Brace for Impact: Finalized Top 10 LP and Singles List, plus the Usual Listenin’ Report

As I have mentioned before, I get to vote in the recently-defunct Village Voice‘s Pazz & Jop poll. However, I’m probably more careful when I vote in a similar poll offered up by Brad Luen for the Facebook music-nut group Expert Witness. I have to live with those motherfuckers on a daily basis! And it’s a tough room! This year, there is some kidding-on-the-square about my albums list (which is different from my Pazz & Jop list; BTW, you get 100 points to distribute across your Top 10, with no more than 30 and no less than 5 for each item), but most telling is I actually submitted a singles ballot. I am an album dude, but this year I really leaned into some smashing songs. For what it’s worth, here’s my lists, and I checked them thrice:

Albums

  1. Tracey Thorn: Record (30)

  2. Rosalía: El Mal Querer (25)

  3. CupcaKe: Ephorize (10)

  4. Bettye LaVette: Things Have Changed (5)

  5. Elza Soares: Deus É Mulher (5)

  6. Noname: Room 25 (5)

  7. Pistol Annies: Interstate Gospel (5)

  8. Tierra Whack: Whack World (5)

  9. Mary Gauthier: Rifles & Rosary Beads (5)

  10. Janelle Monáe: Dirty Computer (5)

Singles

  1. Rosalía: “Malamente”*

  2. Tracey Thorn: “Sister”

  3. JLin: “The Abyss of Doubt”

  4. CupcakKe: “Duck Duck Goose”

  5. Swamp Dogg: “I’ll Pretend”

  6. John Prine: “When I Get to Heaven”

  7. Pistol Annies: “Got My Name Changed Back”

  8. Parquet Courts: “Almost Had to Start a Fight”

  9. Robyn: “Between the Lines”

  10. Rosalía: “Baghdad”

On to the new year, though it’s included little new music. I’ve been on Louisiana kick.

Travailler, C’est Trop Dur: The Lyrical Legacy of Caesar Vincent

Hadn’t heard of Vincent, whose very lyrical compositions are interpreted here by a range of Cajun all-stars (ex. Zachary Richard, David Doucet, Steve Riley). The songs are in French, but that doesn’t mean you won’t feel them, and I’d happily argue this is the best truly country music we have.

Jourdan Thibodeaux et Les Rôdailleurs; Boue, Bocane, Et Bouteilles

This youngster sings in a pleasingly grizzled baritone, plays a killer fiddle (as he must), fronts a racially integrated Cajun band (still a bit rare), and features a Savoy (of the Louisianan royal music family) on guitar dirtying things up a bit. I love it when youngsters mess with folk forms.

Sean Ardoin: Kreole Rock and Soul

Member of another Louisianan royal music family, this time of the zydeco persuasion, Ardoin does some messing around of his own, striving to live up to the title and winning three falls out of five. Winners: “Kick Rocks,” “Abracadabra” (yes, that one). Losers: “Just What I Needed” (yes, that one), and possibly the worst song I have ever heard from a Louisiana artist, “You Complete Me.”

Chubby Carrier and the Bayou Swamp Band: Black Pot

Chubby plays it safe here, but if he and his band were playing these songs at the Mid-City Rock ‘n’ Bowl, you’d never sit down. The title cut’s a dance-floor killer; the closing cut is the sweetest paean to home in zydeco history; in between is competence-plus, community, and commitment.

Joe McPhee and Mats Gustafsson: Brace for Impact

It took 10 years for this meeting of two free jazz masters to come to light, and it might be one of the best of the year in spite of its vintage. They are master listeners, too, not just in a studio but across decades and an ocean: Poughkeepsian McPhee’s 79 going on 30, Mats, a Swede living in Austria, is 54. If you’d like to hear how a jazz composition can be built out of thin air, quick thinking, and imagination, you might as well start here.

Dabke–Sounds of the Syrian Houran

Dabke, an Arab music played at weddings and other celebrations, has a head-spinning number of variations. According to the Wikipedia entry on the style, there are either 2, 6, or 19 types. This motorvating compilation ranges across several of them–you might even call it a dabke Nuggets. Just trying to sell you on trying it, folks!

Rosalía: El Mal Querer

Let it be understood that the frequency with which this Catalonian-cum-Barcelonan powerhouse has appeared here simply testifies to her power. Her voice is intense, alluring, frightening, multi-faceted–and it brings out the Arabic roots of the music that’s been her life, and with which she happily experiments: flamenco. Producer El Guincho deepens the allure and broadens her appeal with savvy settings; if you want to hear her more sparely adorned, check out her debut (more on that later). She is going to be huge, and I may have to finally learn to at least hear Spanish to keep up.

Wire: Pink Flag

Even they have never recorded (again) anything quite like this 21-song, 37-minute voyage into alienation and paranoia. But again it must be said: sometimes paranoids are right. Drowning in the big swim, discerning strange things that aren’t quite right, witnessing murder, looting, and rape, 1-2 hating you, creating a field day for the Sunday papers, they take a moment to expose their hearts when their shades get broken, along with their fleeting love.

“I Love Women / I Think They’re Great / They’re a Solace to a World / In a Terrible State”: Living to Listen’s Picks for the Most Rewarding New Albums and Reissues of 2018 (December 28, 2018, Columbia, Missouri, Second Ward)

 

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I want to open by addressing two things. If you are an EOY (End-of-Year) list watcher, and you frequent this blog, you might wonder: “Hey, is he just fucking aggregating from other lists?” You’d be justified in that suspicion, but–especially if you look back across my posts in ’18–you’d be wrong. For whatever reason–coincidence, politics, the law–women simply made the most direct, from-the-gut, punch-to-the-jaw records this year, and all year long. It’s almost as if they give a shit, as well we all ought. Dudes distinguished themselves: Parquet Courts, Makaya McCraven, and Superchunk, to variously explicit and subtle degrees, seemed to acknowledge the shit that’s coming down around our ears, and if Zeal & Ardor didn’t qualify for either explicit or subtle, at least their dark roar–their sharp shtick (if it’s shtick, let it be sharp)–seemed to fit well with mornings where reading the news was like drinking from a fire hose (props to the great cartoonist John Darkow).

Looking down through my list, well–Tracey Thorn’s held the top spot for me all year. That’s especially significant in that I wasn’t previously a huge fan, nor did I know much about her 30+-year career. I’d written her off in the ’80s as being Brit-pop, which I couldn’t connect with, but, on a tip, I quickly learned that Record was euphonious, danceable, and of the moment, with its politics so personal that they never tripped up the album’s momentum. It was two things I really love: human, and whole. I’ve not gotten tired of it. Rosalia’s record has yet to be released in the States, but its combo of flamenco conventions, top-of-the-line dance-pop production, and the artist’s confident vocal exhortations are addictive. CupcaKe: I don’t blush much, but her record forces me to understand what a Puritan I still am while immersing me in pleasure as the epiphany sinks in. I’ve been a confirmed Dylanophile since ’75, and at first I overreacted to LaVette’s cover album gambit as too easy, but once her wrestling of the songs’ content into her experience became clear to my ear, I was all in. She still oversings, but not so much that she distracts from the pretty spiffy material. McCraven: I’m honestly impressed with his mix method, his style of percussion synchronizes with my personal rhythms (an achievement that I don’t take lightly), and he’s a workaholic. Sometimes I wonder whether it seduces me so well as to be a sedative, but I don’t think so. The pure beat-pleasure he produces reminds me of Tony Williams, so…yeah. A wonderful student named Juniper forced me to listen to Noname (I don’t have time to listen to everything–come on!), and as a result that artist became a daily touchstone in my comp/pop music class. Oh, and a final thing? Jazz is not dead, not by a long shot, and though I wish Nate Chinen’s great “new” book were the reason I feel that way, in actuality, Chinen’s just hit a triple off the wall rather than an upper-deck homer.

To close: while it might be fairly easy to argue that 2018 did not bring us that may iconic albums, it did bring us a dazzling array of very, very good albums shot across the bow from all directions. At no time this year did I ever feel that music was “over”–that’s such an absurd idea on its face, but there’s no shortage of adepts (even) who might make the argument. Now–if this damn country would just snap to, and live up to its aural art. I’m not holding my breath.

In Bold: THE TESTED-BY-HEAVY-REPS TOP 25 (after those, all bets are off)

Listen to a YouTube Playlist of selections from the below via a previous post.

  1. Tracy Thorn: Record
  2. Rosalia: El Mal Querer
  3. CupcaKe: Ephorize
  4. Bettye LaVette: Things Have Changed
  5. Zeal & Ardor: Stranger Fruit
  6. Noname: Room 25
  7. Makaya McCraven: Universal Beings
  8. Pistol Annies: Interstate Gospel
  9. Sly & Robbie and Nils Petter Molvaer: Nordub
  10. Orquesta Akokan: Orquesta Akokan
  11. Pusha T: Daytona
  12. Parquet Courts: Wide Awake!
  13. Elza Soares: Deus É Mulher
  14. John Prine: The Tree of Forgiveness
  15. Janelle Monae: Dirty Computer
  16. JD Allen: Love Stone
  17. Superchunk: What A Time to Be Alive
  18. Mary Gauthier and Songwriting with Soldiers: Rifles and Rosary Beads
  19. Toni Braxton: Sex & Cigarettes
  20. Cloud Nothings: Last Building Burning
  21. Joe McPhee: Imaginary Numbers
  22. Tierra Whack: Whack World
  23. Michot’s Melody Makers: Blood Moon
  24. JLin: Autobiography (Music from Wayne McGregor’s Autobiography)
  25. Chloe x Halle: The Kids are Alright
  26. Nidia: Nídia É Má, Nídia É Fudida
  27. Fat Tony: 10,000 Hours
  28. Blood Orange: Negro Swan
  29. The Internet: Hive Mind
  30. Swamp Dogg: Love, Loss, and Auto-Tune
  31. SOPHIE: The Oil of Every Pearl’s Un-insides
  32. Maria Muldaur: Don’t You Feel My Leg—The Naughty Bawdy Blues of Blu Lu Barker
  33. Subtle Degrees: A Dance That Empties
  34. Daniel Carter: Seraphic Light
  35. The Necks: Body
  36. Hamell on Trial: The Night Guy
  37. Young Fathers: Cocoa Sugar
  38. James Brandon Lewis: Radiant Imprints
  39. Berry: Everything, Compromised
  40. boygenius: EP
  41. Peter Brotzmann and Heather Leigh: Sparrow Nights
  42. Sons of Kemet: Your Queen is a Reptile
  43. Lisbon Freedom Unit: Praise of Our Folly
  44. Doctor Nativo: Guatemaya
  45. The Goon Sax: We’re Not Talking
  46. Lyrics Born: Quite a Life
  47. Meshell Ndegeocello: Ventriloquism
  48. Mandy Barnett: Strange Conversation
  49. Grupo Mono Blanco: ¡Fandango! Sones Jarochos from Veracruz
  50. Chhoti Maa: Agua Corre
  51. Tallowit Timbouctou: Hali Diallo
  52. Knife Knights: 1 Time Mirage
  53. Angelika Niescier: The Berlin Concert
  54. No Age: Snares Like a Haircut
  55. Kids See Ghosts: Kids See Ghosts
  56. Robyn: Honey
  57. Tyshawn Sorey: Pillars
  58. Chhoti Maa: Caldo de Hueso
  59. Jonghyun: Poet / Artist
  60. Rolling Blackouts Coastal Fever: Hope Downs
  61. Halu Mergia: Lalu Balu
  62. Teyana Taylor: S.E.
  63. Earl Sweatshirt: Some Rap Songs
  64. Rapsody: Laila’s Wisdom
  65. Chris Corsano & Bill Orcutt: Brace Up!
  66. Jinx Lennon: Grow a Pair
  67. Quelle Chris & Jean Grae: Everything’s Fine
  68. Lori McKenna: The Tree
  69. Courtney Barnett: Tell Me How You Really Feel
  70. Car Seat Headrest: Twin Fantasy
  71. Makaya McCraven: Where We Come From (Chicago x London Mixtape)
  72. MAST: Thelonious Sphere Monk
  73. Wussy: What Heaven is Like
  74. Andrew Cyrille: Lebroba
  75. Ken Vandermark / Klaus Kugel / Mark Tokar: No-Exit Corner
  76. Tal National: Tantabara
  77. Harriet Tubman: The Terror End of Beauty
  78. Neneh Cherry: Broken Politics
  79. Evan Parker, Barry Guy, and Paul Lytton: Music for David Mossman
  80. Charge It to The Game: House with a Pool
  81. JPEGMAFIA: Veteran
  82. Myra Melford: The Other Side of Air
  83. Tropical Fuck Storm: A Laughing Death in Meatspace
  84. The Beths: The Future Hates Me
  85. Lupe Fiasco: Drogas Wave
  86. Sidi Toure: Toubalbero
  87. Apolo: Live in Stockholm
  88. Heather Leigh: Throne
  89. Alice Bag: Blue Print
  90. Becky Warren: Undesirable
  91. Michael White: Tricentennial Rag
  92. Robbie Fulks & Linda Gail Lewis: Wild! Wild! Wild!
  93. Chief Keef: The Kozart
  94. Mitski: Be the Cowboy
  95. The Thing: Again
  96. Young Mothers: Morose
  97. The Carters: Everything is Love
  98. Sleep: The Sciences
  99. Serengeti: Dennis 6e
  100. Various Artists: A Day in the Life–Impressions of Pepper
  101. Kelela: Take Me Apart—The Remixes
  102. Wynton Marsalis & Friends: United We Swing–Best of the Jazz at Lincoln Center Galas
  103. La Maison Noir: The Black House
  104. Dave Holland: Uncharted Territories
  105. Ahmoudou Madassane: Zerzura (Original Soundtrack Recording)
  106. Full Blast: Live in Rio
  107. Mekons 77: It Is Twice Blessed
  108. Jeffrey Lewis: Works by Tuli Kupferberg
  109. Bombino: Deran
  110. Idris Ackamoor & The Pyramids: An Angel Fell
  111. Sarayah: Feel the Vibe
  112. Nas: Nasir
  113. Speedy Ortiz: Twerp Verse
  114. Salim Washington: Dogon Revisited
  115. Jon Hassell: Listening To Pictures (Pentimento, Vol. One)
  116. Various Artists: Girls Just Wanna Have Fun…and Rights!!!
  117. Mdou Moctar & Elite Beat: Mdou Moctar meets Elite Beat In a Budget Dancehall
  118. Willie Nelson: Last Man Standing
  119. Mudhoney: Digital Garbage
  120. Kiefer: happysad
  121. Freddie Gibbs: Freddie
  122. Don Flemons: Black Cowboy
  123. Cardi B: Invasion of Privacy
  124. Shopping: The Official Body
  125. Cypress Hill: Elephants on Acid
  126. Dana Murray: Negro Manifesto
  127. Shame: Songs of Praise
  128. Henry Threadgill: .and More Dirt
  129. Ceramic Dog: YRU Still Here?
  130. Marc Ribot: Songs of Resistance 1942-2018
  131. The Coup: Soundtrack to the Film Sorry to Bother You
  132. ALLBLACK & Kenny Beats: Two-Minute Drills
  133. Van Morrison & Joey DeFrancesco: You’re Driving Me Crazy
  134. Various Artists/Sahel Sounds: Field Recordings
  135. Kendrick Lamar, et al: Black Panther—Music from and Inspired by the Film
  136. Rodrigo Amado (with Joe McPhee): History of Nothing
  137. Hop Along: Bark Your Head Off, Dog
  138. Tirzah: Devotion
  139. The Chills: Snowbound
  140. Ambrose Akinmusire: Origami Harvest
  141. Eddie Daniels: Heart of Brazil
  142. Big Freedia: Third Ward Bounce
  143. Amy Rigby: The Old Guys
  144. Busdriver: Electricity Is On Our Side
  145. Lonnie Holley: MITH
  146. Del McCoury Band: Del McCoury Still Plays Bluegrass
  147. Migos: Culture II
  148. La Luz: Floating Features
  149. Yo La Tengo: There’s a Riot Goin’ On
  150. The English Beat: Here We Go Love
  151. Princess Nokia: A Girl Cried Red
  152. Santigold: I Don’t Want—The Gold Fire Sessions
  153. Kasey Musgraves: Golden Hour
  154. Meek Mill: Championships
  155. DJ Juan Data: Ritmos Crotos, Volume 1

 

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OLD MUSIC NICELY REPACKAGED OR SIMPLY REISSUED

  1. Various Artists: The Savory Collection 1935-1940
  2. Various Artists: The Complete Cuban Jam Sessions
  3. Dead Moon (2LPs, 1 book)
  4. The Art Ensemble of Chicago and Associated Ensembles
  5. Sonny Rollins: Way Out West (Deluxe Reissue)
  6. Various Artists: Feelin’ Right Saturday Night–The Ric & Ron Anthology
  7. Lee Dorsey: Night People
  8. Danny Barker: “Tootie Ma Was Big Fine Thing” / “Corrinne Died on the Battlefield” and “Indian Red” / “Chocko Mo Feendo Hey”
  9. Willie Nelson: Things to Remember—The Pamper Demos
  10. Erroll Garner: Nightconcert
  11. Various Artists: Voices of Mississippi—Artists and Musicians Documented by William Ferris
  12. Charles Mingus: Jazz in Detroit/Strata Concert Gallery/46 Selden
  13. Joan Jett: Bad Reputation (Music from the Original Motion Picture)
  14. Various Artists: Amarcord Nino Rota
  15. Various Artists: Listen All Around: The Golden Age of Central and East African Music
  16. Gary Stewart: “Baby I Need Your Loving” / “Yester-Me, Yester-You, Yester-Day”
  17. Peter Brotzmann and Fred Lonberg-Holm: Ouroboros
  18. Oneness of Juju: African Rhythms
  19. Joe McPhee: Nation Time
  20. Bruce Springsteen: 1978/07/07 West Hollywood, CA
  21. Neil Young: Roxy—Tonight’s the Night
  22. Prince: A Piano and a Microphone
  23. Various Artists: Oxford American, North Carolina Music Issue, 2018
  24. The Revelators: In which the Revelators perform live renditions of selections from the Billy Childish songbook
  25. Against All Logic: 2012-2017
  26. Grant Green: Live at Oil Can Harry’s
  27. Entourage: Ceremony of Dreams—Studio Sessions & Outtakes 1972-1977
  28. Various Artists: Africa Scream Contest, Volume 2
  29. Wussy: Getting Better
  30. Bob Dylan: More Blood, More Tracks—The Bootleg Series, Volume 14
  31. Milford Graves: Babi
  32. Power Trip: Opening Fire–2008-2014
  33. David Bowie: Santa Monica ‘72
  34. Various Artists: The Beginning of the End
  35. Mulatu Astatke & His Ethiopian Quintet: Afro-Latin Soul, Vols. 1 & 2
  36. Various Artists: Two Niles to Sing a Melody—The Violins & Synths of Sudan
  37. Neil Young: Songs for Judy
  38. Joe McPhee: One Day…A Lightning Storm
  39. Dur Dur of Somalia: 1, Vol. 2
  40. Camarao: The Imaginary Soundtrack to a Brazilian Western Movie 1964-1974
  41. Feeling Kreyol: Las Pale
  42. Various Artists: Hillbillies in Hell
  43. Bruce Springsteen: No Nukes Concert
  44. John Prine: Live in Asheville ’86
  45. Various Artists: The Contempo Story

Devil Ain’t Fine: DJ Philly Phil’s 110 Favorite Albums of 2017, Plus 85 Old Records Whose Acquaintance He Just Made, That Helped Him Survive This Mess

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It’s been one helluva hard year–but when has one not been lately, and when has music not been succor? At one time or another, each of these 195 records has acted as a spell–however temporary–to vanquish the horror from my ears, eyes, and mind. To remind me that maybe all is not lost, that we are capable of bounteous joy when we are inspired, especially, perhaps, when we are inspired by the void.

I’m not one to theorize, and I am too convinced by chaos to believe that a given year’s list of recordings can be read like tea leaves and divined from. But, scanning mine again, I can see some things that finally dawned on me, some things I’ve always loved become far more important to me and sound so much more inexhaustible than I ever would have predicted, and some things that, mercifully, were the direct result of humans I actually know pushing me (as opposed to me retreating into a bubble of books and blogs, and just drifting and hacking my way through a jungle alone). I mean, it’s not like I don’t listen to people, but I have a tendency to mutter, “Hey, I know what I’m doing here.”

Dawnings: Electronic music, which I’d always appreciated but never been elevated by. Ah, yes–I’d like a Fourth World to choose to inhabit every day, an Outro Tempo to swing to every night, and a Mono No Aware to hourly heighten my consciousness. Perhaps I’m waxing too clever, but the stuff I’m alluding to was like a good massage: ultimately soothing but not without hitting spots that made me wince.

Inexhaustibles: I have loved free jazz since I first heard Ornette Coleman–I was young and dumb in ’82, but I can remember thinking, “This sounds beautiful, not crazy, and it’s not that free!”–but, to be honest, I’d always assumed that once I oozed into the second half of my life, I’d probably be seeking things that were easier, since surely my life would become more difficult. Well, life–not necessarily mine, but that’s not all that important a distinction–has become more difficult, often I do need easier things in my ear, but, lo and behold, free jazz (free experimental music, if you choose) has become easier. Not just easier, but more engaging, more thought-provoking, more exciting, funnier and wiser than I’d ever heard it to be and expected it to stay. That applies to many recordings I was already familiar with, but breaking into a trove of really, really hard-to-locate masterpieces from St. Louis’ Black Arts Group (late ’60s to early ’70s–gone to soon, but their seeds drifted elsewhere) and being led by such perceptive writers as John Corbett and Kevin Whitehead to the London Jazz Composer’s Orchestra and Instant Composer’s Pool were straight-up blessings that rearranged my mind and cleaned out the wax. And I know this wish is in vain, but I hope Joe McPhee never dies.

Humans: I thank my students at Stephens College for opening my stubborn ears to The Internet, Rhiannon Giddens, SZA, and Lana Del Rey–and for indirectly helping me access a moving, depressive, and daring vein of what I suppose I have to call r&b but which I really believe is something new that’s just starting to blossom. I thank so many old friends: Whitney Shroyer, for tugging my coat about Harlem River Drive and Sunshine Daydream, John Schooley, for convincing me to take a chance on Link Wray’s Polydors, Isaac Davila, for stoking the fire of my interest in electronic music, and Nicole, my wife of 27 years, for setting us both off on a Latin rampage after we saw Eddie Palmieri’s 80th birthday show. Last but not least, I thank the lively Facebook group Expert Witness, several members of which I have indeed met in reality and many more I seriously intend to, for pointing me hither and yon and often assuring me my instincts were right about the greatness of, just for example, Albums Number 1, 2, 7, 8, and 9 in my Top 10–records the titles of which might well look very foreign to you but which you better lean in to. (Though I do not need it, I await affirmation on #4!)

Suggestion for everyone reading this: host some listening parties starting today, and get out of your comfort zones.

OK…on with it! Here’s some great stuff, most of which is linked so you can sample it immediately. In my Hot 100 are some recordings that are old but that have never been released before–at least not in the present form. Also, I’m with Duke Ellington in ignoring categories and just seeking out good music; I see no reason why you can’t queue up some free improvised music like William Parker’s right after the joyous dance music of Ibibio Sound Machine and have a killer time.

The Top 40? In order of my preference for them. The Final 70? In random order. The 85 older releases that crept up on me? Alphabetized for your convenience!

  1. Zeal and Ardor: Devil is Fine
  2. Ibibio Sound Machine: Eyai
  3. Orchestra Baobab: Tribute to Ndiouga Dieng
  4. Lost Bayou Ramblers: Kalenda
  5. Lana Del Rey: Lust for Life
  6. Jason Isbell and The 400 Unit: The Nashville Sound
  7. JLin: Black Origami
  8. Preservation Hall Jazz Band: So It Is
  9. Harriet Tubman: Araminta
  10. Various Artists: Miracle Steps (Music from The Fourth World 1983-2017)
  11. Golden Pelicans: Disciples of Blood
  12. William Parker: Meditation – Resurrection
  13. Various Artists: Sweet as Broken Dates–Lost Somali Tapes from the Horn of Africa
  14. Rolling Blackouts Coastal Fever: Talk Tight
  15. Peter Perrett: How the West Was Won
  16. Rhiannon Giddens: Freedom Highway
  17. Various Artists: Even a Tree Can Shed Tears–Japanese Folk & Rock 1969-1973
  18. Steve Earle and The Dukes: So You Wannabe an Outlaw?
  19. Gogol Bordello: Seekers and Finders
  20. Roscoe Mitchell: Bells for The South Side
  21. Mostly Other People Do The Killing: Loafer’s Hollow
  22. Hamad Kalkaba: Hamad Kalkaba and The Golden Sounds 1974-1975
  23. Angaleena Presley: Wrangled
  24. Various Artists: Battle Hymns
  25. Les Amazones D’Afrique: Republique Amazone
  26. The Revelators: …we told you not to cross us (20th Anniversary Edition)
  27. Syd: Fin
  28. Steve Lacy: Steve Lacy’s Demo (EP)
  29. The Perceptionists: Resolution
  30. Kendrick Lamar: Damn
  31. Sampha: Process
  32. Waxahatchee: Out in the Storm
  33. Jens Lekman: Life Will See You Now
  34. Burnt Sugar: All You Zombies Dig The Luminosity
  35. Fat Tony: MacGregor Park
  36. Garland Jeffreys: 14 Steps to Harlem
  37. Body Count: Blood Lust
  38. John Waters: Make Trouble
  39. Filthy Friends: Invitation
  40. Wadada Leo Smith: Najwa
  41. Prince: Purple Rain – 2017 Deluxe Remaster
  42. New Pornographers: Whiteout Conditions
  43. The Goon Sax: Up to Anything
  44. Kelela: Take Me Apart
  45. Cloud Nothings: Life Without Sound
  46. Arto Lindsay: Cuidado Madame
  47. Half Cleveland: Live at the Wi-Fi
  48. Thurst: Cut to the Chafe
  49. SZA: CTRL
  50. Jackie Shane: Any Other Way
  51. Mavis Staples: If All I Was Was Black
  52. Maximum Ernst: Maximum Ernst
  53. Oddisee: The Iceberg
  54. Tamikrest: Kidal
  55. Tyshawn Sorey: Verismilitude
  56. John Escreet: The Unknown
  57. Nicole Mitchell: Mandorla Awakening II – Emerging Worlds 
  58. James Luther Dickinson: I’m Just Dead I’m Not Gone (Lazarus Edition) READ THE BOOK!
  59. Obnox: Niggative Approach
  60. Aram Bajakian: Dalava–The Book of Transfigurations
  61. (The Late) Mariem Hassan: La Voz Indominata
  62. Trio 3: Visiting Texture
  63. Sarah Shook and the Disarmers: Sidelong
  64. Jay-Z: 4:44
  65. Aruan Ortiz: Cub(an)ism
  66. Wadada Leo Smith: Solo–Reflections and Meditations on Monk
  67. Alice Coltrane: The Ecstatic Music of Alice Coltrane Turiyasangitananda
  68. Shabazz Palaces: Quazarz: Born on a Gangster Star
  69. Young Thug: Beautiful Thugger Girls
  70. Ty Segall: Fried Shallots
  71. Tony Allen: A Tribute to Art Blakey
  72. Trio de Kali w/ The Kronos Quartet: Ladilikan
  73. Hard Working Americans: We’re All in This Together
  74. Randy Weston: African Nubian Suite
  75. Gato Preto: Tempo
  76. Tinariwen: Elwan
  77. Shina Williams: Agb’oju L’Ogun
  78. Let’s Eat Grandma: I, Gemini
  79. Ross Johnson and Lesa Aldridge: Lesa and Ross
  80. Hurray for the Riff Raff: The Navigator
  81. Various Artists: Mono No Aware
  82. Karreim Riggins: Headnod Suite
  83. Various Artists: Outro Tempo–Electronic And Contemporary Music From Brazil 1978-1992
  84. Omou Sangare: Mogoya
  85. Daddy Issues: Can We Still Hang?
  86. Bob Dylan: Triplicate
  87. Pierre Kwenders: MAKANDA at the End of Space, the Beginning of Time
  88. Brix & The Extricated: Part 2
  89. Tomasz Stanko: December Avenue
  90. Dion: Kickin’ Child–The Lost Album 1965
  91. Lee Ann Womack: The Lonely, The Lonesome, and The Gone
  92. Chuck Berry: Chuck
  93. Joe King Cologbo & High Grace: Sugar Daddy
  94. Don Bryant: Don’t Give Up On Love
  95. Thelonious Monk: Soundtrack to Les Liaisons Dangereuses
  96. Shabazz Palaces: Quazarz vs. The Jealous Machines
  97. David S. Ware: Live in New York City 2010
  98. Thundercat: Drunk
  99. Elliott Sharp, Mary Halvorson, and Marc Ribot: Err Guitar
  100. Erica Falls: Home Grown
  101. Bill Evans: Some Other Time–The Lost Session from the Black Forest
  102. Open Mike Eagle: Brick Body Kids Still Daydream
  103. Husker Du: Savage Young Du
  104. The Replacements: For Sale–Live at Maxwell’s
  105. Pere Ubu: 20 Years in a Montana Missile Silo
  106. Miguel: War & Leisure
  107. 2 Chainz: Pretty Girls Like Trap Music
  108. The Paranoid Style: Underworld USA (EP)
  109. Sun Ra: Discipline 27-li
  110. Migos: Culture

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85 Great Older Releases That I’ve Bought in ’17 That I Still Can’t Get Enough Of

(If it’s bolded, I’ve been hooked on the thing quite seriously)

  1. Allison, Mose: I’m Not Talkin’—The Song Stylings of Mose Allison 1957-1972
  2. Amobi, Chino: Paradiso
  3. Anonymous 4: The Lily & The Lamb–Chant & Polyphony from Medieval England
  4. Avengers: Died for Your Sins
  5. Les Amazones de Guinée: Au coeur de Paris & M’mah Sylla (Bolibana Collection)
  6. Anderson, Fred, and Hamid Drake: …together again
  7. Astatke, Mulatu: Mulatu of Ethiopia
  8. Ben, Jorge: Africa Brasil
  9. Black Artists Group: In Paris 1973
  10. Blassie, Fred: Nothin’ But a Pencil Neck Geek!
  11. Blythe, Arthur: Illusions
  12. Breuker, Willem: Bob’s Gallery
  13. Bowie, David: Cracked Actor (Live Los Angeles ’74)
  14. Carmichael, Hoagy: Music Master
  15. Case, Neko: The Tigers Have Spoken
  16. Cochran, Wayne: Wayne Cochran!
  17. Cohran, Philip: Armageddon
  18. Coursil, Jacques: Trails of Tears
  19. The Creation: Action Painting
  20. Curtis, King: Instant Soul–The Legendary King Curtis
  21. Davis, Anthony: Episteme
  22. Del Rey, Lana: Hollywood
  23. Dion and The Belmonts: Together Again
  24. d/j Rupture: Minesweeper Suite
  25. Dog Life: Dog Life
  26. Dog Life: Fresh from the Ruins
  27. E: E
  28. Eggleston, Cozy: Grand Slam
  29. Fela: The Best of Black President, Volume 2
  30. Fela: Live in Detroit
  31. Foc’sle Singers: Foc’sle Songs and Shanties
  32. Gibbs, Melvin: Ancients Speak (all hail Pete Cosey!)
  33. Goblin: Soundtrack to the film Suspiria
  34. Gonzalez, Dennis: Idle Wild
  35. Gonzalez, Dennis: Nile River Suite
  36. Grateful Dead: Sunshine Daydream
  37. Harlem River Drive
  38. Hassell, Jon: Dream Theory in Malaya–Fourth World, Volume Two
  39. Hemphill, Julius: Coon Bidness
  40. Human Arts Ensemble: Whisper of Dharma
  41. Ink Spots: These Cats Are High
  42. Instant Composers Pool: Aan & Uit
  43. Jamal, Ahmad: The Awakening
  44. JJ DOOM: Bookhead
  45. Kelela: Cut 4 Me
  46. King: We Are King (would have been in my 2016 Top Ten had I been on the ball)
  47. Kyle, K. Curtis: The Collected Poem for Blind Lemon Jefferson
  48. London Jazz Composers Orchestra: Theoria
  49. Mateen, Sabir: Prophecies Come True
  50. McGann, Bernie: Playground
  51. McPhee, Joe: At Willisau
  52. McPhee, Joe: “The Loneliest Woman”
  53. McPhee, Joe: Tenor / Fallen Angel
  54. Mitchell, Joni: Hejira
  55. The Montgomery Brothers: Groove Yard
  56. Orchestra Regionale De Mopti
  57. Various Artists: Spiritual Jazz #7—Islam
  58. Patrick, Pat, and Baritone Retinue: Sound Advice
  59. Perry, Lee Scratch: Dub Triptych
  60. Perry, Lee Scratch: Presents African Roots
  61. Perry, Lee Scratch: Voodooism
  62. Prince Jazzbo: Ital Corner
  63. Pullen, Don, and Beaver Harris: A Well-Kept Secret
  64. Rah Digga: Everything is a Story
  65. Spontaneous Music Ensemble: Face to Face
  66. Stanko, Tomasz: Leosia
  67. Sullivan, Maxine: Close as Pages in a Book
  68. Sun Ra: The Space Age Is Here to Stay
  69. Swell Maps: Jane from Occupied Europe
  70. Swell Maps: A Trip to Marineville
  71. Tate, Buddy: Jive at Five
  72. This Heat: Out of Cold Storage
  73. Thomas, Luther, and Human Arts Ensemble: Funky Donkey Vols. 1 & 2
  74. Thornton, Clifford: The Panther and The Lash
  75. Morgan, Lee: Live at The Lighthouse
  76. Various Artists: After-School Special—The 123s of Kid Soul
  77. Various Artists: American Epic (yes, the sound really is that much of an improvement)
  78. Various Artists: Hanoi Masters–War is A Wound, Peace is a Scar
  79. Various Artists: Killed by Death #5
  80. Various Artists: The Original Sounds of Mali
  81. Various Artists: Cumbia Cumbia 1 & 2
  82. Various Artists: Songs from Saharan Cell Phones, 1 & 2
  83. Various Artists: The Poppyseeds–The Sound of Crenshaw
  84. White, Ruth: Flowers of Evil
  85. Wray, Link: Three-Track Shack