It has been a stressful month for me. I’ve been in the process of caring for my mom, who lives 227 miles away and whose health issues have resulted in her needing 24-7 attention, while trying to do my three part-time jobs competently (one of them is teaching a class called “Groundbreaking Women in U. S. Music: A History in 150 Albums”–I hope one day to tell you how it’s gone), one of which will not allow me to work virtually. Beyond that class, music’s definitely taken a back seat. I have a hard time being with Mom and having headphones in; it seems rude, even though she doesn’t need me every second, or minute, or hour necessarily. When I’m on the road, I’ve been NEEDING older stuff that I know can deliver succor and strength immediately. Also, I’ve been working on an unfamiliar computer, so it’s slowed me down. But, enough. Here’s what I’ve got. New additions to the list, as always, are bolded. Truly, nothing new really bedazzled me this month–except Rosalia. And ensemble 0. And…
75 Dollar Bill: Social Music at Troost, Volume 3–Other People’s Music (Black Editions Group) Rosalia: MOTOMAMI(Columbia) Tanya Tagaq: Tongues (Six Shooter) Superchunk: Wild Loneliness (Merge) Gonora Sounds: Hard Times Never Kill (The Vital Record) Amber Mark: Three Dimensions Deep (PMR / Interscope) Javon Jackson & Nikki Giovanni: The Gospel According to Nikki Giovanni (Solid Jackson) Etran de L’Air: Agadez (Sahel Sounds) Morgan Wade: Reckless (Deluxe) (Ladylike) Lady Wray: Piece of Me (Big Crown) Mark Lomax II: Prismatic Refractions, Volume I (self-released) Anna von Hausswoolff: Live at Montreaux Jazz Festival (Southern Lord) Various Artists: Lespri Ka—New Directions in Gwoka Music from Guadeloupe (Time Capsule Sounds) ensemble 0: Music Nuvulosa(Sub Rosa) Joy Guidry: Radical Acceptance (Whited Supulchre) Spoon: Lucifer on the Sofa (Headz/Matador) OGJB: Ode to O (TUM) (Note: Band name – O = Oliver Lake, G = Graham Haynes, J = Joe Fonda, B = Barry Altschul / Title – O = Ornette) Andrew Cyrille, William Parker, and Enrico Rava: Two Blues for Cecil (TUM) Luke Stewart’s Silt Trio: The Bottom (Cuneiform) Priscilla Block: Welcome to the Block Party (Nercury Nashville/InDent) Charlotte Adigery & Bolis Pupul: Topical Dancer (DeeWee) Immanuel Wilkins: The 7th Hand (Blue Note) Earl Sweatshirt: Sick! (Tan Cressida / Warner) Big Thief: Dragon New Warm Mountain I Believe in You (4AD) Charli XCX: Crash(Atlantic) Fulu Miziki: Ngbaka (EP) (Moshi Moshi) Nilufer Yanya: Painless (ATO) Black Country, New Roads: Ants from Up There (Ninja Tune) Hurray for The Riff Raff: Life on Earth (Nonesuch) Rokia Koné and Jacknife Lee: Bamanan (Real World) Marta Sanchez: SAAM (Spanish American Art Museum) (Whirlwind) Tomas Fujiwara: Triple Double (Firehouse) Earthgang: Ghetto Gods (Dreamville/Interscope) Junglepussy: jp5000 (EP) (self-released) Kahil El’Zabar Quartet: A Time for Healing (Spiritmuse) Pete Malinverni: On the Town—Pete Malinverni Plays Leonard Bernstein (Planet Arts) Chief Keef: 4Nem (Glo Gang / RBC) The Weeknd: Dawn FM (XO / Republic) Space Afrika: Honest Labour (Dais) Natsuki Tamura: Summer Tree (Libra)
Archival Digs: Cecil Taylor: The Complete Legendary Live Return Concert at the Town Hall (Oblivion) Albert Ayler: La Cave Live 1966 (Ezz-Thetics) Neil Young: Carnegie Hall 1970 (Reprise) Various Artists: Summer of Soul (Legacy) Lavender Country: Blackberry Rose and Other Songs & Sorrows (Don Giovanni) Son House: Forever on My Mind (Easy Eye Sound Hermeto Pascoal: Planetário da Gávea (Far Out) Hermeto Pascoal: Hermeto
Plenty of cool new sounds to explore! I had to replace a few platters that just hadn’t stuck to my ears’ ribs and whittle off a few more waning wekkids to leave it at a HOT 100. Also, it finally occurred to me that the list’s expanded enough to break off the new releases of old stuff into their own list (see below). Buy some of this music instead of just streaming it, ok?
100FRESH FOR 2021
BOLDED ITEMS are new to the list. #s indicate archival music.
All I have to say is the size of my list of 2021 go-to albums just increased by 30%, no surprise, as the gears of normal creativity and associated production are grinding into motion. That, and the two new albums created by African artists that stormed my top five are crackling with six-string (and vocal) intensity.
Bolded items are new to the list; items followed by a # are reissues or archival digs; all items are linked to pages of interest or usefulness.
Maybe the fact that this year’s class of nice new albums has kinda oozed out like molasses is due the frustrations, chaos, depression, struggle, and occasional collapses of 2021’s second half. I dunno. Below are the platters I’ve quite enjoyed, but in order for it to even look like a two-month list I’ve incorporated archival digs (one of which is–all seven great discs of it–at the top of the heap), which I usually separate out. I’ve finally gotten smart and added hyperlinks to additional album information as I go (rather than regretting that I hadn’t later), and I’ve switched my album cover slideshow to a cumulative one. If these stunning achievements seem a bit meager to you, hey–I’m old.
Notes:
Both those box sets are well worth the time one needs to spend: #1, unreleased examples of the stunning, versatile genius of Black Arts Group veteran composer / player / arranger Hemphill, #2, the luscious fruit of a lifetime of plumbing and glorying in the depths of American song by Stampfel.
Two classical works? Yes, two classical works. It’s not that I’m desperate; it just so happens that new interpretations of justly famous works of my favorite traditional classical composer (Messiaen) and my favorite experimental classical performer (Eastman) have showed up together.
Strut Records’ ongoing resuscitation of the Black Fire label’s catalog continues to excite, enlighten, and inspire me–plus it nicely dovetails with the moment.
Lots of movement on and additions to my updated list. 100104106 107 total good new releases is pretty good for four months in; I’ve heard it said that, other than Fiona Apple’s offering (seeming to excite everyone, including this previous tire-kicker), no one’s dropped a classic yet. I’d add Makaya McCraven’s GSH interp to that, goldarn Kesha continues to be a shot in this malaise’s arm, Lewis and Taylor wail on their new live duet, the inspired Irish folk-punk Jinx Lennon has given me more than I can quickly absorb (but it’s raised a little chicken skin during two listens), Lido Pimienta’s pop-folk schizo-concept album has come up the chart like gangbusters, X’s comeback is slowly growing on me, and HOLY SMOKE Anna Hogberg Attack’s lena is a huge leap forward from a predecessor that was superb–in a word, time (and there’s plenty of it) has a way of conveying power onto a work of art, so we’ll wait and see.
2020 (January 1 – April 30): A Bad Time for Most Anything But Music, Part 5
Note: Bolded items are new to the ongoing 2020 list.
Fiona Apple: Fetch the Bolt Cutters
Gil Scott-Heron and Makaya McCraven: We’re New Again–A Reimagining
Kesha: High Road
Princess Nokia: Everything is Beautiful
Various Artists: New Improvised Music from Buenos Aires
Body Count: Carnivore
Anna Hogberg Attack: lena
Irreversible Entanglements: Who Sent You
The Good Ones: RWANDA, you should be loved (it’s late ‘19, actually)
Cornershop: England is a Garden
The Third Mind: The Third Mind
Shabaka and The Ancestors: We Are Sent Here By History
Mark Lomax II: The 400 Years Suite
Princess Nokia: Everything Sucks
Lido Pimienta:Miss Colombia
Danny Barnes: Man on Fire
James Brandon Lewis and Chad Taylor: Live in Willisau
Jeff Parker: Suite for Max Brown
Mdou Moctar: Mdou Moctar Mixtape, Volume 1
Grimes: Miss Anthropocene
Jinx Lennon: Border Schizo Fffolk Songs for the F****d
Gard Nilssen’s Supersonic Orchestra: If You Listen Carefully, The Music is Yours
Chicago Underground: Good Days
K Michelle: All Monsters are Human
Fat Tony and Taydex: Wake Up
The Howling Hex: Knuckleball Express
Mr. Wrong: Create a Place
Bad Bunny: YHLQMDLG
U. S. Girls: Heavy Light
The Necks: Three
Dua Lipa: Future Nostalgia
Rod Wave: Pray 4 Love
Serengeti & Kenny Segal: AJAI
Azu Tiwaline: Draw Me a Silence, Pts. 1 & 2
Sunflowers: Endless Voyage
McPhee, Rempis, Reid, Lopez, and Nilssen-Love: Of Things Beyond Thule, Volume 2
KeiyaA: Forever, Ya Girl
Moses Sumney: grae
X: Alphabetland
Swamp Dogg: Sorry You Couldn’t Make It
Tyler Keith: The Last Drag
Ndudozo Makhathini: Modes of Communication—Letters from the Underworlds
Constantinople & Ablaye Cissoko: Traversees
Mythic Sunshine: Changing Shapes–Live at Roadburn
STRFKR: Future Past Life
Yves Tumor: Heaven to a Tortured Mind
Denzel Curry & Kenny Beats: UNLOCKED
GuiltyBeatz: Different (EP)
Alkibar Junior: Music from Saharan WhatsApp, Volume 4 (EP)
Kefaya + Elaha Soroor: Songs of Our Mothers
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual
Sunwatchers: Oh Yeah?
Shopping: All for Nothing
Katie Shorr: Open Book
The Neptune Power Federation: Memoirs of a Rat Queen
Chubby & The Gang: Speed Kills
Rina Sayawama: SAYAWAMA
Darragh Morgan and John Tilbury: For John Cage (composer: Morton Feldman)
Westside Gunn: Pray for Paris
Onipa: We No Be Machine
Waxahatchie: Saint Cloud
Snotty Nose Rez Kids: Born Deadly (EP)
Evan Parker and Paul Lytton: collective calls (revisited) (jubilee)
Fire! Orchestra: Actions for Free Jazz Orchestra
Majid Bekkas:Magic Spirit Quartet
Jan St. Werner and Mark E. Smith: Molocular Mediation
Lyra Pramuk: Fountain
Shabazz Palaces: The Don of Diamonds
John Anderson: Years
Natural Child: California Hotel
Megan Thee Stallion: Suga
Childish Gambino: 3.15.20
Ohad Talmor Newsreel:Long Forms
Etran de L’Air: Music from Saharan WhatsApp, Volume 1 (EP)
MONO: Before The Past
Tamikrest: Tamotait
Luís Lopes Humanization 4Tet: Believe, believe
Colin Stetson: Color Out of Space (Original Motion Picture Soundtrack)
Tomeka Reid and Alexander Hawkins: Shards and Constellations
Lakecia Benjamin: Pursuance—The Coltranes
Wayne Phoenix: Soaring Wayne Phoenix Story The Earth
Moses Boyd: Dark Matter
Thundercat: It is What it Is
Kassa Overall: I Think I’m Good
Oumou Diabate et Kara Show Koumba Frifri: Music from Saharan WhatsApp, Volume 2 (EP)
Dogleg: Mellee
Pink Siifu & yungmorpheus: Bag Talk
Jays Electronica and -Z: A Written Testimony
Meredith Monk:Memory Game
Luke Combs: What You See Is What You Get
Jeich Ould Badou: Music from Saharan WhatsApp 03
Pink Siifu:NEGRO
Moor Mother: CLEPSYDRA
REISSUES AND PAST RECORDINGS NEWLY BROUGHT TO LIGHT
Ranil: Stay Safe and Sound!
Lee Scratch Perry with Seskain Molenga and Kalo Kawongolo: Roots from the Congo (reissue)
Milton Nascimento: Maria Maria (reissue)
Jon Hassell: Vernal Equinox (reissue)
Fela Kuti: Perambulator
Various Artists: Stone Crush—Memphis Modern Soul 1977-1987
Observer All Stars & King Tubby: Dubbing with the Observer (reissue)
Bryan Ferry: Live at the Royal Albert Hall, 1974
Pharoah Sanders: Live in Paris 1975
Nina Simone: Fodder on My Wings
Yabby You & The Aggrovators: King Tubby’s Prophecies of Dub (reissue)
185 really good-to-really great albums of new music. 60 laudable issuings of music recorded in another time. That, my friends, is an embarrassment of riches. Now: if that will rub off on general citizenship, good cheer, charming self-effacement, and energized civic action, we’ll be cooking with gas here.
My Album-Lover’s Honor Roll for 2019 – The Final Unscrolling
(bolded items are new additions to the list)
The Straight and Bent A’s:
Little Simz: Grey Area
Purple Mountains: Purple Mountains
Jamila Woods: Legacy! Legacy!
Junius Paul: Ism
Rapsody: Eve
Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
Chance The Rapper: The Big Day
Byron Asher: Byron Asher’s Skrontch Music
Freddie Gibbs & Madlib: Bandana
Snotty Nose Rez Kids: Trapline
Royal Trux: White Stuff
Ezra Furman: Twelve Nudes
Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith: Songs from The Bardo
Peter Perrett: Humanworld
Yugen Blakrok: Anima Mysterium
Mexstep: Resistir
Mdou Moctar: Ilana (The Creator)
Danny Brown: uknowwhutimsayin
Tomeka Reid Quartet: Old New
J Balvin & Bad Bunny: OASIS
DKV and Joe McPhee: The Fire Each Time
Lightning Bolt: Sonic Citadel
Tanya Tucker: While I’m Livin’
Billy Woods & Kenny Segal: Hiding Places
EARTHGANG: Mirrorland
The Tragically Flawed A- Team:
75 Dollar Bill: I Was Real
Sheer Mag: A Distant Call
Dumb: Club Nites
Jeffrey Lewis: Bad Wiring
Raphael Saadiq: Jimmy Lee
Young Thug: So Much Fun
Kel Assouf: Black Tenere
James Brandon Lewis: An Unruly Manifesto
Gard Nilssen Acoustic Unity: To Whom Who Buys A Record
Teodross Avery: After the Rain–A Night for Coltrane
Various Artists: Total Solidarity
Lana Del Rey: Norman F***ing Rockwell
Zonal (featuring Moor Mother): Wrecked
Control Top: Covert Contracts
Lizzo: Cuz I Love You
Ifriqiyya Electrique: Laylet El Boore
Elza Soares: Planeta Fome
Abdullah Ibrahim: The Balance
Damon Locks / Black Monument Ensemble: Where Future Unfolds
Andres: Andres IV
Denzel Curry: Zuu
Pere Ubu: The Long Goodbye
Rod Wave: Ghetto Gospel
Eddy Current Suppression Ring: All in Good Time
Dave: PSYCHODRAMA
Moor Mother: Analog Fluids of Sonic Black Holes
Various Artists: The Final Battle—Sly & Robbie vs. Roots Radics
Rocket 808: Rocket 808
2 Chainz: Rap or Go to the League
Planchettes: The Truth
Joel Ross: Kingmaker
JME: Grime MC
I Jahbar: Inna Duppy SKRS Soundclash
Lee Scratch Perry: Rainford
Bill Orcutt: Odds Against Tomorrow
Joe McPhee / John Butcher: At the Hill of James Magee
Tyler Childers: Country Squire
Pat Thomas, Dominic Lash, and Tony Orrell: Bleyschool
Beyoncé: Homecoming
Sote: Parallel Persia
Jaimie Branch: Fly or Die II—Bird of Paradise
SEED ENSEMBLE: Driftglass
Arto Lindsay, Ken Vandermark, Joe McPhee, Phil Sudderberg: Largest Afternoon
The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
Blacks’ Myths: Blacks’ Myths II
The No-Disgrace B+ Ticklers:
The Coathangers: The Devil You Know
Sudan Archives: Athena
San Cha: La Luz de la Esperanza
GRLwood: I Sold My Soul to the Devil When I Was 12
P. P. Arnold: The New Adventures of P. P. Arnold
Yazz Ahmed: Polyhymnia
FKA Twigs: MAGDALENE
Miranda Lambert: Wild Card
Aquarian Blood: A Love That Leads to War
Preservation Hall Jazz Band: Tuba in Cuba
Quelle Chris: Guns
Heroes Are Gang Leaders: The Amiri Baraka Sessions
DaBaby: KIRK
Ben Lamar Gay: Confetti in the Sky Like Fireworks
Tanya Tagaq: Toothsayer EP
Bobby Watson, Vincent Herring, and Gary Bartz: Bird at 100
Ghostface Killah: Ghostface Killahs
Various Artists: Weaponize Your Sound
Earl Sweatshirt: FEET OF CLAY
Maxo Kream: Brandon Banks
BaianaSystem: O Furturo Nao Demora
Aesop Rock & TOBACCO: Malibu Ken
DaBaby: Baby on Baby
Megan Thee Stallion: Fever
Sleater-Kinney: The Center Won’t Hold
Dan Weiss Trio + 1: Utica Box
Davido: A Good Time
Michael Kiwanuka: Kiwanuka
Saul Williams: Encrypted & Vulnerable
Young M.A.: Herstory in the Making
Ken Vandermark: Momentum 4—Consequent Duos 2015-2019
Poncho Sanchez: Trane’s Delight
Gang Starr: One of the Best Yet
The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
Mario Pavone: Philosophy
Alcorn/McPhee/Vandermark: Invitation to a Dream
Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
Chuck Cleaver: Send Aid
Rachid Taha: Je Suis Africain
Barrence Whitfield Soul Savage Arkestra: Songs from The Sun Ra Cosmos
The Sensational Barnes Brothers: Nobody’s Fault But Mine
GoldLink: Diaspora
Harriet Tubman: The Terror End of Beauty
Usted Saami: God is Not a Terrorist
Mantana Roberts: COIN COIN Chapter Four—Memphis
Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
black midi: Schlagenheim
Nots: 3
Guitar Wolf: Love & Jett
Robert Forster: Inferno
Aziza Brahim: Sahari
Jacob Wick & Phil Sudderberg: Combinatory Pleasures
Ingrid Laubrock & Aki Takase: Kasumi
LPX: Junk of the Heart (EP)
Helado Negro: This is How You Smile
Joe McPhee and Paal Nilssen-Love: Song for the Big Chief
G & D: Black Love & War
Boris: Love & Evol
Girl Band: The Talkies
Steve Riley & The Mamou Playboys: 30 Years Live
Kris Davis: Diatom Ribbons
Gilberto Gil: OK OK OK
JPEGMAFIA: All My Heroes Are Cornballs
Ras Kass: Soul on Ice 2
Flying Lotus: Flamagra
Hey! A “B” is a Decent Grade!:
Angel-Ho: Death Becomes Her
The Paranoid Style: A Goddamn Impossible Way of Life
Bobby Rush: Sitting On Top of the Blues
JD Allen: Barracoon
Big Thief: Two Hands
Kele Okereke: 2042
Various Artists: Queen & Slim—The Soundtrack
Tinariwen: Amadjar
Various Artists: Typical Girls Three
Leyla McCalla: Capitalist Blues
Tyshawn Sorey and Marilyn Crispell: The Adornment of Time
Tropical Fuck Storm: Braindrops
Santana: Africa Speaks
Judy and The Jerks: Music for Donuts
Tyler, The Creator: IGOR
Rodney Whitaker: All Too Soon—The Music of Duke Ellington
Sault: 5
Whit Dickey Tao Quartets: Peace Planet / Box of Light
The Art Ensemble of Chicago: We Are On the Edge
Nick Dunston: Atlantic Extraction
Ibibio Sound Machine: Doko Mien
Warren Storm: Taking the World by Storm
Solange: When I Get Home
Freddie Douggie: Live on Juneteenth
Ranky Tanky: Good Time
Ahmad Jamal: Ballades
Dump Him: Dykes to Watch Out For
Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
Little Brother: May the Lord Watch
Blood Orange: Angel’s Pulse
Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
Doja Cat: Hot Pink
Kelsey Lu: Blood
Dopolarians: Garden Party
Bassekou Kouyate & Ngoni Ba: Miri
Hama: Houmeissa
Ill Considered: 5
Girls on Grass: Dirty Power
Stella Donnelly: Beware of the Dogs
Matthew Shipp Trio: Signature
Shovels & Rope: By Blood
Angel Bat Dawid: The Oracle
Spiral Stairs: We Wanna Be Hyp-No-Tized
Our Native Daughters: Songs of Our Native Daughters
This has been a pretty great year for music tomes. Simply at present, three are battling for my attention and holding it why they get it: John Doe, Tom DeSavia, and friends’ sequel to the LA punk kinda-oral-history Under the Big Black Sun, titled More Fun in the New World: The Unmaking and Legacy [key subtitular words] of LA Punk; Vivien Goldman’s Revenge of the She-Punks: A Feminist Music History from Poly Styrene to Pussy Riot [oh, those subtitles!], which is passing my first rule of excellent music books by costing me money in buying CDs (yes, I know I could download or stream, but fuck it); and Will Ashon’s inventive and surprising Chamber Music: Wu-Tang and America 9in 36 Pieces, which keeps Jeff Chang’s streak alive of never blurbing a bad book. In the recent past, I’ve devoured Hannah Ewens‘ groundbreaking FANGIRLS, due out in the States next year and possibly landing in my freshman comp/pop music womens’ college class as an assigned text next semester (Ewens’ book passed my second rule of excellent books in that it forced me to read another book, in this case Sady Doyle’s Trainwreck, which in turn led me to the aforementioned Goldman book), and luxuriated in Celeste Bell and Zoe Howe’s Day Glo! The Poly Styrene Story, an oral history of the life, times, vision, and work of Ms. Bell’s influential punk mom. Again, that’s just the last three weeks or so. Get your ass to the library.
Speaking of books, Will Friedwald’s The Great Jazz & Pop Vocal Albums is finally letting go its grip on me. However, thinking about the eccentricity of some of his choices, I began to wonder why the distinctive Al Hibbler, a fellow Missouri native (from the metropolis of Tyro!) and maker of terrific albums with the likes of both Ellington and Kirk, didn’t make the cut. Hibbler had a resonant, rich-coffee voice as well as quirky, almost-Cockney articulation on some words (such his pronunciation of “I” as “Oy”). The resulting weird sound matched perfectly with those produced by Rahsaan, as can be sampled on their splendid A Meeting of the Times, on the short list of the best albums ever made by two blind men teaming up:
I’ve played that album many times, but lately I moved on to Hibbler’s two Classics label entries (featuring much of his work with Duke) as well as his romantic, passionately sung, but little-heard mid-Fifties releases (most of them piquantly-titled, such as Torchy & Blue and Al Hibbler Sings the Blues Monday Every Day).
Black Sabbath is really good peace-making music. My wife and I were having a mild dispute Saturday evening as she attempted to prepare some pulled pork sandwiches and I tried to convince her I was correct about several non-pork-related points. It had been her turn for stereo control about a half-hour prior to this discussion, and she asked for some Sabbaf. I pulled the two-CD compendium Symptom of the Universe, loaded, and cranked it up, and headed back into the kitchen. Did you know it is fairly impossible to keep a straight face while arguing about anything with a Black Sabbath song as a backdrop? “God knows as your dog nose,bog blast all of you / Sabbath, bloody sabbath, nothing more to do / Living just for dying, dying just for you, yeah”?” Well, OK, then! (I can’t resist sharing the below, which is kind of how I feel about this set):
I have to put in a strong word for New Orleans’ Sinking City Records and its new release, Byron Asher’s Skrontch Music. This label’s put out precious few records, and it doesn’t knock itself out in getting them distributed, but they are always very interesting and usually really damn good on top of that (try their 79rs Gang or Michot’s Melody Makers or Stooges Brass Band records–or their reissues of Ricky B and Danny Barker singles). Take it from me; I think I’ve bought them all, and I never wait for a review or stream samples to cut my losses. Asher’s only-in-NOLA experiment, which–and this doesn’t capture it–reaches both forwards and backwards through Crescent City music history and features some very bracing ghost appearances, is likely to inch into my Top 10 by the end of next month. Think about giving it a shot. Also, SCR’s pretty much vinyl-only, and I like that.
Many of my friends consider me at least somewhat of a music expert, but I regularly demonstrate I couldn’t possibly be. Just f’rinstance: last week, I screened Asif Kapadia’s harrowing documentary Amy for my Stephens College students. They’d been working on writing reviews, we’d Zoomed in some very excellent thinkers and writers to give advice, and they’d sampled several divergent models. For our final piece in the unit, I thought the film (which is more than a little complicated, and that’s a compliment) would make excellent substance for our final Socratic seminar. I’d seen it thrice before, still wasn’t sure it didn’t exploit what it seemed to want to criticize, and–most important to this blather–found myself still pretty resistant to Winehouse’s wiles. Something about her delivery (even after she’d really perfected it) seemed affected to me, without Dap Band bolstering I questioned whether her work would stand up as straight and strong, and I didn’t trust the throwback bouffant, which played to my taste (I love me some girl groups, as well as some bad girls). While watching the film two more times (I have two classes), performance clips of “You Know I’m No Good” and “Love is a Losing Game” finally perforated my shell of ignorance, and I spent a good chunk of the weekend listening to Back to Black. You know what? That sucker is a classic! Eureka–it only took me a decade to figure that out. The thing is, pop music’s so deep and rich that, even if you’re an occasional lunkhead in perceiving it (like me), at least (we hope) you’ll catch up to it later when you need something durable, powerful, and wonderful.
My Album-Lover’s Honor Roll for 2019 (as of November 3, 2019)
(bolded items are new additions to the ongoing list)
Little Simz: Grey Area
Various Artists: A Day in the Life–Impressions of Pepper*
Jamila Woods: Legacy! Legacy!
Peter Perrett: Humanworld
Rapsody: Eve
Mexstep: Resistir
Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith: Songs from The Bardo
Chance The Rapper: The Big Day
Freddie Gibbs & Madlib: Bandana
Royal Trux: White Stuff
Yugen Blakrok: Anima Mysterium
Mdou Moctar: Ilana (The Creator)
Purple Mountains: Purple Mountains
Danny Brown: uknowwhutimsayin
Pere Ubu: The Long Goodbye
J Balvin & Bad Bunny: OASIS
Lightning Bolt: Sonic Citadel
Sheer Mag: A Distant Call
Billy Woods & Kenny Segal: Hiding Places
Damon Locks / Black Monument Ensemble: Where Future Unfolds
Jeffrey Lewis: Bad Wiring
Raphael Saadiq: Jimmy Lee
Byron Asher: Byron Asher’s Skrontch Music
Young Thug: So Much Fun
Kel Assouf: Black Tenere
James Brandon Lewis: An Unruly Manifesto
Teodross Avery: After the Rain–A Night for Coltrane
Various Artists: Total Solidarity
Lana Del Rey: Norman F***ing Rockwell
Control Top: Covert Contracts
Miranda Lambert: Wildcard
Beyoncé: Homecoming
The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
2 Chainz: Rap or Go to the League
Joel Ross: Kingmaker
Tyler Childers: Country Squire
Preservation Hall Jazz Band: Tuba in Cuba
Sote: Parallel Persia
I Jahbar: Inna Duppy SKRS Soundclash
Quelle Chris: Guns
Heroes Are Gang Leaders: The Amiri Baraka Sessions
DaBaby: KIRK
Ben Lamar Gay: Confetti in the Sky Like Fireworks
Tanya Tagaq: Toothsayer EP
Abdullah Ibrahim: The Balance
Senyawa: Sujud*
Dave: PSYCHODRAMA
Rocket 808: Rocket 808
Various Artists: Weaponize Your Sound
Maxo Kream: Brandon Banks
BaianaSystem: O Furturo Nao Demora
Aesop Rock & TOBACCO: Malibu Ken
Lizzo: Cuz I Love You
DaBaby: Baby on Baby
DKV and Joe McPhee: The Fire Each Time
Elza Soares: Planeta Fome
Denzel Curry: Zuu
Michael Kiwanuka: Kiwanuka
Saul Williams: Encrypted & Vulnerable
Young M.A.: Herstory in the Making
Ken Vandermark: Momentum 4—Consequent Duos 2015-2019
The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
Mario Pavone: Philosophy
Alcorn/McPhee/Vandermark: Invitation to a Dream
Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
Rachid Taha: Je Suis Africain
Barrence Whitfield Soul Savage Arkestra: Songs from The Sun Ra Cosmos
The Coathangers: The Devil You Know
GoldLink: Diaspora
Joe McPhee and Paal Nilssen-Love: Song for the Big Chief
Megan Thee Stallion: Fever
Lee Scratch Perry: Rainford
G & D: Black Love & War
Girl Band: The Talkies
The Paranoid Style: A Goddamn Impossible Way of Life
Steve Riley & The Mamou Playboys: 30 Years Live
Sleater-Kinney: The Center Won’t Hold
Gilberto Gil: OK OK OK
JPEGMAFIA: All My Heroes Are Cornballs
Resavoir: Resavoir
Jaimie Branch: Fly or Die II—Bird of Paradise
Ras Kass: Soul on Ice 2
Flying Lotus: Flamagra
Angel-Ho: Death Becomes Her
JD Allen: Barracoon
Big Thief: Two Hands
Usted Saami: God is Not a Terrorist
Mantana Roberts: COIN COIN Chapter Four–Memphis
Youssou N’Dour: History
Guitar Wolf: Love & Jett
Tinariwen: Amadjar
Cashmere Cat: Princess Catgirl
Mannequin Pussy: Patience
LPX: Junk of the Heart (EP)
Chuck Cleaver: Send Aid
Terry Riley and Kronos Quartet: Sun Rings
Boris:Love & Evol
Deerhunter: Death in Midsummer
Various Artists: Typical Girls Three
Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
black midi: Schlagenheim
Nots: 3
Josh Berman / Paul Lytton / Jason Roebke: Trio Correspondences
Jacob Wick & Phil Sudderberg: Combinatory Pleasures
Leyla McCalla: Capitalist Blues
Tyshawn Sorey and Marilyn Crispell: The Adornment of Time
Tropical Fuck Storm: Braindrops
Santana: Africa Speaks
Judy and The Jerks: Music for Donuts
Tyler, The Creator: IGOR
Fennesz: Agora
Salif Keita: Un autre blanc
Robert Forster: Inferno
Harriet Tubman: The Terror End of Beauty
Whit Dickey Tao Quartets: Peace Planet / Box of Light
Blacks’ Myths: Blacks’ Myths II
The Art Ensemble of Chicago: We Are On the Edge
Ibibio Sound Machine: Doko Mien
Solange: When I Get Home
James Carter Organ Trio: Live from Newport Jazz
Freddie Douggie: Live on Juneteenth
Joe McPhee / John Butcher: At the Hill of James Magee
Ahmad Jamal: Ballades
Dump Him: Dykes to Watch Out For
Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
Helado Negro: This is How You Smile
Little Brother: May the Lord Watch
Blood Orange: Angel’s Pulse
Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
slowthai: Great About Britain
Silkroad Assassins: State of Ruin
Steve Lacy: Apollo XXI
Mekons: Deserted
Que Vola: Que Vola
Kelsey Lu: Blood
Bassekou Kouyate & Ngoni Ba: Miri
Hama: Houmeissa
Steve Earle: Guy
Mdou Moctar: Blue Stage Session
Ill Considered: 5
Girls on Grass: Dirty Power
Stella Donnelly: Beware of the Dogs
Matthew Shipp Trio: Signature
Shovels & Rope: By Blood
Angel Bat Dawid: The Oracle
Spiral Stairs: We Wanna Be Hyp-No-Tized
Our Native Daughters: Songs of Our Native Daughters
Rosie Flores: A Simple Case of The Blues
Jenny Lewis: On the Line
*Technically, these are 2018 releases, but for now, I’m claiming their impact is being felt more strongly this year.
I think I’m back to thinking this is a bit of a weak year. Or maybe I’m just saying that to see 2019 hit me back. It worked last time. Some recent observations:
*I’ve been following the huzzahs and hisses directed at Ms. Knowles’ live album. Not having always been vulnerable to her wiles, I understand both sides of the argument (as well as those on middle ground). But I know what I’m hearing, and I find very little not to love: the brass/marching band support (the arrangements make it all sound so easy, but it couldn’t have been), the tougher vocals (something I’ve always wanted from her and knew she could offer), the song selection (I’ve now been converted to tunes I’d tuned out on), the showcases (especially for Freedia! she was owed!), and, honestly, the educational content. It’s a tour de force, and it stands up without visuals, as outstanding as those must have been–I’ve yet to see anything but clips.
*I’d like to thank my friend Dan Weiss for forcefully suggesting I listen to Control Top’s furious Covert Contracts. I have many compadres who ask me, “Well, what about punk rock NOW?” That album’s an answer.
*Billie Eilish may tempt some who know me to wonder if I am bending over backwards to stay hip with the kid-crowd, but I’d argue her material isn’t exactly kid stuff. If you hung around humans her age as much as I do (I have no choice: I teach them), you might hear her record differently. The booga-booga cover pose is not entirely a joke–her generation is indeed dealing with stressors the hoarier among us might well have sidestepped, and it ain’t about how tough we are and they ain’t. And I hear that twining through the songs–along with some charming and funny backtalk and a mordant sense of humor that probably helps Eilish on more than just her music. One way I know she must be doing something right is that she defeats my resistance to “little baby voices” with sheer weirdness, chutzpah, and attitude.
*I recently raided Sublime Frequencies’ Bandcamp site after reading an article on the label in The New Yorker. Several of their more recent offerings are budget-priced, so I indulged myself, expecting really just to be educated about some international music I’d never heard before. Indonesia’s Senyawa’s 2018 album Sujud, however, did that and more, extended traditions of their country’s music into the realm of the self-consciously experimental. If that doesn’t sound like a strong bet, maybe it wasn’t–but they won it. I haven’t heard a more mesmerizing, unique album this year (by the way, I’m counting Sujud as a 2019 offering since, thanks to the above article, that’s when its impact is likely to be more substantial.
*Don’t you love it when a band that’s never done anything for you does something for you? I can’t put my finger on it–I think it’s the songwriting and dynamics–but Shovel & Ropes’ By Blood has me rockin’, and rooting for it.
*It’s too easy, very absurd, and not a little lazy to call Mdou Moctar “The Hendrix of the Sahara.” However, there is a reason he has two records in my Top 70 (!) so far.
And there’s also a reason why, last time, he was compared to Prince.
*LATE-BREAKING ADD-ON: I finally broke down after playing it more times than any other record this year and claimed A Day in the Life–Impressions of Pepper as a 2019 record; it was a 2018 RSD release, but saw an issue to the rest of humanity in December. The jazzer take on The Beatles’ inescapable album might sound like a must-to-avoid (I initially streamed it with some trepidation myself), but it’s quirkily catchy and inventive–plus the jazzers in question include Mary Halvorson, Makaya McCraven, and Shabaka Hutchings, not exactly the paint-by-numbers type and the latter two in the midst of a pretty substantial moment. But don’t trust me; sample it yourself. Also, I wrinkled my nose at LPX being compared to Robyn (and could she not name herself something less mechanical?), then I played her Junk of the Heart EP and felt quite a bit of joy. In fact, a lot of joy.
2019 New Release Honor Roll
Little Simz: Grey Area
Various Artists: A Day in the Life–Impressions of Pepper*
Beyoncé: Homecoming
Royal Trux: White Stuff
Control Top: Covert Contracts
Senyawa: Sujud*
Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
2 Chainz: Rap or Go to the League
Yugen Blakrok: Anima Mysterium
James Brandon Lewis: An Unruly Manifesto
Kel Assouf: Black Tenere
The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
Aesop Rock & TOBACCO: Malibu Ken
Heroes are Gang Leaders: The Amiri Baraka Sessions
Mdou Moctar: Ilana (The Creator)
Dave: PSYCHODRAMA
Quelle Chris: Guns
Ben Lamar Gay: Confetti in the Sky Like Fireworks
Tanya Tagaq: Toothsayer EP
Various Artists: Weaponize Your Sound
Lizzo: Cuz I Love You
DKV and Joe McPhee: The Fire Each Time
The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
The Coathangers: The Devil You Know
Angel-Ho: Death Becomes Her
Usted Saami: God is Not a Terrorist
Zeal & Ardor: Live in London
LPX: Junk of the Heart (EP)
Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
Fennesz: Agora
Salif Keita: Un autre blanc
Robert Forster: Inferno
Harriet Tubman: The Terror End of Beauty
The Art Ensemble of Chicago: We Are On the Edge
Ibibio Sound Machine: Doko Mien
Solange: When I Get Home
Joe McPhee / John Butcher: At the Hill of James Magee
Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
Helado Negro: This is How You Smile
Ahmed Ag Kaedy: Akaline Kidal
Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
Silkroad Assassins: State of Ruin
Mekons: Deserted
Que Vola: Que Vola
Miguel: Te Lo Dije EP
Kelsey Lu: Blood
Bassekou Kouyate & Ngoni Ba: Miri
Hama: Houmeissa
Steve Earle: Guy
Mdou Moctar: Blue Stage Session
Beth Gibbons with the Polish National Radio Symphony Orchestra (conducted by Krzysztof Penderecki): Henryk Gorecki—Symphony #3 (Symphony of Sorrow Songs)
Ill Considered: 5
Leyla McCalla: Capitalist Blues
Girls on Grass: Dirty Power
Stella Donnelly: Beware of the Dogs
Matthew Shipp Trio: Signature
Weyes Blood: Titanic Rising
Shovels & Rope: By Blood
Angel Bat Dawid: The Oracle
Better Oblivion Community Center: Better Oblivion Community Center
Alfredo Rodriguez and Pedrito Martinez: Duologue
Bad Bunny: X 100PRE
The Clifford Thornton Memorial Quartet (featuring Joe McPhee): Sweet Oranges
Our Native Daughters: Songs of Our Native Daughters
Rosie Flores: A Simple Case of The Blues
Wynton Marsalis: Bolden (Soundtrack to the Motion Picture)
My goal for blogging every day about my listening adventures has been blown to smithereens. We went on a long trip this summer, I was (happily, at least) jolted out of my daily rhythm, when we returned I began assaulting myself with the same old aggravating questions (why are you doing this? for whom? does the world need another music blog? you do realize you ain’t got beans to say, right)–and lo and behold, we’re in September and I haven’t posted for over a week–just three-four times in the last month.
It’s not like I haven’t been listening to music:
I indulged myself and bought some physical music from the great Chicago-by-way-of-Gary electronic visionary JLin, in anticipation of her new album, Autobiography, due near the end of this month. I am normally not a big fan of so-called EDM but lordy, her sounds just hypnotize me. She’s a young master of tone, rhythmic disruption, and ugly beauty. And you can dance to her. Far as the physical media goes? I just wanted to give her more money to make music with…
As a longtime devoted fan of the multi-reed magic of James Carter, I’ve long wondered about the Texas tenor John Hardee, whose composition “Lunatic” Carter covered back when he was a wunderkind. I managed to snag the above comp, which I’d never seen before, after trying to track down a source for Fresh Sounds releases; if you still buy CDs for some reason, I recommend it to you, as it specializes in reissues that might not even be streaming, if you can imagine that. Unsurprisingly, when you lay an ear to Hardee’s playing, you can hear what attracted Carter to it: it’s confidently lubricious, cool, controlled and randy all at the same time.
Speaking of saxophone, I love unabashedly such jazz records that explore black spiritual music (David Murray’s Spiritualsand Archie Shepp’sGoin’ Home spring immediately to mind). I am an atheist, but I freely admit I get power, hope, and motivation from the best of these works. I’ve perhaps overdocumented on this blog that I think very highly of the free (but sometimes deceptively not) Poughkeepsie hornman and sensei Joe McPhee, a man whose catalog is impossible to touch the bottom of without a couple of oxygen tanks. I shouldn’t have been surprised to find that McPhee released his own gospel record, nor was I surprised that it is ravishingly soulful without any compromising of the man’s improvisational principles. Whether he’s on reeds or brass–he speaks very clearly. Guess what? No YouTube. Also, I had to resort to SoulSeek. Just sayin’.
Welp, that’s it for recent listening I’m currently compelled to showcase. At least I’ve been keeping track of the albums from this calendar year that I am enjoying. We’re 67% of the way through this year, and I am going to need these releases to support me up to, through, and past the midterm elections–what records are you leaning on right now? Below are 130 LPs (we can still call them that, because they still play long) the teacher in me’d give a B+ or better. The Top 40, in bold, I’ve played over and over and tend to just get better to my earhole and soul, though a couple of recent releases (like The Necks, Mitski. and Blood Orange) I’m really just wagering that I’ll play over and over. In fact, I’m teaching (in a manner of speaking) Mitski tomorrow in my pop music/freshman comp class.
Note: I may be behind on reissues; I don’t rightly know.
Tracy Thorn: Record
Nona Hendryx and Gary Lucas: The World of Captain Beefheart
CupcaKe: Ephorize
Mary Gauthier and Songwriting with Soldier: Rifles and Rosary Beads
Sons of Kemet: Your Queen is a Reptile
Janelle Monae: Dirty Computer
Bettye LaVette: Things Have Changed
JD Allen: Love Stone
Zeal & Ardor: Stranger Fruit
Chloe x Halle: The Kids are Alright
The Internet:Hive Mind
Mitski: Be the Cowboy
Berry: Everything, Compromised
Joe McPhee: Imaginary Numbers
Lisbon Freedom Unit:Praise of Our Folly
Superchunk: What A Time to Be Alive
Young Fathers: Cocoa Sugar
Parquet Courts: Wide Awake!
Sly & Robbie and Nils Petter Molvaer: Nordub
Orquesta Akokan: Orquesta Akokan
Sidi Toure: Toubalbero
Quelle Chris & Jean Grae: Everything’s Fine
No Age: Snares Like a Haircut
The Necks: Body
Grupo Mono Blanco: ¡Fandango! Sones Jarochos from Veracruz
Elza Soares: Deus É Mulher
John Prine: The Tree of Forgiveness
Blood Orange: Negro Swan
Jinx Lennon: Grow a Pair
Pusha T: Daytona
Toni Braxton: Sex & Cigarettes
Nidia: Nídia É Má, Nídia É Fudida
Subtle Degrees: A Dance That Empties
Kids See Ghosts: Kids See Ghosts
Alice Bag: Blue Print
James Brandon Lewis: Radiant Imprints
Ken Vandermark / Klaus Kugel / Mark Tokar: No-Exit Corner
Jonghyun: Poet / Artist
Rolling Blackouts Coastal Fever: Hope Downs
Ivo Perlman and Matthew Shipp: Oneness
Halu Mergia: Lalu Balu
The Thing: Again
Jeffrey Lewis: Works by Tuli Kupferberg
Bombino: Deran
Idris Ackamoor & The Pyramids: An Angel Fell
Dave Holland: Uncharted Territories
Rapsody: Laila’s Wisdom
Sarayah: Feel the Vibe
Tierra Whack: Whack World
Lori McKenna: The Tree
Nas: Nasir
Speedy Ortiz: Twerp Verse
Courtney Barnett: Tell Me How You Really Feel
Car Seat Headrest: Twin Fantasy
Evan Parker, Barry Guy, and Paul Lytton: Music for David Mossman
Salim Washington: Dogon Revisited
Angelika Niescier: The Berlin Concert
Beats Antique: Shadowbox
Wynton Marsalis & Friends: United We Swing–Best of the Jazz at Lincoln Center Galas
Jon Hassell: Listening To Pictures (Pentimento, Vol. One)
Charge It to The Game: House with a Pool
JPEGMAFIA: Veteran
Anelis Assumpcão: Taurina
The Beths: Future Me Hates Me
Various Artists: Girls Just Wanna Have Fun…and Rights!!!
Apolo: Live in Stockholm
Mdou Moctar & Elite Beat: Mdou Moctar meets Elite Beat In a Budget Dancehall
Willie Nelson: Last Man Standing
Wussy: What Heaven is Like
Kiefer: happysad
Meshell Ndegeocello: Ventriloquism
Freddie Gibbs: Freddie
Kamasi Washington: Heaven & Earth
Cardi B: Invasion of Privacy
Shopping: The Official Body
Young Mothers: Morose
Ebo Taylor: Yen Ara
Dana Murray: Negro Manifesto
David Murray (featuring Saul Williams): Blues for Memo
Shame: Songs of Praise
Low Cut Connie: Dirty Pictures, Pt. 2
Henry Threadgill: Dirt..and More Dirt
Hot Snakes: Jericho Sirens
Ceramic Dog: YRU Still Here?
The Coup: Soundtrack to the Film Sorry to Bother You
Van Morrison & Joey DeFrancesco: You’re Driving Me Crazy
Various Artists/Sahel Sounds: Field Recordings
Marc Sinan & Oğuz Büyükberber: White
Robbie Fulks & Linda Gail Lewis: Wild! Wild! Wild!
Kendrick Lamar, et al: Black Panther—Music from and Inspired by the Film
Deaf Wish: Lithium Zion
Jay Rock: Redemption
MC Paul Barman: Echo Chamber
Kris Davis and Craig Taborn: Octopus
Tal National: Tantabara
Wilko Johnson: Blow Your Mind
Rodrigo Amado (with Joe McPhee): History of Nothing
Tony Molina: Kill the Lights
Rich Krueger: Life Ain’t That Long
Hop Along: Bark Your Head Off, Dog
MAST: Thelonious Sphere Monk
Tirzah: Devotion
Silvana Estrada: Lo Sagrado
Eddie Daniels: Heart of Brazil
Big Freedia: Third Ward Bounce
Tallawit Timbouctou: Takamba WhatsApp 2018
Amy Rigby: The Old Guys
Busdriver: Electricity Is On Our Side
Daniel Carter: Seraphic Light
Dr. Michael White: Tricentennial Rag
Hermit and the Recluse: Orpheus vs. The Sirens
Migos: Culture II
03 Greedo: God Level
Angélique Kidjo: Remain in Light
Parliament: Medicaid Fraud Dogg
Yo La Tengo: There’s a Riot Goin’ On
The Carters: Everything is Love
The Del McCoury Band: Del McCoury Still Sings Bluegrass
Superorganism: Superorganism
Laurie Anderson and Kronos Quartet: Landfall
Sleep: The Sciences
Teyana Taylor: K.T.S.E.
Ibibio Sound Machine: Eyio
The English Beat: Here We Go Love
Ammar 808: Maghreb United
Princess Nokia: A Girl Cried Red
Santigold: I Don’t Want—The Gold Fire Sessions
Nicki Minaj: Queen
Chad Popper: A Popper People
Fantastic Negrito: Please Don’t Be Dead
OLD MUSIC NICELY REPACKAGED
Sonny Rollins: Way Out West (Deluxe Reissue)
Neil Young: Roxy—Tonight’s the Night
Erroll Garner: Nightconcert
Various Artists: Voices of Mississippi—Artists and Musicians Documented by William Ferris
Various Artists: Listen All Around: The Golden Age of Central and East African Music
Gary Stewart: “Baby I Need Your Loving” / “Yester-Me, Yester-You, Yester-Day”
Peter Brotzmann and Fred Lonberg-Holm: Ouroboros
Bruce Springsteen: 1978/07/07 West Hollywood, CA
Various Artists: Outlaws and Armadilloes
The Revelators: In which the Revelators perform live renditions of selections from the Billy Childish songbook
Against All Logic: 2012-2017
Grant Green: Live at Oil Can Harry’s
Entourage: Ceremony of Dreams—Studio Sessions & Outtakes 1972-1977
Kuniyuki Takahashi: Early Tape Works 1986 – 1993 Volume 1
Camarao: The Imaginary Soundtrack to a Brazilian Western Movie