Music News from the Overeem Abode:
*Saw a warm, witty, and wise “Wussy Duo” house show here in Columbia, Missouri, at Botts Manor. All I asked was that they sing three of their several incandescent songs (“Beautiful,” “Maglite,” and “Acetylene”–I got all those plus a t-shirt) and just be as perfectly imperfect as they are at their best. We’d seen the Bottle Rockets earlier this fall at another house show, and really dug it, so keep your eyes open for such things.
*Read several terrific music books, but experiencing Beastie Boys Book for the second time when my wife downloaded its audiobook equivalent sent us both on a Beastie Boys / Run DMC / ATCQ / Biz Markie jam-out when we made about 65 tamales for Thanksgiving.
Also, Will Ashon’s Chamber Music: Wu-Tang and America (in 36 Pieces) broke my mind into 36 pieces as he took me on a deep dive into The Clan’s debut album, a plunge which features incisive commentary from a former teacher of mine (Sundiata Cha-Jua), a primer on Shaw Brothers kung-fu flicks and their specific influence on The Wu that has me drooling (many are available on Amazon “You Fucking Bastards” Prime), and several heroic attempts to reinterpret the least savory aspects of that release (torture, anyone?). One of my favorite chapters simply capsule-summarizes 36 Shaw Brothers (and related) flicks to tear-inducingly comedic effect. Wait! Isn’t Ashon a white dude? A white dude writing a 300-plus-page disquisition (even though it’s not a 33 & 1/3 publication, it’s one of the best in doing what those usually try and fail to do) on THE WU-TANG CLAN???? Yep, and he’s well aware of the thin ice, doesn’t quite fall through it, and straightforwardly acknowledges it. RECOMMENDED, actually.
*”Are you still hooked on Will ‘Dr. Evil’ Friedwald‘s pop singing criticism,” I hear you asking. Why yes I am–so glad you inquired! I’ve previously blathered about Friedwald’s The Great Jazz and Pop Vocal Albums, which I’m actually not even finished with, and this month I tipped on in to his pretty mammoth A Biographical Guide to the Great Jazz and Pop Singers, which set me on a quest to more deeply acquaint myself with the recorded works of three eccentrics: the Ellingtonian Al Hibbler, the quirky and multi-talented seductress Eartha Kitt, and the “is-he-a-POC-or-isn’t he?” (see the seldom-seen documentary of his life) Herb Jeffries. Twenty years ago, I probably would have thought aficionados of such singers were perhaps a bit uptight, when in actuality it was me who needed to get loose. That being said, I was wise enough about ten years ago to become a rabid fan of Jeffries’ twilight-time release The Bronze Buckaroo (Rides Again), and if I hadn’t become enough of a fan of Friedwald’s already, his Biographical Guide passage about this record clinched it. I’d never read anything about it that matched my passion for it, and Friedwald might as well have been taking dictation from my heart:
*Oh, and for shits and giggles and because I feel I’m blog-cheating by just listing records I like without commentary, I decided to break down my list and GRADE THEM like a real teacher should(n’t). I’m not gonna belabor this, but an A is an album I’ve played over and over in a short period of time with great pleasure, and that, as a whole, works; an A- I’ve also played several times, may feature a couple bum tracks, but will stay in my collection in physical form and ride with me in the cab of my truck; a B+ is damn good–at least 66.6% of its tracks are–but I don’t need to hold, study, and fondle it; and a B is something that is GOOD–just GOOD–but has a couple dynamite cuts on it or projects a personality I want to stay at least electronically acquainted with.
Will anyone unseat Little Simz? And didn’t I keep Tracey Thorn on the throne almost all year last year, too? Am I an Anglophile? A gynophile (izzat even a word)? Well. If something out there doesn’t get a little better soon, a dead dude’s gonna top my chart. ‘Nuff said on that.
My Album-Lover’s Honor Roll for 2019 (as of November 30, 2019)
(bolded items are new additions to the ongoing list)
(“A”s or 9.5-10/10s)
- Little Simz: Grey Area
- Purple Mountains: Purple Mountains
- Various Artists: A Day in the Life–Impressions of Pepper*
- Jamila Woods: Legacy! Legacy!
- Junius Paul: Ism
- Rapsody: Eve
- Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
- Chance The Rapper: The Big Day
- Byron Asher: Byron Asher’s Skrontch Music
- Freddie Gibbs & Madlib: Bandana
(“A-”s or 9.0-9.4999/10s)
- Royal Trux: White Stuff
- Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith: Songs from The Bardo
- Peter Perrett: Humanworld
- Yugen Blakrok: Anima Mysterium
- Mexstep: Resistir
- Mdou Moctar: Ilana (The Creator)
- Danny Brown: uknowwhutimsayin
- Pere Ubu: The Long Goodbye
- J Balvin & Bad Bunny: OASIS
- DKV and Joe McPhee: The Fire Each Time
- Lightning Bolt: Sonic Citadel
- Sheer Mag: A Distant Call
- Billy Woods & Kenny Segal: Hiding Places
- Jeffrey Lewis: Bad Wiring
- Raphael Saadiq: Jimmy Lee
- Young Thug: So Much Fun
- Kel Assouf: Black Tenere
- James Brandon Lewis: An Unruly Manifesto
- Teodross Avery: After the Rain–A Night for Coltrane
- Various Artists: Total Solidarity
- Lana Del Rey: Norman F***ing Rockwell
- Control Top: Covert Contracts
- Lizzo: Cuz I Love You
- Elza Soares: Planeta Fome
- Abdullah Ibrahim: The Balance
- Damon Locks / Black Monument Ensemble: Where Future Unfolds
- Denzel Curry: Zuu
- Dave: PSYCHODRAMA
- Moor Mother: Analog Fluids of Sonic Black Holes
- Various Artists: The Final Battle—Sly & Robbie vs. Roots Radics
- Rocket 808: Rocket 808
- 2 Chainz: Rap or Go to the League
- Joel Ross: Kingmaker
- I Jahbar: Inna Duppy SKRS Soundclash
- Lee Scratch Perry: Rainford
- Joe McPhee / John Butcher: At the Hill of James Magee
- Tyler Childers: Country Squire
- Pat Thomas, Dominic Lash, and Tony Orrell: Bleyschool
- Beyoncé: Homecoming
- Sote: Parallel Persia
(“B+”s or 8.65-89.999/10)
- The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
- The Coathangers: The Devil You Know
- FKA Twigs: MAGDALENE
- Miranda Lambert: Wild Card
- Preservation Hall Jazz Band: Tuba in Cuba
- Quelle Chris: Guns
- Heroes Are Gang Leaders: The Amiri Baraka Sessions
- DaBaby: KIRK
- Ben Lamar Gay: Confetti in the Sky Like Fireworks
- Tanya Tagaq: Toothsayer EP
- Senyawa: Sujud*
- Various Artists: Weaponize Your Sound
- Earl Sweatshirt: FEET OF CLAY
- Maxo Kream: Brandon Banks
- BaianaSystem: O Furturo Nao Demora
- Aesop Rock & TOBACCO: Malibu Ken
- DaBaby: Baby on Baby
- Megan Thee Stallion: Fever
- Sleater-Kinney: The Center Won’t Hold
- Dan Weiss Trio + 1: Utica Box
- Davido: A Good Time
- Michael Kiwanuka: Kiwanuka
- Saul Williams: Encrypted & Vulnerable
- Young M.A.: Herstory in the Making
- Ken Vandermark: Momentum 4—Consequent Duos 2015-2019
- Poncho Sanchez: Trane’s Delight
- The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
- Mario Pavone: Philosophy
- Alcorn/McPhee/Vandermark: Invitation to a Dream
- Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
- Chuck Cleaver: Send Aid
- Rachid Taha: Je Suis Africain
- Barrence Whitfield Soul Savage Arkestra: Songs from The Sun Ra Cosmos
- The Sensational Barnes Brothers: Nobody’s Fault But Mine
- GoldLink: Diaspora
- Harriet Tubman: The Terror End of Beauty
- Usted Saami: God is Not a Terrorist
- Mantana Roberts: COIN COIN Chapter Four—Memphis
- Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
- black midi: Schlagenheim
- Nots: 3
- Guitar Wolf: Love & Jett
- Robert Forster: Inferno
- Aziza Brahim: Sahari
- Jacob Wick & Phil Sudderberg: Combinatory Pleasures
- The Paranoid Style: A Goddamn Impossible Way of Life
- Boris: Love & Evol
- Ingrid Laubrock & Aki Takase: Kasumi
- LPX: Junk of the Heart (EP)
- Helado Negro: This is How You Smile
(“B”s or 8.3-8.64999)
- Joe McPhee and Paal Nilssen-Love: Song for the Big Chief
- G & D: Black Love & War
- Girl Band: The Talkies
- Steve Riley & The Mamou Playboys: 30 Years Live
- Gilberto Gil: OK OK OK
- JPEGMAFIA: All My Heroes Are Cornballs
- Resavoir: Resavoir
- Jaimie Branch: Fly or Die II—Bird of Paradise
- Ras Kass: Soul on Ice 2
- Flying Lotus: Flamagra
- Angel-Ho: Death Becomes Her
- JD Allen: Barracoon
- Big Thief: Two Hands
- Various Artists: Queen & Slim—The Soundtrack
- Tinariwen: Amadjar
- Various Artists: Typical Girls Three
- Leyla McCalla: Capitalist Blues
- Tyshawn Sorey and Marilyn Crispell: The Adornment of Time
- Tropical Fuck Storm: Braindrops
- Santana: Africa Speaks
- Judy and The Jerks: Music for Donuts
- Tyler, The Creator: IGOR
- Whit Dickey Tao Quartets: Peace Planet / Box of Light
- Blacks’ Myths: Blacks’ Myths II
- The Art Ensemble of Chicago: We Are On the Edge
- Ibibio Sound Machine: Doko Mien
- Solange: When I Get Home
- Freddie Douggie: Live on Juneteenth
- Ranky Tanky: Good Time
- Ahmad Jamal: Ballades
- Dump Him: Dykes to Watch Out For
- Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
- Little Brother: May the Lord Watch
- Blood Orange: Angel’s Pulse
- Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
- Doja Cat: Hot Pink
- Kelsey Lu: Blood
- Bassekou Kouyate & Ngoni Ba: Miri
- Hama: Houmeissa
- Ill Considered: 5
- Girls on Grass: Dirty Power
- Stella Donnelly: Beware of the Dogs
- Matthew Shipp Trio: Signature
- Shovels & Rope: By Blood
- Angel Bat Dawid: The Oracle
- Spiral Stairs: We Wanna Be Hyp-No-Tized
- Our Native Daughters: Songs of Our Native Daughters
- Rosie Flores: A Simple Case of The Blues
- Mekons : Deserted
- James Carter Organ Trio: Live from Newport Jazz
*Technically, these are 2018 releases, but for now, I’m claiming their impact is being felt more strongly this year.
New Releases of Older Material
(“A”s or 9.5-10/10s)
- Peter Laughner: Peter Laughner
- Eric Dolphy: Musical Prophet
- Burnt Sugar: 20th Anniversary Mixtapes—Groiddest Schizznits, Vols. 1-3
- Creedence Clearwater Revival: Live at Woodstock
- The Royals: Gish Abbai
- Various Artists: Send I A Lion–A Nighthawk Reggae Joint
- Jessie Mae Hemphill: Run Get My Shotgun
- Merle Haggard & The Strangers: Live in Austin, ‘78
- Various Artists: Put The Whole Armour On—Female Black Gospel 1940s and 1950s
- Various Artists: No Other Love—Midwest Gospel (1965-1978)
(“A-”s or 9.0-9.4999/10s)
- Tribe: Hometown–Detroit Sessions 1990-2014
- Various Artists: Bulawayo Blue Yodel
- Horace Tapscott and the Pan Afrikan Orchestra: Why Don’t You Listen–Live at Lacma, 1998
- Various Artists: Outro Tempo II–Electronic and Contemporary Music from Brazil 1984-1996
- Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks
- Gregory Isaacs / Ossie All-Stars: Mr. Isaacs
- Various Artists: Jambu
- Erroll Garner: Closeup in Swing
- John Coltrane: Blue World
- James Booker: Live at Onkel PO’s, Carnegie Hall, Hamburg 1976
- Cornell Campbell: I Man a the Stall-A-Watt
(“B+”s or 8.65-89.999/10)
- Various Artists: WXAXRXP Sessions
- Screaming Females: Singles Too
- Various Artists: World Spirituality Classics 2—The Time for Peace is Now
- Tubby Hayes: Grits, Beans and Greens—The Lost Fontana Studio Sessions 1969
- Star Band de Dakar: Psicodelia Afro-Cubana de Senegal
- Big Stick: Some of the Best of Big Stick
- Various Artists: Blues Images Calendar Companion, Volume 17
- Primal Scream: Maximum Rock ‘n’ Roll—The Singles
- Masayuki Takayanagi New Directions Unit: April is the Cruellest Month
- Various Artists: Rhapsody in Bronze
- Various Artists: Fania Goes Psychedelic
- Stan Getz: Getz at the Gate
- Sir Shina Peters and His Internation Stars: Sewele
- Sounds of Liberation: Sounds of Liberation
- Prince: Originals
- Various Artists: Nigeria 70–No Wahala, Highlife, Afro-Funk & Juju 1973-1987
- Lee Moses: How Much Longer Must I Wait? Singles & Rarities 1965-1972
(“B”s or 8.3-8.64999)
- John Carter & Bobby Bradford Quartet: No U-Turn
- Various Artists: Siya Hamba! 1950’s South African Country and Small Town Sounds
- Johnny Shines: The Blues Came Falling Down–Live 1973
- Terry Allen & The Panhandle Mystery Band: Pedal Steal + Four Corners
- Neil Young & The Stray Gators: Tuscaloosa
- The Replacements: Dead Man’s Pop
- Scientists: Not for Sale (Live, 1978-1979)
- Abdallah Oumbadougou: Anou Malane
- George Jones: United Artists Rarities