Explosions: Music and Viruses – 65 Solid Platters to Spin or Stream, and You Have Time (January 1 – April 1)


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You may be staying in for a spell, but very good records are coming out–by the bazillion. If your income stream has not been pinched or cut off entirely, try to support your favorite record stores, most of which are thrilled to conscientiously ship items to you, and Bandcamp, where you can help music makers much more directly and often at bargain prices by purchasing their work. Yesterday, I spent $50 with one of the best shops I know of, Lafayette, Louisiana’s Lagniappe Records, and a few weeks ago I dropped $100 with Bandcamp on a day that 100% of consumer cash was being directed to artists represented there. I also hope to assist Columbia’s own Hitt Records in continuing to be Mid-Missouri’s finest. I know I am fortunate to be able to do so.

I’ve listened to 55 releases of fresh music I know I will listen to again with pleasure; call them B+ or 8.5s/10 or better. In addition, 10 reissues of previously hard to find old releases and new issues of music recorded in olden times have convinced me to buy or download them. Enjoy the slideshow of album covers above and imagine your flippin’ through the stacks; try the YouTube “store jukebox” below to sample some of the music I’m touting. Here’s my list, and I’ve checked it thrice. Keep calm, carry on, take care of yourself and those around you, and make time to apply sound salve to your soul at least once a day.

Items in bold are new to the list.

2020 (January 1 – April 1): A Bad Time for Most Anything But Music

  1. Gil Scott-Heron and Makaya McCraven: We’re New Again–A Reimagining
  2. Kesha: High Road
  3. Princess Nokia: Everything is Beautiful
  4. Various Artists: New Improvised Music from Buenos Aires
  5. Chicago Underground Quartet: Good Days
  6. Body Count: Carnivore
  7. Irreversible Entanglements: Who Sent You
  8. The Good Ones: RWANDA, you should be loved
  9. Cornershop: England is a Garden
  10. The Third Mind: The Third Mind
  11. Shabaka and The Ancestors: We Are Sent Here By History
  12. Princess Nokia: Everything Sucks
  13. Gard Nilssen’s Supersonic Orchestra: If You Listen Carefully, The Music is Yours
  14. Danny Barnes: Man on Fire
  15. Jeff Parker: Suite for Max Brown
  16. Grimes: Miss Anthropocene
  17. K Michelle: All Monsters are Human
  18. Fat Tony and Taydex: Wake Up
  19. Mr. Wrong: Create a Place
  20. Bad Bunny: YHLQMDLG
  21. U. S. Girls: Heavy Light
  22. The Necks: Three
  23. Sunflowers: Endless Voyage
  24. Moses Sumney: grae
  25. Swamp Dogg: Sorry You Couldn’t Make It
  26. Jan St. Werner and Mark E. Smith: Molocular Mediation
  27. Lyra Pramuk: Fountain
  28. Megan Thee Stallion: Suga
  29. Mythic Sunshine: Changing Shapes–Live at Roadburn
  30. Denzel Curry & Kenny Beats: UNLOCKED
  31. Kefaya + Elaha Soroor: Songs of Our Mothers
  32. Jennifer Curtis & Tyshawn Sorey: Invisible Ritual
  33. Shopping: All for Nothing
  34. Katie Shorr: Open Book
  35. The Neptune Power Federation: Memoirs of a Rat Queen
  36. Dua Lipa: Future Nostalgia
  37. Darragh Morgan and John Tilbury: For John Cage (composer: Morton Feldman)
  38. Onipa: We No Be Machine
  39. Evan Parker and Paul Lytton: collective calls (revisited) (jubilee)
  40. Fire! Orchestra: Actions for Free Jazz Orchestra
  41. Natural Child: California Hotel
  42. Childish Gambino: 3.15.20
  43. Etran de L’Air: Music from Saharan WhatsApp, Volume 1 (EP)
  44. MONO: Before The Past
  45. Tamikrest: Tamotait
  46. Colin Stetson: Color Out of Space (Original Motion Picture Soundtrack)
  47. Lakecia Benjamin: Pursuance—The Coltranes
  48. Wayne Phoenix: Soaring Wayne Phoenix Story The Earth
  49. Moses Boyd: Dark Matter
  50. Kassa Overall: I Think I’m Good
  51. Oumou Diabate et Kara Show Koumba Frifri: Music from Saharan WhatsApp, Volume 2 (EP)
  52. Dogleg: Mellee
  53. Jays Electronica and -Z: A Written Testimony
  54. Luke Combs: What You See Is What You Get
  55. Jeich Ould Badou: Music from Saharan WhatsApp 03


  1. Ranil: Stay Safe and Sound!
  2. Lee Scratch Perry with Seskain Molenga and Kalo Kawongolo: Roots from the Congo (reissue)
  3. Milton Nascimento: Maria Maria (reissue)
  4. Jon Hassell: Vernal Equinox (reissue)
  5. Bryan Ferry: Live at the Royal Albert Hall, 1974
  6. Pharoah Sanders: Live in Paris 1975
  7. Yabby You & The Aggrovators: King Tubby’s Prophecies of Dub (reissue)
  8. Various Artists: Léve Léve – Sao Tomé & Principe Sounds ‘70s-‘80s
  9. Various Artists: Soul Jazz Records Presents Black Riot—Early Jungle, Rave, and Hardcore
  10. Various Artists: Jamaican All-Stars (Studio One)


Reaching for My Third Mind (My 25 Favorite Releases from 2020)


It’s a good bet lately that when I initially scoff at the news of a new release, you should place your bets against me. Cases in point:

Me, scoffing: “Dave Alvin’s doing a psych-rock album? Smells desperate. Reality: I can’t believe I’ve played this five times in three days. (Note: it’s also a covers album, which is something that always both intrigues me and smells funny, but Alvin and his Campers knock all but the 13th Floor Elevators tune out of the box.)

Me, scoffing: “A Moses Sumney double-album? I couldn’t get through one last time–too sensitive for me. Reality: He’s on some serious new shit.

Me, scoffing: “Two Princess Nokia albums at once? She couldn’t quite sell an EP last time, and who does she think she is, Axl Rose? Bruce Springsteen? Reality: Dude, do you even remember 1992?

Me, scoffing: “Do we really need another complaining grrrrl punk outfit that didn’t check that other acts are called Mr. Wrong? Reality: YES.

I could end up having been correct on my first impulse, but I doubt it. Nothing below’s been FULLY road-tested but the top seven.

  1. Gil Scott-Heron and Makaya McCraven: We’re New Again–A Reimagining
  2. Kesha: High Road
  3. Grimes: Miss Anthropocene
  4. Fat Tony and Taydex:Wake Up
  5. Various Artists: New Improvised Music from Buenos Aires
  6. Princess Nokia: Everything Sucks
  7. The Good Ones: RWANDA, you should be loved
  8. K Michelle: All Monsters are Human
  9. The Third Mind: The Third Mind
  10. Mr. Wrong: Create a Place
  11. Princess Nokia: Everything is Beautiful
  12. Moses Sumney: grae
  13. Mythic Sunshine: Changing Shapes–Live at Roadburn
  14. Denzel Curry & Kenny Beats: UNLOCKED
  15. Jennifer Curtis & Tyshawn Sorey: Invisible Ritual
  16. Shopping: All for Nothing
  17. Natural Child: California Hotel
  18. Etran de L’Air: Music from Saharan WhatsApp, Volume 1 (EP)
  19. MONO: Before The Past
  20. Swamp Dogg: Sorry You Couldn’t Make It
  21. Colin Stetson: Color Out of Space (Original Motion Picture Soundtrack)
  22. Various Artists: Soul Jazz Records Presents Black Riot—Early Jungle, Rave, and Hardcore
  23. Wayne Phoenix: Soaring Wayne Phoenix Story The Earth
  24. Moses Boyd: Dark Matter
  25. Oumou Diabate et Kara Show Koumba Frifri: Music from Saharan WhatsApp, Volume 2 (EP)


Living to Listen’s 2019 Top 25 LPs Video Playlist (plus a showcase for some rekkids that are “Late to the List”)

I’ve been pickin’ at my “Best Records of 2019” list like an itchy scab. Just can’t leave the damn thing alone. If you click on that link, you’ll see I’ve added some items (bold-faced), including a few that are fairly high up the list. For many of the augmentations, I have the indefatigable Glenn Boothe and Keith Artin to thank: their “Village Voice Pazz & Jop Rip-Off Poll”–1,122 members strong just a second ago–opened everyone’s eyes up to excellent slabs they hadn’t heard before, and I hope they make it a tradition. Also–this happens when you’re a long-lister–I forgot to list two albums that I respectively loved and really liked and played many times: 75 Dollar Bill’s I Was Real and 86-going-on-16 folkfunk originator Bobby Rush’s Sitting on Top of The Blues.

But. That ain’t what this is about! To grease the reader’s wheels for test-driving some of this stuff, I’ve created two YouTube playlists. The first highlights great tracks from my favorite 25 releases, with one exception: since Joe McPhee and the DKV Trio’s explosive box set of live recordings doesn’t currently have a reasonable video available on YouTube, I replaced it by a great single that wasn’t attached to an album–I’ll let you figure that out. The second gathers a track a piece from 10 albums that just got on the list at the last minute (that’s almost literal). Enjoy!

Best Rekkids of ’19 – End of Febru-weary Edition

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Behold–a rather tentative list of 30 pretty damn decent releases from the 2019th year of our lord (is that right? asks the history-challenged heathen). I would not say that, so far, our musical high priests have laid a cornucopial spread before our weary, hungry, hopeful selves; I would say, however, that plenty of interesting stuff is at your fingertips. The following are in rough order of how much enjoyment I’ve gained from and willing repetition I’ve applied to each long-player. Certain of my regular prejudices are in play: Joe McPhee is a genius and a saint to me, musically and personally, and in his 79th year (50 or so of them as a devoted free-playing jazz multi-instrumentalist and happy noise-maker) he shows no signs of slowing down or having passed his sell-by date–I love all three of his new records, including all six discs of his “Nation Time!”-keyed live collaboration with DKV (that’s Hamid Drake, Ken Kessler, and Ken Vandermark); I come alive at the sound of a Tuareg guitar, no matter how familiar or how augmented by Western intrusion; I am certain Yugen Blakrok needs more recognition and I will bend over backwards to see that, at least within my very circumscribed social range, she gets it; I have a very soft spot for the hoarier artist. But I’d almost argue that those strong prejudices, built from high expectations, might just make me more likely than most to recognize why records therein don’t really cut it. Almost.

Also, I am being very strict about releases being from 2019. If I am not, I will get my wrists slapped.

If anything really obvious is missing (Sharon Van Etten, Future, Gary Clark, Jr.) it might well be assumed that I am immune to its spells.

Finally, I am including new releases of material recorded in bygone days (rather than listing those separately) because pickings are just that slim. So far. [Ex Hex, Mekons, Jamila Woods, Lost Bayou Ramblers, Royal Trux (Royal Trux?), Quelle Chris, hell, ol’ dead Marvin Gaye each have one in tha chamba for future firing.]

After the list is a YouTube playlist where you can test-drive some of the stuff if it’s unfamiliar to you.

  1. Harriet Tubman: The Terror End of Beauty
  2. DKV and Joe McPhee: The Fire Each Time
  3. Yugen Blakrok: Anima Mysterium
  4. Heroes are Gang Leaders: The Amiri Baraka Sessions
  5. Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks
  6. Various Artists: Travailler, C’est Trop Dure–The Lyrical Legacy of Caesar Vincent
  7. Que Vola: Que Vola
  8. Kel Assouf: Black Tenere
  9. Aesop Rock & TOBACCO: Malibu Ken
  10. Sir Shina Peters and His Internation Stars: Sewele
  11. Eric Dolphy: Musical Prophet
  12. Usted Saami: God is Not a Terrorist
  13. Joe McPhee / John Butcher: At the Hill of James Magee
  14. Bassekou Kouyate & Ngoni Ba: Miri
  15. People Under the Stairs: Sincerely, The P
  16. Powder: Powder in Space (DJ Mix)
  17. Hama: Houmeissa
  18. Bob Mould: Sunshine Rock
  19. Ill Considered: 5
  20. M’dou Moctar: Blue Stage Session
  21. CZARFACE & Ghostface Killah: Czarface Meets Ghostface
  22. Greg Ward and Rogue Parade: Stomping Off from Greenwood
  23. Matthew Shipp Trio: Signature
  24. Angel Bat Dawid: The Oracle
  25. Better Oblivion Community Center: Better Oblivion Community Center
  26. Alfredo Rodriguez and Pedrito Martinez: Duologue
  27. Bad Bunny: X 100PRE
  28. The Clifford Thornton Memorial Quartet (featuring Joe McPhee): Sweet Oranges
  29. Our Native Daughters: Songs of Our Native Daughters
  30. The Specials: Encore

A note on the playlist: two-three full albums are included (one of them a three-disker) because single tracks were not available, so you may want to be prepared to click past them after an initial taste. Or you may not…



Ham and Eggs

Mostly I have been inspired by Mr. McDowell’s birthday (the 12th) and the combined forces of Carnival and the New Orleans Saints (Crescent City longing). A couple punky things snuck in as punky things are wont to do. I put together a YouTube playlist for this installment (sans the punks, for focus’ sake, but I linked those albums below)–I’m still trying to get ahold of rhyme and/or reason!

Fred McDowell: You Gotta Move

If you like slide like I like slide, Fred must be in your top pantheon. This first outing he made for Chris Strachwitz and Arhoolie (recorded in ’64-’65) is my favorite–but just by a hair. What the adjective “stinging” was designed for.

Blind Willie McTell: Atlanta 12-String

Nobody did play the blues like McTell, partly because he’s not always playing blues–he’s a swinging songster just as much. I love his singing, too, and this later record communicates some serious wit, accumulated through three itinerant decades.

Jessie Mae Hemphill: Feelin’ Good

The Ramones of the North Mississippi Hill Country Blues, the She-Wolf of Como, Jessie Mae needs to be better known. Besides knocking out some deep late-night trance blues, she socks a Christmas song over the fence and rocks a great church tune with just her tambo. Get hip if you ain’t already, folks.

A Collection of Pop Classics by Reagan Youth

They weren’t ever pushed on me by my hardcore friends in their heyday, but two of their songs leapt off the Mom & Dad soundtrack as we watched it Friday night, and I required more the next morning. See also last post’s blurt on Superchunk.

Betty Harris: The Lost Queen of New Orleans Soul

Possessed of a smoky, sultry, and vulnerable voice, Miss Harris linked up with Allen Toussaint and the fledgling Meters for a handful of tracks in the mid-Sixties. That combo should conjure sone desire in your ears.

Paul Barbarin’s Jazz Band / Punch Miller’s Bunch & George Lewis: Jazz at Preservation Hall

Old-time New Orleans jazz, executed by masters, is difficult to beat for sheer high spirits, and the collective improvisation (an influence on Ornette Coleman) can fly under your radar. Atlantic cut three (or four?) of these records in the mid-Sixties in higher-fidelity than the music had ever enjoyed–unless you happened to hear it in person.

Danny Barker: Save the Bones

The New Orleans musical griot, singing pop and blues standards as well as his own songs with exuberance and knowing, making his guitar testify, and spinning tales in between. 79 at the time of the record’s release, he sounds about half that.

IDLES: Joy as an Act of Resistance

This item would have made my “Best of 2018” list had I heard it in time. A yobby, aggressive punk rock crew from Bristol that takes on Trump and Brexit while also applying a scalpel to themselves–and laying hearts bare. And there’s laffs! They’ve been around for a bit, too–I might as well give up trying to keep up!

Overeem’s Hot 100 Albums for 2018, Rendered Down to 100 Videos (PLAY LOUDLY, ON SHUFFLE) (December 12, 2018, Stephens College, Columbia, MO)

Tracey RecordVS. Rosalia


It’s End of The Year List time, and–as you know if you’ve been following along–I’ve been meticulously preparing for it. We have a couple more Fridays’ worth of releases in 2018, but I have a feeling not too much will change about my mile-long scroll of favorite what-we-used-to-call-records.

Don’t get me started on politics, but 2018 was an exciting and surprisingly transformative year for me in terms of what I listened to and how I listened to it. I worked very diligently to stay out of the curmudgeon’s bunker; popular and semi-popular music, just like the world that produces it, is in a state of constant flux, and were I to grouse about its current state, well–what would that run parallel to in the social and political world (I ask myself all the time)? When I think of grouchy white men shaking their fists at the sky and yearning for old times in non-musical sectors of experience, those would be the exact folks I’m not lining up behind. Perhaps my analogy is faulty, but it feels solid for me, and, quite honestly, I love and more importantly respect flux.

I don’t think I tried too hard to do it–often I was drawn as moth to flame, though I didn’t pay the moth’s price–but I indulged in far more pop and dance music than I have in awhile. Crucially, though, all four of my beacons (Tracey Thorn, JLin, Rosalia, Robyn) laced their fun with social commentary that was far from ham-handed. Plus, it was fun, like great pop is supposed to be. I make no apologies for feeling pleasure at this point in my life, especially from music.

Far more than in any musical year I remember, my listening was dominated by women’s voices. I have always tried to be a feminist, and the way our world’s burning right now I know I have to up my game, so one might suspect that I’m–hmmm–overcorrecting? I don’t think so. It just so happens that women have made made most of the liveliest, smartest, funniest, boldest, and most defiant records this year. I was suspicious of myself, so I triple- and quadruple-checked, especially things I lurved way back in January. Most of that stuff still works wonders.

Elsewhere? Not a lot of rock, but so what? Plenty of free jazz because it helps me with my brain. Some great international records because it’s not just about u.s. A nice tablespoon full of vivacious oldsters whom Death may find it hard to kill. Hip hop to the max. And really—the sheer amount of really solid records. This could be illusion, because I surrendered to Apple Music and thus listened to more records (at the expense of my old ones) than ever before. Thing is, though, I seldom felt I was wasting my time.

To test my theories and judgment, play this YouTube playlist loudly, on shuffle, and prepare to stretch some. Speaking of theories, I think being equally comfortable swiveling on the dance floor and tracking someone’s battle with entropy through your headphones in a darkened room is a worthy goal that might help you make friends and, if not influence your enemies, at least de-nut them.

Home Stretch: The Best Records of 2018, with One Month to Go (December 2, 2018, Columbia, Missouri)


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I feel like my life has been too hectic lately even for music. Holidays, birthdays, anniversaries, life…death: the month of November was a massive wave that washed over me and left me lying here on December’s shore. I might have written about music had any event really taken form; even my college pop music students were busy doing research, so not much entertaining (certainly from their perspective) was going in the ivory yurt. Upon reflection, at least these moments remain fairly vivid:

My wife and I listened to a ’50s/’60s blues playlist I made for her throughout our trip to my parents’ for Thanksgiving and back. Nicole: “I am just in love with the sound of this period of blues–the electricity, the voices, the power.” I cannot say I disagree. The playlist mixes icons like the above gentleman with characters from the shadows, many of them captured on great compilations like Super Rare Electric Blues 60s Era and Scratchin’: The Wild Jimmy Spruill Story.

I have been positively addicted to the music of Catalonia’s nuevo flamenco firebrand Rosalia. Her voice is powerful, the rhythms that support it–especially on her recent El Mal Quererare intoxicating and blood-quickening, and she seems better able than any artist I’ve seriously bent an ear to this year to chase demons out. A measure of my love and respect for this record is that I just ordered the vinyl–from Spain.

A week ago today, the Columbia, Missouri, rapper featured above died under circumstances that remain shadowy, though the local sheriff’s department says that, as indicated in its ongoing investigation, he was shot while perpetrating an armed robbery. I’ve known the kid since 2010, I was his teacher for 180 days, I’ve witnessed and heard testimony to his evolution into a positive force for good in our community, and, while he may have been up to something (and very well may not have), it wasn’t robbery. Whatever it was, as a friend says, Columbia now has a hole that is going to be hard to fill. The first essay he wrote for me, in August of 2010, detailed–really, in classical style–his journey through dangerous street episodes to an understanding that he had the charisma, skills, and energy to devote to positive change in his home city. The last eight years have provided plenty of evidence that he was evolving even further, but now we’ll never know. I’m pouring out a pint glass of white-man juicy haze IPA onto the curb for you, Ahmonta Harris–I know you will appreciate the mischief. Read more about who he was here.

Also, I have either being lazy or desperate or both in rescuing and “repurposing” on this blog some old, old pieces I once wrote under the nom de plume of “The Reverend Wayne Coomers” during the first half of the ‘Oughts, for a website I invented and commandeered called The First Church of Holly Rock and Roll. I actually wrote sermons. At one point, I even had a staff (here’s a notable contributor’s section). And we were very highly-principled. Check ’em out if you’d like a chuckle before they disappear.


Which brings me to this facile undertaking: tweaked oh-so-delicately from last month, 150 albums from this calendar year I pronounce “very good” (think of their grades as 86.5% or better, and fuck your charges of grade inflation–this is pop music!) and 35 issues of old music (some of it which has appeared before, some just excavated) that are also B-plussy. I know: you’re saying to yourself, “11 female acts in your Top 20, man? Sure you’re not letting the politics of the moment bleed into your critical acumen?” Yeah, I’m sure. It’s simply the music that moves me the most, that I’ve listened to the most, and if the moment is moving me, well, that’s life. Plus, I’m honestly evolving critically anyway, and I have the good fortune not to have to be done yet.

  1. Tracy Thorn: Record
  2. Rosalia: El Mal Querer
  3. CupcaKe: Ephorize
  4. Bettye LaVette: Things Have Changed
  5. JLin: Autobiography (Music from Wayne McGregor’s Autobiography)
  6. Chloe x Halle: The Kids are Alright
  7. The Internet: Hive Mind
  8. Zeal & Ardor: Stranger Fruit
  9. Noname: Room 25
  10. Makaya McCraven: Universal Beings
  11. Pistol Annies: Interstate Gospel
  12. Sly & Robbie and Nils Petter Molvaer: Nordub
  13. Orquesta Akokan: Orquesta Akokan
  14. Pusha T: Daytona
  15. Parquet Courts: Wide Awake!
  16. Elza Soares: Deus É Mulher
  17. John Prine: The Tree of Forgiveness
  18. Janelle Monae: Dirty Computer
  19. Berry: Everything, Compromised
  20. JD Allen: Love Stone
  21. Superchunk: What A Time to Be Alive
  22. Mary Gauthier and Songwriting with Soldiers: Rifles and Rosary Beads
  23. Toni Braxton: Sex & Cigarettes
  24. Cloud Nothings: Last Building Burning
  25. Joe McPhee: Imaginary Numbers
  26. Nidia: Nídia É Má, Nídia É Fudida
  27. Fat Tony: 10,000 Hours
  28. Blood Orange: Negro Swan
  29. Swamp Dogg: Love, Loss, and Auto-Tune
  30. Subtle Degrees: A Dance That Empties
  31. Daniel Carter: Seraphic Light
  32. Alice Bag: Blue Print
  33. The Necks: Body
  34. Michot’s Melody Makers: Blood Moon
  35. Hamell on Trial: The Night Guy
  36. Young Fathers: Cocoa Sugar
  37. Quelle Chris & Jean Grae: Everything’s Fine
  38. Robbie Fulks & Linda Gail Lewis: Wild! Wild! Wild!
  39. James Brandon Lewis: Radiant Imprints
  40. boygenius: EP
  41. Mitski: Be the Cowboy
  42. Peter Brotzmann and Heather Leigh: Sparrow Nights
  43. Tropical Fuck Storm: A Laughing Death in Meatspace
  44. Sons of Kemet: Your Queen is a Reptile
  45. Lisbon Freedom Unit: Praise of Our Folly
  46. Doctor Nativo: Guatemaya
  47. SOPHIE: The Oil of Every Pearl’s Un-insides
  48. The Goon Sax: We’re Not Talking
  49. Lyrics Born: Quite a Life
  50. Grupo Mono Blanco: ¡Fandango! Sones Jarochos from Veracruz
  51. DJ Juan Data: Ritmos Crotos, Volume 1
  52. Chhoti Maa: Agua Corre
  53. Ken Vandermark / Klaus Kugel / Mark Tokar: No-Exit Corner
  54. Tallowit Timbouctou: Hali Diallo
  55. Knife Knights: 1 Time Mirage
  56. Angelika Niescier: The Berlin Concert
  57. Young Mothers: Morose
  58. Kelela: Take Me Apart—The Remixes
  59. Becky Warren: Undesirable
  60. No Age: Snares Like a Haircut
  61. Kids See Ghosts: Kids See Ghosts
  62. Sidi Toure: Toubalbero
  63. Robyn: Honey
  64. Neneh Cherry: Broken Politics
  65. Tyshawn Sorey: Pillars
  66. Chhoti Maa: Caldo de Hueso
  67. Wynton Marsalis & Friends: United We Swing–Best of the Jazz at Lincoln Center Galas
  68. La Maison Noir: The Black House
  69. Jonghyun: Poet / Artist
  70. Serengeti: Dennis 6e
  71. Rolling Blackouts Coastal Fever: Hope Downs
  72. Mandy Barnett: Strange Conversation
  73. Dave Holland: Uncharted Territories
  74. Halu Mergia: Lalu Balu
  75. Full Blast: Live in Rio
  76. Mekons 77: It Is Twice Blessed
  77. Jeffrey Lewis: Works by Tuli Kupferberg
  78. Bombino: Deran
  79. Teyana Taylor: T.S.E.
  80. Earl Sweatshirt: Some Rap Songs
  81. Idris Ackamoor & The Pyramids: An Angel Fell
  82. Rapsody: Laila’s Wisdom
  83. Chris Corsano & Bill Orcutt: Brace Up!
  84. Sarayah: Feel the Vibe
  85. Jinx Lennon: Grow a Pair
  86. The Thing: Again
  87. Tierra Whack: Whack World
  88. Lori McKenna: The Tree
  89. Chief Keef: The Kozart
  90. Nas: Nasir
  91. Speedy Ortiz: Twerp Verse
  92. Courtney Barnett: Tell Me How You Really Feel
  93. Car Seat Headrest: Twin Fantasy
  94. Makaya McCraven: Where We Come From (Chicago x London Mixtape)
  95. Evan Parker, Barry Guy, and Paul Lytton: Music for David Mossman
  96. Salim Washington: Dogon Revisited
  97. Beats Antique: Shadowbox
  98. Jon Hassell: Listening To Pictures (Pentimento, Vol. One)
  99. Charge It to The Game: House with a Pool
  100. JPEGMAFIA: Veteran
  101. The Beths: The Future Hates Me
  102. Various Artists: Girls Just Wanna Have Fun…and Rights!!!
  103. Apolo: Live in Stockholm
  104. Mdou Moctar & Elite Beat: Mdou Moctar meets Elite Beat In a Budget Dancehall
  105. Willie Nelson: Last Man Standing
  106. Mudhoney: Digital Garbage
  107. Wussy: What Heaven is Like
  108. Ahmoudou Madassane: Zerzura (Original Soundtrack Recording)
  109. Kiefer: happysad
  110. Meshell Ndegeocello: Ventriloquism
  111. Freddie Gibbs: Freddie
  112. Kamasi Washington: Heaven & Earth
  113. Don Flemons: Black Cowboy
  114. Cardi B: Invasion of Privacy
  115. Shopping: The Official Body
  116. Cypress Hill: Elephants on Acid
  117. Maria Muldaur: Don’t You Feel My Leg—The Naughty Bawdy Blues of Blu Lu Barker
  118. Dana Murray: Negro Manifesto
  119. Shame: Songs of Praise
  120. Henry Threadgill: .and More Dirt
  121. Ceramic Dog: YRU Still Here?
  122. Marc Ribot: Songs of Resistance 1942-2018
  123. The Coup: Soundtrack to the Film Sorry to Bother You
  124. ALLBLACK & Kenny Beats: Two-Minute Drills
  125. Van Morrison & Joey DeFrancesco: You’re Driving Me Crazy
  126. Various Artists/Sahel Sounds: Field Recordings
  127. E.S. Douze: The Stoned 1
  128. Kendrick Lamar, et al: Black Panther—Music from and Inspired by the Film
  129. Tal National: Tantabara
  130. Rodrigo Amado (with Joe McPhee): History of Nothing
  131. Hop Along: Bark Your Head Off, Dog
  132. MAST: Thelonious Sphere Monk
  133. Tirzah: Devotion
  134. The Chills: Snowbound
  135. Ambrose Akinmusire: Origami Harvest
  136. Eddie Daniels: Heart of Brazil
  137. Big Freedia: Third Ward Bounce
  138. Heather Leigh: Throne
  139. Amy Rigby: The Old Guys
  140. Busdriver: Electricity Is On Our Side
  141. Lonnie Holley: MITH
  142. Del McCoury Band: Del McCoury Still Plays Bluegrass
  143. Michael White: Tricentennial Rag
  144. Migos: Culture II
  145. Yo La Tengo: There’s a Riot Goin’ On
  146. The Carters: Everything is Love
  147. Sleep: The Sciences
  148. The English Beat: Here We Go Love
  149. Princess Nokia: A Girl Cried Red
  150. Santigold: I Don’t Want—The Gold Fire Sessions


  1. Various Artists: The Savory Collection 1935-1940
  2. Dead Moon (2LPs, 1 book)
  3. Sonny Rollins: Way Out West (Deluxe Reissue)
  4. Neil Young: Roxy—Tonight’s the Night
  5. Danny Barker: “Tootie Ma Was Big Fine Thing” / “Corrinne Died on the Battlefield” and “Indian Red” / “Chocko Mo Feendo Hey”
  6. Willie Nelson: Things to Remember—The Pamper Demos
  7. Erroll Garner: Nightconcert
  8. Various Artists: Voices of Mississippi—Artists and Musicians Documented by William Ferris
  9. Charles Mingus: Jazz in Detroit/Strata Concert Gallery/46 Selden
  10. Joan Jett: Bad Reputation (Music from the Original Motion Picture)
  11. Prince: A Piano and a Microphone
  12. Various Artists: Amarcord Nino Rota
  13. Various Artists: Listen All Around: The Golden Age of Central and East African Music
  14. Gary Stewart: “Baby I Need Your Loving” / “Yester-Me, Yester-You, Yester-Day”
  15. Peter Brotzmann and Fred Lonberg-Holm: Ouroboros
  16. Oneness of Juju: African Rhythms
  17. Joe McPhee: Nation Time
  18. Bruce Springsteen: 1978/07/07 West Hollywood, CA
  19. Various Artists: Oxford American, North Carolina Music Issue, 2018
  20. The Revelators: In which the Revelators perform live renditions of selections from the Billy Childish songbook
  21. Against All Logic: 2012-2017
  22. Grant Green: Live at Oil Can Harry’s
  23. Entourage: Ceremony of Dreams—Studio Sessions & Outtakes 1972-1977
  24. Various Artists: Africa Scream Contest, Volume 2
  25. Wussy: Getting Better
  26. Bob Dylan: More Blood, More Tracks—The Bootleg Series, Volume 14
  27. Milford Graves: Babi
  28. David Bowie: Santa Monica ‘72
  29. Various Artists: The Beginning of the End
  30. Mulatu Astatke & His Ethiopian Quintet: Afro-Latin Soul, Vols. 1 & 2
  31. Various Artists: Two Niles to Sing a Melody—The Violins & Synths of Sudan
  32. Feeling Kreyol: Las Pale
  33. Neil Young: Songs for Judy
  34. Joe McPhee: One Day…A Lightning Storm
  35. Camarao: The Imaginary Soundtrack to a Brazilian Western Movie 1964-1974