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Compact music commentary about artifacts new and old: I enthuse, I don't accuse, but I do refuse–to review anything lukewarm or colder!

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  • Views from the Campus: Students from my Freshman Composition/Pop Music Fusion Class at Stephens College, Fall 2022 January 11, 2023
  • YES THANK YOU: The Best of a Bounty of Absorbing, Motorvating, Challenging, Exciting Albums Gifted Us By 2022 December 22, 2022
  • Special Bandcamp Friday 2022 Edition: More (and More) Touch–The Best Records I’ve Heard This Year So Far with 29 Days to Go! December 2, 2022

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Recent Posts

  • Views from the Campus: Students from my Freshman Composition/Pop Music Fusion Class at Stephens College, Fall 2022 January 11, 2023
  • YES THANK YOU: The Best of a Bounty of Absorbing, Motorvating, Challenging, Exciting Albums Gifted Us By 2022 December 22, 2022
  • Special Bandcamp Friday 2022 Edition: More (and More) Touch–The Best Records I’ve Heard This Year So Far with 29 Days to Go! December 2, 2022

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  • “The Farewell Tour (2012-2014”: Dispatches from the Far End of Three Decades in the Public School Trenches
  • “The Farewell Tour (2012-2014)”: Dispatches from the Far End of 30 Years in the Public School Trenches – WORK IN PROGRESS
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  • Southern-Fried Listening Journal, Spring 2014

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Views from the Campu… on “Groundbreaking Women in…
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isaac on A Shelf of Witchcraft Books: B…
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  • Views from the Campus: Students from my Freshman Composition/Pop Music Fusion Class at Stephens College, Fall 2022
  • YES THANK YOU: The Best of a Bounty of Absorbing, Motorvating, Challenging, Exciting Albums Gifted Us By 2022
  • Special Bandcamp Friday 2022 Edition: More (and More) Touch–The Best Records I’ve Heard This Year So Far with 29 Days to Go!
  • LET’S STAMP (and maybe something GOOD will happen)!–Some of the Best New (and Newly Excavated Music) from 2022
  • This Art Ain’t Languishin’: Best New Album Sounds and Dug-Up Tracks, January 1 – September 29

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  • Neil Young Ruined My Life Part 2
  • THE CURRENT LIST
  • Raison D’Etre
  • End-Of-Year Best Music
    • 2022
    • 2021
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    • 2018
    • 2017
    • 2016
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    • 2014
  • Good to My Earhole
    • GTME 2014
      • Four Sounds I Really Like
      • “Panther Burn” Take Over Memphis Public Access and the Cotton Carnival in 1979
      • Listening Top 10, March 30 – April 4, 2014
      • Listening Top 10, April 5 – April 11, 2014
      • Listening Top 10, April 12-April 18, 2014
      • May 5-9 – What? NEW Rekkids?
      • Golden Age of Rap / Anita / Rollins
      • May 2014: Selections Across Two Busy Weeks
      • First Half of June 2014
      • The Last Half of June 2014
      • New Orleans, August 2014
      • September Songs
    • GTME 2015
      • Facebook GTME Transfers!
      • Part 1, The Seen.
      • Part 2, The Read.
      • Part 3, The Heard.
    • GTME 2016
      • January 10-16: Wailin’ in the New Year with Jazz
      • January 17-21: Life on Mars?
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      • March 1-9: “Destroyed on The Lathe of Heaven”
      • March 12-17: “Mi Canto”
      • April 1-10: “Not Counting Merle–Well, Except for One Rekkid”
      • April 6-9: Goodbye, Merle
      • April 15-19: “Feed the Flame”
      • April 20-27: “Chaos and Disorder.”
      • April 30-May 5: “I’ll Start”
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      • July 20 – August 7: “Why Do I Suddenly Appear Every Time I Am Near?”
      • August 10. Kama Sutra and Bondage. I give! My safe word: trumpets!
      • August 11 – September 6: Through Many Dangers
      • September 17-24: “Destroy to Rebuilt.”
      • September 2016: TYLER KEITH AND THE APOSTLES–DO IT FOR JOHNNY! If ya got any guts!
      • Past Pupil Stay Sane…I’m Struggling My Damn Self.
    • GTME 2017
      • The Edge of ’17
  • Reviews
    • 10 Reasons to Read Amanda Petrusich’s DO NOT SELL AT ANY PRICE
    • Allen Lowe’s New Adventures In the Diaspora of the Diaspora
    • Aram Bajakian’s DALAVA: THE BOOK OF TRANSFIGURATIONS
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    • Bo Dollis, Jr., and The Wild Magnolias’ A NEW KIND OF FUNK
    • Early Recording by Unsung Memphis Master Demands Your Full Attention!
    • George Jones: STILL THE SAME OLD ME (VHS)
    • Goodbye, Merle
    • I Like My Pockets Fat and Not Flat
    • Jason Derulo’s TALK DIRTY
    • Jim Jarmusch’s Stooges Documentary GIMME DANGER: The Stash Dauber and I Team Up to Evaluate the Threat
    • John Schooley’s THE MAN WHO RODE THE MULE AROUND THE WORLD
    • Money for Guns’ 21st Century Life
    • Natural Child: Dancin’ with Wolves
    • Out of This World
    • Phineas’ Hour
    • “The Rhythm, The Rebel!”
    • A Sample Review of Jinx Lennon’s PAST PUPIL STAY SANE
    • Seeds Scattered Elsewhere (Sugarbuzz, The Stash Dauber, Columbia Tribune, The Village Voice)
    • Son of Desert Island Books: The Ten Books I’ve Read THIS YEAR That I’d Haul Away with Me
    • Sorry So Slow, Jazmine!
    • Thoughts on GREEN BOOK, Yugen Blakrok, and The Stanley Brothers
    • THE THREE-SIDED DREAM: A Must-See Film About Rahsaan Roland Kirk
    • TYLER KEITH AND THE APOSTLES–DO IT FOR JOHNNY! If ya got any guts!
  • Rock in Real Life
    • NEIL YOUNG RUINED MY LIFE
      • Neil Young Ruined My Life Part 1
        • Neil Young Ruined My Life Part 2
    • Wussy / Sinatra Attack
    • Southern-Fried Listening Journal, Spring 2014
      • New Orleans, August 2014
    • 5,000 Miles Away from Home–A Northwest Road-Trip Journal
    • A Memory Stirred by Carl Wilson’s Celine Dion 33 1/3 Book
    • Top 10 Great Music-Related Things That Happened to Me This Week – August 16, 2014
    • Hot Day in Velma
      • 2,119-Mile Texas Trip
    • The Violence of Chuck Berry
    • Jeffrey Lewis Masterpiece: Scowling Crackhead Ian
    • Gud’by to Mark E.
    • E-Street Bland, Live at Kiel, ’99
    • Fifteen Records from My Teens
    • If You Were in The World’s Greatest Record Store, and You Had Enough Money for One Record
    • Now I Got a Reason–How I Got Hooked on Rock and Roll
    • Paisley Parking
    • Yellow Brick Road Trips
    • I Can’t Help It (Little Richard Attack)
    • E-Street Bland, Live at Kiel, ’99
    • My Imaginary Top 100 Ballot Submitted to Rolling Stone for its “500 Greatest Albums of the Rock and Roll Era”
  • Education
    • The Academy of Rock
      • The Academy of Rock: A Brief History
      • When The Pierced Arrows Brought It to The Kids
      • Folk-Funk Comes to Hickman: Bobby Rush–VERY LIVE!
      • Midwest Lo-Fi Psycho-delic Attack: A review of Woody Records’ artist sampler CD by Mackenzie Thomas
    • How I Decided to Become a Teacher
    • I Recommend an All-Time Desert Island Top 20 (plus a 50-item appendix to prove I am not an old fart) to a Class of 12th Graders
    • “Mr. Diaz, Can I Turn This in Late, Please?”: A Life Soundtrack Assignment Completed for Gits and Shiggles for a Former Comrade
    • Stephens College English 107 (Pop Music Emphasis): Classroom Chatter
      • Kicking My Legs (Dylan Style)
      • Tierra Whack / Sophie: Socratic Seminar College Girls Gone Critically Wild
      • Classroom Clatter
      • Classroom Clatter Part 2
      • Tweaking the Classroom
      • Ah: The Teacher Has Become the Student
      • Teachers: Write Your Own Model Essays!
      • Flying Daggers Style
      • Apples and Oranges
  • Interviews
    • Charlie Burton
    • John Schooley
    • Mr. and The Mrs.
  • Podcasts
  • Poetry About Music
    • Haiku for Ahmad Jamal, Upon Listening to “Live at the Pershing” (1958) and “Chicago Revisited/Live at Joe Segal’s” (1993)
    • The Atheist Confronts A LOVE SUPREME
    • The Wrong Notes (A poem Thelonious Monk caused)
    • Paul Blackburn, “Listening to Sonny Rollins at The Five Spot”: When Jazz Poetry Works
    • “Texas Playboy”: The Only Poem I’ve Written in the Last 15 Years
  • First Church Archives
  • About Phil Overeem
  • Neil Young Ruined My Life Part 2
  • THE CURRENT LIST
  • Raison D’Etre
  • End-Of-Year Best Music
  • Good to My Earhole
  • Reviews
  • Rock in Real Life
  • Education
  • Interviews
  • Podcasts
  • Poetry About Music
  • First Church Archives
  • About Phil Overeem
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