itunes.apple.com/us/playlist/holiday-party/pl.u-XkD03yrhVvG8W
Month: December 2018
“I Love Women / I Think They’re Great / They’re a Solace to a World / In a Terrible State”: Living to Listen’s Picks for the Most Rewarding New Albums and Reissues of 2018 (December 28, 2018, Columbia, Missouri, Second Ward)
I want to open by addressing two things. If you are an EOY (End-of-Year) list watcher, and you frequent this blog, you might wonder: “Hey, is he just fucking aggregating from other lists?” You’d be justified in that suspicion, but–especially if you look back across my posts in ’18–you’d be wrong. For whatever reason–coincidence, politics, the law–women simply made the most direct, from-the-gut, punch-to-the-jaw records this year, and all year long. It’s almost as if they give a shit, as well we all ought. Dudes distinguished themselves: Parquet Courts, Makaya McCraven, and Superchunk, to variously explicit and subtle degrees, seemed to acknowledge the shit that’s coming down around our ears, and if Zeal & Ardor didn’t qualify for either explicit or subtle, at least their dark roar–their sharp shtick (if it’s shtick, let it be sharp)–seemed to fit well with mornings where reading the news was like drinking from a fire hose (props to the great cartoonist John Darkow).
Looking down through my list, well–Tracey Thorn’s held the top spot for me all year. That’s especially significant in that I wasn’t previously a huge fan, nor did I know much about her 30+-year career. I’d written her off in the ’80s as being Brit-pop, which I couldn’t connect with, but, on a tip, I quickly learned that Record was euphonious, danceable, and of the moment, with its politics so personal that they never tripped up the album’s momentum. It was two things I really love: human, and whole. I’ve not gotten tired of it. Rosalia’s record has yet to be released in the States, but its combo of flamenco conventions, top-of-the-line dance-pop production, and the artist’s confident vocal exhortations are addictive. CupcaKe: I don’t blush much, but her record forces me to understand what a Puritan I still am while immersing me in pleasure as the epiphany sinks in. I’ve been a confirmed Dylanophile since ’75, and at first I overreacted to LaVette’s cover album gambit as too easy, but once her wrestling of the songs’ content into her experience became clear to my ear, I was all in. She still oversings, but not so much that she distracts from the pretty spiffy material. McCraven: I’m honestly impressed with his mix method, his style of percussion synchronizes with my personal rhythms (an achievement that I don’t take lightly), and he’s a workaholic. Sometimes I wonder whether it seduces me so well as to be a sedative, but I don’t think so. The pure beat-pleasure he produces reminds me of Tony Williams, so…yeah. A wonderful student named Juniper forced me to listen to Noname (I don’t have time to listen to everything–come on!), and as a result that artist became a daily touchstone in my comp/pop music class. Oh, and a final thing? Jazz is not dead, not by a long shot, and though I wish Nate Chinen’s great “new” book were the reason I feel that way, in actuality, Chinen’s just hit a triple off the wall rather than an upper-deck homer.
To close: while it might be fairly easy to argue that 2018 did not bring us that may iconic albums, it did bring us a dazzling array of very, very good albums shot across the bow from all directions. At no time this year did I ever feel that music was “over”–that’s such an absurd idea on its face, but there’s no shortage of adepts (even) who might make the argument. Now–if this damn country would just snap to, and live up to its aural art. I’m not holding my breath.
In Bold: THE TESTED-BY-HEAVY-REPS TOP 25 (after those, all bets are off)
Listen to a YouTube Playlist of selections from the below via a previous post.
- Tracy Thorn: Record
- Rosalia: El Mal Querer
- CupcaKe: Ephorize
- Bettye LaVette: Things Have Changed
- Zeal & Ardor: Stranger Fruit
- Noname: Room 25
- Makaya McCraven: Universal Beings
- Pistol Annies: Interstate Gospel
- Sly & Robbie and Nils Petter Molvaer: Nordub
- Orquesta Akokan: Orquesta Akokan
- Pusha T: Daytona
- Parquet Courts: Wide Awake!
- Elza Soares: Deus É Mulher
- John Prine: The Tree of Forgiveness
- Janelle Monae: Dirty Computer
- JD Allen: Love Stone
- Superchunk: What A Time to Be Alive
- Mary Gauthier and Songwriting with Soldiers: Rifles and Rosary Beads
- Toni Braxton: Sex & Cigarettes
- Cloud Nothings: Last Building Burning
- Joe McPhee: Imaginary Numbers
- Tierra Whack: Whack World
- Michot’s Melody Makers: Blood Moon
- JLin: Autobiography (Music from Wayne McGregor’s Autobiography)
- Chloe x Halle: The Kids are Alright
- Nidia: Nídia É Má, Nídia É Fudida
- Fat Tony: 10,000 Hours
- Blood Orange: Negro Swan
- The Internet: Hive Mind
- Swamp Dogg: Love, Loss, and Auto-Tune
- SOPHIE: The Oil of Every Pearl’s Un-insides
- Maria Muldaur: Don’t You Feel My Leg—The Naughty Bawdy Blues of Blu Lu Barker
- Subtle Degrees: A Dance That Empties
- Daniel Carter: Seraphic Light
- The Necks: Body
- Hamell on Trial: The Night Guy
- Young Fathers: Cocoa Sugar
- James Brandon Lewis: Radiant Imprints
- Berry: Everything, Compromised
- boygenius: EP
- Peter Brotzmann and Heather Leigh: Sparrow Nights
- Sons of Kemet: Your Queen is a Reptile
- Lisbon Freedom Unit: Praise of Our Folly
- Doctor Nativo: Guatemaya
- The Goon Sax: We’re Not Talking
- Lyrics Born: Quite a Life
- Meshell Ndegeocello: Ventriloquism
- Mandy Barnett: Strange Conversation
- Grupo Mono Blanco: ¡Fandango! Sones Jarochos from Veracruz
- Chhoti Maa: Agua Corre
- Tallowit Timbouctou: Hali Diallo
- Knife Knights: 1 Time Mirage
- Angelika Niescier: The Berlin Concert
- No Age: Snares Like a Haircut
- Kids See Ghosts: Kids See Ghosts
- Robyn: Honey
- Tyshawn Sorey: Pillars
- Chhoti Maa: Caldo de Hueso
- Jonghyun: Poet / Artist
- Rolling Blackouts Coastal Fever: Hope Downs
- Halu Mergia: Lalu Balu
- Teyana Taylor: S.E.
- Earl Sweatshirt: Some Rap Songs
- Rapsody: Laila’s Wisdom
- Chris Corsano & Bill Orcutt: Brace Up!
- Jinx Lennon: Grow a Pair
- Quelle Chris & Jean Grae: Everything’s Fine
- Lori McKenna: The Tree
- Courtney Barnett: Tell Me How You Really Feel
- Car Seat Headrest: Twin Fantasy
- Makaya McCraven: Where We Come From (Chicago x London Mixtape)
- MAST: Thelonious Sphere Monk
- Wussy: What Heaven is Like
- Andrew Cyrille: Lebroba
- Ken Vandermark / Klaus Kugel / Mark Tokar: No-Exit Corner
- Tal National: Tantabara
- Harriet Tubman: The Terror End of Beauty
- Neneh Cherry: Broken Politics
- Evan Parker, Barry Guy, and Paul Lytton: Music for David Mossman
- Charge It to The Game: House with a Pool
- JPEGMAFIA: Veteran
- Myra Melford: The Other Side of Air
- Tropical Fuck Storm: A Laughing Death in Meatspace
- The Beths: The Future Hates Me
- Lupe Fiasco: Drogas Wave
- Sidi Toure: Toubalbero
- Apolo: Live in Stockholm
- Heather Leigh: Throne
- Alice Bag: Blue Print
- Becky Warren: Undesirable
- Michael White: Tricentennial Rag
- Robbie Fulks & Linda Gail Lewis: Wild! Wild! Wild!
- Chief Keef: The Kozart
- Mitski: Be the Cowboy
- The Thing: Again
- Young Mothers: Morose
- The Carters: Everything is Love
- Sleep: The Sciences
- Serengeti: Dennis 6e
- Various Artists: A Day in the Life–Impressions of Pepper
- Kelela: Take Me Apart—The Remixes
- Wynton Marsalis & Friends: United We Swing–Best of the Jazz at Lincoln Center Galas
- La Maison Noir: The Black House
- Dave Holland: Uncharted Territories
- Ahmoudou Madassane: Zerzura (Original Soundtrack Recording)
- Full Blast: Live in Rio
- Mekons 77: It Is Twice Blessed
- Jeffrey Lewis: Works by Tuli Kupferberg
- Bombino: Deran
- Idris Ackamoor & The Pyramids: An Angel Fell
- Sarayah: Feel the Vibe
- Nas: Nasir
- Speedy Ortiz: Twerp Verse
- Salim Washington: Dogon Revisited
- Jon Hassell: Listening To Pictures (Pentimento, Vol. One)
- Various Artists: Girls Just Wanna Have Fun…and Rights!!!
- Mdou Moctar & Elite Beat: Mdou Moctar meets Elite Beat In a Budget Dancehall
- Willie Nelson: Last Man Standing
- Mudhoney: Digital Garbage
- Kiefer: happysad
- Freddie Gibbs: Freddie
- Don Flemons: Black Cowboy
- Cardi B: Invasion of Privacy
- Shopping: The Official Body
- Cypress Hill: Elephants on Acid
- Dana Murray: Negro Manifesto
- Shame: Songs of Praise
- Henry Threadgill: .and More Dirt
- Ceramic Dog: YRU Still Here?
- Marc Ribot: Songs of Resistance 1942-2018
- The Coup: Soundtrack to the Film Sorry to Bother You
- ALLBLACK & Kenny Beats: Two-Minute Drills
- Van Morrison & Joey DeFrancesco: You’re Driving Me Crazy
- Various Artists/Sahel Sounds: Field Recordings
- Kendrick Lamar, et al: Black Panther—Music from and Inspired by the Film
- Rodrigo Amado (with Joe McPhee): History of Nothing
- Hop Along: Bark Your Head Off, Dog
- Tirzah: Devotion
- The Chills: Snowbound
- Ambrose Akinmusire: Origami Harvest
- Eddie Daniels: Heart of Brazil
- Big Freedia: Third Ward Bounce
- Amy Rigby: The Old Guys
- Busdriver: Electricity Is On Our Side
- Lonnie Holley: MITH
- Del McCoury Band: Del McCoury Still Plays Bluegrass
- Migos: Culture II
- La Luz: Floating Features
- Yo La Tengo: There’s a Riot Goin’ On
- The English Beat: Here We Go Love
- Princess Nokia: A Girl Cried Red
- Santigold: I Don’t Want—The Gold Fire Sessions
- Kasey Musgraves: Golden Hour
- Meek Mill: Championships
- DJ Juan Data: Ritmos Crotos, Volume 1
OLD MUSIC NICELY REPACKAGED OR SIMPLY REISSUED
- Various Artists: The Savory Collection 1935-1940
- Various Artists: The Complete Cuban Jam Sessions
- Dead Moon (2LPs, 1 book)
- The Art Ensemble of Chicago and Associated Ensembles
- Sonny Rollins: Way Out West (Deluxe Reissue)
- Various Artists: Feelin’ Right Saturday Night–The Ric & Ron Anthology
- Lee Dorsey: Night People
- Danny Barker: “Tootie Ma Was Big Fine Thing” / “Corrinne Died on the Battlefield” and “Indian Red” / “Chocko Mo Feendo Hey”
- Willie Nelson: Things to Remember—The Pamper Demos
- Erroll Garner: Nightconcert
- Various Artists: Voices of Mississippi—Artists and Musicians Documented by William Ferris
- Charles Mingus: Jazz in Detroit/Strata Concert Gallery/46 Selden
- Joan Jett: Bad Reputation (Music from the Original Motion Picture)
- Various Artists: Amarcord Nino Rota
- Various Artists: Listen All Around: The Golden Age of Central and East African Music
- Gary Stewart: “Baby I Need Your Loving” / “Yester-Me, Yester-You, Yester-Day”
- Peter Brotzmann and Fred Lonberg-Holm: Ouroboros
- Oneness of Juju: African Rhythms
- Joe McPhee: Nation Time
- Bruce Springsteen: 1978/07/07 West Hollywood, CA
- Neil Young: Roxy—Tonight’s the Night
- Prince: A Piano and a Microphone
- Various Artists: Oxford American, North Carolina Music Issue, 2018
- The Revelators: In which the Revelators perform live renditions of selections from the Billy Childish songbook
- Against All Logic: 2012-2017
- Grant Green: Live at Oil Can Harry’s
- Entourage: Ceremony of Dreams—Studio Sessions & Outtakes 1972-1977
- Various Artists: Africa Scream Contest, Volume 2
- Wussy: Getting Better
- Bob Dylan: More Blood, More Tracks—The Bootleg Series, Volume 14
- Milford Graves: Babi
- Power Trip: Opening Fire–2008-2014
- David Bowie: Santa Monica ‘72
- Various Artists: The Beginning of the End
- Mulatu Astatke & His Ethiopian Quintet: Afro-Latin Soul, Vols. 1 & 2
- Various Artists: Two Niles to Sing a Melody—The Violins & Synths of Sudan
- Neil Young: Songs for Judy
- Joe McPhee: One Day…A Lightning Storm
- Dur Dur of Somalia: 1, Vol. 2
- Camarao: The Imaginary Soundtrack to a Brazilian Western Movie 1964-1974
- Feeling Kreyol: Las Pale
- Various Artists: Hillbillies in Hell
- Bruce Springsteen: No Nukes Concert
- John Prine: Live in Asheville ’86
- Various Artists: The Contempo Story
Overeem’s Hot 100 Albums for 2018, Rendered Down to 100 Videos (PLAY LOUDLY, ON SHUFFLE) (December 12, 2018, Stephens College, Columbia, MO)
VS.
It’s End of The Year List time, and–as you know if you’ve been following along–I’ve been meticulously preparing for it. We have a couple more Fridays’ worth of releases in 2018, but I have a feeling not too much will change about my mile-long scroll of favorite what-we-used-to-call-records.
Don’t get me started on politics, but 2018 was an exciting and surprisingly transformative year for me in terms of what I listened to and how I listened to it. I worked very diligently to stay out of the curmudgeon’s bunker; popular and semi-popular music, just like the world that produces it, is in a state of constant flux, and were I to grouse about its current state, well–what would that run parallel to in the social and political world (I ask myself all the time)? When I think of grouchy white men shaking their fists at the sky and yearning for old times in non-musical sectors of experience, those would be the exact folks I’m not lining up behind. Perhaps my analogy is faulty, but it feels solid for me, and, quite honestly, I love and more importantly respect flux.
I don’t think I tried too hard to do it–often I was drawn as moth to flame, though I didn’t pay the moth’s price–but I indulged in far more pop and dance music than I have in awhile. Crucially, though, all four of my beacons (Tracey Thorn, JLin, Rosalia, Robyn) laced their fun with social commentary that was far from ham-handed. Plus, it was fun, like great pop is supposed to be. I make no apologies for feeling pleasure at this point in my life, especially from music.
Far more than in any musical year I remember, my listening was dominated by women’s voices. I have always tried to be a feminist, and the way our world’s burning right now I know I have to up my game, so one might suspect that I’m–hmmm–overcorrecting? I don’t think so. It just so happens that women have made made most of the liveliest, smartest, funniest, boldest, and most defiant records this year. I was suspicious of myself, so I triple- and quadruple-checked, especially things I lurved way back in January. Most of that stuff still works wonders.
Elsewhere? Not a lot of rock, but so what? Plenty of free jazz because it helps me with my brain. Some great international records because it’s not just about u.s. A nice tablespoon full of vivacious oldsters whom Death may find it hard to kill. Hip hop to the max. And really—the sheer amount of really solid records. This could be illusion, because I surrendered to Apple Music and thus listened to more records (at the expense of my old ones) than ever before. Thing is, though, I seldom felt I was wasting my time.
To test my theories and judgment, play this YouTube playlist loudly, on shuffle, and prepare to stretch some. Speaking of theories, I think being equally comfortable swiveling on the dance floor and tracking someone’s battle with entropy through your headphones in a darkened room is a worthy goal that might help you make friends and, if not influence your enemies, at least de-nut them.
Home Stretch: The Best Records of 2018, with One Month to Go (December 2, 2018, Columbia, Missouri)
I feel like my life has been too hectic lately even for music. Holidays, birthdays, anniversaries, life…death: the month of November was a massive wave that washed over me and left me lying here on December’s shore. I might have written about music had any event really taken form; even my college pop music students were busy doing research, so not much entertaining (certainly from their perspective) was going in the ivory yurt. Upon reflection, at least these moments remain fairly vivid:
My wife and I listened to a ’50s/’60s blues playlist I made for her throughout our trip to my parents’ for Thanksgiving and back. Nicole: “I am just in love with the sound of this period of blues–the electricity, the voices, the power.” I cannot say I disagree. The playlist mixes icons like the above gentleman with characters from the shadows, many of them captured on great compilations like Super Rare Electric Blues 60s Era and Scratchin’: The Wild Jimmy Spruill Story.
I have been positively addicted to the music of Catalonia’s nuevo flamenco firebrand Rosalia. Her voice is powerful, the rhythms that support it–especially on her recent El Mal Querer—are intoxicating and blood-quickening, and she seems better able than any artist I’ve seriously bent an ear to this year to chase demons out. A measure of my love and respect for this record is that I just ordered the vinyl–from Spain.
A week ago today, the Columbia, Missouri, rapper featured above died under circumstances that remain shadowy, though the local sheriff’s department says that, as indicated in its ongoing investigation, he was shot while perpetrating an armed robbery. I’ve known the kid since 2010, I was his teacher for 180 days, I’ve witnessed and heard testimony to his evolution into a positive force for good in our community, and, while he may have been up to something (and very well may not have), it wasn’t robbery. Whatever it was, as a friend says, Columbia now has a hole that is going to be hard to fill. The first essay he wrote for me, in August of 2010, detailed–really, in classical style–his journey through dangerous street episodes to an understanding that he had the charisma, skills, and energy to devote to positive change in his home city. The last eight years have provided plenty of evidence that he was evolving even further, but now we’ll never know. I’m pouring out a pint glass of white-man juicy haze IPA onto the curb for you, Ahmonta Harris–I know you will appreciate the mischief. Read more about who he was here.
Also, I have either being lazy or desperate or both in rescuing and “repurposing” on this blog some old, old pieces I once wrote under the nom de plume of “The Reverend Wayne Coomers” during the first half of the ‘Oughts, for a website I invented and commandeered called The First Church of Holly Rock and Roll. I actually wrote sermons. At one point, I even had a staff (here’s a notable contributor’s section). And we were very highly-principled. Check ’em out if you’d like a chuckle before they disappear.
Which brings me to this facile undertaking: tweaked oh-so-delicately from last month, 150 albums from this calendar year I pronounce “very good” (think of their grades as 86.5% or better, and fuck your charges of grade inflation–this is pop music!) and 35 issues of old music (some of it which has appeared before, some just excavated) that are also B-plussy. I know: you’re saying to yourself, “11 female acts in your Top 20, man? Sure you’re not letting the politics of the moment bleed into your critical acumen?” Yeah, I’m sure. It’s simply the music that moves me the most, that I’ve listened to the most, and if the moment is moving me, well, that’s life. Plus, I’m honestly evolving critically anyway, and I have the good fortune not to have to be done yet.
- Tracy Thorn: Record
- Rosalia: El Mal Querer
- CupcaKe: Ephorize
- Bettye LaVette: Things Have Changed
- JLin: Autobiography (Music from Wayne McGregor’s Autobiography)
- Chloe x Halle: The Kids are Alright
- The Internet: Hive Mind
- Zeal & Ardor: Stranger Fruit
- Noname: Room 25
- Makaya McCraven: Universal Beings
- Pistol Annies: Interstate Gospel
- Sly & Robbie and Nils Petter Molvaer: Nordub
- Orquesta Akokan: Orquesta Akokan
- Pusha T: Daytona
- Parquet Courts: Wide Awake!
- Elza Soares: Deus É Mulher
- John Prine: The Tree of Forgiveness
- Janelle Monae: Dirty Computer
- Berry: Everything, Compromised
- JD Allen: Love Stone
- Superchunk: What A Time to Be Alive
- Mary Gauthier and Songwriting with Soldiers: Rifles and Rosary Beads
- Toni Braxton: Sex & Cigarettes
- Cloud Nothings: Last Building Burning
- Joe McPhee: Imaginary Numbers
- Nidia: Nídia É Má, Nídia É Fudida
- Fat Tony: 10,000 Hours
- Blood Orange: Negro Swan
- Swamp Dogg: Love, Loss, and Auto-Tune
- Subtle Degrees: A Dance That Empties
- Daniel Carter: Seraphic Light
- Alice Bag: Blue Print
- The Necks: Body
- Michot’s Melody Makers: Blood Moon
- Hamell on Trial: The Night Guy
- Young Fathers: Cocoa Sugar
- Quelle Chris & Jean Grae: Everything’s Fine
- Robbie Fulks & Linda Gail Lewis: Wild! Wild! Wild!
- James Brandon Lewis: Radiant Imprints
- boygenius: EP
- Mitski: Be the Cowboy
- Peter Brotzmann and Heather Leigh: Sparrow Nights
- Tropical Fuck Storm: A Laughing Death in Meatspace
- Sons of Kemet: Your Queen is a Reptile
- Lisbon Freedom Unit: Praise of Our Folly
- Doctor Nativo: Guatemaya
- SOPHIE: The Oil of Every Pearl’s Un-insides
- The Goon Sax: We’re Not Talking
- Lyrics Born: Quite a Life
- Grupo Mono Blanco: ¡Fandango! Sones Jarochos from Veracruz
- DJ Juan Data: Ritmos Crotos, Volume 1
- Chhoti Maa: Agua Corre
- Ken Vandermark / Klaus Kugel / Mark Tokar: No-Exit Corner
- Tallowit Timbouctou: Hali Diallo
- Knife Knights: 1 Time Mirage
- Angelika Niescier: The Berlin Concert
- Young Mothers: Morose
- Kelela: Take Me Apart—The Remixes
- Becky Warren: Undesirable
- No Age: Snares Like a Haircut
- Kids See Ghosts: Kids See Ghosts
- Sidi Toure: Toubalbero
- Robyn: Honey
- Neneh Cherry: Broken Politics
- Tyshawn Sorey: Pillars
- Chhoti Maa: Caldo de Hueso
- Wynton Marsalis & Friends: United We Swing–Best of the Jazz at Lincoln Center Galas
- La Maison Noir: The Black House
- Jonghyun: Poet / Artist
- Serengeti: Dennis 6e
- Rolling Blackouts Coastal Fever: Hope Downs
- Mandy Barnett: Strange Conversation
- Dave Holland: Uncharted Territories
- Halu Mergia: Lalu Balu
- Full Blast: Live in Rio
- Mekons 77: It Is Twice Blessed
- Jeffrey Lewis: Works by Tuli Kupferberg
- Bombino: Deran
- Teyana Taylor: T.S.E.
- Earl Sweatshirt: Some Rap Songs
- Idris Ackamoor & The Pyramids: An Angel Fell
- Rapsody: Laila’s Wisdom
- Chris Corsano & Bill Orcutt: Brace Up!
- Sarayah: Feel the Vibe
- Jinx Lennon: Grow a Pair
- The Thing: Again
- Tierra Whack: Whack World
- Lori McKenna: The Tree
- Chief Keef: The Kozart
- Nas: Nasir
- Speedy Ortiz: Twerp Verse
- Courtney Barnett: Tell Me How You Really Feel
- Car Seat Headrest: Twin Fantasy
- Makaya McCraven: Where We Come From (Chicago x London Mixtape)
- Evan Parker, Barry Guy, and Paul Lytton: Music for David Mossman
- Salim Washington: Dogon Revisited
- Beats Antique: Shadowbox
- Jon Hassell: Listening To Pictures (Pentimento, Vol. One)
- Charge It to The Game: House with a Pool
- JPEGMAFIA: Veteran
- The Beths: The Future Hates Me
- Various Artists: Girls Just Wanna Have Fun…and Rights!!!
- Apolo: Live in Stockholm
- Mdou Moctar & Elite Beat: Mdou Moctar meets Elite Beat In a Budget Dancehall
- Willie Nelson: Last Man Standing
- Mudhoney: Digital Garbage
- Wussy: What Heaven is Like
- Ahmoudou Madassane: Zerzura (Original Soundtrack Recording)
- Kiefer: happysad
- Meshell Ndegeocello: Ventriloquism
- Freddie Gibbs: Freddie
- Kamasi Washington: Heaven & Earth
- Don Flemons: Black Cowboy
- Cardi B: Invasion of Privacy
- Shopping: The Official Body
- Cypress Hill: Elephants on Acid
- Maria Muldaur: Don’t You Feel My Leg—The Naughty Bawdy Blues of Blu Lu Barker
- Dana Murray: Negro Manifesto
- Shame: Songs of Praise
- Henry Threadgill: .and More Dirt
- Ceramic Dog: YRU Still Here?
- Marc Ribot: Songs of Resistance 1942-2018
- The Coup: Soundtrack to the Film Sorry to Bother You
- ALLBLACK & Kenny Beats: Two-Minute Drills
- Van Morrison & Joey DeFrancesco: You’re Driving Me Crazy
- Various Artists/Sahel Sounds: Field Recordings
- E.S. Douze: The Stoned 1
- Kendrick Lamar, et al: Black Panther—Music from and Inspired by the Film
- Tal National: Tantabara
- Rodrigo Amado (with Joe McPhee): History of Nothing
- Hop Along: Bark Your Head Off, Dog
- MAST: Thelonious Sphere Monk
- Tirzah: Devotion
- The Chills: Snowbound
- Ambrose Akinmusire: Origami Harvest
- Eddie Daniels: Heart of Brazil
- Big Freedia: Third Ward Bounce
- Heather Leigh: Throne
- Amy Rigby: The Old Guys
- Busdriver: Electricity Is On Our Side
- Lonnie Holley: MITH
- Del McCoury Band: Del McCoury Still Plays Bluegrass
- Michael White: Tricentennial Rag
- Migos: Culture II
- Yo La Tengo: There’s a Riot Goin’ On
- The Carters: Everything is Love
- Sleep: The Sciences
- The English Beat: Here We Go Love
- Princess Nokia: A Girl Cried Red
- Santigold: I Don’t Want—The Gold Fire Sessions
OLD MUSIC NICELY REPACKAGED OR SIMPLY REISSUED
- Various Artists: The Savory Collection 1935-1940
- Dead Moon (2LPs, 1 book)
- Sonny Rollins: Way Out West (Deluxe Reissue)
- Neil Young: Roxy—Tonight’s the Night
- Danny Barker: “Tootie Ma Was Big Fine Thing” / “Corrinne Died on the Battlefield” and “Indian Red” / “Chocko Mo Feendo Hey”
- Willie Nelson: Things to Remember—The Pamper Demos
- Erroll Garner: Nightconcert
- Various Artists: Voices of Mississippi—Artists and Musicians Documented by William Ferris
- Charles Mingus: Jazz in Detroit/Strata Concert Gallery/46 Selden
- Joan Jett: Bad Reputation (Music from the Original Motion Picture)
- Prince: A Piano and a Microphone
- Various Artists: Amarcord Nino Rota
- Various Artists: Listen All Around: The Golden Age of Central and East African Music
- Gary Stewart: “Baby I Need Your Loving” / “Yester-Me, Yester-You, Yester-Day”
- Peter Brotzmann and Fred Lonberg-Holm: Ouroboros
- Oneness of Juju: African Rhythms
- Joe McPhee: Nation Time
- Bruce Springsteen: 1978/07/07 West Hollywood, CA
- Various Artists: Oxford American, North Carolina Music Issue, 2018
- The Revelators: In which the Revelators perform live renditions of selections from the Billy Childish songbook
- Against All Logic: 2012-2017
- Grant Green: Live at Oil Can Harry’s
- Entourage: Ceremony of Dreams—Studio Sessions & Outtakes 1972-1977
- Various Artists: Africa Scream Contest, Volume 2
- Wussy: Getting Better
- Bob Dylan: More Blood, More Tracks—The Bootleg Series, Volume 14
- Milford Graves: Babi
- David Bowie: Santa Monica ‘72
- Various Artists: The Beginning of the End
- Mulatu Astatke & His Ethiopian Quintet: Afro-Latin Soul, Vols. 1 & 2
- Various Artists: Two Niles to Sing a Melody—The Violins & Synths of Sudan
- Feeling Kreyol: Las Pale
- Neil Young: Songs for Judy
- Joe McPhee: One Day…A Lightning Storm
- Camarao: The Imaginary Soundtrack to a Brazilian Western Movie 1964-1974