Trust in the Lifeforce: Best New Records from the First Third of 2019 (Updated 5/1 with Two Significant Add-Ons and Two Bye-Byes)

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I think I’m back to thinking this is a bit of a weak year. Or maybe I’m just saying that to see 2019 hit me back. It worked last time. Some recent observations:

*I’ve been following the huzzahs and hisses directed at Ms. Knowles’ live album. Not having always been vulnerable to her wiles, I understand both sides of the argument (as well as those on middle ground). But I know what I’m hearing, and I find very little not to love: the brass/marching band support (the arrangements make it all sound so easy, but it couldn’t have been), the tougher vocals (something I’ve always wanted from her and knew she could offer), the song selection (I’ve now been converted to tunes I’d tuned out on), the showcases (especially for Freedia! she was owed!), and, honestly, the educational content. It’s a tour de force, and it stands up without visuals, as outstanding as those must have been–I’ve yet to see anything but clips.

*I’d like to thank my friend Dan Weiss for forcefully suggesting I listen to Control Top’s furious Covert Contracts. I have many compadres who ask me, “Well, what about punk rock NOW?” That album’s an answer.

*Billie Eilish may tempt some who know me to wonder if I am bending over backwards to stay hip with the kid-crowd, but I’d argue her material isn’t exactly kid stuff. If you hung around humans her age as much as I do (I have no choice: I teach them), you might hear her record differently. The booga-booga cover pose is not entirely a joke–her generation is indeed dealing with stressors the hoarier among us might well have sidestepped, and it ain’t about how tough we are and they ain’t. And I hear that twining through the songs–along with some charming and funny backtalk and a mordant sense of humor that probably helps Eilish on more than just her music. One way I know she must be doing something right is that she defeats my resistance to “little baby voices” with sheer weirdness, chutzpah, and attitude.

*I recently raided Sublime Frequencies’ Bandcamp site after reading an article on the label in The New Yorker. Several of their more recent offerings are budget-priced, so I indulged myself, expecting really just to be educated about some international music I’d never heard before. Indonesia’s Senyawa’s 2018 album Sujud, however, did that and more, extended traditions of their country’s music into the realm of the self-consciously experimental. If that doesn’t sound like a strong bet, maybe it wasn’t–but they won it. I haven’t heard a more mesmerizing, unique album this year (by the way, I’m counting Sujud as a 2019 offering since, thanks to the above article, that’s when its impact is likely to be more substantial.

*Don’t you love it when a band that’s never done anything for you does something for you? I can’t put my finger on it–I think it’s the songwriting and dynamics–but Shovel & Ropes’ By Blood has me rockin’, and rooting for it.

*It’s too easy, very absurd, and not a little lazy to call Mdou Moctar “The Hendrix of the Sahara.” However, there is a reason he has two records in my Top 70 (!) so far.

And there’s also a reason why, last time, he was compared to Prince.

*LATE-BREAKING ADD-ON: I finally broke down after playing it more times than any other record this year and claimed A Day in the Life–Impressions of Pepper as a 2019 record; it was a 2018 RSD release, but saw an issue to the rest of humanity in December. The jazzer take on The Beatles’ inescapable album might sound like a must-to-avoid (I initially streamed it with some trepidation myself), but it’s quirkily catchy and inventive–plus the jazzers in question include Mary Halvorson, Makaya McCraven, and Shabaka Hutchings, not exactly the paint-by-numbers type and the latter two in the midst of a pretty substantial moment. But don’t trust me; sample it yourself. Also, I wrinkled my nose at LPX being compared to Robyn (and could she not name herself something less mechanical?), then I played her Junk of the Heart EP and felt quite a bit of joy. In fact, a lot of joy.

2019 New Release Honor Roll

  1. Little Simz: Grey Area
  2. Various Artists: A Day in the Life–Impressions of Pepper*
  3. Beyoncé: Homecoming
  4. Royal Trux: White Stuff
  5. Control Top: Covert Contracts
  6. Senyawa: Sujud*
  7. Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
  8. 2 Chainz: Rap or Go to the League
  9. Yugen Blakrok: Anima Mysterium
  10. James Brandon Lewis: An Unruly Manifesto
  11. Kel Assouf: Black Tenere
  12. The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
  13. Aesop Rock & TOBACCO: Malibu Ken
  14. Heroes are Gang Leaders: The Amiri Baraka Sessions
  15. Mdou Moctar: Ilana (The Creator)
  16. Dave: PSYCHODRAMA
  17. Quelle Chris: Guns
  18. Ben Lamar Gay: Confetti in the Sky Like Fireworks
  19. Tanya Tagaq: Toothsayer EP
  20. Various Artists: Weaponize Your Sound
  21. Lizzo: Cuz I Love You
  22. DKV and Joe McPhee: The Fire Each Time
  23. The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
  24. Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
  25. The Coathangers: The Devil You Know
  26. Angel-Ho: Death Becomes Her
  27. Usted Saami: God is Not a Terrorist
  28. Zeal & Ardor: Live in London
  29. LPX: Junk of the Heart (EP)
  30. Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
  31. Fennesz: Agora
  32. Salif Keita: Un autre blanc
  33. Robert Forster: Inferno
  34. Harriet Tubman: The Terror End of Beauty
  35. The Art Ensemble of Chicago: We Are On the Edge
  36. Ibibio Sound Machine: Doko Mien
  37. Solange: When I Get Home
  38. Joe McPhee / John Butcher: At the Hill of James Magee
  39. Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
  40. Helado Negro: This is How You Smile
  41. Ahmed Ag Kaedy: Akaline Kidal
  42. Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
  43. Silkroad Assassins: State of Ruin
  44. Mekons: Deserted
  45. Que Vola: Que Vola
  46. Miguel: Te Lo Dije EP
  47. Kelsey Lu: Blood
  48. Bassekou Kouyate & Ngoni Ba: Miri
  49. Hama: Houmeissa
  50. Steve Earle: Guy
  51. Mdou Moctar: Blue Stage Session
  52. Beth Gibbons with the Polish National Radio Symphony Orchestra (conducted by Krzysztof Penderecki): Henryk Gorecki—Symphony #3 (Symphony of Sorrow Songs)
  53. Ill Considered: 5
  54. Leyla McCalla: Capitalist Blues
  55. Girls on Grass: Dirty Power
  56. Stella Donnelly: Beware of the Dogs
  57. Matthew Shipp Trio: Signature
  58. Weyes Blood: Titanic Rising
  59. Shovels & Rope: By Blood
  60. Angel Bat Dawid: The Oracle
  61. Better Oblivion Community Center: Better Oblivion Community Center
  62. Alfredo Rodriguez and Pedrito Martinez: Duologue
  63. Bad Bunny: X 100PRE
  64. The Clifford Thornton Memorial Quartet (featuring Joe McPhee): Sweet Oranges
  65. Our Native Daughters: Songs of Our Native Daughters
  66. Rosie Flores: A Simple Case of The Blues
  67. Wynton Marsalis: Bolden (Soundtrack to the Motion Picture)
  68. People Under the Stairs: Sincerely, The P
  69. CZARFACE & Ghostface Killah: Czarface Meets Ghostface
  70. Jenny Lewis: On the Line

*Technically, these are 2018 releases, but for now, I’m claiming their impact is being felt more strongly this year.

New Releases of Older Material

  1. Eric Dolphy: Musical Prophet
  2. Burnt Sugar: 20th Anniversary Mixtapes—Groiddest Schizznits, Vols. 1-3
  3. Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks
  4. Various Artists: Rhapsody in Bronze
  5. Sir Shina Peters and His Internation Stars: Sewele
  6. Belton Richard: The Essential Cajun Music Collection, Volume 2

“Weaponize Your Sound”: Best Albums of ’19, 25% through the Briar Patch

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All I had to do was bitch about 2019 and it stepped to me–almost immediately. Top 25s in particular are getting a lot of replay.

Bold-faced entries represent older music, which I usually separate into a dedicated list later. Notable: some very emotionally intense desert blues up in here, and it parallels some shit coming down at the source; some really talkative rap records striking deep; my reading as always effects my musical perceptions–I just finished Dave Cullen’s Parkland.

  1. Little Simz: Grey Area
  2. Eric Dolphy: Musical Prophet
  3. Quelle Chris: Guns
  4. Burnt Sugar: 20th Anniversary Mixtapes—Groiddest Schizznits, Vols. 1-3
  5. Dave: PSYCHODRAMA
  6. Royal Trux: White Stuff
  7. 2 Chainz: Rap or Go to the League
  8. Harriet Tubman: The Terror End of Beauty
  9. The Coathangers: The Devil You Know
  10. Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks
  11. Mdou Moctar: Ilana (The Creator)
  12. Ben Lamar Gay: Confetti in the Sky Like Fireworks
  13. Usted Saami: God is Not a Terrorist
  14. Robert Forster: Inferno
  15. Heroes are Gang Leaders: The Amiri Baraka Sessions
  16. Yugen Blakrok: Anima Mysterium
  17. James Brandon Lewis: An Unruly Manifesto
  18. Kel Assouf: Black Tenere
  19. The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
  20. Aesop Rock & TOBACCO: Malibu Ken
  21. Zeal & Ardor: Live in London
  22. Joe McPhee / John Butcher: At the Hill of James Magee
  23. Various Artists: Weaponize Your Sound
  24. Helado Negro: This is How You Smile
  25. Ahmed Ag Kaedy: Akaline Kidal
  26. Various Artists: Live at Raul’s
  27. Solange: When I Get Home
  28. Tanya Tagaq: Snowblind
  29. Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
  30. Steve Earle: Guy
  31. Rosie Flores: A Simple Case of The Blues
  32. Jenny Lewis: On the Line
  33. Silkroad Assassins: State of Ruin
  34. Various Artists: Rhapsody in Bronze (featuring Cousin Joe, James Booker, and Snooks Eaglin)
  35. Angel-Ho: Death Becomes Her
  36. DKV and Joe McPhee: The Fire Each Time
  37. Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
  38. Que Vola: Que Vola
  39. Sir Shina Peters and His Internation Stars: Sewele
  40. Bassekou Kouyate & Ngoni Ba: Miri
  41. People Under the Stairs: Sincerely, The P
  42. Powder: Powder in Space (DJ Mix)
  43. Hama: Houmeissa
  44. Ill Considered: 5
  45. Leyla McCalla: Capitalist Blues
  46. M’dou Moctar: Blue Stage Session
  47. CZARFACE & Ghostface Killah: Czarface Meets Ghostface
  48. Matthew Shipp Trio: Signature
  49. Angel Bat Dawid: The Oracle
  50. Better Oblivion Community Center: Better Oblivion Community Center
  51. Alfredo Rodriguez and Pedrito Martinez: Duologue
  52. Bad Bunny: X 100PRE
  53. The Clifford Thornton Memorial Quartet (featuring Joe McPhee): Sweet Oranges
  54. Our Native Daughters: Songs of Our Native Daughters
  55. Bob Mould: Sunshine Rock
  56. Ty Segall: Deforming Lobes
  57. The Specials: Encore
  58. Meat Puppets: Dusty Notes
  59. Mekons: Deserted
  60. Greg Ward and Rogue Parade: Stomping Off from Greenwood

Best Rekkids of ’19 – End of Febru-weary Edition

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Behold–a rather tentative list of 30 pretty damn decent releases from the 2019th year of our lord (is that right? asks the history-challenged heathen). I would not say that, so far, our musical high priests have laid a cornucopial spread before our weary, hungry, hopeful selves; I would say, however, that plenty of interesting stuff is at your fingertips. The following are in rough order of how much enjoyment I’ve gained from and willing repetition I’ve applied to each long-player. Certain of my regular prejudices are in play: Joe McPhee is a genius and a saint to me, musically and personally, and in his 79th year (50 or so of them as a devoted free-playing jazz multi-instrumentalist and happy noise-maker) he shows no signs of slowing down or having passed his sell-by date–I love all three of his new records, including all six discs of his “Nation Time!”-keyed live collaboration with DKV (that’s Hamid Drake, Ken Kessler, and Ken Vandermark); I come alive at the sound of a Tuareg guitar, no matter how familiar or how augmented by Western intrusion; I am certain Yugen Blakrok needs more recognition and I will bend over backwards to see that, at least within my very circumscribed social range, she gets it; I have a very soft spot for the hoarier artist. But I’d almost argue that those strong prejudices, built from high expectations, might just make me more likely than most to recognize why records therein don’t really cut it. Almost.

Also, I am being very strict about releases being from 2019. If I am not, I will get my wrists slapped.

If anything really obvious is missing (Sharon Van Etten, Future, Gary Clark, Jr.) it might well be assumed that I am immune to its spells.

Finally, I am including new releases of material recorded in bygone days (rather than listing those separately) because pickings are just that slim. So far. [Ex Hex, Mekons, Jamila Woods, Lost Bayou Ramblers, Royal Trux (Royal Trux?), Quelle Chris, hell, ol’ dead Marvin Gaye each have one in tha chamba for future firing.]

After the list is a YouTube playlist where you can test-drive some of the stuff if it’s unfamiliar to you.

  1. Harriet Tubman: The Terror End of Beauty
  2. DKV and Joe McPhee: The Fire Each Time
  3. Yugen Blakrok: Anima Mysterium
  4. Heroes are Gang Leaders: The Amiri Baraka Sessions
  5. Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks
  6. Various Artists: Travailler, C’est Trop Dure–The Lyrical Legacy of Caesar Vincent
  7. Que Vola: Que Vola
  8. Kel Assouf: Black Tenere
  9. Aesop Rock & TOBACCO: Malibu Ken
  10. Sir Shina Peters and His Internation Stars: Sewele
  11. Eric Dolphy: Musical Prophet
  12. Usted Saami: God is Not a Terrorist
  13. Joe McPhee / John Butcher: At the Hill of James Magee
  14. Bassekou Kouyate & Ngoni Ba: Miri
  15. People Under the Stairs: Sincerely, The P
  16. Powder: Powder in Space (DJ Mix)
  17. Hama: Houmeissa
  18. Bob Mould: Sunshine Rock
  19. Ill Considered: 5
  20. M’dou Moctar: Blue Stage Session
  21. CZARFACE & Ghostface Killah: Czarface Meets Ghostface
  22. Greg Ward and Rogue Parade: Stomping Off from Greenwood
  23. Matthew Shipp Trio: Signature
  24. Angel Bat Dawid: The Oracle
  25. Better Oblivion Community Center: Better Oblivion Community Center
  26. Alfredo Rodriguez and Pedrito Martinez: Duologue
  27. Bad Bunny: X 100PRE
  28. The Clifford Thornton Memorial Quartet (featuring Joe McPhee): Sweet Oranges
  29. Our Native Daughters: Songs of Our Native Daughters
  30. The Specials: Encore

A note on the playlist: two-three full albums are included (one of them a three-disker) because single tracks were not available, so you may want to be prepared to click past them after an initial taste. Or you may not…

 

 

Three Lists (which The Blogger Sheepishly Submits)

Posting every other day has been the hardest of the five-six resolutions I cornily made for myself (I’m doing great on the others). Life has happened, and you can’t push that river. Perhaps I should post just when I want to and I have something urgent to communicate? Yes, and that would be today.

TEN OF MY “FAVORITE ALBUMS OF ALL-TIME”

Recently I asked my Facebook friends the impossible: name your favorite album of all-time. I led with my choice (Professor Longhair’s Crawfish Fiesta, which I’ve definitely played more than any other over the past 15 years) and instantly regretted it, not because it isn’t sublime, but someone else listed something more important. So, here aren’t my 10 favorite albums of all-time, in order; here are 10 records I’d list as my very favorite record, based on number of lifetime plays, significance to my development as a human, sparked joy, and facility in connecting me with other humans. I steadfastly avoided trying to have a politically correct representative list; these are the ones my heart reaches for, instantly.

The Minutemen, Double Nickels on the Dime

Professor Longhair, Crawfish Fiesta

Bob Dylan, Highway 61 Revisited

Howlin’ Wolf

The Flying Burrito Brothers: The Gilded Palace of Sin

Lucinda Williams

Bob Wills and The Texas Playboys: Basin Street Blues–The Tiffany Transcriptions, Volume 3

The Best of Doug Sahm & The Sir Douglas Quintet 1968-1975

The Clash: London Calling

Having a Good Time with Huey “Piano” Smith and The Clowns

 

MY TEN FAVORITE ALBUMS OF 2019

I don’t know about you, but the offerings thus far have been slim compared to last January. I will stretch to 10, nonetheless, though I may have to lean on reissues of older stuff. There is no serious priority order–it’s too early, and some of these may not end up making my Top 100 in the end. Also: a deep bow of amazement to the ageless Joe McPhee, who’s the star of no less than three of these; an acknowledgement that I have only sampled the glam comp below via YouTube searches; a thank you to my young friend Lucas Fagen, who convinced me that I was not too old and trap-rattle-addled to return to, and enjoy, Bad Bunny; and my apologies if some of these are kinda-’18. I remain needing serious convincing regarding Sharon Van Etten (Remind Me Tomorrow is an “up” album for her???).

Heroes are Gang Leaders: The Amiri Baraka Sessions

Various Artists: Travailler, C’est Trop Dure–The Lyrical Legacy of Caesar Vincent

Greg Ward and Rogue Parade: Stomping Off from Greenwood

Usted Saami: God is Not a Terrorist

Joe McPhee / John Butcher: At the Hill of James Magee

DVK and Joe McPhee: The Fire Each Time

The Clifford Thornton Memorial Quartet: Sweet Oranges

Sir Shina Peter and His Internation Stars: Sewele

Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks

Bad Bunny: X 100PRE

 

TEN GREAT BRAZILIAN ALBUMS THAT PAAL NILSSEN LOVE AND CATALYTIC SOUND HAVE LED ME TO (SO FAR)

I ordered and received a CD recently from the fascinating experimental music label Catalytic Sound (Sweet Oranges, above), and within was a neat little ‘zine-styled “quarterly” with poetry and other neat stuff–especially master free drummer Paal Nilssen-Love’s list of his 100 favorite Brazilian records. Nilssen-Love’s made many sojourns to Brazil in the recent past, and he’s clearly a sharp, indefatigable crate-digger (that describes his drumming, too). What blew my mind is, though I really love Brazilian music, I’d only heard of 10 or so of them, and didn’t own many. Thus–and this is a reason I haven’t posted recently–I’ve been on a grail quest of my own, using his list as a road map. I’ve heard at least 20 of the records he’s listed since Friday; these are my favorites, and I only have 60-70 to go!

Pedro Santos: Krishnanda

Alessandra Leao: Dois Cordoes

Underground Samba Lapa

Ile Aiye: Canto Negro

O Som Sagrado de Wilson Das Neves

Clara Nunes: Esperanca

Tim Maia: Racional, Volumes 1 and 2

Moacir Santos: Coisas

Grupo Fundo De Quintal: Samba E No Fundo Do Quintal

Elis Regina: Samba, Eu Canto Assim

 

 

Brace for Impact: Finalized Top 10 LP and Singles List, plus the Usual Listenin’ Report

As I have mentioned before, I get to vote in the recently-defunct Village Voice‘s Pazz & Jop poll. However, I’m probably more careful when I vote in a similar poll offered up by Brad Luen for the Facebook music-nut group Expert Witness. I have to live with those motherfuckers on a daily basis! And it’s a tough room! This year, there is some kidding-on-the-square about my albums list (which is different from my Pazz & Jop list; BTW, you get 100 points to distribute across your Top 10, with no more than 30 and no less than 5 for each item), but most telling is I actually submitted a singles ballot. I am an album dude, but this year I really leaned into some smashing songs. For what it’s worth, here’s my lists, and I checked them thrice:

Albums

  1. Tracey Thorn: Record (30)

  2. Rosalía: El Mal Querer (25)

  3. CupcaKe: Ephorize (10)

  4. Bettye LaVette: Things Have Changed (5)

  5. Elza Soares: Deus É Mulher (5)

  6. Noname: Room 25 (5)

  7. Pistol Annies: Interstate Gospel (5)

  8. Tierra Whack: Whack World (5)

  9. Mary Gauthier: Rifles & Rosary Beads (5)

  10. Janelle Monáe: Dirty Computer (5)

Singles

  1. Rosalía: “Malamente”*

  2. Tracey Thorn: “Sister”

  3. JLin: “The Abyss of Doubt”

  4. CupcakKe: “Duck Duck Goose”

  5. Swamp Dogg: “I’ll Pretend”

  6. John Prine: “When I Get to Heaven”

  7. Pistol Annies: “Got My Name Changed Back”

  8. Parquet Courts: “Almost Had to Start a Fight”

  9. Robyn: “Between the Lines”

  10. Rosalía: “Baghdad”

On to the new year, though it’s included little new music. I’ve been on Louisiana kick.

Travailler, C’est Trop Dur: The Lyrical Legacy of Caesar Vincent

Hadn’t heard of Vincent, whose very lyrical compositions are interpreted here by a range of Cajun all-stars (ex. Zachary Richard, David Doucet, Steve Riley). The songs are in French, but that doesn’t mean you won’t feel them, and I’d happily argue this is the best truly country music we have.

Jourdan Thibodeaux et Les Rôdailleurs; Boue, Bocane, Et Bouteilles

This youngster sings in a pleasingly grizzled baritone, plays a killer fiddle (as he must), fronts a racially integrated Cajun band (still a bit rare), and features a Savoy (of the Louisianan royal music family) on guitar dirtying things up a bit. I love it when youngsters mess with folk forms.

Sean Ardoin: Kreole Rock and Soul

Member of another Louisianan royal music family, this time of the zydeco persuasion, Ardoin does some messing around of his own, striving to live up to the title and winning three falls out of five. Winners: “Kick Rocks,” “Abracadabra” (yes, that one). Losers: “Just What I Needed” (yes, that one), and possibly the worst song I have ever heard from a Louisiana artist, “You Complete Me.”

Chubby Carrier and the Bayou Swamp Band: Black Pot

Chubby plays it safe here, but if he and his band were playing these songs at the Mid-City Rock ‘n’ Bowl, you’d never sit down. The title cut’s a dance-floor killer; the closing cut is the sweetest paean to home in zydeco history; in between is competence-plus, community, and commitment.

Joe McPhee and Mats Gustafsson: Brace for Impact

It took 10 years for this meeting of two free jazz masters to come to light, and it might be one of the best of the year in spite of its vintage. They are master listeners, too, not just in a studio but across decades and an ocean: Poughkeepsian McPhee’s 79 going on 30, Mats, a Swede living in Austria, is 54. If you’d like to hear how a jazz composition can be built out of thin air, quick thinking, and imagination, you might as well start here.

Dabke–Sounds of the Syrian Houran

Dabke, an Arab music played at weddings and other celebrations, has a head-spinning number of variations. According to the Wikipedia entry on the style, there are either 2, 6, or 19 types. This motorvating compilation ranges across several of them–you might even call it a dabke Nuggets. Just trying to sell you on trying it, folks!

Rosalía: El Mal Querer

Let it be understood that the frequency with which this Catalonian-cum-Barcelonan powerhouse has appeared here simply testifies to her power. Her voice is intense, alluring, frightening, multi-faceted–and it brings out the Arabic roots of the music that’s been her life, and with which she happily experiments: flamenco. Producer El Guincho deepens the allure and broadens her appeal with savvy settings; if you want to hear her more sparely adorned, check out her debut (more on that later). She is going to be huge, and I may have to finally learn to at least hear Spanish to keep up.

Wire: Pink Flag

Even they have never recorded (again) anything quite like this 21-song, 37-minute voyage into alienation and paranoia. But again it must be said: sometimes paranoids are right. Drowning in the big swim, discerning strange things that aren’t quite right, witnessing murder, looting, and rape, 1-2 hating you, creating a field day for the Sunday papers, they take a moment to expose their hearts when their shades get broken, along with their fleeting love.

“I Love Women / I Think They’re Great / They’re a Solace to a World / In a Terrible State”: Living to Listen’s Picks for the Most Rewarding New Albums and Reissues of 2018 (December 28, 2018, Columbia, Missouri, Second Ward)

 

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I want to open by addressing two things. If you are an EOY (End-of-Year) list watcher, and you frequent this blog, you might wonder: “Hey, is he just fucking aggregating from other lists?” You’d be justified in that suspicion, but–especially if you look back across my posts in ’18–you’d be wrong. For whatever reason–coincidence, politics, the law–women simply made the most direct, from-the-gut, punch-to-the-jaw records this year, and all year long. It’s almost as if they give a shit, as well we all ought. Dudes distinguished themselves: Parquet Courts, Makaya McCraven, and Superchunk, to variously explicit and subtle degrees, seemed to acknowledge the shit that’s coming down around our ears, and if Zeal & Ardor didn’t qualify for either explicit or subtle, at least their dark roar–their sharp shtick (if it’s shtick, let it be sharp)–seemed to fit well with mornings where reading the news was like drinking from a fire hose (props to the great cartoonist John Darkow).

Looking down through my list, well–Tracey Thorn’s held the top spot for me all year. That’s especially significant in that I wasn’t previously a huge fan, nor did I know much about her 30+-year career. I’d written her off in the ’80s as being Brit-pop, which I couldn’t connect with, but, on a tip, I quickly learned that Record was euphonious, danceable, and of the moment, with its politics so personal that they never tripped up the album’s momentum. It was two things I really love: human, and whole. I’ve not gotten tired of it. Rosalia’s record has yet to be released in the States, but its combo of flamenco conventions, top-of-the-line dance-pop production, and the artist’s confident vocal exhortations are addictive. CupcaKe: I don’t blush much, but her record forces me to understand what a Puritan I still am while immersing me in pleasure as the epiphany sinks in. I’ve been a confirmed Dylanophile since ’75, and at first I overreacted to LaVette’s cover album gambit as too easy, but once her wrestling of the songs’ content into her experience became clear to my ear, I was all in. She still oversings, but not so much that she distracts from the pretty spiffy material. McCraven: I’m honestly impressed with his mix method, his style of percussion synchronizes with my personal rhythms (an achievement that I don’t take lightly), and he’s a workaholic. Sometimes I wonder whether it seduces me so well as to be a sedative, but I don’t think so. The pure beat-pleasure he produces reminds me of Tony Williams, so…yeah. A wonderful student named Juniper forced me to listen to Noname (I don’t have time to listen to everything–come on!), and as a result that artist became a daily touchstone in my comp/pop music class. Oh, and a final thing? Jazz is not dead, not by a long shot, and though I wish Nate Chinen’s great “new” book were the reason I feel that way, in actuality, Chinen’s just hit a triple off the wall rather than an upper-deck homer.

To close: while it might be fairly easy to argue that 2018 did not bring us that may iconic albums, it did bring us a dazzling array of very, very good albums shot across the bow from all directions. At no time this year did I ever feel that music was “over”–that’s such an absurd idea on its face, but there’s no shortage of adepts (even) who might make the argument. Now–if this damn country would just snap to, and live up to its aural art. I’m not holding my breath.

In Bold: THE TESTED-BY-HEAVY-REPS TOP 25 (after those, all bets are off)

Listen to a YouTube Playlist of selections from the below via a previous post.

  1. Tracy Thorn: Record
  2. Rosalia: El Mal Querer
  3. CupcaKe: Ephorize
  4. Bettye LaVette: Things Have Changed
  5. Zeal & Ardor: Stranger Fruit
  6. Noname: Room 25
  7. Makaya McCraven: Universal Beings
  8. Pistol Annies: Interstate Gospel
  9. Sly & Robbie and Nils Petter Molvaer: Nordub
  10. Orquesta Akokan: Orquesta Akokan
  11. Pusha T: Daytona
  12. Parquet Courts: Wide Awake!
  13. Elza Soares: Deus É Mulher
  14. John Prine: The Tree of Forgiveness
  15. Janelle Monae: Dirty Computer
  16. JD Allen: Love Stone
  17. Superchunk: What A Time to Be Alive
  18. Mary Gauthier and Songwriting with Soldiers: Rifles and Rosary Beads
  19. Toni Braxton: Sex & Cigarettes
  20. Cloud Nothings: Last Building Burning
  21. Joe McPhee: Imaginary Numbers
  22. Tierra Whack: Whack World
  23. Michot’s Melody Makers: Blood Moon
  24. JLin: Autobiography (Music from Wayne McGregor’s Autobiography)
  25. Chloe x Halle: The Kids are Alright
  26. Nidia: Nídia É Má, Nídia É Fudida
  27. Fat Tony: 10,000 Hours
  28. Blood Orange: Negro Swan
  29. The Internet: Hive Mind
  30. Swamp Dogg: Love, Loss, and Auto-Tune
  31. SOPHIE: The Oil of Every Pearl’s Un-insides
  32. Maria Muldaur: Don’t You Feel My Leg—The Naughty Bawdy Blues of Blu Lu Barker
  33. Subtle Degrees: A Dance That Empties
  34. Daniel Carter: Seraphic Light
  35. The Necks: Body
  36. Hamell on Trial: The Night Guy
  37. Young Fathers: Cocoa Sugar
  38. James Brandon Lewis: Radiant Imprints
  39. Berry: Everything, Compromised
  40. boygenius: EP
  41. Peter Brotzmann and Heather Leigh: Sparrow Nights
  42. Sons of Kemet: Your Queen is a Reptile
  43. Lisbon Freedom Unit: Praise of Our Folly
  44. Doctor Nativo: Guatemaya
  45. The Goon Sax: We’re Not Talking
  46. Lyrics Born: Quite a Life
  47. Meshell Ndegeocello: Ventriloquism
  48. Mandy Barnett: Strange Conversation
  49. Grupo Mono Blanco: ¡Fandango! Sones Jarochos from Veracruz
  50. Chhoti Maa: Agua Corre
  51. Tallowit Timbouctou: Hali Diallo
  52. Knife Knights: 1 Time Mirage
  53. Angelika Niescier: The Berlin Concert
  54. No Age: Snares Like a Haircut
  55. Kids See Ghosts: Kids See Ghosts
  56. Robyn: Honey
  57. Tyshawn Sorey: Pillars
  58. Chhoti Maa: Caldo de Hueso
  59. Jonghyun: Poet / Artist
  60. Rolling Blackouts Coastal Fever: Hope Downs
  61. Halu Mergia: Lalu Balu
  62. Teyana Taylor: S.E.
  63. Earl Sweatshirt: Some Rap Songs
  64. Rapsody: Laila’s Wisdom
  65. Chris Corsano & Bill Orcutt: Brace Up!
  66. Jinx Lennon: Grow a Pair
  67. Quelle Chris & Jean Grae: Everything’s Fine
  68. Lori McKenna: The Tree
  69. Courtney Barnett: Tell Me How You Really Feel
  70. Car Seat Headrest: Twin Fantasy
  71. Makaya McCraven: Where We Come From (Chicago x London Mixtape)
  72. MAST: Thelonious Sphere Monk
  73. Wussy: What Heaven is Like
  74. Andrew Cyrille: Lebroba
  75. Ken Vandermark / Klaus Kugel / Mark Tokar: No-Exit Corner
  76. Tal National: Tantabara
  77. Harriet Tubman: The Terror End of Beauty
  78. Neneh Cherry: Broken Politics
  79. Evan Parker, Barry Guy, and Paul Lytton: Music for David Mossman
  80. Charge It to The Game: House with a Pool
  81. JPEGMAFIA: Veteran
  82. Myra Melford: The Other Side of Air
  83. Tropical Fuck Storm: A Laughing Death in Meatspace
  84. The Beths: The Future Hates Me
  85. Lupe Fiasco: Drogas Wave
  86. Sidi Toure: Toubalbero
  87. Apolo: Live in Stockholm
  88. Heather Leigh: Throne
  89. Alice Bag: Blue Print
  90. Becky Warren: Undesirable
  91. Michael White: Tricentennial Rag
  92. Robbie Fulks & Linda Gail Lewis: Wild! Wild! Wild!
  93. Chief Keef: The Kozart
  94. Mitski: Be the Cowboy
  95. The Thing: Again
  96. Young Mothers: Morose
  97. The Carters: Everything is Love
  98. Sleep: The Sciences
  99. Serengeti: Dennis 6e
  100. Various Artists: A Day in the Life–Impressions of Pepper
  101. Kelela: Take Me Apart—The Remixes
  102. Wynton Marsalis & Friends: United We Swing–Best of the Jazz at Lincoln Center Galas
  103. La Maison Noir: The Black House
  104. Dave Holland: Uncharted Territories
  105. Ahmoudou Madassane: Zerzura (Original Soundtrack Recording)
  106. Full Blast: Live in Rio
  107. Mekons 77: It Is Twice Blessed
  108. Jeffrey Lewis: Works by Tuli Kupferberg
  109. Bombino: Deran
  110. Idris Ackamoor & The Pyramids: An Angel Fell
  111. Sarayah: Feel the Vibe
  112. Nas: Nasir
  113. Speedy Ortiz: Twerp Verse
  114. Salim Washington: Dogon Revisited
  115. Jon Hassell: Listening To Pictures (Pentimento, Vol. One)
  116. Various Artists: Girls Just Wanna Have Fun…and Rights!!!
  117. Mdou Moctar & Elite Beat: Mdou Moctar meets Elite Beat In a Budget Dancehall
  118. Willie Nelson: Last Man Standing
  119. Mudhoney: Digital Garbage
  120. Kiefer: happysad
  121. Freddie Gibbs: Freddie
  122. Don Flemons: Black Cowboy
  123. Cardi B: Invasion of Privacy
  124. Shopping: The Official Body
  125. Cypress Hill: Elephants on Acid
  126. Dana Murray: Negro Manifesto
  127. Shame: Songs of Praise
  128. Henry Threadgill: .and More Dirt
  129. Ceramic Dog: YRU Still Here?
  130. Marc Ribot: Songs of Resistance 1942-2018
  131. The Coup: Soundtrack to the Film Sorry to Bother You
  132. ALLBLACK & Kenny Beats: Two-Minute Drills
  133. Van Morrison & Joey DeFrancesco: You’re Driving Me Crazy
  134. Various Artists/Sahel Sounds: Field Recordings
  135. Kendrick Lamar, et al: Black Panther—Music from and Inspired by the Film
  136. Rodrigo Amado (with Joe McPhee): History of Nothing
  137. Hop Along: Bark Your Head Off, Dog
  138. Tirzah: Devotion
  139. The Chills: Snowbound
  140. Ambrose Akinmusire: Origami Harvest
  141. Eddie Daniels: Heart of Brazil
  142. Big Freedia: Third Ward Bounce
  143. Amy Rigby: The Old Guys
  144. Busdriver: Electricity Is On Our Side
  145. Lonnie Holley: MITH
  146. Del McCoury Band: Del McCoury Still Plays Bluegrass
  147. Migos: Culture II
  148. La Luz: Floating Features
  149. Yo La Tengo: There’s a Riot Goin’ On
  150. The English Beat: Here We Go Love
  151. Princess Nokia: A Girl Cried Red
  152. Santigold: I Don’t Want—The Gold Fire Sessions
  153. Kasey Musgraves: Golden Hour
  154. Meek Mill: Championships
  155. DJ Juan Data: Ritmos Crotos, Volume 1

 

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OLD MUSIC NICELY REPACKAGED OR SIMPLY REISSUED

  1. Various Artists: The Savory Collection 1935-1940
  2. Various Artists: The Complete Cuban Jam Sessions
  3. Dead Moon (2LPs, 1 book)
  4. The Art Ensemble of Chicago and Associated Ensembles
  5. Sonny Rollins: Way Out West (Deluxe Reissue)
  6. Various Artists: Feelin’ Right Saturday Night–The Ric & Ron Anthology
  7. Lee Dorsey: Night People
  8. Danny Barker: “Tootie Ma Was Big Fine Thing” / “Corrinne Died on the Battlefield” and “Indian Red” / “Chocko Mo Feendo Hey”
  9. Willie Nelson: Things to Remember—The Pamper Demos
  10. Erroll Garner: Nightconcert
  11. Various Artists: Voices of Mississippi—Artists and Musicians Documented by William Ferris
  12. Charles Mingus: Jazz in Detroit/Strata Concert Gallery/46 Selden
  13. Joan Jett: Bad Reputation (Music from the Original Motion Picture)
  14. Various Artists: Amarcord Nino Rota
  15. Various Artists: Listen All Around: The Golden Age of Central and East African Music
  16. Gary Stewart: “Baby I Need Your Loving” / “Yester-Me, Yester-You, Yester-Day”
  17. Peter Brotzmann and Fred Lonberg-Holm: Ouroboros
  18. Oneness of Juju: African Rhythms
  19. Joe McPhee: Nation Time
  20. Bruce Springsteen: 1978/07/07 West Hollywood, CA
  21. Neil Young: Roxy—Tonight’s the Night
  22. Prince: A Piano and a Microphone
  23. Various Artists: Oxford American, North Carolina Music Issue, 2018
  24. The Revelators: In which the Revelators perform live renditions of selections from the Billy Childish songbook
  25. Against All Logic: 2012-2017
  26. Grant Green: Live at Oil Can Harry’s
  27. Entourage: Ceremony of Dreams—Studio Sessions & Outtakes 1972-1977
  28. Various Artists: Africa Scream Contest, Volume 2
  29. Wussy: Getting Better
  30. Bob Dylan: More Blood, More Tracks—The Bootleg Series, Volume 14
  31. Milford Graves: Babi
  32. Power Trip: Opening Fire–2008-2014
  33. David Bowie: Santa Monica ‘72
  34. Various Artists: The Beginning of the End
  35. Mulatu Astatke & His Ethiopian Quintet: Afro-Latin Soul, Vols. 1 & 2
  36. Various Artists: Two Niles to Sing a Melody—The Violins & Synths of Sudan
  37. Neil Young: Songs for Judy
  38. Joe McPhee: One Day…A Lightning Storm
  39. Dur Dur of Somalia: 1, Vol. 2
  40. Camarao: The Imaginary Soundtrack to a Brazilian Western Movie 1964-1974
  41. Feeling Kreyol: Las Pale
  42. Various Artists: Hillbillies in Hell
  43. Bruce Springsteen: No Nukes Concert
  44. John Prine: Live in Asheville ’86
  45. Various Artists: The Contempo Story

Home Stretch: The Best Records of 2018, with One Month to Go (December 2, 2018, Columbia, Missouri)

 

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I feel like my life has been too hectic lately even for music. Holidays, birthdays, anniversaries, life…death: the month of November was a massive wave that washed over me and left me lying here on December’s shore. I might have written about music had any event really taken form; even my college pop music students were busy doing research, so not much entertaining (certainly from their perspective) was going in the ivory yurt. Upon reflection, at least these moments remain fairly vivid:

My wife and I listened to a ’50s/’60s blues playlist I made for her throughout our trip to my parents’ for Thanksgiving and back. Nicole: “I am just in love with the sound of this period of blues–the electricity, the voices, the power.” I cannot say I disagree. The playlist mixes icons like the above gentleman with characters from the shadows, many of them captured on great compilations like Super Rare Electric Blues 60s Era and Scratchin’: The Wild Jimmy Spruill Story.

I have been positively addicted to the music of Catalonia’s nuevo flamenco firebrand Rosalia. Her voice is powerful, the rhythms that support it–especially on her recent El Mal Quererare intoxicating and blood-quickening, and she seems better able than any artist I’ve seriously bent an ear to this year to chase demons out. A measure of my love and respect for this record is that I just ordered the vinyl–from Spain.

A week ago today, the Columbia, Missouri, rapper featured above died under circumstances that remain shadowy, though the local sheriff’s department says that, as indicated in its ongoing investigation, he was shot while perpetrating an armed robbery. I’ve known the kid since 2010, I was his teacher for 180 days, I’ve witnessed and heard testimony to his evolution into a positive force for good in our community, and, while he may have been up to something (and very well may not have), it wasn’t robbery. Whatever it was, as a friend says, Columbia now has a hole that is going to be hard to fill. The first essay he wrote for me, in August of 2010, detailed–really, in classical style–his journey through dangerous street episodes to an understanding that he had the charisma, skills, and energy to devote to positive change in his home city. The last eight years have provided plenty of evidence that he was evolving even further, but now we’ll never know. I’m pouring out a pint glass of white-man juicy haze IPA onto the curb for you, Ahmonta Harris–I know you will appreciate the mischief. Read more about who he was here.

Also, I have either being lazy or desperate or both in rescuing and “repurposing” on this blog some old, old pieces I once wrote under the nom de plume of “The Reverend Wayne Coomers” during the first half of the ‘Oughts, for a website I invented and commandeered called The First Church of Holly Rock and Roll. I actually wrote sermons. At one point, I even had a staff (here’s a notable contributor’s section). And we were very highly-principled. Check ’em out if you’d like a chuckle before they disappear.

 

Which brings me to this facile undertaking: tweaked oh-so-delicately from last month, 150 albums from this calendar year I pronounce “very good” (think of their grades as 86.5% or better, and fuck your charges of grade inflation–this is pop music!) and 35 issues of old music (some of it which has appeared before, some just excavated) that are also B-plussy. I know: you’re saying to yourself, “11 female acts in your Top 20, man? Sure you’re not letting the politics of the moment bleed into your critical acumen?” Yeah, I’m sure. It’s simply the music that moves me the most, that I’ve listened to the most, and if the moment is moving me, well, that’s life. Plus, I’m honestly evolving critically anyway, and I have the good fortune not to have to be done yet.

  1. Tracy Thorn: Record
  2. Rosalia: El Mal Querer
  3. CupcaKe: Ephorize
  4. Bettye LaVette: Things Have Changed
  5. JLin: Autobiography (Music from Wayne McGregor’s Autobiography)
  6. Chloe x Halle: The Kids are Alright
  7. The Internet: Hive Mind
  8. Zeal & Ardor: Stranger Fruit
  9. Noname: Room 25
  10. Makaya McCraven: Universal Beings
  11. Pistol Annies: Interstate Gospel
  12. Sly & Robbie and Nils Petter Molvaer: Nordub
  13. Orquesta Akokan: Orquesta Akokan
  14. Pusha T: Daytona
  15. Parquet Courts: Wide Awake!
  16. Elza Soares: Deus É Mulher
  17. John Prine: The Tree of Forgiveness
  18. Janelle Monae: Dirty Computer
  19. Berry: Everything, Compromised
  20. JD Allen: Love Stone
  21. Superchunk: What A Time to Be Alive
  22. Mary Gauthier and Songwriting with Soldiers: Rifles and Rosary Beads
  23. Toni Braxton: Sex & Cigarettes
  24. Cloud Nothings: Last Building Burning
  25. Joe McPhee: Imaginary Numbers
  26. Nidia: Nídia É Má, Nídia É Fudida
  27. Fat Tony: 10,000 Hours
  28. Blood Orange: Negro Swan
  29. Swamp Dogg: Love, Loss, and Auto-Tune
  30. Subtle Degrees: A Dance That Empties
  31. Daniel Carter: Seraphic Light
  32. Alice Bag: Blue Print
  33. The Necks: Body
  34. Michot’s Melody Makers: Blood Moon
  35. Hamell on Trial: The Night Guy
  36. Young Fathers: Cocoa Sugar
  37. Quelle Chris & Jean Grae: Everything’s Fine
  38. Robbie Fulks & Linda Gail Lewis: Wild! Wild! Wild!
  39. James Brandon Lewis: Radiant Imprints
  40. boygenius: EP
  41. Mitski: Be the Cowboy
  42. Peter Brotzmann and Heather Leigh: Sparrow Nights
  43. Tropical Fuck Storm: A Laughing Death in Meatspace
  44. Sons of Kemet: Your Queen is a Reptile
  45. Lisbon Freedom Unit: Praise of Our Folly
  46. Doctor Nativo: Guatemaya
  47. SOPHIE: The Oil of Every Pearl’s Un-insides
  48. The Goon Sax: We’re Not Talking
  49. Lyrics Born: Quite a Life
  50. Grupo Mono Blanco: ¡Fandango! Sones Jarochos from Veracruz
  51. DJ Juan Data: Ritmos Crotos, Volume 1
  52. Chhoti Maa: Agua Corre
  53. Ken Vandermark / Klaus Kugel / Mark Tokar: No-Exit Corner
  54. Tallowit Timbouctou: Hali Diallo
  55. Knife Knights: 1 Time Mirage
  56. Angelika Niescier: The Berlin Concert
  57. Young Mothers: Morose
  58. Kelela: Take Me Apart—The Remixes
  59. Becky Warren: Undesirable
  60. No Age: Snares Like a Haircut
  61. Kids See Ghosts: Kids See Ghosts
  62. Sidi Toure: Toubalbero
  63. Robyn: Honey
  64. Neneh Cherry: Broken Politics
  65. Tyshawn Sorey: Pillars
  66. Chhoti Maa: Caldo de Hueso
  67. Wynton Marsalis & Friends: United We Swing–Best of the Jazz at Lincoln Center Galas
  68. La Maison Noir: The Black House
  69. Jonghyun: Poet / Artist
  70. Serengeti: Dennis 6e
  71. Rolling Blackouts Coastal Fever: Hope Downs
  72. Mandy Barnett: Strange Conversation
  73. Dave Holland: Uncharted Territories
  74. Halu Mergia: Lalu Balu
  75. Full Blast: Live in Rio
  76. Mekons 77: It Is Twice Blessed
  77. Jeffrey Lewis: Works by Tuli Kupferberg
  78. Bombino: Deran
  79. Teyana Taylor: T.S.E.
  80. Earl Sweatshirt: Some Rap Songs
  81. Idris Ackamoor & The Pyramids: An Angel Fell
  82. Rapsody: Laila’s Wisdom
  83. Chris Corsano & Bill Orcutt: Brace Up!
  84. Sarayah: Feel the Vibe
  85. Jinx Lennon: Grow a Pair
  86. The Thing: Again
  87. Tierra Whack: Whack World
  88. Lori McKenna: The Tree
  89. Chief Keef: The Kozart
  90. Nas: Nasir
  91. Speedy Ortiz: Twerp Verse
  92. Courtney Barnett: Tell Me How You Really Feel
  93. Car Seat Headrest: Twin Fantasy
  94. Makaya McCraven: Where We Come From (Chicago x London Mixtape)
  95. Evan Parker, Barry Guy, and Paul Lytton: Music for David Mossman
  96. Salim Washington: Dogon Revisited
  97. Beats Antique: Shadowbox
  98. Jon Hassell: Listening To Pictures (Pentimento, Vol. One)
  99. Charge It to The Game: House with a Pool
  100. JPEGMAFIA: Veteran
  101. The Beths: The Future Hates Me
  102. Various Artists: Girls Just Wanna Have Fun…and Rights!!!
  103. Apolo: Live in Stockholm
  104. Mdou Moctar & Elite Beat: Mdou Moctar meets Elite Beat In a Budget Dancehall
  105. Willie Nelson: Last Man Standing
  106. Mudhoney: Digital Garbage
  107. Wussy: What Heaven is Like
  108. Ahmoudou Madassane: Zerzura (Original Soundtrack Recording)
  109. Kiefer: happysad
  110. Meshell Ndegeocello: Ventriloquism
  111. Freddie Gibbs: Freddie
  112. Kamasi Washington: Heaven & Earth
  113. Don Flemons: Black Cowboy
  114. Cardi B: Invasion of Privacy
  115. Shopping: The Official Body
  116. Cypress Hill: Elephants on Acid
  117. Maria Muldaur: Don’t You Feel My Leg—The Naughty Bawdy Blues of Blu Lu Barker
  118. Dana Murray: Negro Manifesto
  119. Shame: Songs of Praise
  120. Henry Threadgill: .and More Dirt
  121. Ceramic Dog: YRU Still Here?
  122. Marc Ribot: Songs of Resistance 1942-2018
  123. The Coup: Soundtrack to the Film Sorry to Bother You
  124. ALLBLACK & Kenny Beats: Two-Minute Drills
  125. Van Morrison & Joey DeFrancesco: You’re Driving Me Crazy
  126. Various Artists/Sahel Sounds: Field Recordings
  127. E.S. Douze: The Stoned 1
  128. Kendrick Lamar, et al: Black Panther—Music from and Inspired by the Film
  129. Tal National: Tantabara
  130. Rodrigo Amado (with Joe McPhee): History of Nothing
  131. Hop Along: Bark Your Head Off, Dog
  132. MAST: Thelonious Sphere Monk
  133. Tirzah: Devotion
  134. The Chills: Snowbound
  135. Ambrose Akinmusire: Origami Harvest
  136. Eddie Daniels: Heart of Brazil
  137. Big Freedia: Third Ward Bounce
  138. Heather Leigh: Throne
  139. Amy Rigby: The Old Guys
  140. Busdriver: Electricity Is On Our Side
  141. Lonnie Holley: MITH
  142. Del McCoury Band: Del McCoury Still Plays Bluegrass
  143. Michael White: Tricentennial Rag
  144. Migos: Culture II
  145. Yo La Tengo: There’s a Riot Goin’ On
  146. The Carters: Everything is Love
  147. Sleep: The Sciences
  148. The English Beat: Here We Go Love
  149. Princess Nokia: A Girl Cried Red
  150. Santigold: I Don’t Want—The Gold Fire Sessions

OLD MUSIC NICELY REPACKAGED OR SIMPLY REISSUED

  1. Various Artists: The Savory Collection 1935-1940
  2. Dead Moon (2LPs, 1 book)
  3. Sonny Rollins: Way Out West (Deluxe Reissue)
  4. Neil Young: Roxy—Tonight’s the Night
  5. Danny Barker: “Tootie Ma Was Big Fine Thing” / “Corrinne Died on the Battlefield” and “Indian Red” / “Chocko Mo Feendo Hey”
  6. Willie Nelson: Things to Remember—The Pamper Demos
  7. Erroll Garner: Nightconcert
  8. Various Artists: Voices of Mississippi—Artists and Musicians Documented by William Ferris
  9. Charles Mingus: Jazz in Detroit/Strata Concert Gallery/46 Selden
  10. Joan Jett: Bad Reputation (Music from the Original Motion Picture)
  11. Prince: A Piano and a Microphone
  12. Various Artists: Amarcord Nino Rota
  13. Various Artists: Listen All Around: The Golden Age of Central and East African Music
  14. Gary Stewart: “Baby I Need Your Loving” / “Yester-Me, Yester-You, Yester-Day”
  15. Peter Brotzmann and Fred Lonberg-Holm: Ouroboros
  16. Oneness of Juju: African Rhythms
  17. Joe McPhee: Nation Time
  18. Bruce Springsteen: 1978/07/07 West Hollywood, CA
  19. Various Artists: Oxford American, North Carolina Music Issue, 2018
  20. The Revelators: In which the Revelators perform live renditions of selections from the Billy Childish songbook
  21. Against All Logic: 2012-2017
  22. Grant Green: Live at Oil Can Harry’s
  23. Entourage: Ceremony of Dreams—Studio Sessions & Outtakes 1972-1977
  24. Various Artists: Africa Scream Contest, Volume 2
  25. Wussy: Getting Better
  26. Bob Dylan: More Blood, More Tracks—The Bootleg Series, Volume 14
  27. Milford Graves: Babi
  28. David Bowie: Santa Monica ‘72
  29. Various Artists: The Beginning of the End
  30. Mulatu Astatke & His Ethiopian Quintet: Afro-Latin Soul, Vols. 1 & 2
  31. Various Artists: Two Niles to Sing a Melody—The Violins & Synths of Sudan
  32. Feeling Kreyol: Las Pale
  33. Neil Young: Songs for Judy
  34. Joe McPhee: One Day…A Lightning Storm
  35. Camarao: The Imaginary Soundtrack to a Brazilian Western Movie 1964-1974