I’ve been pickin’ at my “Best Records of 2019” list like an itchy scab. Just can’t leave the damn thing alone. If you click on that link, you’ll see I’ve added some items (bold-faced), including a few that are fairly high up the list. For many of the augmentations, I have the indefatigable Glenn Boothe and Keith Artin to thank: their “Village Voice Pazz & Jop Rip-Off Poll”–1,122 members strong just a second ago–opened everyone’s eyes up to excellent slabs they hadn’t heard before, and I hope they make it a tradition. Also–this happens when you’re a long-lister–I forgot to list two albums that I respectively loved and really liked and played many times: 75 Dollar Bill’s I Was Real and 86-going-on-16 folkfunk originator Bobby Rush’s Sitting on Top of The Blues.
But. That ain’t what this is about! To grease the reader’s wheels for test-driving some of this stuff, I’ve created two YouTube playlists. The first highlights great tracks from my favorite 25 releases, with one exception: since Joe McPhee and the DKV Trio’s explosive box set of live recordings doesn’t currently have a reasonable video available on YouTube, I replaced it by a great single that wasn’t attached to an album–I’ll let you figure that out. The second gathers a track a piece from 10 albums that just got on the list at the last minute (that’s almost literal). Enjoy!
I’m making no bones about it: we did not do a good job living as humans with other humans this year. Not. At. All. I really didn’t expect to turn 57 and come to the conclusion that, despite reading, enjoying, and occasionally subscribing to the viewpoint of many cynics and curmudgeons, I have been naive. A lot of us dig fascism as a possible salve on our fear. It’s hard to know how many, but even a big little is a lot.
I ain’t going into the nooks and crannies of that now, though. 2019’s music-makers responded with some very convincing aural evidence that we can actually do a very transcendent job working, playing, speaking, and listening to each other, and–especially–calling on us to be our best possible selves, rather than wallow in self-pity and misguided resentment. If the music that was produced this year is a real representation of who we are, how we feel, and what we want, then the hate-wave is operating on borrowed time.
Remember: naive at 57.
Anyway, I endorse all the albums below as interesting. Also, please note my somewhat half-hearted grading scale. And think about sending the artists the most money you can and just buying physical media to defy Marie Kondo. You know she’s marketing a bunch of worthless shit to fill your houses with, don’t you? Seriously: we’re not all grifters, especially the folks that made this stuff…
My Album-Lover’s Honor Roll for 2019 — THE FINAL COUNTDOWN
(bolded items are new additions to the ongoing list)
For those that need a harness on this burgeoning list:
1-10: Straight A (no A+ record this year)
11-66: A-
67-118: B+
119-170: B (and a B is still a good record)
Little Simz: Grey Area
Purple Mountains: Purple Mountains
Jamila Woods: Legacy! Legacy!
Junius Paul: Ism
Rapsody: Eve
Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
Chance The Rapper: The Big Day
Byron Asher: Byron Asher’s Skrontch Music
Freddie Gibbs & Madlib: Bandana
Snotty Nose Rez Kids: Trapline
Royal Trux: White Stuff
EARTHGANG: Mirrorland
Ezra Furman: Twelve Nudes
Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith: Songs from The Bardo
Peter Perrett: Humanworld
Yugen Blakrok: Anima Mysterium
Mexstep: Resistir
Mdou Moctar: Ilana (The Creator)
Danny Brown: uknowwhutimsayin
Pere Ubu: The Long Goodbye
J Balvin & Bad Bunny: OASIS
DKV and Joe McPhee: The Fire Each Time
Lightning Bolt: Sonic Citadel
MARK LOMAX, II: Afrika United (one part of a box set—if it’s all this good, woah!)
Sheer Mag: A Distant Call
Dumb: Club Nites
Billy Woods & Kenny Segal: Hiding Places
Jeffrey Lewis: Bad Wiring
Raphael Saadiq: Jimmy Lee
Young Thug: So Much Fun
Kel Assouf: Black Tenere
James Brandon Lewis: An Unruly Manifesto
Gard Nilssen Acoustic Unity: To Whom Who Buys A Record
Teodross Avery: After the Rain–A Night for Coltrane
Various Artists: Total Solidarity
Lana Del Rey: Norman F***ing Rockwell
Zonal: Wrecked
Control Top: Covert Contracts
Lizzo: Cuz I Love You
Tanya Tucker: While I’m Livin’
Ifriqiyya Electrique: Laylet El Boore
Elza Soares: Planeta Fome
Abdullah Ibrahim: The Balance
Damon Locks / Black Monument Ensemble: Where Future Unfolds
Andres: Andres IV
Denzel Curry: Zuu
Rod Wave: Ghetto Gospel
Eddy Current Suppression Ring:All in Good Time
Dave: PSYCHODRAMA
Moor Mother: Analog Fluids of Sonic Black Holes
Various Artists: The Final Battle—Sly & Robbie vs. Roots Radics
Rocket 808: Rocket 808
2 Chainz: Rap or Go to the League
Joel Ross: Kingmaker
JME: Grime MC
I Jahbar: Inna Duppy SKRS Soundclash
Lee Scratch Perry: Rainford
Bill Orcutt: Odds Against Tomorrow
Joe McPhee / John Butcher: At the Hill of James Magee
Tyler Childers: Country Squire
Pat Thomas, Dominic Lash, and Tony Orrell: Bleyschool
Beyoncé: Homecoming
Sote: Parallel Persia
Jaimie Branch: Fly or Die II—Bird of Paradise
SEED ENSEMBLE: Driftglass
Arto Lindsay, Ken Vandermark, Joe McPhee, Phil Sudderberg:Largest Afternoon
The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
Blacks’ Myths: Blacks’ Myths II
Sudan Archives: Athena
The Coathangers: The Devil You Know
GRLwood: I Sold My Soul to the Devil When I Was 12
Yazz Ahmed: Polyhymnia
FKA Twigs: MAGDALENE
Miranda Lambert: Wild Card
Aquarian Blood: A Love That Leads to War
Preservation Hall Jazz Band: Tuba in Cuba
Quelle Chris: Guns
Heroes Are Gang Leaders: The Amiri Baraka Sessions
DaBaby: KIRK
Ben Lamar Gay: Confetti in the Sky Like Fireworks
Tanya Tagaq: Toothsayer EP
Ghostface Killah: Ghostface Killahs
Various Artists: Weaponize Your Sound
Earl Sweatshirt: FEET OF CLAY
Maxo Kream: Brandon Banks
BaianaSystem: O Furturo Nao Demora
Aesop Rock & TOBACCO: Malibu Ken
DaBaby: Baby on Baby
Megan Thee Stallion: Fever
Sleater-Kinney: The Center Won’t Hold
Dan Weiss Trio + 1: Utica Box
Davido: A Good Time
Michael Kiwanuka: Kiwanuka
Saul Williams: Encrypted & Vulnerable
Young M.A.: Herstory in the Making
Ken Vandermark: Momentum 4—Consequent Duos 2015-2019
Poncho Sanchez: Trane’s Delight
The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
Mario Pavone: Philosophy
Alcorn/McPhee/Vandermark: Invitation to a Dream
Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
Chuck Cleaver: Send Aid
Rachid Taha: Je Suis Africain
Barrence Whitfield Soul Savage Arkestra: Songs from The Sun Ra Cosmos
The Sensational Barnes Brothers: Nobody’s Fault But Mine
GoldLink: Diaspora
Harriet Tubman: The Terror End of Beauty
Usted Saami: God is Not a Terrorist
Mantana Roberts: COIN COIN Chapter Four—Memphis
Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
black midi: Schlagenheim
Nots: 3
Guitar Wolf: Love & Jett
Robert Forster: Inferno
Aziza Brahim: Sahari
Jacob Wick & Phil Sudderberg: Combinatory Pleasures
The Paranoid Style: A Goddamn Impossible Way of Life
Ingrid Laubrock & Aki Takase: Kasumi
LPX: Junk of the Heart (EP)
Helado Negro: This is How You Smile
Joe McPhee and Paal Nilssen-Love: Song for the Big Chief
G & D: Black Love & War
Boris: Love & Evol
Girl Band: The Talkies
Steve Riley & The Mamou Playboys: 30 Years Live
Gilberto Gil: OK OK OK
JPEGMAFIA: All My Heroes Are Cornballs
Ras Kass: Soul on Ice 2
Flying Lotus: Flamagra
Angel-Ho: Death Becomes Her
JD Allen: Barracoon
Big Thief: Two Hands
Various Artists: Queen & Slim—The Soundtrack
Tinariwen: Amadjar
Various Artists: Typical Girls Three
Leyla McCalla: Capitalist Blues
Tyshawn Sorey and Marilyn Crispell: The Adornment of Time
Tropical Fuck Storm: Braindrops
Santana: Africa Speaks
Judy and The Jerks: Music for Donuts
Tyler, The Creator: IGOR
Sault: 5
Whit Dickey Tao Quartets: Peace Planet / Box of Light
The Art Ensemble of Chicago: We Are On the Edge
Ibibio Sound Machine: Doko Mien
Solange: When I Get Home
Freddie Douggie: Live on Juneteenth
Ranky Tanky: Good Time
Ahmad Jamal: Ballades
Dump Him: Dykes to Watch Out For
Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
Little Brother: May the Lord Watch
Blood Orange: Angel’s Pulse
Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
Doja Cat: Hot Pink
Kelsey Lu: Blood
Bassekou Kouyate & Ngoni Ba: Miri
Hama: Houmeissa
Ill Considered: 5
Girls on Grass: Dirty Power
Stella Donnelly: Beware of the Dogs
Matthew Shipp Trio: Signature
Shovels & Rope: By Blood
Angel Bat Dawid: The Oracle
Spiral Stairs: We Wanna Be Hyp-No-Tized
Our Native Daughters: Songs of Our Native Daughters
*Saw a warm, witty, and wise “Wussy Duo” house show here in Columbia, Missouri, at Botts Manor. All I asked was that they sing three of their several incandescent songs (“Beautiful,” “Maglite,” and “Acetylene”–I got all those plus a t-shirt) and just be as perfectly imperfect as they are at their best. We’d seen the Bottle Rockets earlier this fall at another house show, and really dug it, so keep your eyes open for such things.
*Read several terrific music books, but experiencing Beastie Boys Book for the second time when my wife downloaded its audiobook equivalent sent us both on a Beastie Boys / Run DMC / ATCQ / Biz Markie jam-out when we made about 65 tamales for Thanksgiving.
Also, Will Ashon’s Chamber Music: Wu-Tang and America (in 36 Pieces) broke my mind into 36 pieces as he took me on a deep dive into The Clan’s debut album, a plunge which features incisive commentary from a former teacher of mine (Sundiata Cha-Jua), a primer on Shaw Brothers kung-fu flicks and their specific influence on The Wu that has me drooling (many are available on Amazon “You Fucking Bastards” Prime), and several heroic attempts to reinterpret the least savory aspects of that release (torture, anyone?). One of my favorite chapters simply capsule-summarizes 36 Shaw Brothers (and related) flicks to tear-inducingly comedic effect. Wait! Isn’t Ashon a white dude? A white dude writing a 300-plus-page disquisition (even though it’s not a 33 & 1/3 publication, it’s one of the best in doing what those usually try and fail to do) on THE WU-TANG CLAN???? Yep, and he’s well aware of the thin ice, doesn’t quite fall through it, and straightforwardly acknowledges it. RECOMMENDED, actually.
*”Are you still hooked on Will ‘Dr. Evil’ Friedwald‘s pop singing criticism,” I hear you asking. Why yes I am–so glad you inquired! I’ve previously blathered about Friedwald’s The Great Jazz and Pop Vocal Albums, which I’m actually not even finished with, and this month I tipped on in to his pretty mammoth A Biographical Guide to the Great Jazz and Pop Singers, which set me on a quest to more deeply acquaint myself with the recorded works of three eccentrics: the Ellingtonian Al Hibbler, the quirky and multi-talented seductress Eartha Kitt, and the “is-he-a-POC-or-isn’t he?” (see the seldom-seen documentary of his life) Herb Jeffries. Twenty years ago, I probably would have thought aficionados of such singers were perhaps a bit uptight, when in actuality it was me who needed to get loose. That being said, I was wise enough about ten years ago to become a rabid fan of Jeffries’ twilight-time release The Bronze Buckaroo (Rides Again), and if I hadn’t become enough of a fan of Friedwald’s already, his Biographical Guide passage about this record clinched it. I’d never read anything about it that matched my passion for it, and Friedwald might as well have been taking dictation from my heart:
*Oh, and for shits and giggles and because I feel I’m blog-cheating by just listing records I like without commentary, I decided to break down my list and GRADE THEM like a real teacher should(n’t). I’m not gonna belabor this, but an A is an album I’ve played over and over in a short period of time with great pleasure, and that, as a whole, works; an A- I’ve also played several times, may feature a couple bum tracks, but will stay in my collection in physical form and ride with me in the cab of my truck; a B+ is damn good–at least 66.6% of its tracks are–but I don’t need to hold, study, and fondle it; and a B is something that is GOOD–just GOOD–but has a couple dynamite cuts on it or projects a personality I want to stay at least electronically acquainted with.
Will anyone unseat Little Simz? And didn’t I keep Tracey Thorn on the throne almost all year last year, too? Am I an Anglophile? A gynophile (izzat even a word)? Well. If something out there doesn’t get a little better soon, a dead dude’s gonna top my chart. ‘Nuff said on that.
My Album-Lover’s Honor Roll for 2019 (as of November 30, 2019)
(bolded items are new additions to the ongoing list)
(“A”s or 9.5-10/10s)
Little Simz: Grey Area
Purple Mountains: Purple Mountains
Various Artists: A Day in the Life–Impressions of Pepper*
Jamila Woods: Legacy! Legacy!
Junius Paul: Ism
Rapsody: Eve
Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
Chance The Rapper: The Big Day
Byron Asher: Byron Asher’s Skrontch Music
Freddie Gibbs & Madlib: Bandana
(“A-”s or 9.0-9.4999/10s)
Royal Trux: White Stuff
Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith: Songs from The Bardo
Peter Perrett: Humanworld
Yugen Blakrok: Anima Mysterium
Mexstep: Resistir
Mdou Moctar: Ilana (The Creator)
Danny Brown: uknowwhutimsayin
Pere Ubu: The Long Goodbye
J Balvin & Bad Bunny: OASIS
DKV and Joe McPhee: The Fire Each Time
Lightning Bolt: Sonic Citadel
Sheer Mag: A Distant Call
Billy Woods & Kenny Segal: Hiding Places
Jeffrey Lewis: Bad Wiring
Raphael Saadiq: Jimmy Lee
Young Thug: So Much Fun
Kel Assouf: Black Tenere
James Brandon Lewis: An Unruly Manifesto
Teodross Avery: After the Rain–A Night for Coltrane
Various Artists: Total Solidarity
Lana Del Rey: Norman F***ing Rockwell
Control Top: Covert Contracts
Lizzo: Cuz I Love You
Elza Soares: Planeta Fome
Abdullah Ibrahim: The Balance
Damon Locks / Black Monument Ensemble: Where Future Unfolds
Denzel Curry: Zuu
Dave: PSYCHODRAMA
Moor Mother: Analog Fluids of Sonic Black Holes
Various Artists: The Final Battle—Sly & Robbie vs. Roots Radics
Rocket 808: Rocket 808
2 Chainz: Rap or Go to the League
Joel Ross: Kingmaker
I Jahbar: Inna Duppy SKRS Soundclash
Lee Scratch Perry: Rainford
Joe McPhee / John Butcher: At the Hill of James Magee
Tyler Childers: Country Squire
Pat Thomas, Dominic Lash, and Tony Orrell: Bleyschool
Beyoncé: Homecoming
Sote: Parallel Persia
(“B+”s or 8.65-89.999/10)
The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
The Coathangers: The Devil You Know
FKA Twigs: MAGDALENE
Miranda Lambert: Wild Card
Preservation Hall Jazz Band: Tuba in Cuba
Quelle Chris: Guns
Heroes Are Gang Leaders: The Amiri Baraka Sessions
DaBaby: KIRK
Ben Lamar Gay: Confetti in the Sky Like Fireworks
Tanya Tagaq: Toothsayer EP
Senyawa: Sujud*
Various Artists: Weaponize Your Sound
Earl Sweatshirt: FEET OF CLAY
Maxo Kream: Brandon Banks
BaianaSystem: O Furturo Nao Demora
Aesop Rock & TOBACCO: Malibu Ken
DaBaby: Baby on Baby
Megan Thee Stallion: Fever
Sleater-Kinney: The Center Won’t Hold
Dan Weiss Trio + 1: Utica Box
Davido:A Good Time
Michael Kiwanuka: Kiwanuka
Saul Williams: Encrypted & Vulnerable
Young M.A.: Herstory in the Making
Ken Vandermark: Momentum 4—Consequent Duos 2015-2019
Poncho Sanchez: Trane’s Delight
The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
Mario Pavone: Philosophy
Alcorn/McPhee/Vandermark: Invitation to a Dream
Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
Chuck Cleaver: Send Aid
Rachid Taha: Je Suis Africain
Barrence Whitfield Soul Savage Arkestra: Songs from The Sun Ra Cosmos
The Sensational Barnes Brothers: Nobody’s Fault But Mine
GoldLink: Diaspora
Harriet Tubman: The Terror End of Beauty
Usted Saami: God is Not a Terrorist
Mantana Roberts: COIN COIN Chapter Four—Memphis
Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
black midi: Schlagenheim
Nots: 3
Guitar Wolf: Love & Jett
Robert Forster: Inferno
Aziza Brahim: Sahari
Jacob Wick & Phil Sudderberg: Combinatory Pleasures
The Paranoid Style: A Goddamn Impossible Way of Life
Boris: Love & Evol
Ingrid Laubrock & Aki Takase: Kasumi
LPX: Junk of the Heart (EP)
Helado Negro: This is How You Smile
(“B”s or 8.3-8.64999)
Joe McPhee and Paal Nilssen-Love: Song for the Big Chief
G & D: Black Love & War
Girl Band: The Talkies
Steve Riley & The Mamou Playboys: 30 Years Live
Gilberto Gil: OK OK OK
JPEGMAFIA: All My Heroes Are Cornballs
Resavoir: Resavoir
Jaimie Branch: Fly or Die II—Bird of Paradise
Ras Kass: Soul on Ice 2
Flying Lotus: Flamagra
Angel-Ho: Death Becomes Her
JD Allen: Barracoon
Big Thief: Two Hands
Various Artists: Queen & Slim—The Soundtrack
Tinariwen: Amadjar
Various Artists: Typical Girls Three
Leyla McCalla: Capitalist Blues
Tyshawn Sorey and Marilyn Crispell: The Adornment of Time
Tropical Fuck Storm: Braindrops
Santana: Africa Speaks
Judy and The Jerks: Music for Donuts
Tyler, The Creator: IGOR
Whit Dickey Tao Quartets: Peace Planet / Box of Light
Blacks’ Myths: Blacks’ Myths II
The Art Ensemble of Chicago: We Are On the Edge
Ibibio Sound Machine: Doko Mien
Solange: When I Get Home
Freddie Douggie: Live on Juneteenth
Ranky Tanky: Good Time
Ahmad Jamal: Ballades
Dump Him: Dykes to Watch Out For
Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
Little Brother: May the Lord Watch
Blood Orange: Angel’s Pulse
Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
Doja Cat: Hot Pink
Kelsey Lu: Blood
Bassekou Kouyate & Ngoni Ba: Miri
Hama: Houmeissa
Ill Considered: 5
Girls on Grass: Dirty Power
Stella Donnelly: Beware of the Dogs
Matthew Shipp Trio: Signature
Shovels & Rope: By Blood
Angel Bat Dawid: The Oracle
Spiral Stairs: We Wanna Be Hyp-No-Tized
Our Native Daughters: Songs of Our Native Daughters
Rosie Flores: A Simple Case of The Blues
Mekons : Deserted
James Carter Organ Trio: Live from Newport Jazz
*Technically, these are 2018 releases, but for now, I’m claiming their impact is being felt more strongly this year.
My freshman comp/pop music class engages in a Socratic seminar every month focused on a new release by an artist of reasonable significance. This month, they discussed Lana Del Rey’s Norman Fucking Rockwell. Funny how different two classes of 18-to-20-year-old women can be. My first class was fascinated by the contradictions created in Del Rey’s work: soothing sounds concealing horror and danger, nostalgia presaging dystopia, “Is this a dream or is it wreckage?”, sexual assertiveness vs. sexual passivity. My second class just hated it: the songs are too long, repetition and filler create boredom, too few dynamics. My take, via Wilde: when the critics are in disagreement, it’s a sign the artist is in harmony with herself.
Nicole and I attended Columbia’s annual Dismal Niche Experimental Music Festival (October 3-6) and were blown away. Thursday night we witnessed Makaya McCraven’s shape-shifting jazz improv unit (left-hand pic), augmented by the mesmerizing young vibraphonist Joel Ross, Blacks’ Myths’ thundering and throbbing bassist Luke Stewart, and Jeff Parker of Tortoise fame. At times, I find McCraven’s recorded music sounding perilously close to chill-lounge fare, but witnessing him live, conducting master musicians in the moment, I became a believer. Locked into a groove, the group would fixate on a figure developed by one player, and McCraven would lead them into a new movement built around it–when, in the blink of an ear, they sidestepped into Latin land, I almost felt dizzy. On Saturday night, we came prepared for Mdou Moctar’s Tuareg guitar assault (right-hand pic), having deeply indulged in so-called desert blues for the better part of the last decade, but Moctar elevated beyond even that level. Conjuring Sharrock and Hendrix, sending crackling beams of electricity through his band’s Saharan dance grooves, and just LOSING IT on the final number, exploiting every inch of his axe’s strings from every angle he could reach them, he left more than a few of us younger folks (I’m 57) wondering if we’d ever heard the like. A Top Five concert for us, and great praise is due Columbian Matt Crook, the fulcrum beneath the fest ($50 for four nights plus workshops and assorted other fun stuff??? You’ve got to be kidding me!).
I have always liked Laurie Anderson at arm’s length (is that possible?). I have no problem with pretentiousness as long as its properly put in service, but I’ve often detected a light scent of bullshit hovering over her work. However, Heart of a Dog moved me, and her new readings from The Tibetan Book of the Dead are relatively free from self-consciousness and–honestly speaking–just what the doctor ordered for me (and perhaps you?) inna this ya time. Sometimes I think I can’t take another day of this furor and flapdoodle, but one listen to this record set my feet firmly on the ground. Not an easy thing for art to do right now.
Old Stuff News:
Leave it to me to be so far behind in my music study that the old seems new. True, American music is a deep, deep well, but–really–I should not just now be luxuriating in the music of Kay Starr, Peggy Lee, Bobby Troup, and (especially) Shirley Horn. I’ve been daily dipped in Will Friedwald’s The Great Jazz and Pop Vocal Albums, in which the author explores in considerable depth 50-plus records one would think I’d (and likely you) would have already been familiar with. I’d tried to read one of Friedwald’s Sinatra books and found it too gushy, but I bought this one used for a pittance, and, skimming it and noticing the likes of Tiny Tim, Bobby Short, Steve & Eydie, and Robert Goulet in the table of contents, perversity overcame me and I just had to read it, and listen along. Not every one of Friedwald’s choices enraptured me, but Kay Starr (the white Dinah Washington!), Peggy Lee (no fucking joke), Barb Jungr (few better Dylan interpreters, and she actually fomented a mini-revolution), and Maxine Sullivan (didn’t she disco?) sent me straight to Discogs. Also: Carmen McRae’s ultra-rare Live at The Dug? A sheer A+ that I will be playing regularly til i croak. The chief discovery I made, though, was of an artist who didn’t even make the list of albums, but who was referred to peripherally in a few other artists’ entries: Shirley Horn. An early influence on Miles, a musical double-threat via vocals and 88s, almost obsessively proceeding at a very unhurried and hypnotic pace, and flawlessly choosing songs, she sounds to me like a MAJOR voice in jazz. Her early Embers andAshes? Pour a drink and just let her flow over you.
On with the show…
My Album-Lover’s Honor Roll for 2019 (as of October 5, 2019)
(bolded items are new additions to the ongoing list)
Little Simz: Grey Area
Various Artists: A Day in the Life–Impressions of Pepper*
Jamila Woods: Legacy! Legacy!
Peter Perrett: Humanworld
Rapsody: Eve
Mexstep: Resistir
Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith: Songs from The Bardo
Chance The Rapper: The Big Day
Freddie Gibbs & Madlib: Bandana
Royal Trux: White Stuff
Yugen Blakrok: Anima Mysterium
Mdou Moctar: Ilana (The Creator)
Purple Mountains: Purple Mountains
Pere Ubu: The Long Goodbye
J Balvin & Bad Bunny: OASIS
Sheer Mag: A Distant Call
Billy Woods & Kenny Segal: Hiding Places
Damon Locks / Black Monument Ensemble: Where Future Unfolds
Raphael Saadiq: Jimmy Lee
Young Thug: So Much Fun
Kel Assouf: Black Tenere
James Brandon Lewis: An Unruly Manifesto
Teodross Avery: After the Rain–A Night for Coltrane
Various Artists: Total Solidarity
Lana Del Rey: Norman F***ing Rockwell
Control Top: Covert Contracts
Beyoncé: Homecoming
The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
2 Chainz: Rap or Go to the League
Joel Ross: Kingmaker
Preservation Hall Jazz Band: Tuba in Cuba
Sote: Parallel Persia
I Jahbar: Inna Duppy SKRS Soundclash
Quelle Chris: Guns
Heroes Are Gang Leaders: The Amiri Baraka Sessions
DaBaby: KIRK
Ben Lamar Gay: Confetti in the Sky Like Fireworks
Tanya Tagaq: Toothsayer EP
Abdullah Ibrahim: The Balance
Senyawa: Sujud*
Dave: PSYCHODRAMA
Rocket 808: Rocket 808
Various Artists: Weaponize Your Sound
Maxo Kream: Brandon Banks
BaianaSystem: O Furturo Nao Demora
Aesop Rock & TOBACCO: Malibu Ken
Lizzo: Cuz I Love You
DaBaby: Baby on Baby
DKV and Joe McPhee: The Fire Each Time
Elza Soares: Planeta Fome
Denzel Curry: Zuu
Saul Williams: Encrypted & Vulnerable
Young M.A.: Herstory in the Making
Ken Vandermark: Momentum 4—Consequent Duos 2015-2019
The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
Mario Pavone: Philosophy
Alcorn/McPhee/Vandermark: Invitation to a Dream
Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
Barrence Whitfield Soul Savage Arkestra: Songs from The Sun Ra Cosmos
The Coathangers: The Devil You Know
GoldLink: Diaspora
Joe McPhee and Paal Nilssen-Love: Song for the Big Chief
Megan Thee Stallion: Fever
Lee Scratch Perry: Rainford
G & D: Black Love & War
Girl Band: The Talkies
The Paranoid Style: A Goddamn Impossible Way of Life
Steve Riley & The Mamou Playboys: 30 Years Live
Sleater-Kinney: The Center Won’t Hold
JPEGMAFIA: All My Heroes Are Cornballs
Resavoir: Resavoir
Ras Kass: Soul on Ice 2
Flying Lotus: Flamagra
Angel-Ho: Death Becomes Her
JD Allen: Barracoon
Usted Saami: God is Not a Terrorist
Youssou N’Dour: History
Guitar Wolf: Love & Jett
Tinariwen: Amadjar
Cashmere Cat:Princess Catgirl
Mannequin Pussy: Patience
LPX: Junk of the Heart (EP)
Chuck Cleaver: Send Aid
Deerhunter: Death in Midsummer
Various Artists: Typical Girls Three
Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
Nots: 3
Josh Berman / Paul Lytton / Jason Roebke: Trio Correspondences
Jacob Wick & Phil Sudderberg: Combinatory Pleasures
Leyla McCalla: Capitalist Blues
Tyshawn Sorey and Marilyn Crispell: The Adornment of Time
Tropical Fuck Storm: Braindrops
Santana: Africa Speaks
Judy and The Jerks: Music for Donuts
Tyler, The Creator: IGOR
Fennesz: Agora
Salif Keita: Un autre blanc
Robert Forster: Inferno
Harriet Tubman: The Terror End of Beauty
Whit Dickey Tao Quartets: Peace Planet / Box of Light
Blacks’ Myths: Blacks’ Myths II
The Art Ensemble of Chicago: We Are On the Edge
Ibibio Sound Machine: Doko Mien
Solange: When I Get Home
James Carter Organ Trio: Live from Newport Jazz
Freddie Douggie: Live on Juneteenth
Joe McPhee / John Butcher: At the Hill of James Magee
Ahmad Jamal: Ballades
Dump Him: Dykes to Watch Out For
Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
Helado Negro: This is How You Smile
Little Brother: May the Lord Watch
Blood Orange: Angel’s Pulse
Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
slowthai: Great About Britain
Silkroad Assassins: State of Ruin
Steve Lacy: Apollo XXI
Mekons: Deserted
Que Vola: Que Vola
Kelsey Lu: Blood
Bassekou Kouyate & Ngoni Ba: Miri
Hama: Houmeissa
Steve Earle: Guy
Mdou Moctar: Blue Stage Session
Ill Considered: 5
Girls on Grass: Dirty Power
Stella Donnelly: Beware of the Dogs
Matthew Shipp Trio: Signature
Shovels & Rope: By Blood
Angel Bat Dawid: The Oracle
Spiral Stairs: We Wanna Be Hyp-No-Tized
Our Native Daughters: Songs of Our Native Daughters
Rosie Flores: A Simple Case of The Blues
Jenny Lewis: On the Line
*Technically, these are 2018 releases, but for now, I’m claiming their impact is being felt more strongly this year.
Living To Listen 