Category: Listening Diary

February Fudge: The Best Records I’ve Heard in 2023, with Exceptions Real, Imagined, and Past Due That I Allowed So I Can Invite a Top 25 + One to My Party

I have resolved not to whine this entry, because, a few days after posting the last one, I realized that a) great new music tends to arise slowly but regularly from the creative volcano and will soon erupt, and b) I should never again imagine that I am going to quit listing albums every month. To quote Coach in LETTERKENNY, it’s fucking embarrassing.

So, though I had to resort to tossing in a couple of new singles, a fantasy EP that I created from a young group’s singles from 2022, and some November ’22 LPs, I have tried to make up for the previous mope by unfurling a long-for-February list of damn fine stuff.

Odd-servations:

  1. I am finding myself increasingly seduced by electronic r&b (or whatever it’s properly called), and, though I am no expert, I find no reason why I shouldn’t consider Liv.e’s new record a model of the subgenre–I even have it listed above Kelela’s, which is splendid, too.
  2. Singles: I mentioned Dr. Mark Lomax’s Urban Art Ensemble’s very therapeutic “Ho’opomopono” last month as a kind of footnote, but it belongs in a more significant way than that, especially during February in all its rampant hostility toward black (in other words, our) history, learning about the depths to which humans can sink along with our many triumphs, and tranquility in general. Also, the great Texas harmonica master Walter Daniels (I first came to know him as a member of the long-gone Jack O’ Fire) has released a truly rock and rolling 45 on the ever-interesting Spacecase label that I can’t quit playing.
  3. Fake EPs: see my note below about mid-Missouri’s Tri-County Liquidators, who I believe will become a force beyond the tri-counties.
  4. I listen to a LOT of music, so I was surprised while reading Dan Charnas’ terrific JDilla bio Dilla Time that I’d never even heard of the Australian unit Hiatus Kaiyote, who’d Dilla-ized themselves in a very interesting way. Seeming seconds after I looked them up, the reissue below was announced. No coincidence, I’m sure. It’s bound to fascinate many of you.
  5. I did not know Japanese psychedelia was a thing–and, truly, that word doesn’t perfectly fit VW Sorceror’s out-there but also excitingly varied two-disc comp Purple Haze from East. Note: no Hendrix covers are therein.
  6. The title of the Dylan excavation I have listed is a joke, but much more accurate than the actual title.
  7. I’m actually sitting on a fence with Iris DeMent’s offering, because it sometimes seems like a checklist of our ills; I often feel similarly about recent DBT records. But her vocal performance is very powerful and passionate–even for her.

(Bolded items are new to the list).

  1. Lakecia Benjamin: Phoenix (Whirlwind)
  2. Liv.e: Girl in The Half Pearl (Real Life / AWAL)
  3. Kelela: Raven (Warp)
  4. Satoko Fujii & Otomo Yoshihide: Perpetual Motion (Ayler Records)
  5. The Necks: Travel (Northern Spy)
  6. Belle and Sebastian: Late Developers (Matador)
  7. Parannoul: After the Magic (Poclanos/Top Shelf)
  8. Jason Moran: From the Dancehall to the Battlefield (Yes Records)
  9. Walter Daniels: “From Death to Texas” / “Seems Like a Dream” (Spacecase Records 45)
  10. Hiatus Kaiyote: Choose Your Weapon (Flying Buddha / Sony Masterworks reissue)*
  11. Algiers: Shook (Matador)
  12. The Urban Art Ensemble: “Ho’opomopono” (CFG Multimedia 16-minute single)
  13. Various Artists: Purple Haze from East, Volume 1 (VW Sorcerer Productions)*
  14. Karol G: Manana Sera Bonito (Universal Music Latino)
  15. Tyler Keith & The Apostles: Hell to Pay (Black & Wyatt)
  16. Staples Jr. Singers: Tell Heaven(EP) (Luaka Bop) Note: the vinyl gets you more great minutes of testifying.
  17. Tomas Fujiwara’s Triple Double: March On (self-released EP—coming in March)
  18. Bob Dylan: Time Out of Mind Stripped Naked (Columbia)
  19. Mat Muntz: Phantom Islands (Orenda)
  20. Iris DeMent: Workin’ On a World (FlariElla)
  21. Various Artists: Turkish-Syrian Earthquake Relief (Canary Records)
  22. James Brandon Lewis: Eye of I (Anti-)
  23. Ice Spice: Like…? (10K Projects / Capitol Records EP)
  24. Yonic South: Devo Challenge Cup (Wild Honey)
  25. The Art Ensemble of Chicago: From Paris to Paris (Rogue Art)
  26. Tri-County Liquidators: “Flies” / “Weep Then Whisper” / “Bitter” (self-released)@

*Technically, these are 2022 releases, but they didn’t show up until November, so I’m letting them under the fence.

@The Tri-County Liquidators are a blossoming young band from Columbia, Missouri, though I assume its members are drawn from beyond Boone County. I’ve taken their three 2022 singles and turned them into a 2023 extended play single. Yes, I’m biased because I’m a Columbian; yes, I’m biased because I taught one of them (bassist, songwriter and vocalist Marielle Carlos), and have known her and one of the guitarists (Spenser Rook, who entered Hickman High School with a blonde Rob Tyner White Panther ‘fro and can play inventively in any style—he also writes and sings) for over a decade; BUT they have a flexible, dynamic sound that’s both delicate and intense, and a reliable local music scene source informs me that these recordings do not capture the intensity they transmit live. I don’t get out to shows much, and they play at a great punk venue at which I’d feel like Tucker Carlson at a Juneteenth picnic, but I hope to see them soon. They are legitimately talented and my crusty listening veteran hypothesis is their potential has barely been brushed. Check ‘em out on Bandcamp.

Gooba Gooba Gooba Gooba, Goodbye: So Long to Huey Piano Smith, last of the New Orleans Professors, and (at long last) a 2023 Top 10.

The great New Orleans piano “professor” Huey Piano Smith–one the last living architects of rock and roll–passed on February 13. Between that date and his first recorded music in 1952 is almost the same span as the distance between the end of the Civil War and the beginning of World War II. Smith had not played in public for quite a long time, and his catalog is not too deep, but the best of what he did wax is timeless, spirit-liberating, deliriously anarchic rock and roll. Whenever Nicole and I have thrown house parties, regardless of the nature and tastes of the guests, we’ve always included his classic with the Clowns, “Don’t You Just Know It” (anyone who attended one particular party we threw will remember me swinging between two rooms by the door jamb yelling the P-Funk-prophesying “Gooba gooba gooba” refrain), and few documentaries have begun so sublimely as Les Blank’s Always for Pleasure: ships arriving at New Orleans docks to the sound of “Sea Cruise.” I watch that film every Mardi Gras (often forcing it on whatever class I’m teaching, along with King Cake), and the coming celebration will be no exception. I urge you, if you are not familiar with Smith’s music with the Clowns, a group that included at various times some great musicians you probably know, to stream the above album then hit Discogs (your best bet).

Also–and, looking back over my posts from the last few years, I realize I ALWAYS do this–I finally have a Top 10 list of excellent new albums for 2023, though it took me until mid-February to compile one. This portends nothing; I have no doubt my December list will sprawl. I need to cease whining. Here ’tis–kind of a motley crew, but they pack a punch:

  1. Belle and Sebastian: Late Developers (Matador)
  2. Lakecia Benjamin: Phoenix (Whirlwind)
  3. Satoko Fujii & Otomo Yoshihide: Perpetual Motion (Ayler Records)
  4. Parannoul: After the Magic (Poclanos/Top Shelf)
  5. Kelela: Raven (Warp)
  6. Jason Moran: From the Dancehall to the Battlefield (Yes Records)
  7. Tyler Keith & The Apostles: Hell to Pay (Black & Wyatt)
  8. Yonic South: Devo Challenge Cup (Wild Honey)
  9. Staples Jr. Singers: Tell Heaven (EP) (Luaka Bop) Note: the vinyl gets you more great minutes of testifying.
  10. Mat Muntz: Phantom Islands (Orenda)

I’m a day late for Valentine’s Day, which was sort of the occasion for its release (but also not really, since Dr. Mark Lomax’s compositions are always created with the listener’s spiritual sustenance in mind), but this 16-minute “single” by The Urban Art Ensemble, titled “Ho’oponopono,” is a true gift. The song title translates to the name of a traditional Hawaiian “practice of reconciliation and forgiveness.”

Here’s a peek at the trailer for a related production by Dr. Lomax and friends:

What To Do?

For several years this has been the spot where I have created gradually expanding lists of my favorite new albums and archival releases that turned my crank for each calendar year. It’s been quite fun most of the time, and recently got me on a few lists to receive review copies, many of which are actually pretty damn good. Thing is, doing so seems to encourage me to have to keep up with everything I hear about that sounds cool. That motivation, plus my natural curiosity and fear that I might miss something, inflates this seemingly fun project into a major pain in the ass too frequently and causes something that I really don’t think is healthy: I spend so much time cramming stuff in my earhole that I spend far less time listening to music I have loved for years. I’m freshly into my sixties, and I am not sure I want to keep doing it. Face it: when you keep hearing “Watching the Wheels” in your head and feeling upbraided by poor ol’ doomed John, you might wanna shift down. Also, so many of my talented, sharp-eared and big-hearted friends–many via the kind graces of Substack–are already doing the work; when you take their work together and add in the indefatigable Tom Hull–and these people do a lot of writing–I have to question what need have you/they of me. Seriously. I ain’t fishin’ for compliments. I mean, I know all that this has been and what it hasn’t.

So…I have some ideas. Obviously, if I only wrote about a few records I liked each month–wrote about them, much more fun than listing–regardless of vintage, I’d solve two problems: 1) I could watch the wheels more frequently, and 2) I’d have time and be motivated to listen to time-tested favorites. I could supplement that new practice by scribbling a bit about how music has manifested itself in my private and professional life, which it always does in interesting ways every month. I could write about ONE new record and ONE old one that really knocked me for a loop–and, again, give the reader a peek into music’s impacts on my domains (I think I actually have more than two, if I get out of the private – professional split and subdivide them. I could just look back into the history of this blog–some readers may not have noticed I’ve done several different things with it over the years–and pick up where I left off with something that was working when real life knocked me off the tracks for a bit.

I’ll figure it out. In the meantime, jeez, at least 10 new records have been rattling my bones by the end of January since I’ve been posting lists. I really can’t say that right now, but I can say this:

Tyler Keith’s seldom if ever disappointed me, going back to the earliest days of his I know, when he co-led The Neckbones, a Southern-fried Voidoids in more than a few ways. Keith wrestles with sin and salvation as regularly but more explicitly than Jerry Lee, he’s a reminder to listeners that much of the best rock and roll–and that’s what Hell to Pay is, even if a violin sneaks in–has come from the working class, and he’s got a way of conjuring desperation that always feels like the United States to me. His first new record in awhile, Hell to Pay, on Black and Wyatt Records, shows his commitment to those values has waned not a whit, and that his musical attack coheres with his excellent dark ‘n’ pulpy ‘n’ sweaty Southern noir novel The Mark of Cain, published last year. I highly recommend both vinyl and book, the latter his first.

Japanese pianist and bandleader extraordinaire Fujii released her 100th album as a leader or co-leader in 27 years (Hyaku: One Hundred Dreams–check it out), sending me on a backwards binge through her catalog that’s yet to hit an impasse. Fujii can do it all scintillatingly: lead big bands and ensembles, duet with all manner of instruments (with other pianists, with violin, and here, with electric guitarist Yoshihide), play like petals falling and landing or a rockslide rattling down to the road. She’s been a “Where have I been?” artist for this listener, and I suspect I’ll spend the year continuing to get caught up. On Ayler Records, and that should tell you something about her intensity.

Am I the only one who mourns the death of the hard-copy music guide? (It sure put the damper on my bathroom reading.) Moping the other day, I was thumbing through an old Penguin Guide to Jazz–I always loved them because they covered European jazz very well and very reliably–and came upon this 1974 **** record I’d overlooked. I then hit Discogs, found a decently-priced copy, and there weren’t many, then waited for Mr.Postman. I’ve played it 4-5 times since then (a few months ago); the band was a cooperative that notably included Sun Ra vet Ahmed Abdullah on trumpet and a young William Parker on bass. At many points on the record they sound like the Arkestra as if led by Ayler: almost magically structured, but intense–intensely martial. I can’t get enough of it; it’s out of print, so if you want to sample it…well, you knows what to do (RIP Barrett Strong). On No Business Records, and good luck. And here’s your luck–whaddya know?

LET’S STAMP (and maybe something GOOD will happen)!–Some of the Best New (and Newly Excavated Music) from 2022

Odd-servations:

  1. Up for a cool oud-fuelled album? I thought so. Jussi Reijonen’s Three Seconds I Kolme Toista (Challenge Records International) is just the thing for you. Reijonen (also on stunning guitars) is joined on his sophomore recording by players from Turkey, Jordan, Japan, Palestine, and America, on instrumentation ranging from violin to cello to microtonal piano, and creates a potent, moody brew that eludes genre and features fresh textures that connect back to the leader’s broad travels. “Something different” is a much-abused description, but this is that.
  2. I have missed Gogol Bordello. Lucky enough to have seen their live and mad rabble-rousing twice, I’ve wondered over the past couple of years just what they’d been up to. On first listen, I thought their new Solidaritine was a tad lacking in dynamics; on the second, third, fourth, and fifth listens I haven’t cared much. At all. Our rabble needs rousing, and sometimes dynamics can stall the ol’ rabble motor.
  3. I had to explain to several of my current students (I teach at the country’s second-oldest women’s college) that I was not pandering to their taste in admitting that I love the new Harry Styles album (he’s an acute singer–not just a cute one–I like the settings, and yes, it is dynamic) and like the new Taylor Swift album. The latter would be only the third one I’ve ever seriously listened to. The first was her first, which a fierce 10th grade student burned for me back in the burnin’ days and insisted I listen to; the second was the day before Midnights came out, at the behest of a fierce college sophomore who noted, after I mentioned in class that Mickey Guyton was working in the space Taylor made, that Taylor was in a whole different space and I needed to listen to Folklore, which I kind of loved until it went on too long (it–and the LONG version of Midnights–seemed like a marathon phone call from a friend with problems I wasn’t qualified to answer). But, hey, I listened to a couple artists I’d have been too snooty to before.
  4. Special shout out to the White Wino, who pushed me to check out the new Elaine Elias album, which is simply lush, rolling bossa nova sung and played with expertise and ease.
  5. I can always count on Jeffrey Lewis to write a song that hits me right where I’m living at the time. My oldest cat is still hangin’ in there, but Lewis’ writing on his new record’s title cut is all too specific.
  6. Anybody know Cecilia, Louisiana’s Dickie Landry? Sharp-as-a-tack horn player with the Cajun Traveling Wilburys–Little Band of Gold–before that co-conspirator with the likes of Laurie Anderson and a frequent New Orleans bandleader, but most notably a genius musician who has never seen a challenge he didn’t like. Fans of Frederic Rzewski’s Coming Together might want to make a bee-line to the 84-year-old’s new music-and-spoken-word album with Lawrence Weiner (#118 below).
  7. Speaking of numbers? I would not trust my current numbering system as reliable rankings even as far as my own favorites are concerned. A simply overwhelming amount of music is roaring out, and this is just a hobby for me, ya hear? A HOBBY!
  8. This month, I happened upon an article about a group I’d never heard of, Les Rallizes Denudes, and record label Temporal Drift’s superb effort to bring them to our attention (out digitally but not as a physical copy). If you love “I Heard Her Call My Name” and the Velvets’ dynamics–there’s that word again–in particular, I strongly recommend you at least sample the group’s Oz Days recordings.
  9. If you’re a Ran Blake fan (his The Short Life of Barbara Monk is one of the most heartbreaking jazz records ever recorded), don’t miss his tender, wistful, autumnal Tompkins Square record, perfectly titled Driftwoods. Give the man props while he’s livin’, as a very wise man who is no longer with us once said.
  10. Joyce Moreno! Joyce Moreno! Joyce Moreno! See Brazil Beat to find out what’s right with me–and Joyce!

Note: New additions to the list are in bold.

RELEASES OF NEWLY-MADE MUSIC

Jerry Lee Lewis…so long.

  1. 75 Dollar Bill: Social Music at Troost, Volume 3–Other People’s Music (Black Editions Group)
  2. Rosalia: MOTOMAMI (Columbia)
  3. Willie Nelson: A Beautiful Time (Sony)
  4. Beyoncé: Renaissance (Parkwood Entertainment)
  5. Tanya Tagaq: Tongues (Six Shooter) 
  6. Ricky Ford: The Wailing Sounds of Ricky Ford—Paul’s Scene (Whaling City Sounds)
  7. Stro Elliot & James Brown: Black & Loud—James Brown Reimagined (Polydor)
  8. Gogol Bordello: Solidaritine (Das Grand Kapital)
  9. Tommy Womack: I Thought I Was Fine (Schoolkids Records)
  10. Wadada Leo Smith: The Emerald Duets (TUM)
  11. Wet Leg: Wet Leg (Domino)
  12. Anitta: Versions of Me (Deluxe) (Warner)
  13. Ka: Languish Arts (Iron Works)
  14. The Mountain Goats: Bleed Out (Merge)
  15. Sudan Archives: Natural Brown Prom Queen (Stones Throw)
  16. Lady Wray: Piece of Me (Big Crown)
  17. Harry Styles: Harry’s House (Columbia)
  18. Bob Vylan: Bob Vylan Presents The Price of Life (Ghost Theatre)
  19. Horace Andy: Midnight Rocker (On-U Sound)
  20. Superchunk: Wild Loneliness (Merge)
  21. Gonora Sounds: Hard Times Never Kill (Phantom Limb)
  22. Amanda Shires: Take It Like a Man (ATO)
  23. black midi: Hellfire (Rough Trade)
  24. Heroes Are Gang Leaders: LeAutoRoiGraphy (577 Records)
  25. ensemble 0: Music Nuvulosa (Sub Rosa)
  26. Ches Smith: Interpret It Well (Pyroclastic)
  27. The Ogun Meji Duo: Freedom Suite (self-released)
  28. Phelimuncasi: Ama Gogela (Nyege Nyege Tapes)
  29. 700 Bliss: Nothing to Declare (Hyperdub)
  30. The Chats: Get Fucked (Cooking Vinyl)
  31. Jinx Lennon: Pet Rent (Septic Tiger)
  32. Steve Lacy: Gemini Rights (RCA)
  33. Freakons: Freakons (Fluff & Gravy)
  34. Mary Gauthier: Dark Enough to See the Stars (Thirty Tigers)
  35. Etran de L’Air: Agadez (Sahel Sounds)
  36. Homeboy Sandman: I Can’t Sell These (self-released)
  37. Bitchin’ Bajas: Bajascillators (Drag City)
  38. Miranda Lambert: Palomino (Vanner)
  39. Horsegirl: “Billy” / “History Lesson, Part II” (Matador)
  40. Mark Lomax Trio: Plays Mingus (CFG Multimedia)
  41. Florian Arbenz: Conversation #5—Elemental; Conversations #6 and 7
  42. Moor Mother: Jazz Codes (Anti-)
  43. Mdou Moctar: Niger EP Volume 1 (Matador)
  44. Various Artists: Lespri Ka—New Directions in Gwoka Music from Guadeloupe (Time Capsule Sounds) 
  45. Billy Woods: Aethiopes (Backwoodz Studios)
  46. Mark Lomax II: Prismatic Refractions, Volume I (self-released)
  47. James Brandon Lewis: MSM Molecular Systematic Music—Live (Intakt)
  48. Daniel Villareal: Panama ’77 (International Anthem)
  49. Kehlani: blue water road (TSNMI/Atlantic)
  50. Elaine Elias: Quietude (Candid)
  51. Horace Andy: Midnight Scorchers (On-U Sound)
  52. Ka: Woeful Studies (Iron Works)
  53. Lucrecia Dalt: Ay! (RVNG International)
  54. Amber Mark:Three Dimensions Deep (PMR / Interscope) 
  55. Morgan Wade: Reckless (Deluxe) (Ladylike) 
  56. Zoh Amba: O, Sun (Tzadik)
  57. Jussi Reijonen: Three Seconds I Kolme Toista (Challenge Records International)
  58. Ran Blake: Driftwoods (Tompkins Square)
  59. Whit Dickey: Root Perspectives (Tao Forms)
  60. Dan Ex Machina: All is Ours, Nothing is Theirs (self-released)
  61. Anna von Hausswoolff: Live at Montreaux Jazz Festival (Southern Lord) 
  62. Felipe Salles: Tiyo’s Songs of Life (Tapestry)
  63. Steve Lehman: Xaybu—The Unseen(Pi Recordings)
  64. Tom Zé: Lingua Brasiliera (Selo Sesc)
  65. M.I.A.: Mata (Island)
  66. Taylor Swift: Midnights (non-expanded) (Republic)
  67. Nancy Mounir: Nozhet El Nofous (Terrorbird)
  68. Rick Rosato: Homage (self-released)
  69. The Beths: Expert in a Dying Field (Carpark)
  70. Alvvays: Blue Rev (Polyvinyl / Transgressive)
  71. Oumou Sangare: Timbuktu (World Circuit Limited)
  72. Various Artists: Hidden Waters—Strange and Sublime Sounds from Rio de Janiero (Sounds and Colours)
  73. Sun Ra Arkestra (featuring Marshall Allen): Living Sky (Strut / Omni Sound)
  74. SeaJun Kwon: Micro Nap (Endectomorph Music)
  75. Gilla Band: Most Normal (Rough Trade)
  76. Brian Eno: FOREVERANDEVERNOMORE (Verve / UMC)
  77. Nduduzo Makhathini: In the Spirit of Ntu (Universal)
  78. Gard Nilssen Acoustic Unity:Elastic Wave (ECM)
  79. Miguel Zeñon: Musica de las Americas (Miel Music)
  80. Isaiah Collier & The Chosen Few: Lift Every Voice (Division 81 Records)
  81. Tyshawn Sorey: The Off-Off Broadway Guide to Synergism (Pi)
  82. Priscilla Block: Welcome to the Block Party (InDent)
  83. The Comet is Coming: Hyper-Dimensional Expansion Beam (Impulse)
  84. Serengeti: Kaleidoscope III (Audiocon)
  85. Kendrick Lamar: Mr. Morale & The Big Steppers (pgLang/Top Dawg Entertainment/Aftermath/Interscope)
  86. Makaya McCraven: In These Times (International Anthem)
  87. Charm Taylor: She Is The Future (Sinking City)
  88. OGJB: Ode to O (TUM) (Note: Band name – O = Oliver Lake, G = Graham Haynes, J = Joe Fonda, B = Barry Altschul / Title – O = Ornette) 
  89. Andrew Cyrille, William Parker, and Enrico Rava: Two Blues for Cecil (TUM) 
  90. Luke Stewart’s Silt Trio: The Bottom (Cuneiform) 
  91. Tyler Mitchell: Dancing Shadows (featuring Marshall Allen) (Mahakala Music)
  92. Wild Up: Julius Eastman, Volume 2—Joy Boy (New Amsterdam)
  93. Crow Billiken (aka R.A.P. Ferreira): If I don’t have red I use blue (self-released)
  94. The Paranoid Style: For Executive Meeting(Bar/None)
  95. Carl Stone: Wat Dong Moon Lek (Unseen Worlds)
  96. Joy Guidry:Radical Acceptance (Whited Sepulchre)
  97. Meridian Brothers and El Grupo & Renacimiento (Ansonia)
  98. Marxist Love Disco Ensemble: MLDE(Mr. Bongo)
  99. Jeffrey Lewis: When That Really Old Cat Dies (self-released)
  100. Mitski: Laurel Hell (Dead Oceans)
  101. Jockstrap: Jockstrap (Rough Trade)
  102. Breath of Air: Breath of Air (Burning Ambulance Music)
  103. Immanuel Wilkins: The 7th Hand (Blue Note) 
  104. David Murray Brave New World Trio: Seriana Promethea (Intakt)
  105. Fulu Miziki: Ngbaka (EP)
  106. David Virelles: Nuna (Pi / El Tivoli)
  107. Javon Jackson & Nikki Giovanni: The Gospel According to Nikki Giovanni (Solid Jackson) 
  108. Leikeli47: Shape Up (Hardcover/RCA)
  109. Witchcraft Books: Volume 1—The Sundisk (Iapetus Records)
  110. Hurray for The Riff Raff: Life on Earth (Nonesuch)
  111. Rokia Koné and Jacknife Lee: Bamanan (3DFamily)
  112. Tomas Fujiwara: Triple Double (Firehouse 12)
  113. DJ Black Low: Uwami (Awesome Tapes from Africa)
  114. Ibibio Sound Machine:Electricity (Merge)
  115. Zoh Amba: O Life, O Light, Volume 1(577 Records)
  116. Burton/McPherson Trio: The Summit Rock Session at Seneca Village (Giant Step Arts)
  117. Kahil El’Zabar Quartet: A Time for Healing (Spirit Muse)
  118. Pastor Champion: I Just Want to Be a Good Man (Luaka Bop)
  119. Dickie Landry & Lawrence Weiner: Having Been Built on Sand (Unseen Worlds)
  120. Nduduzo Makhathini: In the Spirit of Ntu (Blue Note)
  121. Pusha T: It’s Almost Dry (G.O.O.D. Music/Def Jam)
  122. Elza Soares: Elza Ao Vivo No Municipal (Deck)
  123. Nilufer Yanya: Painless (ATO)
  124. Open Mike Eagle: a tape called component system with the auto reverse (Auto Reverse)
  125. Tommy McLain: I Ran Down Every Dream (Yep Roc)
  126. Satoko Fujii and Joe Fonda: Thread of Light (Fundacja Słuchaj)
  127. Charli XCX: Crash (Atlantic)
  128. Pete Malinverni: On the Town—Pete Malinverni Plays Leonard Bernstein (Planet Arts) 
  129. JID: The Forever Story (Dreamville)
  130. Dedicated Men of Zion: The Devil Don’t Like It (Bible & Tire)
  131. Tyshawn Sorey Trio: Mesmerism (Pi Recordings)
  132. Space Afrika: Honest Labour (Dais)
  133. Charlotte Adigery & Bolis Pupul: Topical Dancer (DeeWee)
  134. Earl Sweatshirt: Sick! (Tan Cressida / Warner) 
  135. Big Thief: Dragon New Warm Mountain I Believe in You (4AD)
  136. Ashley McBryde: Presents…Lindeville (Warner Nashville)
  137. Jeff Arnal and Curt Cloninger: Drum Major Instinct (Mahakala Music)
  138. Tee Grizzley: Half Tee Half Beast (self-released)
  139. Hoodoo Gurus: Chariot of The Gods (Big Time Photographic Recordings)
  140. Natsuki Tamura: Summer Tree (Libra)
  141. (D)ivo: Perelman, Berne, Malaby, Carter (Mahakala Music)
  142. Daniel Carter et al.: Telepatica (577 Records)
  143. Ghais Guevara: There Will Be No Super-Slave (self-released)
  144. Pierre Kwenders: Jose Louis and the Paradox of Love (Arts & Crafts)
  145. Manel Fortia: Despertar (Segell Microscopi/Altafonte)
  146. Ray Wylie Hubbard: Co-Starring Too (Big Machine)
  147. Various Artists: if you fart make it sound good (WA Records)
  148. Marta Sanchez: SAAM (Spanish American Art Museum) (Whirlwind)
  149. Sonnyjim & The Purist: White Girl Wasted (Duape)
  150. Earthgang: Ghetto Gods (Dreamville/Interscope)
  151. Mavis Staples & Levon Helm: Carry Me Home (Anti-)
  152. Panda Bear & Sonic Boom: Reset (Domino)
  153. Blue Reality Quartet: Ella’s Island (Mahakala Music)
  154. Sarah Ruth and Monte Espina: quatro estaciones (Full Spectrum)

ARCHIVAL DIGS

  1. Los Golden Boys: Cumbia de Juventud (Mississippi Records)
  2. Albert Ayler: Revelations—The Complete ORTF 1970 Fondation Maeght Recordings (Elemental)
  3. Cecil Taylor:The Complete Legendary Live Return Concert at the Town Hall (Oblivion)
  4. Tommy Womack: 30 Years Shot to Hell! An Anthology (Schoolkids Records)
  5. Various Artists: Lovers Rock—The Soulful Sound of Romantic Reggae (Trojan)
  6. Albert Ayler: La Cave Live 1966 (Ezz-Thetics) 
  7. Various Artists: Cumbia Sabrosa—Tropical Sound System Bangers From The Discos Fuentes Vaults 1961-1981 (Rocafort Records)
  8. Biluka y Los Canibales: Leaf-Playing in Quito (1960-1965) (Honest Jon’s)
  9. Various Artists: OZ DAYS LIVE ’72​-​’73 Kichijoji–The 50th Anniversary Collection (featuring Les Rallizes Dénudés)  (Temporal Drift)
  10. Various Artists: A Chat About the Beauty of the Moon at Night–Hawaiian Steel Guitar Masters 1913-1921 (Magnificent Sounds)
  11. The Rolling Stones: Live at the El Mocambo (Interscope)
  12. Son House: Forever on My Mind (Easy Eye Sound)
  13. Lavender Country: Blackberry Rose and Other Songs & Sorrows (Don Giovanni)
  14. Mal Waldron: Searching in Grenoble—The 1978 Solo Piano Concert (Tompkins Square)
  15. Horace Tapscott Quintet: The Quintet (Mr. Bongo)
  16. Horace Tapscott Quintet: Legacies for Our Grandchildren (Dark Tree)
  17. Various Artists: The D-Vine Spirituals—Sacred Soul (Bible & Tire)
  18. Kabaka International Guitar Band: Kabaka International Guitar Band (Palenque Records)
  19. The Pyramids: AOMAWA—The 1970s Recordings (Strut)
  20. Hermeto Pascoal: Hermeto (Far Out Recordings)
  21. Sun Ra: Sun Ra Arkestra Meets Salah Ragab in Egypt (Strut)
  22. Asha Puthi: The Essential Asha Puthi (Mr. Bongo)
  23. Malik’s Emerging Force Art Trio: Time and Condition (moved-by-sound)
  24. Volta Jazz: Air Volta (Numero)
  25. Blondie: Against the Odds—1974-1982 (3-CD Rarities Version) (UMe / Numero Group)
  26. Joyce Moreno: Natureza (Far Out Recordings)
  27. Various Artists: From Lion Mountain—Traditional Music of Yeha, Ethiopia (Dust-to-Digital)
  28. Charles Stepney: Step-on-Step(International Anthem)
  29. Ronnie Boykins: The Will Come is Now (ESP-Disk)
  30. John Ondolo: Hypnotic Guitar of John Ondolo (Mississippi Records)
  31. Luciano Luciani y sus Mulatos: Mulata, vamos a la Salsa (Vampisoul)
  32. Cecil Taylor: Respiration (Fundacja Stuchaj)
  33. Norma Tanega: Studio and Demo Recordings, 1964-1971 (Anthology)
  34. Irma Thomas: New Orleans Jazz & Heritage Festival 1976 (Good Time)
  35. Afrika Negra: Antologia, Volume 1 (Bongo Joe)
  36. Various Artists: Summer of Soul (Legacy)
  37. The Heartbreakers: LAMF—The ’77 Found Mixes (Jungle)
  38. Various Artists: Let’s Stamp—1950s Folk Dance Recordings from Bulgarian and Yugoslavian 78 Discs (Canary Recordings)

O Life, O Light–O Death, O Dark: Best Records of This Riven Year, January 1st to May 29th

Odds and Ends:

  1. So long, rock and roller.

2. So long, wild chanteuse.

3. Keep on growin’ and goin’, Hillbilly Dalai Lama.

4. Look out, Brother Ayler.

5. Miranda Maestra.

Extra Credit: Match this TV theme song with the album below on which it appears.

New Music 
(bolded items are new to the list):

  1. 75 Dollar Bill: Social Music at Troost, Volume 3–Other People’s Music(Black Editions Group)
  2. Rosalia: MOTOMAMI(Columbia)
  3. Tanya Tagaq: Tongues (Six Shooter) 
  4. Ricky Ford: The Wailing Sounds of Ricky Ford—Paul’s Scene (Whaling City Sounds)
  5. Stro Elliot & James Brown: Black & Loud—James Brown Reimagined(Polydor)
  6. Miranda Lambert: Palomino (Vanner)
  7. Willie Nelson: A Beautiful Time (Sony)
  8. Superchunk: Wild Loneliness(Merge)
  9. Gonora Sounds: Hard Times Never Kill(Phantom Limb)
  10. Wet Leg: Wet Leg(Domino)
  11. Amber Mark:Three Dimensions Deep(PMR / Interscope) 
  12. Etran de L’Air: Agadez(Sahel Sounds)
  13. Billy Woods: Aethiopes (Backwoodz Studios)
  14. Morgan Wade: Reckless (Deluxe) (Ladylike) 
  15. Lady Wray: Piece of Me(Big Crown)
  16. Bob Vylan: Bob Vylan Presents The Price of Life(Ghost Theatre)
  17. Mark Lomax II: Prismatic Refractions, Volume I(self-released)
  18. ensemble 0: Music Nuvulosa (Sub Rosa)
  19. Anna von Hausswoolff: Live at Montreaux Jazz Festival (Southern Lord) 
  20. Various Artists: Lespri Ka—New Directions in Gwoka Music from Guadeloupe(Time Capsule Sounds) 
  21. Ches Smith: Interpret It Well(Pyroclastic)
  22. Jinx Lennon: Pet Rent(Septic Tiger)
  23. Freakons: Freakons(Fluff & Gravy)
  24. Daniel Villareal: Panama ’77 (International Anthem)
  25. Joy Guidry:Radical Acceptance (Whited Sepulchre)
  26. Kehlani: blue water road (TSNMI/Atlantic)
  27. Javon Jackson & Nikki Giovanni: The Gospel According to Nikki Giovanni(Solid Jackson) 
  28. Oumou Sangare: Timbuktu (World Circuit Limited)
  29. Kendrick Lamar: Mr. Morale & The Big Steppers (pgLang/Top Dawg Entertainment/Aftermath/Interscope)
  30. OGJB: Ode to O(TUM) (Note: Band name – O = Oliver Lake, G = Graham Haynes, J = Joe Fonda, B = Barry Altschul / Title – O = Ornette) 
  31. Andrew Cyrille, William Parker, and Enrico Rava: Two Blues for Cecil (TUM) 
  32. Luke Stewart’s Silt Trio: The Bottom (Cuneiform) 
  33. Tyler Mitchell: Dancing Shadows (featuring Marshall Allen) (Mahakala Music)
  34. Nduduzo Makhathini: In the Spirit of Ntu (Universal)
  35. Isaiah Collier & The Chosen Few: Lift Every Voice (Division 81 Records)
  36. Priscilla Block: Welcome to the Block Party(InDent)
  37. Anitta: Versions of Me (Warner)
  38. Carl Stone: Wat Dong Moon Lek (Unseen Worlds)
  39. Mitski: Laurel Hell(Dead Oceans)
  40. Immanuel Wilkins: The 7th Hand (Blue Note) 
  41. David Murray Brave New World Trio: Seriana Promethea (Intakt)
  42. Fulu Miziki: Ngbaka (EP)
  43. Leikeli47: Shape Up (Hardcover/RCA)
  44. Hurray for The Riff Raff: Life on Earth(Nonesuch)
  45. Rokia Koné and Jacknife Lee: Bamanan (3D Family)
  46. Tomas Fujiwara: Triple Double (Firehouse 12)
  47. Ibibio Sound Machine: Electricity (Merge)
  48. Zoh Amba: O Life, O Light, Volume 1 (577 Records)
  49. Kahil El’Zabar Quartet: A Time for Healing (Spirit Muse)
  50. Pastor Champion: I Just Want to Be a Good Man(Luaka Bop)
  51. Pusha T:It’s Almost Dry (G.O.O.D. Music/Def Jam)
  52. Elza Soares: Elza Ao Vivo No Municipal (Deck)
  53. SAULT: AIR (Forever Living Originals)
  54. Nilufer Yanya: Painless (ATO)
  55. Satoko Fujii and Joe Fonda: Thread of Light(Fundacja Słuchaj)
  56. Charli XCX: Crash(Atlantic)
  57. Pete Malinverni:  On the Town—Pete Malinverni Plays Leonard Bernstein (Planet Arts) 
  58. David Friend & Jerome Begin: Post-(New Amsterdam)
  59. Dedicated Men of Zion: The Devil Don’t Like It(Bible & Tire)
  60. Space Afrika: Honest Labour(Dais)
  61. Charlotte Adigery & Bolis Pupul: Topical Dancer (DeeWee)
  62. Earl Sweatshirt: Sick! (Tan Cressida / Warner) 
  63. Belle & Sebastian: A Bit of Previous (Matador)
  64. Big Thief: Dragon New Warm Mountain I Believe in You(4AD)
  65. Tee Grizzley: Half Tee Half Beast(self-released)
  66. Hoodoo Gurus: Chariot of The Gods(Big Time Photographic Recordings)
  67. Natsuki Tamura: Summer Tree(Libra)
  68. (D)ivo: Perelman, Berne, Malaby, Carter(Mahakala Music)
  69. Spoon:Lucifer on the Sofa(Matador)
  70. Manel Fortia: Despertar(Segell Microscopi/Altafonte)
  71. Ray Wylie Hubbard: Co-Starring Too(Big Machine)
  72. Keith Oxman: This One’s for Joey (Capri)
  73. Marta Sanchez: SAAM (Spanish American Art Museum) (Whirlwind)
  74. Earthgang: Ghetto Gods (Dreamville/Interscope)
  75. Mavis Staples & Levon Helm: Carry Me Home (Anti-)

Archival Digs:

  1. Los Golden Boys: Cumbia de Juventud (Mississippi Records)
  2. Albert Ayler: Revelations—The Complete ORTF 1970 Fondation Maeght Recordings(Elemental)
  3. Albert Ayler: La Cave Live 1966 (Ezz-Thetics) 
  4. Various Artists: Cumbia Sabrosa—Tropical Sound System Bangers From The Discos Fuentes Vaults 1961-1981 (Rocafort Records)
  5. Son House: Forever on My Mind (Easy Eye Sound)
  6. Lavender Country:Blackberry Rose and Other Songs & Sorrows (Don Giovanni)
  7. Hermeto Pascoal: Hermeto (Far Out Recordings)
  8. Sun Ra: Sun Ra Arkestra Meets Salah Ragab in Egypt(Strut)
  9. Cecil Taylor:The Complete Legendary Live Return Concert at the Town Hall (Oblivion)
  10. Norma Tanega: Studio and Demo Recordings, 1964-1971 (Anthology)
  11. Irma Thomas: New Orleans Jazz & Heritage Festival 1976 (Good Time)
  12. Afrika Negra: Antologia, Volume 1 (Bongo Joe)
  13. Various Artists:Summer of Soul(Legacy)
  14. Ann Peebles and the Hi Rhythm Section: Live in Memphis (Memphis International)
  15. Neil Young: Carnegie Hall 1970 (Reprise) 

“Interpret It Well: Life in All Its Rich Musical Variety”–Best Rekkids of 2022, January 1st-April 27)

Random bits?

  1. Thank you, Christian, for Bob Vylan at the last minute. I needed that.
  2. Ricky Ford? Who’s Ricky Ford? Well, I knew him best through his stellar tenor on Ran Blake’s The Short Life of Barbara Monk and Abdullah Ibrahim’s Water from an Ancient Well, both modern jazz classics. I remember trying some of his solo albums and thinking he was kind of like an Ellingtonian without Ellington. BUT…35-40 years later his new album sounds like something we will sadly never get again: a new Sonny Rollins album. That’s high praise, and he’s not that inventive, but you’ll hear what I mean: power, confidence and wisdom of tone, steaming momentum, ideas extended lyrically and imaginatively.
  3. Wet Leg the album not as good as Wet Leg the singles machine, but still FUN. And I (and probably you) need that. One of my students liked their sense of camp, and I get that. I have film students in class, too, and they’re curious about those Wighters’ taste.
  4. I am already feeling I’ve underrated percussionist Ches Smith’s new album Interpret It Well. It’s one of those rare albums that establish a mood and flow and sustains it from beginning to end. The whole is much more powerful than the sum of its parts, and the playing is stimulatingly precise and responsive.
  5. I’m as atheist as can be (I neither have, recognize nor pursue a theology), but it’s been a good couple of years for new black gospel records in the traditional vein. Thanks, Hardin, for pushing Pastor Champion on me, and thanks, Bible & Tire / Fat Possum, for just sticking to that old mission. It’s liberation music, at heart, and I’m ’bout it.
  6. When I heard the Mekons and Freakwater were doing a set of acoustic mining songs, I asked myself, “Do I really need that?” Mekons being involved, I had to dip a toe (or a lobe) in; I just prefer Mekons with DRUMS. Actually, the album’s rousing, moving, and not necessarily about mining, and I recommend it.
  7. Is there such as thing as discorrhea? Sometimes I think about that when I think about Jinx Lennon (I’m not sure how many people think that much about Jinx Lennon, but he’s worth it). Maybe it’d be better to really hone and weed before he lets another one go. The thing is, though, Pet Rent rocks harder than any of the last few, and it’s hard to think of any artist who’s so alive and receptive in his immediate environment than Lennon. I’m currently reading Henry Miller’s Black Spring, and “Horseshit!” has popped up a few times in the first twenty pages as ol’ Hank instructs us on immediacy of living, but maybe Jinx achieves that. Maybe.
  8. Speaking of horseshit, I’ve been alive and listening to records long enough to smell it, but, dammit, SAULT has my detector on the blink. And by blink I mean my detector blinks off and on. I am keenly aware their “mystery” is part of the attraction (or marketing); on the other hand, when I’m really leaning forward and undistracted, they seem to be so much of these times and their struggles, endless tragedies, and fleeting glow that I buy what they’re offering. And AIR? It’s a test. An early morning game of art-critical Texas Hold ‘Em.
  9. As he always seems to be, Sun Ra makes new appearances on this update: first, represented more than ably by the soon-to-be-98 (you are reading that correctly) Arkestra glue-guy Marshall Allen on Tyler Mitchell’s outstanding Dancing Shadows, then on a Seventies archival dig working close to one his many homes (Egypt) with the talented Salah Ragab. Both recordings are outstanding.
  10. I always make at least one Record Store Day purchase. I hate crowds, so I usually hit eBay first thing the next morning, but this year the proprietor of Dig It! Record Barn / Records to Go in Carterville (or is it Duenweg?), Missouri, established a tiny call line for people who could not make it–I’m about 250 miles away. If you answer the phone when there’s a lull in traffic through the stacks, you might get a chance; I was completing a three-mile stroll when the phone buzzed and I became the proud owner of Albert Ayler’s Revelations—The Complete ORTF 1970 Fondation Maeght Recordings on Elemental Records. I’ve heard the original recordings, which were not complete and didn’t sound that swell, but had never owned them. This heavy item arrives Thursday, so truth be told, I have not listened to it yet. But I’ve got a hand in another Texas Hold ‘Em game….

New Music (bolded items are new to the list):

  1. 75 Dollar Bill: Social Music at Troost, Volume 3–Other People’s Music (Black Editions Group)
  2. Rosalia: MOTOMAMI (Columbia)
  3. Tanya Tagaq: Tongues (Six Shooter) 
  4. Ricky Ford: The Wailing Sounds of Ricky Ford—Paul’s Scene (Whaling City Sounds)
  5. Stro Elliot & James Brown: Black & Loud—James Brown Reimagined (Polydor)
  6. Superchunk: Wild Loneliness (Merge)
  7. Gonora Sounds: Hard Times Never Kill (Phantom Limb)
  8. Wet Leg: Wet Leg (Domino)
  9. Amber Mark: Three Dimensions Deep (PMR / Interscope) 
  10. Etran de L’Air: Agadez (Sahel Sounds)
  11. Billy Woods: Aethiopes (Backwoodz Studios)
  12. Morgan Wade: Reckless (Deluxe) (Ladylike) 
  13. Lady Wray: Piece of Me (Big Crown)
  14. Tyler Mitchell: Dancing Shadows (featuring Marshall Allen) (Mahakala Music)
  15. Bob Vylan: Bob Vylan Presents The Price of Life (Ghost Theatre)
  16. Mark Lomax II: Prismatic Refractions, Volume I (self-released)
  17. ensemble 0: Music Nuvulosa (Sub Rosa)
  18. Anna von Hausswoolff: Live at Montreaux Jazz Festival (Southern Lord) 
  19. Various Artists: Lespri Ka—New Directions in Gwoka Music from Guadeloupe (Time Capsule Sounds) 
  20. Ches Smith: Interpret It Well (Pyroclastic)
  21. Jinx Lennon: Pet Rent (Septic Tiger)
  22. Freakons: Freakons (Fluff & Gravy)
  23. Joy Guidry: Radical Acceptance (Whited Sepulchre)
  24. Javon Jackson & Nikki Giovanni: The Gospel According to Nikki Giovanni (Solid Jackson) 
  25. OGJB: Ode to O (TUM) (Note: Band name – O = Oliver Lake, G = Graham Haynes, J = Joe Fonda, B = Barry Altschul / Title – O = Ornette) 
  26. Andrew Cyrille, William Parker, and Enrico Rava: Two Blues for Cecil (TUM) 
  27. Luke Stewart’s Silt Trio: The Bottom (Cuneiform) 
  28. Priscilla Block: Welcome to the Block Party (InDent)
  29. Anitta: Versions of Me (Warner)
  30. Mitski: Laurel Hell (Dead Oceans)
  31. Immanuel Wilkins: The 7th Hand (Blue Note) 
  32. Fulu Miziki: Ngbaka (EP) 
  33. Hurray for The Riff Raff: Life on Earth (Nonesuch)
  34. Rokia Koné and Jacknife Lee: Bamanan (3D Family)
  35. Tomas Fujiwara: Triple Double (Firehouse 12)
  36. Ibibio Sound Machine: Electricity (Merge)
  37. Kahil El’Zabar Quartet: A Time for Healing (Spirit Muse)
  38. Pastor Champion: I Just Want to Be a Good Man (Luaka Bop)
  39. Pusha T: It’s Almost Dry (G.O.O.D. Music/Def Jam)
  40. SAULT: AIR (Forever Living Originals)
  41. Nilufer Yanya: Painless (ATO)
  42. Satoko Fujii and Joe Fonda: Thread of Light (Fundacja Słuchaj)
  43. Charli XCX: Crash (Atlantic)
  44. Pete Malinverni:  On the Town—Pete Malinverni Plays Leonard Bernstein (Planet Arts) 
  45. David Friend & Jerome Begin: Post- (New Amsterdam)
  46. Dedicated Men of Zion: The Devil Don’t Like It (Bible & Tire)
  47. Space Afrika: Honest Labour (Dais)
  48. Charlotte Adigery & Bolis Pupul: Topical Dancer (DeeWee)
  49. Earl Sweatshirt: Sick! (Tan Cressida / Warner) 
  50. Big Thief: Dragon New Warm Mountain I Believe in You (4AD) 
  51. Tee Grizzley: Half Tee Half Beast (self-relased)
  52. Hoodoo Gurus: Chariot of The Gods (Big Time Photographic Recordings)
  53. Natsuki Tamura: Summer Tree (Libra)
  54. (D)ivo: Perelman, Berne, Malaby, Carter (Mahakala Music)
  55. Spoon: Lucifer on the Sofa (Matador)
  56. Manel Fortia: Despertar (Segell Microscopi/Altafonte)
  57. Ray Wylie Hubbard: Co-Starring Too (Big Machine)
  58. Keith Oxman: This One’s for Joey (Capri)
  59. Marta Sanchez: SAAM (Spanish American Art Museum) (Whirlwind)
  60. Earthgang: Ghetto Gods (Dreamville/Interscope) 

Archival Digs:

Albert Ayler: La Cave Live 1966 (Ezz-Thetics) 

Albert Ayler: Revelations—The Complete ORTF 1970 Fondation Maeght Recordings (Elemental)

Son House: Forever on My Mind (Easy Eye Sound)

Lavender Country: Blackberry Rose and Other Songs & Sorrows (Don Giovanni)

Hermeto Pascoal: Planetário da Gávea (Far Out Recordings)

Hermeto Pascoal: Hermeto (Far Out Recordings)

Sun Ra: Sun Ra Arkestra Meets Salah Ragab in Egypt (Strut)

Cecil Taylor: The Complete Legendary Live Return Concert at the Town Hall (Oblivion)

Afrika Negra: Antologia, Volume 1 (Bongo Joe)

Various Artists: Summer of Soul (Legacy)

Neil Young: Carnegie Hall 1970 (Reprise) 

Music Nerve-U-Loss-A: Best New Records I’ve Heard, January 1st-April 3rd, 2022 (EDITED)

It has been a stressful month for me. I’ve been in the process of caring for my mom, who lives 227 miles away and whose health issues have resulted in her needing 24-7 attention, while trying to do my three part-time jobs competently (one of them is teaching a class called “Groundbreaking Women in U. S. Music: A History in 150 Albums”–I hope one day to tell you how it’s gone), one of which will not allow me to work virtually. Beyond that class, music’s definitely taken a back seat. I have a hard time being with Mom and having headphones in; it seems rude, even though she doesn’t need me every second, or minute, or hour necessarily. When I’m on the road, I’ve been NEEDING older stuff that I know can deliver succor and strength immediately. Also, I’ve been working on an unfamiliar computer, so it’s slowed me down. But, enough. Here’s what I’ve got. New additions to the list, as always, are bolded. Truly, nothing new really bedazzled me this month–except Rosalia. And ensemble 0. And…

75 Dollar Bill: Social Music at Troost, Volume 3–Other People’s Music (Black Editions Group)
Rosalia: MOTOMAMI (Columbia)
Tanya Tagaq: Tongues (Six Shooter) 
Superchunk: Wild Loneliness (Merge)
Gonora Sounds: Hard Times Never Kill (The Vital Record)
Amber Mark: Three Dimensions Deep (PMR / Interscope) 
Javon Jackson & Nikki Giovanni: The Gospel According to Nikki Giovanni (Solid Jackson) 
Etran de L’Air: Agadez (Sahel Sounds)
Morgan Wade: Reckless (Deluxe) (Ladylike) 
Lady Wray: Piece of Me (Big Crown)
Mark Lomax II: Prismatic Refractions, Volume I (self-released)
Anna von Hausswoolff: Live at Montreaux Jazz Festival (Southern Lord) 
Various Artists: Lespri Ka—New Directions in Gwoka Music from Guadeloupe (Time Capsule Sounds) 
ensemble 0: Music Nuvulosa (Sub Rosa)
Joy Guidry: Radical Acceptance  (Whited Supulchre)
Spoon: Lucifer on the Sofa (Headz/Matador)
OGJB: Ode to O (TUM) (Note: Band name – O = Oliver Lake, G = Graham Haynes, J = Joe Fonda, B = Barry Altschul / Title – O = Ornette) 
Andrew Cyrille, William Parker, and Enrico Rava: Two Blues for Cecil (TUM) 
Luke Stewart’s Silt Trio: The Bottom (Cuneiform) 
Priscilla Block: Welcome to the Block Party (Nercury Nashville/InDent)
Charlotte Adigery & Bolis Pupul: Topical Dancer (DeeWee)
Immanuel Wilkins: The 7th Hand (Blue Note) 
Earl Sweatshirt: Sick! (Tan Cressida / Warner) 
Big Thief: Dragon New Warm Mountain I Believe in You (4AD)
Charli XCX: Crash (Atlantic)
Fulu Miziki: Ngbaka (EP) (Moshi Moshi)
Nilufer Yanya: Painless (ATO)
Black Country, New Roads: Ants from Up There (Ninja Tune)
Hurray for The Riff Raff: Life on Earth (Nonesuch)
Rokia Koné and Jacknife Lee: Bamanan (Real World)
Marta Sanchez: SAAM (Spanish American Art Museum) (Whirlwind)
Tomas Fujiwara: Triple Double (Firehouse)
Earthgang: Ghetto Gods (Dreamville/Interscope)
Junglepussy: jp5000 (EP) (self-released)
Kahil El’Zabar Quartet: A Time for Healing (Spiritmuse)
Pete Malinverni:  On the Town—Pete Malinverni Plays Leonard Bernstein (Planet Arts) 
Chief Keef: 4Nem (Glo Gang / RBC) 
The Weeknd: Dawn FM (XO / Republic) 
Space Afrika: Honest Labour (Dais)
Natsuki Tamura: Summer Tree (Libra)

Archival Digs: 
Cecil Taylor: The Complete Legendary Live Return Concert at the Town Hall (Oblivion)
Albert Ayler: La Cave Live 1966 (Ezz-Thetics) 
Neil Young: Carnegie Hall 1970 (Reprise) 
Various Artists: Summer of Soul (Legacy)
Lavender Country: Blackberry Rose and Other Songs & Sorrows (Don Giovanni)
Son House: Forever on My Mind (Easy Eye Sound
Hermeto Pascoal: Planetário da Gávea (Far Out)
Hermeto Pascoal: Hermeto 

I Don’t Feel Tardy. I Don’t Feel Hardy. But I Feel That Wild Loneliness…. (January 1 – March 6, 2022)

Sorry I’m late; life is interfering. Not for the first time has a family (or other loved one’s) health crisis interrupted my much less important obsession with documenting my favorite records of the past days, weeks, months, and years–and with me, it seems, when it rains, it’s like a cow pissin’ off a cliff onto a flat rock. I’m truly multiply occupied (I am also teaching a brand-new class on groundbreaking women in this country’s music that is requiring regular and very exciting hard work), so I am behind in some ways. But I just turned 60, I feel like I’m 35 in a sea of stress, so it must be real love…and the music.

  1. What I’m really waiting for are the new albums by Wet Leg (can the whole album be that good?) and Rosalia (the flamenco touches seem to be wafting away, but on the evidence of the singles, she remains a force). The former’s out soon; the latter will require enduring a multi-month tease.
  2. I often check things out on a whim. Joy Guidry’s new album’s cover and title had me thinking a very interesting rap album–but it’s improvisational jazz, and good stuff at that.
  3. Superchunk’s never been one of my top faves, but their classic What a Time to Be Alive dragged me kicking and screaming into a state of deep admiration and a practice of repeat plays. Their new record is almost a companion piece, but from a completely different and powerful emotional direction–I just listened to it for the first time today and, in the state I’m in, it killed me.
  4. One of the world’s greatest rock and roll deejays, Whitney Shroyer, a longtime friend and advisor, implored me to sample Lady Wray, whom I’d not heard of (it happens–a lot). Though I like its predecessor a little better, from a singing, songwriting, and production standpoint, Piece of Me is a solid pleasure.
  5. Did I tell ya to read Tanya Tagaq’s Split Tooth and check out her new album Tongues? Yes, I did. I was fucking serious. They go together, and they deliver.
  6. It’s not every late winter that you can buy two classic creations by a known wizard reissued from those too-halycon-from-a-preservationist-perspective Seventies. This is one of them. They also call him Hermeto.
  7. High on the “appreciation” scale but wavering on the “diggit” scale: the new offerings by Big Thief and Black Country, New Roads.
  8. Lavender Country is a gay and politically smart-ass country outfit dating back to 1972. Their album in the archival digs category is only three years old, but it might as well have come out today. It is NOT simply a novelty; it’s well-played, wittily sung and written, and will cattle-prod you out of the corner of your ear.
  9. I feel like I’m experiencing an explosion of sharp country music women coming from tantalizingly marginally differentiated viewpoints (JUST IN TIME FOR MY NEW CLASS). Priscilla Block’s the latest, and I’ll let you discover the viewpoint.
  10. Gonora Sounds’ Hard Times Never Kill is a beautiful-sounding album from Zimbabwe.
  11. I wish I had heard Adeem the Artist‘s Cast-Iron Pansexual (like about 20 other 2021 albums) when it came out. Great songs, one of which made me tear up, and he wished me a happy birthday on Twitter!
  12. (Hidden track)(Whispered to avoid having things thrown at me, but…) I’ll say it: Spoon’s never really done it for me. I’ve learned never say never–but my first listen was at 5:15 this morning and it livelied me up. Could have been the Death Wish coffee pods my brother left at my mom’s house, though.

Newbies (new items are bolded):

  1. 75 Dollar Bill: Social Music at Troost, Volume 3–Other People’s Music (Black Editions Group) (left off my original post unaccountably!) 

  1. Tanya Tagaq: Tongues (Six Shooter) 

  1. Superchunk: Wild Loneliness 

  1. Gonora Sounds: Hard Times Never Kill 

  1. Amber Mark: Three Dimensions Deep (PMR / Interscope) 

  1. Javon Jackson & Nikki Giovanni: The Gospel According to Nikki Giovanni (Solid Jackson) 

  1. Etran de L’Air: Agadez 

  1. Morgan Wade: Reckless (Deluxe) (Ladylike) 

  1. Lady Wray: Piece of Me 

  1. Mark Lomax II: Prismatic Refractions, Volume I 

  1. Anna von Hausswoolff: Live at Montreaux Jazz Festival (Southern Lord) 

  1. Various Artists: Lespri Ka—New Directions in Gwoka Music from Guadeloupe (Time Capsule Sounds) 

  1. Joy Guidry: Radical Acceptance  

  1. Spoon: Lucifer on the Sofa 

  1. OGJB: Ode to O (TUM) (Note: Band name – O = Oliver Lake, G = Graham Haynes, J = Joe Fonda, B = Barry Altschul / Title – O = Ornette) 

  1. Andrew Cyrille, William Parker, and Enrico Rava: Two Blues for Cecil (TUM) 

  1. Luke Stewart’s Silt Trio: The Bottom (Cuneiform) 

  1. Priscilla Block: Welcome to the Block Party 

  1. Immanuel Wilkins: The 7th Hand (Blue Note) 

  1. Earl Sweatshirt: Sick! (Tan Cressida / Warner) 

  1. Big Thief: Dragon New Warm Mountain I Believe in You 

  1. Fulu Miziki: Ngbaka (EP) 

  1. Black Country, New Roads: Ants from Up There 

  1. Hurray for The Riff Raff: Life on Earth 

  1. Rokia Koné and Jacknife Lee: Bamanan 

  1. Marta Sanchez: SAAM (Spanish American Art Museum) 

  1. Tomas Fujiwara: Triple Double 

  1. Junglepussy: jp5000 (EP) 

  1. Kahil El’Zabar Quartet: A Time for Healing 

  1. Pete Malinverni:  On the Town—Pete Malinverni Plays Leonard Bernstein (Planet Arts) 

  1. Chief Keef: 4Nem (Glo Gang / RBC) 

  1. The Weeknd: Dawn FM (XO / Republic) 

  1. Martin Wind: Air (Laika) 

  1. Space Afrika: Honest Labour 

  1. Natsuki Tamura: Summer Tree 

Archival Digs: 

Cecil Taylor: The Complete Legendary Live Return Concert at the Town Hall 

Albert Ayler: La Cave Live 1966 (Ezz-Thetics) 

Neil Young: Carnegie Hall 1970 (Reprise) 

Various Artists: Summer of Soul 

Lavender Country: Blackberry Rose and Other Songs & Sorrows

Hermeto Pascoal: Planetário da Gávea 

Hermeto Pascoal: Hermeto (not out yet, but fuck it–it’s worth planning for!)

 

A 2022 Top Ten Already? All. Ready. I Got 17 + 2.

One thing I do like about striving to root out excellent albums in the first month of a new year is the search forces me out of my comfort zones. True: I’m seldom uncomfortable in any particular musical zone if I can dig deep enough to find the right stuff; I’m hesitant about anything too bourgeois, to be frank, but even such artifacts can provide thrills. I’ve also been aided by having found myself on a few jazz labels’ mailing lists, so some items below aren’t yet out (soon, soon), but I’ve sampled them enough to get a kick out of ’em. Will any of these stick to the list? That’s always the question when it comes to the early months–last January I opened with a couple of classical albums by artists just disruptive enough for me to be attracted to their work, and one made it (big time) and the other faded (though I still like it). But I guarantee those top three will still be riding high.

Odds and ends:

*Tagaq’s album is a companion to her very unique and blazing memoir, Split Tooth. Read that.

*I was previously unfamiliar with Mark’s work. Pitchfork dug it and the album cover gave me Miguel vibes. I really enjoyed it end to end, and there’s something that tears slightly in her voice at just the right times that engage me in her singing and songs even more deeply.

*Since Greg Tate passed, I’ve revisited a bit of his writing, but I’ve also been alerted to pieces I didn’t know about–particularly about master poet Nikki Giovanni’s recordings. Tate’s writing always costs me money because he turns me on to music and books about which I know nothing or little; I am confident, had he lived to hear it, he would have loved saxophonist Jackson’s gospel album with Giovanni. I’m an atheist and I’ve already played it thrive. Coming soon.

*I ONLY tried to the von Hausswoolff because the album cover looked like Gustave Dore’s work. THEN I find myself unable to turn it off.

*I was totally uninformed about old directions in music from Guadeloupe. Based on the new directions, I probably better change that condition.

*Pete Malinverni might not seem my (or your) jam, but I’ll be damned if the West Side Story remake didn’t bubble my blood for Bernstein, and Malinverni’s foray below injected itself right into my satisfaction of that desire.

*Valid questions both: Do I really need another live Ayler record? Do I really need another live Neil record? Yes and yes. Ayler’s set was played before a Cleveland audience, and perhaps it inspires him to take several unexpected turns in musical variation, space, and tone–at least to my ear, and I’m an Aylerian. Neil’s acoustic at Carnegie, but it’s the surprise inclusions in the set list as well as stellar performances that have me contemplating a vinyl purchase (if that’s even possible). OK, on with it…

*The 75 Dollar Bill is easily my favorite album of the year. I forgot all about it somehow because I had not added it to my reference folder–probably because I was distracted by playing it over and over. It’s a covers album. Y’know, the usual suspects: Ono, Partch, Oliveros, Neg-Fi, Ron Padgett. Plus some outsiders like Dylan, Toussaint, and the MC5. They do ’em up.

New (and Upcoming) Releases That I’ve Heard And Really Like (Kinda in order, especially the first three):

75 Dollar Bill: Social Music at Troost, Volume 3–Other People’s Music (Black Editions Group) (left off my original post unaccountably!)

Tanya Tagaq: Tongues (Six Shooter)

Amber Mark: Three Dimensions Deep (PMR / Interscope)

Javon Jackson & Nikki Giovanni: The Gospel According to Nikki Giovanni (Solid Jackson)

Morgan Wade: Reckless (Deluxe) (Ladylike)

Mark Lomax II: Prismatic Refractions, Volume I

Anna von Hausswoolff: Live at Montreaux Jazz Festival (Southern Lord)

Various Artists: Lespri Ka—New Directions in Gwoka Music from Guadeloupe (Time Capsule Sounds)

OGJB: Ode to O (TUM) (Note: Band name – O = Oliver Lake, G = Graham Haynes, J = Joe Fonda, B = Barry Altschul / Title – O = Ornette)

The Weeknd: Dawn FM (XO / Republic)

Andrew Cyrille, William Parker, and Enrico Rava: Two Blues for Cecil (TUM)

Luke Stewart’s Silt Trio: The Bottom (Cuneiform)

Chief Keef: 4Nem (Glo Gang / RBC)

Immanuel Wilkins: The 7th Hand (Blue Note)

Earl Sweatshirt: Sick! (Tan Cressida / Warner)

Pete Malinverni:  On the Town—Pete Malinverni Plays Leonard Bernstein (Planet Arts)

Martin Wind: Air (Laika)

Archival Digs:

Albert Ayler: La Cave Live 1966 (Ezz-Thetics)

Neil Young: Carnegie Hall 1970 (Reprise)

No-Save* November: The Best Recordings Released in 2021 (So Far), Which I’ve Drained My Wallet For Despite Using Multiple Streaming Platforms

Odd-servations:

  1. R. A. P. Ferreira (formerly known as Milo) is having one helluva year. If as a rap aficionado you’re insistent on the freshest, most ticklish, and slammingest beats, move along. But if you dig word-slinging and surprising associations, you best get hip.
  2. Bible and Tire Company’s Sacred Soul of South Carolina is the perfect gospel pairing with Musicmakers Foundation’s contemporary rural blues comp Hanging Tree Guitars (from 2020). Strictly speaking, if you have one and love it, you must do right and get the other. And the “soul” in the title is no exaggeration.
  3. You may be tired of historical theory stirred into your toons. I am not. Keep pouring, luvs. If you’re like me and enjoy critical beatdowns, Mexstep, The Brkn Record, and the irrepressible Irreversible Entanglements each have the musical cocktail for you. And yes, the music is piquant to listen to if you’re not about the science. It does help, though.
  4. South Memphis’ Lukah is one of the most stentorian MCs I’ve heard in a good long while, plus he has two strong records out this year. The new one (bolded, below) is the pick; its politics, flow, and sense of place are astounding, and his sexual philosophy seems to have advanced.
  5. Best news is likely in the archaeological section. This may be a strange list upon which to find Marian Anderson, but, truly, as Duke opined, there’s only two kinds of music, good and bad, and the woman brilliantly blazed a trail. That’s a 15-disc box with both historic and important unreleased recordings, plus brilliant photos and notes, but, um…less than $80*? Also, Bobo Jenkins was a rocking, charming, and eccentric DIY blues guitarist whose career stretched from the ’50s into the late ’70s; if that sounds like your meat and taters, it’s on Third Man and it might have been RSD only, but…c’mon–if you want it, you can track it down. And as far as historical monuments in the rowdier aspects of the modern musical life of Brother Europe go, you can’t beat Corbett vs. Dempsey’s look at the formative days of the masterful and mischievous Instant Composers Pool and Guerilla Records’ top-notch and long-overdue reissue of The Plastic People of the Universe’s truly revolutionary original bootleg.

Next month, I’m gonna get tough with this list, shave it down, get serious about their listenability and durability, and and arrange it into categories of A, A-, B+, and B–since we all have loved grades so much our whole lives. I know you cannot wait. And, yes, I’m very serious about that Wild Up record.

BOLDED ITEMS are new to the list.

  1. Wild Up: Julius Eastman, Volume 1–Femenine
  2. James Brandon Lewis: Jesup Wagon 
  3. East Axis: Cool With That 
  4. Ka: Martyr’s Victory
  5. Ingebrigt Håker Flaten: (Exit) Knarr
  6. Miguel Zenon: Law Years—The Music of Ornette Coleman 
  7. Bob Dylan: Soundtrack to the film Shadow Kingdom (currently unavailable)
  8. Gimenez Lopez: Reunion en la granja
  9. No-No Boy: 1975 
  10. The Halluci Nation: One More Saturday Night
  11. Little Simz: Sometimes I Might Be Introverted
  12. The Ebony Hillbillies: Barefoot and Flying
  13. Peter Stampfel and Jeffrey Lewis: Both Ways
  14. Robert Finley: Sharecropper’s Son 
  15. Mauricio Tagliari: Maô_Danças Típicas de Cidades Imaginárias
  16. Mickey Guyton: Remember Her Name
  17. Mdou Moctar: Afrique Victim 
  18. William Parker: Painter’s Winter 
  19. Bktherula: Love Black
  20. Dave: We’re All Alone in This Together 
  21. Penelope Scott: Public Void  
  22. R. A. P. Ferreira: The Light Emitting Diamond Cutter Scriptures
  23. Paris: Safe Space Invader 
  24. Dawn Richard: Second Line  
  25. For Those I Love: For Those I Love
  26. Lady Gaga and Friends: Dawn of Chromatica
  27. R.A.P. Ferreira: Bob’s Son  
  28. Sons of Kemet: Black to the Future 
  29. Fire in Little Africa: Fire in Little Africa 
  30. Kalie Shorr: I Got Here by Accident
  31. Various Artists: Sacred Soul of North Carolina
  32. Florian Arbenz: Conversations 2 & 3
  33. Ensemble 0: Julius Eastman’s Femenine 
  34. Moor Mother: Black Encyclopedia of the Air
  35. Jupiter and Okwess: Na Kozonga 
  36. The Brkn Record: The Architecture of Oppression, Part 1
  37. Jah Wobble: METAL BOX – REMIXED IN DUB
  38. Ches Smith and We All Break: Path of Seven Colors 
  39. Mexstep: Vivir
  40. Amythyst Kiah: Wary + Strange 
  41. Halsey: If I Can’t Have Love, I Want Power
  42. William Parker: Mayan Space Station
  43. Irreversible Entanglements: Open the Gates
  44. Pink Siifu: Gumbo’!
  45. Marta Gabriel: Metal Queen
  46. Snotty Nose Rez Kids: Life After
  47. Dua Saleh: Crossover
  48. James McMurtry: The Horses and The Hounds
  49. Park Hye Jin: Before I Die
  50. Graham Haynes vs. Submerged: Echolocation 
  51. Tim Berne: Broken Shadows 
  52. Ashnikko: Demidevil  
  53. Dwayne Dopsie and The Zydeco Hellraisers: Set Me Free
  54. Monster Magnet: A Better Dystopia
  55. Dry Cleaning: New Long Leg 
  56. Illuminati Hotties: Let Me Do One More
  57. Lukah: Why Look Up, God’s in the Mirror
  58. JPEG MAFIA: “LP!”
  59. Darius Jones: Raw Demoon Alchemy—A Lone Operation
  60. Dos Santos: City of Mirrors
  61. Marthe Lea Band: Asura
  62. Taylor Swift: Red (Taylor’s Version)
  63. The Goon Sax: Mirror II 
  64. Marianne Faithfull (with Warren Ellis): She Walks in Beauty 
  65. Low-Cut Connie: Tough Cookies 
  66. girl in red: if I could make it go quiet 
  67. Jaubi: Nafs at Peace (featuring Latamik and Tenderlonious) 
  68. Czarface & MF DOOM: Super What? 
  69. Orquestra Brasileira: 80 Anos
  70. Asleep at the Wheel: Half a Hundred Years
  71. SAULT: Nine 
  72. McKinley Dixon: For My Mama and Anyone Who Look Like Her 
  73. Slaughterhouse: Fun Factory
  74. Thurst: I’m Gen X
  75. Vincent Herring: Preaching to the Choir 
  76. Lukah: When the Black Hand Touches You 
  77. Joecephus and the George Jonestown Massacre: Heirs of the Dog
  78. Dax Pierson: Nerve Bumps (A Queer Divine Satisfaction) 
  79. L’Rain: Fatigue 
  80. Native Soul: Teenage Dreams
  81. Willow: lately i feel EVERYTHING
  82. Maria Muldaur & Tuba Skinny: Let’s Get Happy Together 
  83. Ran Cap Duoi: Ngù Ngay Ngày Tân Thê
  84. Blue Reality Quartet: Blue Reality Quartet
  85. Angelique Kidjo: Mother Nature 
  86. ICP Orchestra & Nieuw Amsterdams Peil: 062 / De Hondemepper 
  87. Body Metta: The Work is Slow 
  88. Damon Locks / Black Monument Ensemble: NOW 
  89. BaianaSystem: OXEAXEEXU 
  90. Loretta Lynn: Still Woman Enough 
  91. Carly Pearce: 29—Written in Stone
  92. Anthony Joseph: The Rich are Only Defeated When Running for Their Lives 
  93. Isaiah Collier & The Chosen Few: Cosmic Transitions
  94. Andreas Roysum Ensemble: Fredsfanatisme
  95. Jason Moran & Milford Graves: Live at Big Ears 
  96. Barry Altschul’s 3Dom Factor: Long Tall Sunshine 
  97. JD Allen: Queen City 
  98. Florian Arbenz: Conversation # 1 Condensed
  99. Bleachers: Take the Sadness Out of Saturday Night
  100. Angel Olsen: Aisles (EP)
  101. Emily Duff: Razor Blade Smile
  102. Kasey Musgraves: starcrossed
  103. The Boys with The Perpetual Nervousness: Songs from Another Life
  104. Vince Staples: Vince Staples
  105. Various Artists: Indaba Is 
  106. Wau Wau Collectif: Yaral Sa Doom 
  107. Chris Conde: Engulfed in the Marvelous Decay
  108. Tropical Fuck Storm: Deep States
  109. Yvette Janine Jackson: Freedom 
  110. Peter Stampfel: Peter Stampfel’s 20th Century in 100 Songs 
  111. Backxwash: I Lie Here with My Rings and Dresses 
  112. Billie Eilish: Happier Than Ever
  113. Various Artists: Doomed & Stoned in Scotland 
  114. Los Lobos: Native Sons
  115. Chrissie Hynde: Standing in the Doorway—Chrissie Hynde Sings Bob Dylan 
  116. Jazmine Sullivan: Heaux Tales 
  117. Various Artists: Allen Ginsberg’s The Fall of America 
  118. Genesis Owusu: Smiling with No Teeth 
  119. Les Filles de Illighadad: At Pioneer Works 
  120. Billy Nomates: Emergency Telephone (EP) 
  121. Gyedu-Blay Ambolley: 11th Street, Sekondi 
  122. AZ: Do or Die
  123. Madlib: Sound Ancestors 
  124. Julien Baker: Little Oblivions 
  125. Various Artists: He’s Bad!—11 Bands Decimate the Beat of Bo Diddley  
  126. Cedric Burnside: I Be Trying 
  127. Archie Shepp and Jason Moran: Let My People Go 
  128. Roisin Murphy: Crooked Machine  
  129. Lana Del Rey: Chemtrails Over the Country Club 
  130. Brockhampton: Roadrunner—New Light, New Machine 
  131. Vijay Iyer, Linda Han Oh, and Tyshawn Sorey: Uneasy 
  132. Olivia Rodrigo: SOUR 
  133. RP Boo: Established 
  134. The Bug: Fire
  135. Steve Earle: JT 
  136. Tee Grizzley: Built for Whatever 
  137. Benny The Butcher: Pyrex Picasso
  138. Jinx Lennon: Liferafts for Latchicos
  139. The Hold Steady: Open Door Policy  
  140. Elizabeth King & The Gospel Souls: Living in the Last Days 
  141. Alder Ego: III 
  142. Sierra Ferrell: Long Time Coming
  143. Alton Gün: Yol 
  144. Meet Me @ The Altar: Model Citizen (EP) 
  145. Penelope Scott: Hazards (EP)
  146. Ichiko Aoba: Windswept Adan
  147. Floating Points & Pharoah Sanders: Promises 
  148. Sana Nagano: Smashing Humans 
  149. serpentwithfeet: DEACON 
  150. Aluna: Higher Ground—Testaments

Archaeological Digs

  1. Marian Anderson: Beyond the Music
  2. Julius Hemphill: The Boyé Multinational Crusade for Harmony  
  3. JuJu: Live at 131 Prince Street 
  4. The Plastic People of the Universe: Egon Bondy’s Happy Hearts Club Banned
  5. Bobo Jenkins: My All-New Life Story
  6. Khaira Arby: Khaira Arby in New York 
  7. Various Artists: A Stranger I May Be—Savoy Gospel 1954-1966 
  8. ICP Orchestra: Incipient ICP (1966-1971)
  9. Plastic People of The Universe: Apokalyptickej pták  
  10. Roy Brooks: Understanding
  11. Bruce Springsteen and The E-Street Band: The Legendary No Nukes Concerts
  12. Jimmy Lyons: Push Pull
  13. Neil Young and Crazy Horse: Down in the Rust Bucket 
  14. Leo Nocentelli: Another Side
  15. Agustin Pereyra Lucena Quartet: La Rana
  16. John Coltrane: A Love Supreme—Live in Seattle
  17. Cecil Taylor, Sunny Murray, et al: Corona
  18. Screamers: Demo Hollywood 1977
  19. Can: Live in Stuttgart 1975 
  20. Hamiet Blueitt: Bearer of the Holy Flame 
  21. Byard Lancaster: My Pure Joy 
  22. Bush Tetras: Rhythm and Paranoia—The Best of Bush Tetras
  23. Various Artists: Wallahi Le Zein! 
  24. Various Artists: The Smithsonian Anthology of Rap and Hip Hop 
  25. Charles Mingus: Mingus at Carnegie Hall # 
  26. Various Artists: Chicago / The Blues / Today, Volumes 1-3
  27. The J Ann C Trio: At Tan-Tar-A
  28. Kiko Kids Jazz: Tanganyika Na Uhuru
  29. Hasaan Ibn Ali: Metaphysics—The Lost Atlantic Album 
  30. Alice Coltrane: Kirtan–Turiya Sings 
  31. Mistreater: Hell’s Fire 
  32. Blue Gene Tyranny: Degrees of Freedom Found
  33. Various Artists: Alan Lomax’s American Patchwork 
  34. Pure Hell: Noise Addiction
  35. Burnt Sugar The Arkestra Chamber: 20th Anniversary Mixtapes / Groiddest Schizznits
  36. Nermin Niazi: Disco Se Aagay 
  37. Robert Miranda’s Home Music Ensemble: Live at The Bing 
  38. Various Artists: Edo Funk Explosion, Volume 1 
  39. Joseph Spence: Encore
  40. Various Artists: Rare.wavs, Volume 1
  41. Bob Dylan: Springtime in New York 1980-1985 (2CD version)