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Compact music commentary about artifacts new and old: I enthuse, I don't accuse, but I do refuse–to review anything lukewarm or colder!

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  • February Fudge: The Best Records I’ve Heard in 2023, with Exceptions Real, Imagined, and Past Due That I Allowed So I Can Invite a Top 25 + One to My Party February 27, 2023
  • Gooba Gooba Gooba Gooba, Goodbye: So Long to Huey Piano Smith, last of the New Orleans Professors, and (at long last) a 2023 Top 10. February 15, 2023
  • Five I Missed That Woulda Made The 2022 List: New Discoveries from the Year That Was (+ a 2023 Addendum) February 3, 2023

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Michael Biggs on What To Do?
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Recent Posts

  • February Fudge: The Best Records I’ve Heard in 2023, with Exceptions Real, Imagined, and Past Due That I Allowed So I Can Invite a Top 25 + One to My Party
  • Gooba Gooba Gooba Gooba, Goodbye: So Long to Huey Piano Smith, last of the New Orleans Professors, and (at long last) a 2023 Top 10.
  • Five I Missed That Woulda Made The 2022 List: New Discoveries from the Year That Was (+ a 2023 Addendum)
  • What To Do?
  • Views from the Campus: Students from my Freshman Composition/Pop Music Fusion Class at Stephens College, Fall 2022

Category: Haiku for Ahmad Jamal, Upon Listening to “Live at the Pershing” (1958) and “Chicago Revisited/Live at Joe Segal’s” (1993)

Haiku for Ahmad Jamal, Upon Listening to “Live at the Pershing” (1958) and “Chicago Revisited/Live at Joe Segal’s” (1993)

ImageImage

Youth: careful touch of keys

Age: bold, joyful dynamics

Best way to ripen.

By philovereemin Haiku for Ahmad Jamal, Upon Listening to “Live at the Pershing” (1958) and “Chicago Revisited/Live at Joe Segal’s” (1993), Poetry About MusicMarch 12, 2014March 25, 202126 WordsLeave a comment
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    • The Atheist Confronts A LOVE SUPREME
    • The Wrong Notes (A poem Thelonious Monk caused)
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