Compact music commentary about artifacts new and old: I enthuse, I don't accuse, but I do refuse–to review anything lukewarm or colder!
Author: philovereem
Music monomaniac, retired English teacher, resident of Columbia, Missouri, former correspondent for ANOREXIC TEENAGE SEX GODS, READY TO SNAP, HITLIST, SUGARBUZZ, THE WAYBACK MACHINE, ROCK THERAPY, and THE FIRST CHURCH OF HOLY ROCK AND ROLL, co-lead singer of the non-legendary Wayne Coomers and the Original Sins of Fayetteville, Arkansas.
Lots of movement on and additions to my updated list. 100104106 107 total good new releases is pretty good for four months in; I’ve heard it said that, other than Fiona Apple’s offering (seeming to excite everyone, including this previous tire-kicker), no one’s dropped a classic yet. I’d add Makaya McCraven’s GSH interp to that, goldarn Kesha continues to be a shot in this malaise’s arm, Lewis and Taylor wail on their new live duet, the inspired Irish folk-punk Jinx Lennon has given me more than I can quickly absorb (but it’s raised a little chicken skin during two listens), Lido Pimienta’s pop-folk schizo-concept album has come up the chart like gangbusters, X’s comeback is slowly growing on me, and HOLY SMOKE Anna Hogberg Attack’s lena is a huge leap forward from a predecessor that was superb–in a word, time (and there’s plenty of it) has a way of conveying power onto a work of art, so we’ll wait and see.
2020 (January 1 – April 30): A Bad Time for Most Anything But Music, Part 5
Note: Bolded items are new to the ongoing 2020 list.
Fiona Apple: Fetch the Bolt Cutters
Gil Scott-Heron and Makaya McCraven: We’re New Again–A Reimagining
Kesha: High Road
Princess Nokia: Everything is Beautiful
Various Artists: New Improvised Music from Buenos Aires
Body Count: Carnivore
Anna Hogberg Attack: lena
Irreversible Entanglements: Who Sent You
The Good Ones: RWANDA, you should be loved (it’s late ‘19, actually)
Cornershop: England is a Garden
The Third Mind: The Third Mind
Shabaka and The Ancestors: We Are Sent Here By History
Mark Lomax II: The 400 Years Suite
Princess Nokia: Everything Sucks
Lido Pimienta:Miss Colombia
Danny Barnes: Man on Fire
James Brandon Lewis and Chad Taylor: Live in Willisau
Jeff Parker: Suite for Max Brown
Mdou Moctar: Mdou Moctar Mixtape, Volume 1
Grimes: Miss Anthropocene
Jinx Lennon: Border Schizo Fffolk Songs for the F****d
Gard Nilssen’s Supersonic Orchestra: If You Listen Carefully, The Music is Yours
Chicago Underground: Good Days
K Michelle: All Monsters are Human
Fat Tony and Taydex: Wake Up
The Howling Hex: Knuckleball Express
Mr. Wrong: Create a Place
Bad Bunny: YHLQMDLG
U. S. Girls: Heavy Light
The Necks: Three
Dua Lipa: Future Nostalgia
Rod Wave: Pray 4 Love
Serengeti & Kenny Segal: AJAI
Azu Tiwaline: Draw Me a Silence, Pts. 1 & 2
Sunflowers: Endless Voyage
McPhee, Rempis, Reid, Lopez, and Nilssen-Love: Of Things Beyond Thule, Volume 2
KeiyaA: Forever, Ya Girl
Moses Sumney: grae
X: Alphabetland
Swamp Dogg: Sorry You Couldn’t Make It
Tyler Keith: The Last Drag
Ndudozo Makhathini: Modes of Communication—Letters from the Underworlds
Constantinople & Ablaye Cissoko: Traversees
Mythic Sunshine: Changing Shapes–Live at Roadburn
STRFKR: Future Past Life
Yves Tumor: Heaven to a Tortured Mind
Denzel Curry & Kenny Beats: UNLOCKED
GuiltyBeatz: Different (EP)
Alkibar Junior: Music from Saharan WhatsApp, Volume 4 (EP)
Kefaya + Elaha Soroor: Songs of Our Mothers
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual
Sunwatchers: Oh Yeah?
Shopping: All for Nothing
Katie Shorr: Open Book
The Neptune Power Federation: Memoirs of a Rat Queen
Chubby & The Gang: Speed Kills
Rina Sayawama: SAYAWAMA
Darragh Morgan and John Tilbury: For John Cage (composer: Morton Feldman)
Westside Gunn: Pray for Paris
Onipa: We No Be Machine
Waxahatchie: Saint Cloud
Snotty Nose Rez Kids: Born Deadly (EP)
Evan Parker and Paul Lytton: collective calls (revisited) (jubilee)
Fire! Orchestra: Actions for Free Jazz Orchestra
Majid Bekkas:Magic Spirit Quartet
Jan St. Werner and Mark E. Smith: Molocular Mediation
Lyra Pramuk: Fountain
Shabazz Palaces: The Don of Diamonds
John Anderson: Years
Natural Child: California Hotel
Megan Thee Stallion: Suga
Childish Gambino: 3.15.20
Ohad Talmor Newsreel:Long Forms
Etran de L’Air: Music from Saharan WhatsApp, Volume 1 (EP)
MONO: Before The Past
Tamikrest: Tamotait
Luís Lopes Humanization 4Tet: Believe, believe
Colin Stetson: Color Out of Space (Original Motion Picture Soundtrack)
Tomeka Reid and Alexander Hawkins: Shards and Constellations
Lakecia Benjamin: Pursuance—The Coltranes
Wayne Phoenix: Soaring Wayne Phoenix Story The Earth
Moses Boyd: Dark Matter
Thundercat: It is What it Is
Kassa Overall: I Think I’m Good
Oumou Diabate et Kara Show Koumba Frifri: Music from Saharan WhatsApp, Volume 2 (EP)
Dogleg: Mellee
Pink Siifu & yungmorpheus: Bag Talk
Jays Electronica and -Z: A Written Testimony
Meredith Monk:Memory Game
Luke Combs: What You See Is What You Get
Jeich Ould Badou: Music from Saharan WhatsApp 03
Pink Siifu:NEGRO
Moor Mother: CLEPSYDRA
REISSUES AND PAST RECORDINGS NEWLY BROUGHT TO LIGHT
Ranil: Stay Safe and Sound!
Lee Scratch Perry with Seskain Molenga and Kalo Kawongolo: Roots from the Congo (reissue)
Milton Nascimento: Maria Maria (reissue)
Jon Hassell: Vernal Equinox (reissue)
Fela Kuti: Perambulator
Various Artists: Stone Crush—Memphis Modern Soul 1977-1987
Observer All Stars & King Tubby: Dubbing with the Observer (reissue)
Bryan Ferry: Live at the Royal Albert Hall, 1974
Pharoah Sanders: Live in Paris 1975
Nina Simone: Fodder on My Wings
Yabby You & The Aggrovators: King Tubby’s Prophecies of Dub (reissue)
You may be staying in for a spell, but very good records are coming out–by the bazillion. If your income stream has not been pinched or cut off entirely, try to support your favorite record stores, most of which are thrilled to conscientiously ship items to you, and Bandcamp, where you can help music makers much more directly and often at bargain prices by purchasing their work. Yesterday, I spent $50 with one of the best shops I know of, Lafayette, Louisiana’s Lagniappe Records, and a few weeks ago I dropped $100 with Bandcamp on a day that 100% of consumer cash was being directed to artists represented there. I also hope to assist Columbia’s own Hitt Records in continuing to be Mid-Missouri’s finest. I know I am fortunate to be able to do so.
I’ve listened to 55 releases of fresh music I know I will listen to again with pleasure; call them B+ or 8.5s/10 or better. In addition, 10 reissues of previously hard to find old releases and new issues of music recorded in olden times have convinced me to buy or download them. Enjoy the slideshow of album covers above and imagine your flippin’ through the stacks; try the YouTube “store jukebox” below to sample some of the music I’m touting. Here’s my list, and I’ve checked it thrice. Keep calm, carry on, take care of yourself and those around you, and make time to apply sound salve to your soul at least once a day.
Items in bold are new to the list.
2020 (January 1 – April 1): A Bad Time for Most Anything But Music
Gil Scott-Heron and Makaya McCraven: We’re New Again–A Reimagining
Kesha: High Road
Princess Nokia: Everything is Beautiful
Various Artists: New Improvised Music from Buenos Aires
Chicago UndergroundQuartet: Good Days
Body Count: Carnivore
Irreversible Entanglements: Who Sent You
The Good Ones: RWANDA, you should be loved
Cornershop: England is a Garden
The Third Mind: The Third Mind
Shabaka and The Ancestors: We Are Sent Here By History
Princess Nokia: Everything Sucks
Gard Nilssen’s Supersonic Orchestra: If You Listen Carefully, The Music is Yours
Danny Barnes: Man on Fire
Jeff Parker: Suite for Max Brown
Grimes: Miss Anthropocene
K Michelle: All Monsters are Human
Fat Tony and Taydex: Wake Up
Mr. Wrong: Create a Place
Bad Bunny: YHLQMDLG
U. S. Girls: Heavy Light
The Necks: Three
Sunflowers: Endless Voyage
Moses Sumney: grae
Swamp Dogg: Sorry You Couldn’t Make It
Jan St. Werner and Mark E. Smith: Molocular Mediation
Lyra Pramuk: Fountain
Megan Thee Stallion: Suga
Mythic Sunshine: Changing Shapes–Live at Roadburn
Denzel Curry & Kenny Beats: UNLOCKED
Kefaya + Elaha Soroor: Songs of Our Mothers
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual
Shopping: All for Nothing
Katie Shorr: Open Book
The Neptune Power Federation: Memoirs of a Rat Queen
Dua Lipa: Future Nostalgia
Darragh Morgan and John Tilbury: For John Cage (composer: Morton Feldman)
Onipa: We No Be Machine
Evan Parker and Paul Lytton: collective calls (revisited) (jubilee)
Fire! Orchestra: Actions for Free Jazz Orchestra
Natural Child: California Hotel
Childish Gambino: 3.15.20
Etran de L’Air: Music from Saharan WhatsApp, Volume 1 (EP)
MONO: Before The Past
Tamikrest: Tamotait
Colin Stetson: Color Out of Space (Original Motion Picture Soundtrack)
Lakecia Benjamin: Pursuance—The Coltranes
Wayne Phoenix: Soaring Wayne Phoenix Story The Earth
Moses Boyd: Dark Matter
Kassa Overall: I Think I’m Good
Oumou Diabate et Kara Show Koumba Frifri: Music from Saharan WhatsApp, Volume 2 (EP)
Dogleg: Mellee
Jays Electronica and -Z: A Written Testimony
Luke Combs:What You See Is What You Get
Jeich Ould Badou:Music from Saharan WhatsApp 03
REISSUES AND PAST RECORDINGS NEWLY BROUGHT TO LIGHT
Ranil: Stay Safe and Sound!
Lee Scratch Perry with Seskain Molenga and Kalo Kawongolo: Roots from the Congo (reissue)
Milton Nascimento: Maria Maria (reissue)
Jon Hassell: Vernal Equinox (reissue)
Bryan Ferry:Live at the Royal Albert Hall, 1974
Pharoah Sanders: Live in Paris 1975
Yabby You & The Aggrovators: King Tubby’s Prophecies of Dub (reissue)
It’s a good bet lately that when I initially scoff at the news of a new release, you should place your bets against me. Cases in point:
Me, scoffing: “Dave Alvin’s doing a psych-rock album? Smells desperate. Reality: I can’t believe I’ve played this five times in three days. (Note: it’s also a covers album, which is something that always both intrigues me and smells funny, but Alvin and his Campers knock all but the 13th Floor Elevators tune out of the box.)
Me, scoffing: “A Moses Sumney double-album? I couldn’t get through one last time–too sensitive for me. Reality: He’s on some serious new shit.
Me, scoffing: “Two Princess Nokia albums at once? She couldn’t quite sell an EP last time, and who does she think she is, Axl Rose? Bruce Springsteen? Reality: Dude, do you even remember 1992?
Me, scoffing: “Do we really need another complaining grrrrl punk outfit that didn’t check that other acts are called Mr. Wrong? Reality: YES.
I could end up having been correct on my first impulse, but I doubt it. Nothing below’s been FULLY road-tested but the top seven.
Gil Scott-Heron and Makaya McCraven: We’re New Again–A Reimagining
Kesha: High Road
Grimes: Miss Anthropocene
Fat Tony and Taydex:Wake Up
Various Artists: New Improvised Music from Buenos Aires
Princess Nokia: Everything Sucks
The Good Ones: RWANDA, you should be loved
K Michelle: All Monsters are Human
The Third Mind: The Third Mind
Mr. Wrong: Create a Place
Princess Nokia: Everything is Beautiful
Moses Sumney: grae
Mythic Sunshine: Changing Shapes–Live at Roadburn
Denzel Curry & Kenny Beats: UNLOCKED
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual
Shopping: All for Nothing
Natural Child: California Hotel
Etran de L’Air: Music from Saharan WhatsApp, Volume 1 (EP)
MONO: Before The Past
Swamp Dogg: Sorry You Couldn’t Make It
Colin Stetson: Color Out of Space (Original Motion Picture Soundtrack)
Various Artists: Soul Jazz Records Presents Black Riot—Early Jungle, Rave, and Hardcore
Wayne Phoenix: Soaring Wayne Phoenix Story The Earth
Moses Boyd: Dark Matter
Oumou Diabate et Kara Show Koumba Frifri: Music from Saharan WhatsApp, Volume 2 (EP)
Shoulda waited a day to post last time: turns out Friday was a pretty good one for new music, good enough for me to cobble together a 2020 Top 10 list! You can all breathe a sigh of relief for me! And maybe for the year, because 2019 was a hard act to follow.
I’m not saying these are all just freakin’ stellar, not just yet–I have simply actively enjoyed these to the tune of at least two reps. I am Halsey novice and am frankly under the influence of Hannah Ewen’s FANGIRLS chapter on her. Apparently, Kesha’s on some throwback shit, but that album makes me happy. The new album by crafty Texan Terry Allen isn’t enough like Moby Dick to avoid slightly disappoint me, but–a lot like Michael Hurley–Allen zings you several times right as you’re about to nod off. This is the third iteration of GSH’s final recordings–it’s already been reimagined once–but McCraven’s magic makes it the best. The Buenos Aires recordings were released in late 2019, so I’m cheating–but dang they’re good! Chris Kirkley has 11 more Saharan WhatsApp EPs, one per month, coming our way. I think Fat Tony is the most underrated rapper in America, but I lean more toward words and concept than beats and flow. Shopping’s other albums didn’t really move me completely, but their Pylon-cum-Gang of Four actually has me wanting to (wanting to) dance this time–dance in the dumpster fire. Full disclosure: my history of personal interactions with Natural Child, newly emerged from a chastening that led to a hiatus and that I trust they took seriously, probably causes me to overrate them, but their return is much less bland and much more weird than their previous two records. The mercurial music scribe Phil Freeman’s morning tweet about previously-unknown-to-me Mythic Sunship delivered a tenth item…and Bob Xgau’s your uncle:
Gil Scott-Heron and Makaya McCraven: We’re New Again–A Reimagining
Kesha: High Road
Fat Tony and Taydex: Wake Up
Various Artists: New Improvised Music from Buenos Aires
Shopping: All for Nothing
Mythic Sunship: Changing Shapes–Live at Roadburn
Natural Child: California Hotel
Etran de L’Air: Music from Saharan WhatsApp, Volume 1 (EP) (hear the whole thing above)
MONO: Before The Past
(Tie) Terry Allen and The Panhandle Mystery Band: Just Like Moby Dick / Halsey: Manic
I don’t have much to say. We’ve been buffeted by snow here in Misery, USA, so I’m definitely not sitting on a bank of sand, watching the river flow. I’m squirreled away down in my computer bunker, keeping cats from between me and the monitor, scrolling through my iTunes/Apple Music adds for 2020 and realizing I can’t even make a Top Five list of new records I have truly enjoyed–and I have listened to around 10. I’m also troubled by the fact that, while I was able to listen to more great new music than ever last year and effectively track my listening with the hopes of aiding readers, the sheer time, attention, and effort required–and, folks, I barely write, I’m just listing (slightly to the left–this danged labyrinthitis, I tell ya)–was at times reminiscent of twelve months on a fuel-injected gerbil wheel. Was it worth it, especially, as I said to a friend recently, that I don’t think I took (had?) the time to listen a Velvet Underground album in 2019? I’m not sure. Complain, complain. Perseverate, perseverate. That’s about all I ever write here.
So I’ll just substitute some music-related observations from January, some clearly related to future lists, if I ever make them:
1) Blossom Dearie. I resisted her for awhile because of that name and that voice. But didja know it’s her real name? And the voice–at first too little-girly, then gradually taking on nuance, humor, and weirdness–grows on one. I bought one of them Real Gone Music “Six Albums By” sets of Blossom (her first six albums for Norman Granz, which all happen to be pretty stellar end-to-end) and probably played it more than anything else last month. She was a great pianist, and she knew a great song.
2) Fania All-Stars. Hadn’t listened to ’em in a bit, then the above video sent me on a wild Discogs ride through their first-decade catalog. Talk about shit-hot.
3) Chrysalis’ Dance Craze VHS. In the Fishbone chapter of John Doe’s second LA punk oral history, More Fun in the New World, ’tis revealed how influential the above documentary was on the scene. Hell, I was wild, loose, and youfull in those days–why’d I not seen it? My quest to obtain it ended in two eBay disasters: the former seller cagily advertised it so a smarter consumer than I would have known it was a dub, which it was, and a BAD one, and an expensive one at that; since I had not been embarrassed enough for my liking and I still wanted it badly (“The end of all wanting / Is all I’ve been wanting”–yep, Mr. Berman), the latter one I ordered, legit, in great condition, and cheaper, only to find it was PAL-formatted and wouldn’t play on my VCR (yes, just a reminder that these are VHSes I’m talkin’ ’bout!). I was like, “Dude, you did not mention that in the listing; Dude was like, “Did you look at the photo of the VHS cover?” FOCK! Anyone need a PAL Dance Craze VHS for cheap? By God, I will HAVE it some day.
4) Drive-By Truckers and Kesha and Aroma Coffee Shop. Retirees like me have a tendency to drift to coffee shops and post up. I’ve never done this, but a new cafe opened up near my domicile that’s inviting and promising, so last Friday, I thought I might as well do as fellow geezers do and find a corner. Another motivator was some new records were just waiting for me to listen to: the DBTs’ The Unraveling and Kesha’s High Road. There was a time when anyone who knew me could easily predict my takes–accent on was, because I don’t truck with foolish consistency. From the looks of things, I am among the few to hear The Unraveling as sodden, merely topical, enervating, and possibly ominous in terms of the band’s future (what’s up with Cooley’s two–and not that great-songs?). I, too, believe that we have serious fucking problems in this country, but records like this one don’t help me. SPARK, man! SPARK! On the other hand, Kesha, an artist I’ve learned a lot about from teaching young students at a women’s college, has created something liberating, jubilant, triumphant–even if in some ways it’s a return to an earlier persona–in High Road that made my morning without my having to take deliberate action to escape the daily shitstorm. I am sure I am the only one comparing these two acts in this way, but in pop music it be’s that way sometimes. I go way back with the Truckers, as a fan, but also on a personal level, as they once played the high school I taught at for free and kicked almighty ass, but I cannot tell a lie.
5) That de Sade album. Speaking of the end of all wanting, long ago I’d cast a line out for the above on Discogs Lake and just waited for the bobber to dance. Finally, and for a pittance, I got the chance to yank, and it sits waiting to be spun, smelling just a mite moldy. I am no Sadist, but such an item is difficult to resist and especially in these times, metaphorically at the very least; however, do I listen alone or in company, and if in company, with whom? I’m stuck in a state of suspended animation, so maybe I’ll stall a little longer and digitize it. Love that label name!
6) THE GOATS. Someone asked me recently if I ever had the chance to write a 33 1/3rd book (basically, I do have the chance, just not the drive), about what album would I write mine. I reeled off several but knew I was forgetting one. The arrival in 2019 (I initally missed it, thus didn’t list it) of a freakin’ raucous live album of a ’93 performance by ultra-underrated Philly crew The Goats, which I just learned about the other day, reminded me that I’d first try to write about their durable and still-relevant Tricks of the Shade. Our flag is not a peace sign, indeed.
7) If you’re ever in Springfield, Illinois. Definitely hit Cozy Dog, the Frank Lloyd Wright house, and Lincoln’s tomb (supposedly the man once said, “You’d have to shoot me to get me to go back to Springfield!”), but there’s a record store on Adams Street that can swallow you up: Recycled Records. Besides music, they have stereo equipment, memorabilia, VHSes galore (I didn’t look for Dance Craze, alas), even porno mags. I skipped that stuff and snagged two sealed Willie John comps on Ace for $6 a piece and a great three-disc Abbey Lincoln career overview I didn’t know existed for $17 (and with Gary Giddins liner notes). If you ask for help, you will get it–and more.
8) Tomeka Reid. I think Reid is my favorite musician-I-hadn’t-heard-about-til-recently. I’d actually heard her inimitable jazz cello on records I owned by others, but–two things about her two solo releases, the 2019 Old and New and 2016’s Tomeka Reid Quartet (now impossible to find in physical form): her playing and composing are rich, expressive, and surprising–she stretches the cello’s usual jazz role fascinatingly–and they also spur quartet member and guitar genius Mary Halvorson to some of her best playing ever. That’s saying something.
9) Natural Child. I stumbled upon this Nashville group in Lawrence, Kansas, in 2010, at an amazing and free garage-rock festival sponsored by Scion. We arrived on Massachusetts Street, found a parking spot, which just happened to be in front of The Granada, one of the festival’s four venues, and wandered in to see whoever happened to be there. The group immediately charmed and rocked us with their extremely casual stage manner and their delightfully fucked-up songs–a nicer, funnier Royal Trux, maybe. I bought up all their 45s—that was it for their output at the time–and they held up in the absence of the band charming, rocking, and delighting us in person. We saw them several times in several places, and they were always worth it. As their sound starting to lean toward country–much harder stuff to pull off than tire-kickers think–they lost their je ne sais quois, and though our enthusiasm for their output dimmed, we still saw ’em when they were close. A member of the band brought some trouble upon himself and them in an incident I only know about third-hand and thus will not report, and retired themselves from the action to work on things, a wise choice. Suffice it all to say, the band is back after several years with a new record, I’m happy to see it, and I hope (and trust) that they’ve put in work on more than just the music. I am rooting for them.
10)International Anthem. IA’s the first label in a long time–maybe ever–that’s seriously tempted me to just buy its entire output sans investigation. Their most recent release, Jeff Parker’s Suite for Max Brown, would be my record of the year in 2020 if I were able to muster a list, and Irreversible Entanglement’s upcoming Who Sent You?, based on early indications, may be challenging it. All of their releases are fired by skilled, passionate players, and the label’s accent on liberation and commitment to warm, present production standards make for a unity of sound and vision reminiscent of legendary labels I surely need not name for you. I’m heading to Chicago soon, and if they have a physical home, I may well visit and bow.
I’ve been pickin’ at my “Best Records of 2019” list like an itchy scab. Just can’t leave the damn thing alone. If you click on that link, you’ll see I’ve added some items (bold-faced), including a few that are fairly high up the list. For many of the augmentations, I have the indefatigable Glenn Boothe and Keith Artin to thank: their “Village Voice Pazz & Jop Rip-Off Poll”–1,122 members strong just a second ago–opened everyone’s eyes up to excellent slabs they hadn’t heard before, and I hope they make it a tradition. Also–this happens when you’re a long-lister–I forgot to list two albums that I respectively loved and really liked and played many times: 75 Dollar Bill’s I Was Real and 86-going-on-16 folkfunk originator Bobby Rush’s Sitting on Top of The Blues.
But. That ain’t what this is about! To grease the reader’s wheels for test-driving some of this stuff, I’ve created two YouTube playlists. The first highlights great tracks from my favorite 25 releases, with one exception: since Joe McPhee and the DKV Trio’s explosive box set of live recordings doesn’t currently have a reasonable video available on YouTube, I replaced it by a great single that wasn’t attached to an album–I’ll let you figure that out. The second gathers a track a piece from 10 albums that just got on the list at the last minute (that’s almost literal). Enjoy!
185 really good-to-really great albums of new music. 60 laudable issuings of music recorded in another time. That, my friends, is an embarrassment of riches. Now: if that will rub off on general citizenship, good cheer, charming self-effacement, and energized civic action, we’ll be cooking with gas here.
My Album-Lover’s Honor Roll for 2019 – The Final Unscrolling
(bolded items are new additions to the list)
The Straight and Bent A’s:
Little Simz: Grey Area
Purple Mountains: Purple Mountains
Jamila Woods: Legacy! Legacy!
Junius Paul: Ism
Rapsody: Eve
Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
Chance The Rapper: The Big Day
Byron Asher: Byron Asher’s Skrontch Music
Freddie Gibbs & Madlib: Bandana
Snotty Nose Rez Kids: Trapline
Royal Trux: White Stuff
Ezra Furman: Twelve Nudes
Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith: Songs from The Bardo
Peter Perrett: Humanworld
Yugen Blakrok: Anima Mysterium
Mexstep: Resistir
Mdou Moctar: Ilana (The Creator)
Danny Brown: uknowwhutimsayin
Tomeka Reid Quartet: Old New
J Balvin & Bad Bunny: OASIS
DKV and Joe McPhee: The Fire Each Time
Lightning Bolt: Sonic Citadel
Tanya Tucker: While I’m Livin’
Billy Woods & Kenny Segal: Hiding Places
EARTHGANG: Mirrorland
The Tragically Flawed A- Team:
75 Dollar Bill: I Was Real
Sheer Mag: A Distant Call
Dumb: Club Nites
Jeffrey Lewis: Bad Wiring
Raphael Saadiq: Jimmy Lee
Young Thug: So Much Fun
Kel Assouf: Black Tenere
James Brandon Lewis: An Unruly Manifesto
Gard Nilssen Acoustic Unity: To Whom Who Buys A Record
Teodross Avery: After the Rain–A Night for Coltrane
Various Artists: Total Solidarity
Lana Del Rey: Norman F***ing Rockwell
Zonal (featuring Moor Mother): Wrecked
Control Top: Covert Contracts
Lizzo: Cuz I Love You
Ifriqiyya Electrique: Laylet El Boore
Elza Soares: Planeta Fome
Abdullah Ibrahim: The Balance
Damon Locks / Black Monument Ensemble: Where Future Unfolds
Andres: Andres IV
Denzel Curry: Zuu
Pere Ubu: The Long Goodbye
Rod Wave: Ghetto Gospel
Eddy Current Suppression Ring: All in Good Time
Dave: PSYCHODRAMA
Moor Mother: Analog Fluids of Sonic Black Holes
Various Artists: The Final Battle—Sly & Robbie vs. Roots Radics
Rocket 808: Rocket 808
2 Chainz: Rap or Go to the League
Planchettes: The Truth
Joel Ross: Kingmaker
JME: Grime MC
I Jahbar: Inna Duppy SKRS Soundclash
Lee Scratch Perry: Rainford
Bill Orcutt: Odds Against Tomorrow
Joe McPhee / John Butcher: At the Hill of James Magee
Tyler Childers: Country Squire
Pat Thomas, Dominic Lash, and Tony Orrell: Bleyschool
Beyoncé: Homecoming
Sote: Parallel Persia
Jaimie Branch: Fly or Die II—Bird of Paradise
SEED ENSEMBLE: Driftglass
Arto Lindsay, Ken Vandermark, Joe McPhee, Phil Sudderberg: Largest Afternoon
The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
Blacks’ Myths: Blacks’ Myths II
The No-Disgrace B+ Ticklers:
The Coathangers: The Devil You Know
Sudan Archives: Athena
San Cha: La Luz de la Esperanza
GRLwood: I Sold My Soul to the Devil When I Was 12
P. P. Arnold: The New Adventures of P. P. Arnold
Yazz Ahmed: Polyhymnia
FKA Twigs: MAGDALENE
Miranda Lambert: Wild Card
Aquarian Blood: A Love That Leads to War
Preservation Hall Jazz Band: Tuba in Cuba
Quelle Chris: Guns
Heroes Are Gang Leaders: The Amiri Baraka Sessions
DaBaby: KIRK
Ben Lamar Gay: Confetti in the Sky Like Fireworks
Tanya Tagaq: Toothsayer EP
Bobby Watson, Vincent Herring, and Gary Bartz: Bird at 100
Ghostface Killah: Ghostface Killahs
Various Artists: Weaponize Your Sound
Earl Sweatshirt: FEET OF CLAY
Maxo Kream: Brandon Banks
BaianaSystem: O Furturo Nao Demora
Aesop Rock & TOBACCO: Malibu Ken
DaBaby: Baby on Baby
Megan Thee Stallion: Fever
Sleater-Kinney: The Center Won’t Hold
Dan Weiss Trio + 1: Utica Box
Davido: A Good Time
Michael Kiwanuka: Kiwanuka
Saul Williams: Encrypted & Vulnerable
Young M.A.: Herstory in the Making
Ken Vandermark: Momentum 4—Consequent Duos 2015-2019
Poncho Sanchez: Trane’s Delight
Gang Starr: One of the Best Yet
The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
Mario Pavone: Philosophy
Alcorn/McPhee/Vandermark: Invitation to a Dream
Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
Chuck Cleaver: Send Aid
Rachid Taha: Je Suis Africain
Barrence Whitfield Soul Savage Arkestra: Songs from The Sun Ra Cosmos
The Sensational Barnes Brothers: Nobody’s Fault But Mine
GoldLink: Diaspora
Harriet Tubman: The Terror End of Beauty
Usted Saami: God is Not a Terrorist
Mantana Roberts: COIN COIN Chapter Four—Memphis
Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
black midi: Schlagenheim
Nots: 3
Guitar Wolf: Love & Jett
Robert Forster: Inferno
Aziza Brahim: Sahari
Jacob Wick & Phil Sudderberg: Combinatory Pleasures
Ingrid Laubrock & Aki Takase: Kasumi
LPX: Junk of the Heart (EP)
Helado Negro: This is How You Smile
Joe McPhee and Paal Nilssen-Love: Song for the Big Chief
G & D: Black Love & War
Boris: Love & Evol
Girl Band: The Talkies
Steve Riley & The Mamou Playboys: 30 Years Live
Kris Davis: Diatom Ribbons
Gilberto Gil: OK OK OK
JPEGMAFIA: All My Heroes Are Cornballs
Ras Kass: Soul on Ice 2
Flying Lotus: Flamagra
Hey! A “B” is a Decent Grade!:
Angel-Ho: Death Becomes Her
The Paranoid Style: A Goddamn Impossible Way of Life
Bobby Rush: Sitting On Top of the Blues
JD Allen: Barracoon
Big Thief: Two Hands
Kele Okereke: 2042
Various Artists: Queen & Slim—The Soundtrack
Tinariwen: Amadjar
Various Artists: Typical Girls Three
Leyla McCalla: Capitalist Blues
Tyshawn Sorey and Marilyn Crispell: The Adornment of Time
Tropical Fuck Storm: Braindrops
Santana: Africa Speaks
Judy and The Jerks: Music for Donuts
Tyler, The Creator: IGOR
Rodney Whitaker: All Too Soon—The Music of Duke Ellington
Sault: 5
Whit Dickey Tao Quartets: Peace Planet / Box of Light
The Art Ensemble of Chicago: We Are On the Edge
Nick Dunston: Atlantic Extraction
Ibibio Sound Machine: Doko Mien
Warren Storm: Taking the World by Storm
Solange: When I Get Home
Freddie Douggie: Live on Juneteenth
Ranky Tanky: Good Time
Ahmad Jamal: Ballades
Dump Him: Dykes to Watch Out For
Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
Little Brother: May the Lord Watch
Blood Orange: Angel’s Pulse
Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
Doja Cat: Hot Pink
Kelsey Lu: Blood
Dopolarians: Garden Party
Bassekou Kouyate & Ngoni Ba: Miri
Hama: Houmeissa
Ill Considered: 5
Girls on Grass: Dirty Power
Stella Donnelly: Beware of the Dogs
Matthew Shipp Trio: Signature
Shovels & Rope: By Blood
Angel Bat Dawid: The Oracle
Spiral Stairs: We Wanna Be Hyp-No-Tized
Our Native Daughters: Songs of Our Native Daughters
Seems like every music blog, website, and critic’s doing one of these, so I might as well, too. I dove into it expecting results much different than I came up with. These are the records from this decade I’ve played the most often with the most delight, simple as that.
2010
Pierced Arrows: Descending Shadows
Elizabeth Cook: Welder
M.I.A.: Maya
2011
Polystyrene: Generation Indigo
Wussy: Strawberry
2013
Live from Festival au Desert Timbuktu
Martha Redbone Roots Project: The Garden of Love: Songs of William Blake
Mariem Hassan: El Aaiún Egdat
Bassekou Kouyate & Ngoni ba: Jama Ko
Jason Isbell: Southeastern
2014
Wussy: Attica!
Withered Hand: New Gods
Young Thug and Bloody Jay: Black Portland
Willie Nelson and Sister Bobbie: December Day
Chris Butler: Easy Life
2015
Joe McPhee and Paal Nilssen-Love: Candy
Kendrick Lamar: To Pimp a Butterfly
Jeffrey Lewis & Los Bolts: Manhattan
Jinx Lennon: 30 Beacons of Light for a Land Full of Spite, Thugs, Drug Slugs, and Energy Vampires
John Kruth: The Drunken Wind of Life: The Poem/Songs of Tin Ujevic
Miguel: Wildheart
79rs Gang: Fire on the Bayou
Africa Express: Terry Riley’s In C – Mali
2016
A Tribe Called Quest: We Got It From Here
Jinx Lennon: Past Pupil Stay Sane
Rihanna: Anti
Beyonce: Lemonade
Elza Soares: Woman at the End of the World
Saul Williams: Martyr Loser King
Solange: A Seat at the Table
2017
Mount Eerie: A Crow Looked at Me
Princess Nokia: 1992
Orchestra Baobab: Tribute to Ndiouga Dieng
Zeal & Ardor: Devil is Fine
JLin: Black Origami
Preservation Hall Jazz Band: So It Is
Various Artists: Miracle Steps (Music from The Fourth World 1983-2017)
I’m making no bones about it: we did not do a good job living as humans with other humans this year. Not. At. All. I really didn’t expect to turn 57 and come to the conclusion that, despite reading, enjoying, and occasionally subscribing to the viewpoint of many cynics and curmudgeons, I have been naive. A lot of us dig fascism as a possible salve on our fear. It’s hard to know how many, but even a big little is a lot.
I ain’t going into the nooks and crannies of that now, though. 2019’s music-makers responded with some very convincing aural evidence that we can actually do a very transcendent job working, playing, speaking, and listening to each other, and–especially–calling on us to be our best possible selves, rather than wallow in self-pity and misguided resentment. If the music that was produced this year is a real representation of who we are, how we feel, and what we want, then the hate-wave is operating on borrowed time.
Remember: naive at 57.
Anyway, I endorse all the albums below as interesting. Also, please note my somewhat half-hearted grading scale. And think about sending the artists the most money you can and just buying physical media to defy Marie Kondo. You know she’s marketing a bunch of worthless shit to fill your houses with, don’t you? Seriously: we’re not all grifters, especially the folks that made this stuff…
My Album-Lover’s Honor Roll for 2019 — THE FINAL COUNTDOWN
(bolded items are new additions to the ongoing list)
For those that need a harness on this burgeoning list:
1-10: Straight A (no A+ record this year)
11-66: A-
67-118: B+
119-170: B (and a B is still a good record)
Little Simz: Grey Area
Purple Mountains: Purple Mountains
Jamila Woods: Legacy! Legacy!
Junius Paul: Ism
Rapsody: Eve
Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
Chance The Rapper: The Big Day
Byron Asher: Byron Asher’s Skrontch Music
Freddie Gibbs & Madlib: Bandana
Snotty Nose Rez Kids: Trapline
Royal Trux: White Stuff
EARTHGANG: Mirrorland
Ezra Furman: Twelve Nudes
Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith: Songs from The Bardo
Peter Perrett: Humanworld
Yugen Blakrok: Anima Mysterium
Mexstep: Resistir
Mdou Moctar: Ilana (The Creator)
Danny Brown: uknowwhutimsayin
Pere Ubu: The Long Goodbye
J Balvin & Bad Bunny: OASIS
DKV and Joe McPhee: The Fire Each Time
Lightning Bolt: Sonic Citadel
MARK LOMAX, II: Afrika United (one part of a box set—if it’s all this good, woah!)
Sheer Mag: A Distant Call
Dumb: Club Nites
Billy Woods & Kenny Segal: Hiding Places
Jeffrey Lewis: Bad Wiring
Raphael Saadiq: Jimmy Lee
Young Thug: So Much Fun
Kel Assouf: Black Tenere
James Brandon Lewis: An Unruly Manifesto
Gard Nilssen Acoustic Unity: To Whom Who Buys A Record
Teodross Avery: After the Rain–A Night for Coltrane
Various Artists: Total Solidarity
Lana Del Rey: Norman F***ing Rockwell
Zonal: Wrecked
Control Top: Covert Contracts
Lizzo: Cuz I Love You
Tanya Tucker: While I’m Livin’
Ifriqiyya Electrique: Laylet El Boore
Elza Soares: Planeta Fome
Abdullah Ibrahim: The Balance
Damon Locks / Black Monument Ensemble: Where Future Unfolds
Andres: Andres IV
Denzel Curry: Zuu
Rod Wave: Ghetto Gospel
Eddy Current Suppression Ring:All in Good Time
Dave: PSYCHODRAMA
Moor Mother: Analog Fluids of Sonic Black Holes
Various Artists: The Final Battle—Sly & Robbie vs. Roots Radics
Rocket 808: Rocket 808
2 Chainz: Rap or Go to the League
Joel Ross: Kingmaker
JME: Grime MC
I Jahbar: Inna Duppy SKRS Soundclash
Lee Scratch Perry: Rainford
Bill Orcutt: Odds Against Tomorrow
Joe McPhee / John Butcher: At the Hill of James Magee
Tyler Childers: Country Squire
Pat Thomas, Dominic Lash, and Tony Orrell: Bleyschool
Beyoncé: Homecoming
Sote: Parallel Persia
Jaimie Branch: Fly or Die II—Bird of Paradise
SEED ENSEMBLE: Driftglass
Arto Lindsay, Ken Vandermark, Joe McPhee, Phil Sudderberg:Largest Afternoon
The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
Blacks’ Myths: Blacks’ Myths II
Sudan Archives: Athena
The Coathangers: The Devil You Know
GRLwood: I Sold My Soul to the Devil When I Was 12
Yazz Ahmed: Polyhymnia
FKA Twigs: MAGDALENE
Miranda Lambert: Wild Card
Aquarian Blood: A Love That Leads to War
Preservation Hall Jazz Band: Tuba in Cuba
Quelle Chris: Guns
Heroes Are Gang Leaders: The Amiri Baraka Sessions
DaBaby: KIRK
Ben Lamar Gay: Confetti in the Sky Like Fireworks
Tanya Tagaq: Toothsayer EP
Ghostface Killah: Ghostface Killahs
Various Artists: Weaponize Your Sound
Earl Sweatshirt: FEET OF CLAY
Maxo Kream: Brandon Banks
BaianaSystem: O Furturo Nao Demora
Aesop Rock & TOBACCO: Malibu Ken
DaBaby: Baby on Baby
Megan Thee Stallion: Fever
Sleater-Kinney: The Center Won’t Hold
Dan Weiss Trio + 1: Utica Box
Davido: A Good Time
Michael Kiwanuka: Kiwanuka
Saul Williams: Encrypted & Vulnerable
Young M.A.: Herstory in the Making
Ken Vandermark: Momentum 4—Consequent Duos 2015-2019
Poncho Sanchez: Trane’s Delight
The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
Mario Pavone: Philosophy
Alcorn/McPhee/Vandermark: Invitation to a Dream
Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
Chuck Cleaver: Send Aid
Rachid Taha: Je Suis Africain
Barrence Whitfield Soul Savage Arkestra: Songs from The Sun Ra Cosmos
The Sensational Barnes Brothers: Nobody’s Fault But Mine
GoldLink: Diaspora
Harriet Tubman: The Terror End of Beauty
Usted Saami: God is Not a Terrorist
Mantana Roberts: COIN COIN Chapter Four—Memphis
Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
black midi: Schlagenheim
Nots: 3
Guitar Wolf: Love & Jett
Robert Forster: Inferno
Aziza Brahim: Sahari
Jacob Wick & Phil Sudderberg: Combinatory Pleasures
The Paranoid Style: A Goddamn Impossible Way of Life
Ingrid Laubrock & Aki Takase: Kasumi
LPX: Junk of the Heart (EP)
Helado Negro: This is How You Smile
Joe McPhee and Paal Nilssen-Love: Song for the Big Chief
G & D: Black Love & War
Boris: Love & Evol
Girl Band: The Talkies
Steve Riley & The Mamou Playboys: 30 Years Live
Gilberto Gil: OK OK OK
JPEGMAFIA: All My Heroes Are Cornballs
Ras Kass: Soul on Ice 2
Flying Lotus: Flamagra
Angel-Ho: Death Becomes Her
JD Allen: Barracoon
Big Thief: Two Hands
Various Artists: Queen & Slim—The Soundtrack
Tinariwen: Amadjar
Various Artists: Typical Girls Three
Leyla McCalla: Capitalist Blues
Tyshawn Sorey and Marilyn Crispell: The Adornment of Time
Tropical Fuck Storm: Braindrops
Santana: Africa Speaks
Judy and The Jerks: Music for Donuts
Tyler, The Creator: IGOR
Sault: 5
Whit Dickey Tao Quartets: Peace Planet / Box of Light
The Art Ensemble of Chicago: We Are On the Edge
Ibibio Sound Machine: Doko Mien
Solange: When I Get Home
Freddie Douggie: Live on Juneteenth
Ranky Tanky: Good Time
Ahmad Jamal: Ballades
Dump Him: Dykes to Watch Out For
Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
Little Brother: May the Lord Watch
Blood Orange: Angel’s Pulse
Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
Doja Cat: Hot Pink
Kelsey Lu: Blood
Bassekou Kouyate & Ngoni Ba: Miri
Hama: Houmeissa
Ill Considered: 5
Girls on Grass: Dirty Power
Stella Donnelly: Beware of the Dogs
Matthew Shipp Trio: Signature
Shovels & Rope: By Blood
Angel Bat Dawid: The Oracle
Spiral Stairs: We Wanna Be Hyp-No-Tized
Our Native Daughters: Songs of Our Native Daughters
*Saw a warm, witty, and wise “Wussy Duo” house show here in Columbia, Missouri, at Botts Manor. All I asked was that they sing three of their several incandescent songs (“Beautiful,” “Maglite,” and “Acetylene”–I got all those plus a t-shirt) and just be as perfectly imperfect as they are at their best. We’d seen the Bottle Rockets earlier this fall at another house show, and really dug it, so keep your eyes open for such things.
*Read several terrific music books, but experiencing Beastie Boys Book for the second time when my wife downloaded its audiobook equivalent sent us both on a Beastie Boys / Run DMC / ATCQ / Biz Markie jam-out when we made about 65 tamales for Thanksgiving.
Also, Will Ashon’s Chamber Music: Wu-Tang and America (in 36 Pieces) broke my mind into 36 pieces as he took me on a deep dive into The Clan’s debut album, a plunge which features incisive commentary from a former teacher of mine (Sundiata Cha-Jua), a primer on Shaw Brothers kung-fu flicks and their specific influence on The Wu that has me drooling (many are available on Amazon “You Fucking Bastards” Prime), and several heroic attempts to reinterpret the least savory aspects of that release (torture, anyone?). One of my favorite chapters simply capsule-summarizes 36 Shaw Brothers (and related) flicks to tear-inducingly comedic effect. Wait! Isn’t Ashon a white dude? A white dude writing a 300-plus-page disquisition (even though it’s not a 33 & 1/3 publication, it’s one of the best in doing what those usually try and fail to do) on THE WU-TANG CLAN???? Yep, and he’s well aware of the thin ice, doesn’t quite fall through it, and straightforwardly acknowledges it. RECOMMENDED, actually.
*”Are you still hooked on Will ‘Dr. Evil’ Friedwald‘s pop singing criticism,” I hear you asking. Why yes I am–so glad you inquired! I’ve previously blathered about Friedwald’s The Great Jazz and Pop Vocal Albums, which I’m actually not even finished with, and this month I tipped on in to his pretty mammoth A Biographical Guide to the Great Jazz and Pop Singers, which set me on a quest to more deeply acquaint myself with the recorded works of three eccentrics: the Ellingtonian Al Hibbler, the quirky and multi-talented seductress Eartha Kitt, and the “is-he-a-POC-or-isn’t he?” (see the seldom-seen documentary of his life) Herb Jeffries. Twenty years ago, I probably would have thought aficionados of such singers were perhaps a bit uptight, when in actuality it was me who needed to get loose. That being said, I was wise enough about ten years ago to become a rabid fan of Jeffries’ twilight-time release The Bronze Buckaroo (Rides Again), and if I hadn’t become enough of a fan of Friedwald’s already, his Biographical Guide passage about this record clinched it. I’d never read anything about it that matched my passion for it, and Friedwald might as well have been taking dictation from my heart:
*Oh, and for shits and giggles and because I feel I’m blog-cheating by just listing records I like without commentary, I decided to break down my list and GRADE THEM like a real teacher should(n’t). I’m not gonna belabor this, but an A is an album I’ve played over and over in a short period of time with great pleasure, and that, as a whole, works; an A- I’ve also played several times, may feature a couple bum tracks, but will stay in my collection in physical form and ride with me in the cab of my truck; a B+ is damn good–at least 66.6% of its tracks are–but I don’t need to hold, study, and fondle it; and a B is something that is GOOD–just GOOD–but has a couple dynamite cuts on it or projects a personality I want to stay at least electronically acquainted with.
Will anyone unseat Little Simz? And didn’t I keep Tracey Thorn on the throne almost all year last year, too? Am I an Anglophile? A gynophile (izzat even a word)? Well. If something out there doesn’t get a little better soon, a dead dude’s gonna top my chart. ‘Nuff said on that.
My Album-Lover’s Honor Roll for 2019 (as of November 30, 2019)
(bolded items are new additions to the ongoing list)
(“A”s or 9.5-10/10s)
Little Simz: Grey Area
Purple Mountains: Purple Mountains
Various Artists: A Day in the Life–Impressions of Pepper*
Jamila Woods: Legacy! Legacy!
Junius Paul: Ism
Rapsody: Eve
Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
Chance The Rapper: The Big Day
Byron Asher: Byron Asher’s Skrontch Music
Freddie Gibbs & Madlib: Bandana
(“A-”s or 9.0-9.4999/10s)
Royal Trux: White Stuff
Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith: Songs from The Bardo
Peter Perrett: Humanworld
Yugen Blakrok: Anima Mysterium
Mexstep: Resistir
Mdou Moctar: Ilana (The Creator)
Danny Brown: uknowwhutimsayin
Pere Ubu: The Long Goodbye
J Balvin & Bad Bunny: OASIS
DKV and Joe McPhee: The Fire Each Time
Lightning Bolt: Sonic Citadel
Sheer Mag: A Distant Call
Billy Woods & Kenny Segal: Hiding Places
Jeffrey Lewis: Bad Wiring
Raphael Saadiq: Jimmy Lee
Young Thug: So Much Fun
Kel Assouf: Black Tenere
James Brandon Lewis: An Unruly Manifesto
Teodross Avery: After the Rain–A Night for Coltrane
Various Artists: Total Solidarity
Lana Del Rey: Norman F***ing Rockwell
Control Top: Covert Contracts
Lizzo: Cuz I Love You
Elza Soares: Planeta Fome
Abdullah Ibrahim: The Balance
Damon Locks / Black Monument Ensemble: Where Future Unfolds
Denzel Curry: Zuu
Dave: PSYCHODRAMA
Moor Mother: Analog Fluids of Sonic Black Holes
Various Artists: The Final Battle—Sly & Robbie vs. Roots Radics
Rocket 808: Rocket 808
2 Chainz: Rap or Go to the League
Joel Ross: Kingmaker
I Jahbar: Inna Duppy SKRS Soundclash
Lee Scratch Perry: Rainford
Joe McPhee / John Butcher: At the Hill of James Magee
Tyler Childers: Country Squire
Pat Thomas, Dominic Lash, and Tony Orrell: Bleyschool
Beyoncé: Homecoming
Sote: Parallel Persia
(“B+”s or 8.65-89.999/10)
The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
The Coathangers: The Devil You Know
FKA Twigs: MAGDALENE
Miranda Lambert: Wild Card
Preservation Hall Jazz Band: Tuba in Cuba
Quelle Chris: Guns
Heroes Are Gang Leaders: The Amiri Baraka Sessions
DaBaby: KIRK
Ben Lamar Gay: Confetti in the Sky Like Fireworks
Tanya Tagaq: Toothsayer EP
Senyawa: Sujud*
Various Artists: Weaponize Your Sound
Earl Sweatshirt: FEET OF CLAY
Maxo Kream: Brandon Banks
BaianaSystem: O Furturo Nao Demora
Aesop Rock & TOBACCO: Malibu Ken
DaBaby: Baby on Baby
Megan Thee Stallion: Fever
Sleater-Kinney: The Center Won’t Hold
Dan Weiss Trio + 1: Utica Box
Davido:A Good Time
Michael Kiwanuka: Kiwanuka
Saul Williams: Encrypted & Vulnerable
Young M.A.: Herstory in the Making
Ken Vandermark: Momentum 4—Consequent Duos 2015-2019
Poncho Sanchez: Trane’s Delight
The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
Mario Pavone: Philosophy
Alcorn/McPhee/Vandermark: Invitation to a Dream
Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
Chuck Cleaver: Send Aid
Rachid Taha: Je Suis Africain
Barrence Whitfield Soul Savage Arkestra: Songs from The Sun Ra Cosmos
The Sensational Barnes Brothers: Nobody’s Fault But Mine
GoldLink: Diaspora
Harriet Tubman: The Terror End of Beauty
Usted Saami: God is Not a Terrorist
Mantana Roberts: COIN COIN Chapter Four—Memphis
Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
black midi: Schlagenheim
Nots: 3
Guitar Wolf: Love & Jett
Robert Forster: Inferno
Aziza Brahim: Sahari
Jacob Wick & Phil Sudderberg: Combinatory Pleasures
The Paranoid Style: A Goddamn Impossible Way of Life
Boris: Love & Evol
Ingrid Laubrock & Aki Takase: Kasumi
LPX: Junk of the Heart (EP)
Helado Negro: This is How You Smile
(“B”s or 8.3-8.64999)
Joe McPhee and Paal Nilssen-Love: Song for the Big Chief
G & D: Black Love & War
Girl Band: The Talkies
Steve Riley & The Mamou Playboys: 30 Years Live
Gilberto Gil: OK OK OK
JPEGMAFIA: All My Heroes Are Cornballs
Resavoir: Resavoir
Jaimie Branch: Fly or Die II—Bird of Paradise
Ras Kass: Soul on Ice 2
Flying Lotus: Flamagra
Angel-Ho: Death Becomes Her
JD Allen: Barracoon
Big Thief: Two Hands
Various Artists: Queen & Slim—The Soundtrack
Tinariwen: Amadjar
Various Artists: Typical Girls Three
Leyla McCalla: Capitalist Blues
Tyshawn Sorey and Marilyn Crispell: The Adornment of Time
Tropical Fuck Storm: Braindrops
Santana: Africa Speaks
Judy and The Jerks: Music for Donuts
Tyler, The Creator: IGOR
Whit Dickey Tao Quartets: Peace Planet / Box of Light
Blacks’ Myths: Blacks’ Myths II
The Art Ensemble of Chicago: We Are On the Edge
Ibibio Sound Machine: Doko Mien
Solange: When I Get Home
Freddie Douggie: Live on Juneteenth
Ranky Tanky: Good Time
Ahmad Jamal: Ballades
Dump Him: Dykes to Watch Out For
Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
Little Brother: May the Lord Watch
Blood Orange: Angel’s Pulse
Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
Doja Cat: Hot Pink
Kelsey Lu: Blood
Bassekou Kouyate & Ngoni Ba: Miri
Hama: Houmeissa
Ill Considered: 5
Girls on Grass: Dirty Power
Stella Donnelly: Beware of the Dogs
Matthew Shipp Trio: Signature
Shovels & Rope: By Blood
Angel Bat Dawid: The Oracle
Spiral Stairs: We Wanna Be Hyp-No-Tized
Our Native Daughters: Songs of Our Native Daughters
Rosie Flores: A Simple Case of The Blues
Mekons : Deserted
James Carter Organ Trio: Live from Newport Jazz
*Technically, these are 2018 releases, but for now, I’m claiming their impact is being felt more strongly this year.
Living To Listen 