGregor’s Autobiography)
  5. Chloe x Halle: The Kids are Alright
  6. The Internet: Hive Mind
  7. Parquet Courts: Wide Awake!
  8. Zeal & Ardor: Stranger Fruit
  9. Noname: Room 25
  10. Makaya McCraven: Universal Beings
  11. Sly & Robbie and Nils Petter Molvaer: Nordub
  12. Swamp Dogg: Love, Loss, and Auto-Tune
  13. Orquesta Akokan: Orquesta Akokan
  14. Pusha T: Daytona
  15. Elza Soares: Deus É Mulher
  16. John Prine: The Tree of Forgiveness
  17. Berry: Everything, Compromised
  18. JD Allen: Love Stone
  19. Janelle Monae: Dirty Computer
  20. Superchunk: What A Time to Be Alive
  21. Mary Gauthier and Songwriting with Soldiers: Rifles and Rosary Beads
  22. Toni Braxton: Sex & Cigarettes
  23. Joe McPhee: Imaginary Numbers
  24. Nidia: Nídia É Má, Nídia É Fudida
  25. Fat Tony: 10,000 Hours
  26. Blood Orange: Negro Swan
  27. Subtle Degrees: A Dance That Empties
  28. Daniel Carter: Seraphic Light
  29. Alice Bag: Blue Print
  30. The Necks: Body
  31. Michot’s Melody Makers: Blood Moon
  32. Hamell on Trial: The Night Guy
  33. Young Fathers: Cocoa Sugar
  34. Quelle Chris & Jean Grae: Everything’s Fine
  35. Robbie Fulks & Linda Gail Lewis: Wild! Wild! Wild!
  36. James Brandon Lewis: Radiant Imprints
  37. boygenius: EP
  38. Mitski: Be the Cowboy
  39. Tropical Fuck Storm: A Laughing Death in Meatspace
  40. Sons of Kemet: Your Queen is a Reptile
  41. Lisbon Freedom Unit: Praise of Our Folly
  42. SOPHIE: The Oil of Every Pearl’s Un-insides
  43. The Goon Sax: We’re Not Talking
  44. Lyrics Born: Quite a Life
  45. Pistol Annies: Interstate Gospel
  46. Grupo Mono Blanco: ¡Fandango! Sones Jarochos from Veracruz
  47. Ken Vandermark / Klaus Kugel / Mark Tokar: No-Exit Corner
  48. Knife Knights: 1 Time Mirage
  49. Angelika Niescier: The Berlin Concert
  50. Young Mothers: Morose
  51. Kelela: Take Me Apart—The Remixes
  52. No Age: Snares Like a Haircut
  53. Kids See Ghosts: Kids See Ghosts
  54. Sidi Toure: Toubalbero
  55. Robyn: Honey
  56. Neneh Cherry: Broken Politics
  57. Tyshawn Sorey: Pillars
  58. Wynton Marsalis & Friends: United We Swing–Best of the Jazz at Lincoln Center Galas
  59. La Maison Noir: The Black House
  60. Jonghyun: Poet / Artist
  61. Rolling Blackouts Coastal Fever: Hope Downs
  62. Dave Holland: Uncharted Territories
  63. Halu Mergia: Lalu Balu
  64. Full Blast: Live in Rio
  65. Mekons 77: It Is Twice Blessed
  66. Jeffrey Lewis: Works by Tuli Kupferberg
  67. Bombino: Deran
  68. Teyana Taylor: K.T.S.E.
  69. Idris Ackamoor & The Pyramids: An Angel Fell
  70. Rapsody: Laila’s Wisdom
  71. Sarayah: Feel the Vibe
  72. Jinx Lennon: Grow a Pair
  73. The Thing: Again
  74. Tierra Whack: Whack World
  75. Lori McKenna: The Tree
  76. Chief Keef: The Kozart
  77. Nas: Nasir
  78. Speedy Ortiz: Twerp Verse
  79. Courtney Barnett: Tell Me How You Really Feel
  80. Car Seat Headrest: Twin Fantasy
  81. Makaya McCraven: Where We Come From (Chicago x London Mixtape)
  82. Evan Parker, Barry Guy, and Paul Lytton: Music for David Mossman
  83. Salim Washington: Dogon Revisited
  84. Beats Antique: Shadowbox
  85. Jon Hassell: Listening To Pictures (Pentimento, Vol. One)
  86. Charge It to The Game: House with a Pool
  87. JPEGMAFIA: Veteran
  88. The Beths: The Future Hates Me
  89. Various Artists: Girls Just Wanna Have Fun…and Rights!!!
  90. Apolo: Live in Stockholm
  91. Mdou Moctar & Elite Beat: Mdou Moctar meets Elite Beat In a Budget Dancehall
  92. Willie Nelson: Last Man Standing
  93. Mudhoney: Digital Garbage
  94. Wussy: What Heaven is Like
  95. Kiefer: happysad
  96. Meshell Ndegeocello: Ventriloquism
  97. Freddie Gibbs: Freddie
  98. Kamasi Washington: Heaven & Earth
  99. Don Flemons: Black Cowboy
  100. Cardi B: Invasion of Privacy
  101. Shopping: The Official Body
  102. Cypress Hill: Elephants on Acid
  103. Maria Muldaur: Don’t You Feel My Leg—The Naughty Bawdy Blues of Blu Lu Barker
  104. Dana Murray: Negro Manifesto
  105. Shame: Songs of Praise
  106. Henry Threadgill: Dirt..and More Dirt
  107. Ceramic Dog: YRU Still Here?
  108. Marc Ribot: Songs of Resistance 1942-2018
  109. The Coup: Soundtrack to the Film Sorry to Bother You
  110. Van Morrison & Joey DeFrancesco: You’re Driving Me Crazy
  111. Various Artists/Sahel Sounds: Field Recordings
  112. L.E.S. Douze: The Stoned 1
  113. Kendrick Lamar, et al: Black Panther—Music from and Inspired by the Film
  114. Tal National: Tantabara
  115. Rodrigo Amado (with Joe McPhee): History of Nothing
  116. Hop Along: Bark Your Head Off, Dog
  117. MAST: Thelonious Sphere Monk
  118. Tirzah: Devotion
  119. The Chills: Snowbound
  120. Eddie Daniels: Heart of Brazil
  121. Big Freedia: Third Ward Bounce
  122. Old Man Saxon: The Pursuit
  123. Amy Rigby: The Old Guys
  124. Busdriver: Electricity Is On Our Side
  125. Lonnie Holley: MITH
  126. Del McCoury Band: Del McCoury Still Plays Bluegrass
  127. Dr. Michael White: Tricentennial Rag
  128. Migos: Culture II
  129. Yo La Tengo: There’s a Riot Goin’ On
  130. The Carters: Everything is Love
  131. Sleep: The Sciences
  132. The English Beat: Here We Go Love
  133. Princess Nokia: A Girl Cried Red
  134. Santigold: I Don’t Want—The Gold Fire Sessions
  135. Chad Popper: A Popper People

OLD MUSIC NICELY REPACKAGED

  1. Various Artists: The Savory Collection 1935-1940
  2. Sonny Rollins: Way Out West (Deluxe Reissue)
  3. Neil Young: Roxy—Tonight’s the Night
  4. Erroll Garner: Nightconcert
  5. Various Artists: Voices of Mississippi—Artists and Musicians Documented by William Ferris
  6. Prince: A Piano and a Microphone
  7. Various Artists: Listen All Around: The Golden Age of Central and East African Music
  8. Gary Stewart: “Baby I Need Your Loving” / “Yester-Me, Yester-You, Yester-Day”
  9. Peter Brotzmann and Fred Lonberg-Holm: Ouroboros
  10. Oneness of Juju: African Rhythms
  11. Joe McPhee: Nation Time
  12. Bruce Springsteen: 1978/07/07 West Hollywood, CA
  13. The Revelators: In which the Revelators perform live renditions of selections from the Billy Childish songbook
  14. Against All Logic: 2012-2017
  15. Grant Green: Live at Oil Can Harry’s
  16. Entourage: Ceremony of Dreams—Studio Sessions & Outtakes 1972-1977
  17. Kuniyuki Takahashi: Early Tape Works 1986 – 1993 Volume 1
  18. Various Artists: Africa Scream Contest, Volume 2
  19. Wussy: Getting Better
  20. Milford Graves: Babi
  21. David Bowie: Santa Monica ‘72
  22. Various Artists: The Beginning of the End
  23. Mulatu Astatke & His Ethiopian Quintet: Afro-Latin Soul, Vols. 1 & 2
  24. Various Artists: Two Niles to Sing a Melody—The Violins & Synths of Sudan
  25. Feeling Kreyol: Las Pale

Son of Desert Island Discs: 10 Records Released This Year That I’d Take with Me if That Were My Only Choice (October 24, 2018, Columbia, MO)

Last week, I posted my Top 10 desert island records (at least the ones I was feeling that day) for no good reason other than to think about great records and put it out there. Thing is, though…well, three things: a) my list was boring, I thought in retrospect; b) confronted with picking ten from 10,000, I felt my brain dull–and I really didn’t think about the albums, I just felt about them; and c) after realizing no Howlin’ Wolf or Thelonious Monk was on the list, I felt like the failure. Felt, felt, felt.

So I was wallowing around in the comment thread on Facebook that issued forth from my sharing of the post, when a decent, worthy, achievable task came to mind: what if I limited my leave-the-country-fast-as-you-can crate to just records that have been released in 2018? Harder in some ways, but easier to think about. For example, I actually thought about 10 categories for records I’d need if I were isolated on such an islet, and they came surprisingly quickly:

Physical Exercise

Mental Exercise

Meditation

Sleep

Intimacy

Remembrance

Appreciation (of the Present)

Singing

Lightness (Hope, Laughter, Love)

Darkness (Despair, Rage, Hate)

And, see, the thing is, my Top 10 2018-vintage desert island discs, as a result of the above, don’t exactly match my current Top 10 favorite 2018-vintage discs, because utilitarianism has intruded, which, for my purposes, is just fine. Here goes–the records came almost as quickly, and satisfactorily, as the categories! (Note: I’ve linked the artists and/or records with some supplemental material if you know them not.)

One. To keep myself physically fit, encourage me to dance (easier when I’m by myself, anyway), and inspire me to invent my own kind of tai chi:

JLin‘s Autobiography (Music from Wayne McGregor’s Autobiography)

Two. To keep my mind sharp, engaged, challenged, and fed (this would have to be something durably challenging and nutritious, ya dig?):

Mary Gauthier and Songwriting with Soldiers: Rifles and Rosary Beads

Three. To practice mindfulness and master the emptying of my mind and desires:

Sly & Robbie and Nils Petter Molvaer: Nordub

Four. To elicit and help sustain deep and restful slumber, and regenerate my physical and mental cores:

The Necks: Body

Five. Um, OK, I will technically be alone…but my imagination and memories, and the sun, moon, stars, and breeze will be my companions:

JD Allen: Love Stone

Six. To conjure the best memories of my friends, family, wife, pets, and exploits (a tough one, because recent records connect quicker to recent interactions–the past, but certainly not the deep past) (but–aha!–I found a way to cheat, as usual):

Bettye LaVette: Things Have Changed

Seven. To encourage me to appreciate my circumstances, either by contrast with the agonies of society or by putting the glories of isolation into relief:

Subtle Degrees: A Dance That Empties

Eight. To encourage me to sing freeing, determined, defiant, melancholy songs–luckily, no one will be there to hear. Dedicated to my friend Hardin–I know you were waiting for it.

Tracey Thorn: Record

Nine. To help me hold (and also release) the light.

John Prine: The Tree of Forgiveness

Ten. To help me embrace (and also fight) the dark.

Zeal & Ardor: Stranger Fruit

 

Let’s hope none of us ever have a reason to split for the sands.

Coming soon: my similar answer to my recent 10 Desert Island Books post.

 

Apropos of Nothing, My Desert Island Top 10 (October 21st, 2018, Columbia, MO)

Since I am well-known to care more about the fading concept of albums  than most, I am often asked about my desert island Top 10. Usually, that’s a parlor game; these days, it sounds like an actual option. Just today, I found myself relating to the earliest founders of this democracy: is there anywhere I can move with like-minded folks to found a country girded by ideals, intellect, compassion, and creativity? Where I don’t have to watch a “leader” mocking the oppressed? I clearly chose the wrong presidential term to quit drinking. ANYWAY, here are 10 albums that always come up when the quick-grab-and-take-off query is proffered, not in any preferential order. I have nothing to say about them. If you click on the links, my attraction should be apparent to you.

Bob Wills and The Texas Playboys: The Tiffany Transcriptions, Volume Three–Basin Street Blues

Professor Longhair: Crawfish Fiesta

Bob Dylan: Highway 61 Revisited

The Velvet Underground

Eric B. and Rakim: Follow the Leader

The Flying Burrito Brothers: The Gilded Palace of Sin

John Coltrane: A Love Supreme

Hank Williams, Sr.: The Original Singles Collection…Plus

Billie Holiday: Lady Day

Dead Moon: Echoes of the Past

There it is. Those will sustain me. The list might be different tomorrow. I am quite aware of glaring omissions (no Wolf? no Clash? no Aretha? no Satchmo? no…I could go on); also, it’s a crusty semi-old-timer’s list, indeed–I’d just argue time’s still in its chambers ruling on more recent stuff, I suppose.

Tierra Whack / Sophie: Socratic Seminar College Girls Gone Critically Wild (October 11th, 2018, Stephens College, Columbia, MO)

The assignment:

Assignment

The on-site guidelines (with some context for the reader):

I’ve been leading these discussions and choosing the records, but a student asked if they could pick, and–why the hell not? The moderators in this case are the ones who chose the respective albums. A gender-bending anti-capitalist charter school advocate from St. Louis chose the Sophie album (which, in preparing myself for the activity, I’ve come to really like!) and a rural SW Missouri kid with a hearing disability who’s also the first college student in her family chose Ms. Whack. I will not participate verbally; I’m documenting the discussion, and their scores will be based on participation (they can gain some points simply by being attentive) and preparation (I’ve required annotated notes on their listening, reading, and viewing experience). This is a stepping stone to their writing reviews of their own, which Austin is also going to assist with.

Here’s the assignment:

Tips for Today’s Discussion of Tierra Whack’s Whack World

…and Sophie’s Oil of Every Pearl’s Un-Insides:

Moderators (Emmalee and Emil):
Initiate, guide, and enhance the discussion—in other words, make your participation about inspiring conversation, involving as many folks as possible, and keeping it on track. You should mostly ask questions, not make statements.

General Participants:
• Have your notes out and mentally prepare for how you would like to enter the conversation, and use your notes to support your comments.
• Self-monitor: realize everyone needs to participate, so be specific and concise. Think twice about entering more than once.
• No hand-raising: wait for space and enter it with politeness.
• Do not interrupt speakers—but, again, speakers? Self-monitor.
• You are welcome to ask other speakers to clarify their opinions; moderators are expected to do this, but it is not exclusively their job. By the same token, you may invite students who seem to be struggling to get involved to enter.
This conversation is about exploring how best to review these albums, since that is your next task. Keep your commentary confined to what you’d write about these albums if you were required to.

My notes on the proceedings:

Re: Tierra Whack:

“…she’s pretty brave because she avoids rap stereotypes for women–she’s odd and that’s GOOD…”

“…if were white, this’d be more popular…”

“…the silliness provides a neat contrast, or subtlety, or something for her serious thoughts…”

“…how does the short format impact her hopes for sales…?

“I found the abruptness, or lack of transitions, to be hard to deal with first listen, but the videos smoothed those out…”

“there is a sadness undercurrent she doesn’t need a piano to communicate…”

“She’s so inventive musically and visually–you really need to watch the videos too–but she’s so fast it’s hard to process!”

“She’s a female Chance the Rapper…”

“Do you think she defies genre…?”

Re: Sophie:

The moderator surprised me and went around the room asking each fellow student to offer an adjective to describe Sophie, which she listed on the board as a menu for her Socratic. At first, I was annoyed with her asserting that much authority over the rest of the group (she is a strong personality, and I’d asked her to temper that a bit for this activity), but she then receded back to her seat and the menu worked great!

“Is discomfort in reacting to an art a band thing…?”

“I didn’t know she was trans…! (?)”

“I love this album but it disturbs me… the music doesn’t fit into a genre, but she doesn’t, either…!”

“How do you…or CAN you…evaluate the album separate from the times…”

“I was listening to this in the car by myself, and just had to turn it off and ask myself, ‘Is everything ok?’…”

“I was shook!”

“Now that I know she’s trans I LOVE THIS ALBUM!”

“She’s basically saying ‘Fuck you, I can change myself anyway I want to….”

“…it sounds like, with her music, she’s making the audience feel what it feels like to BE trans in public in this country…shook, yeah, but also beautiful and multi-dimensional.”

 

My last comment was, “Well, from now on I am just going to assign you material and have you teach each other–I do not appear all that necessary, and Socrates would agree!” Kind of joking—but kind of not.

Guilt (October 6th, 2018, Columbia, MO)

What a disgusting week. True: we little people can’t really know what happened between the now Supreme Court judge and the professor. It’s entirely possible that, after the hearing where the two parties aired their takes, and after the FBI in rushed manner nosed into the deets, the “Senate” didn’t see enough hard evidence to support the prof’s testimony. All we had to go on, really, were the personalities and the probabilities.

I’ve known many women who have struggled through Dr. Ford’s experiences (1 in 4 American women have); Kavanaugh reminded me of a good 50-100 blowhards I’ve known (family, friends, and acquaintances–all men) who are aghast that anyone should question their graspings. Or imagine that they had, indeed, grasped at all. I’m a white man. I sprang from a midwestern Christian environment, but I sprang out of it once I realized there wasn’t much of a commitment to the spirit of the texts. Prejudice. Judgement. Greed. Fear. Insulation (yeah: insulation). Idolatry (“sniffing the jocks of the rich and famous and loud”). I love this country in many ways, but I hate it in others–it is not, by a long shot, an entirely benevolent force in the world, but it does, no doubt, have potential. Right now, with a schmuck–a zit, a boil, an abscess–as a president, it’s an embarrassment. Surely, for you, he’s brought folks into the light that you once loved and now behold with horror. Lou Reed: “You can’t depend on the goodly hearted / The goodly hearted / Made lampshades and soap.” We didn’t think it could happen to us, but it had already happened (Africans, immigrants, natives), and it is happening, in a different iteration, again.

As usual, needing some ballast to keep me from sinking into total darkness, some music appeared out of the ether to keep me afloat. I hadn’t listened to Marianne Faithfull in a bit, but she was a favorite of my mother-in-law, who passed in 2013 from brain cancer. Nicole and I were revisiting some of Faithfull’s music on her mom’s birthday (Lynda loved her), and, while luxuriating in tracks from Broken English, Strange Weather, and Blazing Away, I sat bolt upright in realizing it was just what I needed. That craggy, outraged, authoritative voice, declaiming against male force, was stronger than any of the bullshit emanating from social media.  It was, indeed, what I (we) needed, and continue to need, and it was a bulwark versus despair. The weather is strange, but the bravery, resistance, anger, and sarcastic wit in her interpretations helped me feel we’ll come out on the brighter side of it.

Short-shrift Division:

I must say, Television’s Adventure sounds even better than it did at the time. If Marquee Moon is an A+, Adventure is an A: the lyrics might actually be better, and, while the guitar pyrotechnics may not be as ecstatic and explosive, they might be more lyrical. “Glory.” “The Fire.” “The Dream’s Dream.” For tapping into the spiritual-abstract realm of human experience, those are hard to beat. Personally (see above), I needed to be transported, and this album was potent. My only question is what licks Richard Lloyd is playing, because it all sounds like Verlaine.

 

 

Rockin’ Records–Check These Folks’ Rock Records!: A Weeded-Out, Rearranged, Expanded Top 120 for 2018 (and Not Just Rock) (October 3, 2018, Columbia, MO)

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I’ve updated my sprawling list of very strong records released in 2018 with some really sharp new releases from September (see the above slideshow for most of those–plus I’ve bolded them below), plus I’ve trimmed some items that just weren’t hanging through further listening. Highlights?

A new record by the Aussie band Tropical Fuck Storm that may assist you with your stored rage and despair.

JLin’s terrific follow-up to the amazing dance record Black Origami, a bit of a soundtrack entitled Autobiography.

A stunning exhibition of lyrical flow and shining intelligence, riding atop a sparkling stream of beats, by the Chicago rapper Noname: Room 25 (approved by my students, who are no dummies).

The latest entry by the Nigerian-American MC Fat Tony, representing for Houston, TX, as well, 10,000 Hours, which stands with Room 25 as a bit of a shot across the crowded hip-hop bow. Mother Wit, in full effect, in both cases.

A haunting, raging, energized Cajun-rock slab from south Louisiana, courtesy of Lost Bayou Rambler fiddler Louis Michot’s Melody Makers side project: it’s called Blood Moon, and it’s storming up my chart.

A desolate, beautiful release by an old soul-music vet who’s never been associated with that first adjective and has a complicated relationship with the second: Swamp Dogg’s Love, Loss, and AutoTune. It’s a joke–and it’s not.

…and the second record from an exciting, smart band from Brisbane (just kids–including one with a Go-Between pedigree), The Goon Sax. It’s called We’re Not Talking:

  1. Tracy Thorn: Record
  2. CupcaKe: Ephorize
  3. Bettye LaVette: Things Have Changed
  4. Tropical Fuck Storm: A Laughing Death in Meatspace
  5. JLin: Autobiography (Music from Wayne McGregor’s Autobiography)
  6. Zeal & Ardor: Stranger Fruit
  7. Noname: Room 25
  8. Sly & Robbie and Nils Petter Molvaer: Nordub
  9. Orquesta Akokan: Orquesta Akokan
  10. Michot’s Melody Makers: Blood Moon
  11. Pusha T: Daytona
  12. Elza Soares: Deus É Mulher
  13. John Prine: The Tree of Forgiveness
  14. Blood Orange: Negro Swan
  15. Chloe x Halle: The Kids are Alright
  16. The Internet: Hive Mind
  17. Janelle Monae: Dirty Computer
  18. Parquet Courts: Wide Awake!
  19. Berry: Everything, Compromised
  20. JD Allen: Love Stone
  21. Superchunk: What A Time to Be Alive
  22. Mary Gauthier and Songwriting with Soldier: Rifles and Rosary Beads
  23. Toni Braxton: Sex & Cigarettes
  24. Joe McPhee: Imaginary Numbers
  25. Nidia: Nídia É Má, Nídia É Fudida
  26. Fat Tony: 10,000 Hours
  27. Swamp Dogg: Love, Loss, and Auto-Tune
  28. Subtle Degrees: A Dance That Empties
  29. Daniel Carter: Seraphic Light
  30. Alice Bag: Blue Print
  31. The Necks: Body
  32. Young Fathers: Cocoa Sugar
  33. Quelle Chris & Jean Grae: Everything’s Fine
  34. Robbie Fulks & Linda Gail Lewis: Wild! Wild! Wild!
  35. James Brandon Lewis: Radiant Imprints
  36. Mitski: Be the Cowboy
  37. Sons of Kemet: Your Queen is a Reptile
  38. Lisbon Freedom Unit: Praise of Our Folly
  39. The Goon Sax: We’re Not Talking
  40. Grupo Mono Blanco: ¡Fandango! Sones Jarochos from Veracruz
  41. Ken Vandermark / Klaus Kugel / Mark Tokar: No-Exit Corner
  42. Knife Knights: 1 Time Mirage
  43. Angelika Niescier: The Berlin Concert
  44. Young Mothers: Morose
  45. No Age: Snares Like a Haircut
  46. Kids See Ghosts: Kids See Ghosts
  47. Sidi Toure: Toubalbero
  48. Wynton Marsalis & Friends: United We Swing–Best of the Jazz at Lincoln Center Galas
  49. Jonghyun: Poet / Artist
  50. Rolling Blackouts Coastal Fever: Hope Downs
  51. Dave Holland: Uncharted Territories
  52. Halu Mergia: Lalu Balu
  53. Mekons 77: It Is Twice Blessed
  54. Jeffrey Lewis: Works by Tuli Kupferberg
  55. Bombino: Deran
  56. Idris Ackamoor & The Pyramids: An Angel Fell
  57. Rapsody: Laila’s Wisdom
  58. Sarayah: Feel the Vibe
  59. Maria Muldaur: Don’t You Feel My Leg—The Naughty Bawdy Blues of Blu Lu Barker
  60. Jinx Lennon: Grow a Pair
  61. The Thing: Again
  62. Tierra Whack: Whack World
  63. Lori McKenna: The Tree
  64. Nas: Nasir
  65. Speedy Ortiz: Twerp Verse
  66. Courtney Barnett: Tell Me How You Really Feel
  67. Car Seat Headrest: Twin Fantasy
  68. Makaya McCraven: Where We Come From (Chicago x London Mixtape)
  69. Evan Parker, Barry Guy, and Paul Lytton: Music for David Mossman
  70. Salim Washington: Dogon Revisited
  71. Beats Antique: Shadowbox
  72. Jon Hassell: Listening To Pictures (Pentimento, Vol. One)
  73. Charge It to The Game: House with a Pool
  74. JPEGMAFIA: Veteran
  75. The Beths: The Future Hates Me
  76. Various Artists: Girls Just Wanna Have Fun…and Rights!!!
  77. Apolo: Live in Stockholm
  78. Mdou Moctar & Elite Beat: Mdou Moctar meets Elite Beat In a Budget Dancehall
  79. Willie Nelson: Last Man Standing
  80. Wussy: What Heaven is Like
  81. Kiefer: happysad
  82. Meshell Ndegeocello: Ventriloquism
  83. Freddie Gibbs: Freddie
  84. Kamasi Washington: Heaven & Earth
  85. Cardi B: Invasion of Privacy
  86. Shopping: The Official Body
  87. Cypress Hill: Elephants on Acid
  88. Dana Murray: Negro Manifesto
  89. Shame: Songs of Praise
  90. Henry Threadgill: Dirt..and More Dirt
  91. Ceramic Dog: YRU Still Here?
  92. Marc Ribot: Songs of Resistance 1942-2018
  93. The Coup: Soundtrack to the Film Sorry to Bother You
  94. Van Morrison & Joey DeFrancesco: You’re Driving Me Crazy
  95. Various Artists/Sahel Sounds: Field Recordings
  96. L.E.S. Douze: The Stoned 1
  97. Kendrick Lamar, et al: Black Panther—Music from and Inspired by the Film
  98. Tal National: Tantabara
  99. Rodrigo Amado (with Joe McPhee): History of Nothing
  100. Hop Along: Bark Your Head Off, Dog
  101. MAST: Thelonious Sphere Monk
  102. Tirzah: Devotion
  103. The Chills: Snowbound
  104. Eddie Daniels: Heart of Brazil
  105. Big Freedia: Third Ward Bounce
  106. Old Man Saxon: The Pursuit
  107. Amy Rigby: The Old Guys
  108. Busdriver: Electricity Is On Our Side
  109. Lonnie Holley: MITH
  110. Del McCoury Band: Del McCoury Still Plays Bluegrass
  111. Dr. Michael White: Tricentennial Rag
  112. Migos: Culture II
  113. Yo La Tengo: There’s a Riot Goin’ On
  114. The Carters: Everything is Love
  115. Sleep: The Sciences
  116. The English Beat: Here We Go Love
  117. Princess Nokia: A Girl Cried Red
  118. Santigold: I Don’t Want—The Gold Fire Sessions
  119. Nicki Minaj: Queen
  120. Chad Popper: A Popper People

OLD MUSIC NICELY OR NEWLY PACKAGED

  1. Sonny Rollins: Way Out West (Deluxe Reissue)
  2. Neil Young: Roxy—Tonight’s the Night
  3. Erroll Garner: Nightconcert
  4. Various Artists: Voices of Mississippi—Artists and Musicians Documented by William Ferris
  5. Prince: A Piano and a Microphone
  6. Various Artists: Listen All Around–The Golden Age of Central and East African Music
  7. Gary Stewart: “Baby I Need Your Loving” / “Yester-Me, Yester-You, Yester-Day”
  8. Peter Brotzmann and Fred Lonberg-Holm: Ouroboros
  9. Oneness of Juju: African Rhythms
  10. Bruce Springsteen: 1978/07/07 West Hollywood, CA
  11. The Revelators: In which the Revelators perform live renditions of selections from the Billy Childish songbook
  12. Against All Logic: 2012-2017
  13. Grant Green: Live at Oil Can Harry’s
  14. Entourage: Ceremony of Dreams—Studio Sessions & Outtakes 1972-1977
  15. Kuniyuki Takahashi: Early Tape Works 1986 – 1993 Volume 1
  16. Various Artists: Africa Scream Contest, Volume 2
  17. Wussy: Getting Better
  18. David Bowie: Santa Monica ‘72
  19. Mulatu Astatke & His Ethiopian Quintet: Afro-Latin Soul, Vols. 1 & 2
  20. Various Artists: Two Niles to Sing a Melody—The Violins & Synths of Sudan