Amerikkkan Top 40: Some New (and Relatively New) Albums That May Help Get You Through the Morning News If You Can Stand to Read It

Hi! I’m early with my 2025 blog update, but I ain’t buying anything Friday anyway (I hope it isn’t Bandcamp Friday). If you happen to be a new reader, what I try to do at the end of each month is highlight the new albums–or recently excavated older works–that I’ve truly enjoyed, that have kept me sane, that have moved me, that have challenged me, etc. etc. etc. A thing about me: I’m the kind of person who always tries to order something different on the menu every time he goes to a restaurant, and I’m even more that way with music. I love a lot of it, I don’t think in genres, I am fascinated as much by pure sound and mood as I am by conventionally structured songs and lyrics, and I see myself as a scout, a finder, a tout (albeit a somewhat inexpressive one, as I’d rather you sample some of this stuff than me try to tell you why it is so attractive to me zzzzzzzzzz). Maybe you should start with the album covers, the album titles, the label names–and recently I’ve been including a boo-hiss Spotify playlist that includes tracks from each work (if possible–I get review copies ahead of time, which I will try to note and which aren’t yet represented in “the stream”–and not everything is on Spotify, in case you didn’t know). Finally, IRL (I’ve always wanted to use that!), I am an English teacher of 41 years’ vintage (a lightly sweet grape Boone’s Farm ’84), and because of my love for reading and teaching novels, I prefer albums to singles–I want to experience an act’s whole world, not just a moment where maybe they got hit by lightning inspiration or just got lucky.

Each month I’ll add to the previous month’s existing list, and bold-face those entries so you know they’re new. Some items may disappear if they fade for me or I just glitch. I’m starting by listing them alphabetically until order of love begins to establish itself, which it hasn’t quite, yet. This month, FOUR asterisks (****) will indicate a few discs I’m really enchanted by, and FIVE asterisks a few discs I’m really really enchanted by. Eventually, too, I’ll separate the list into really new stuff and those excavations I mentioned.

I hope you find something below that makes your day and creates the illusion that we aren’t necessarily facing a barbarian takeover. Take a chance, why doncha?

THE LIST (January 1 – February 26, 2025)

Ale Hop & Titi Bakorta: Mapambazuko (Nyege Nyege Tapes)*****

The Ancients: The Ancients (Eremite)

Bad Bunny: DeBI TiRAR MaS FOToS (Rimas Entertainment)****

Black Milk & Fat Ray: Food from the Gods (Computer Ugly / Fat Beats)

Booker T & The Plasmic Bleeds: Ode To BC/LY… And Eye Know BO…. da Prez (Mahakala Music)

Benjamin Booker: Lower(Fire Next Time)

Brother Ali & Ant: Satisfied Soul (Mello Music)

Sylvie Courvoisier & Mary Halvorson: Bone Bells (Pyroclastic) Note: release date = March 14, 2025

doseone & Steel Tipped Dove: All Portrait, No Chorus (BackwoodzStudios) ****

Ex-Void: In Love Again(Tapete Records)

FKA twigs: Eusexua (Young Recordings Limited)

Satoko Fujii GENAltitude 1100 Meters (Libra)

Satoko Fujii Trio: Dream a Dream (Libra)****

Keiji Haino and Natsuki Tamura: what happened there? (Libra)

The Hemphill Stringtet: Plays the Music of Julius Hemphill (Out of Your Head Records) Note: release date = April 4, 2025****

William Hooker: Jubilation (Org Music)*****

Horsegirl: Phonetics On and On (Matador)

Michael Gregory Jackson: Frequency Equilibrium Koan (moved-by-sound)

Anthony Joseph: Rowing Up the River to Get Our Names Back (Heavenly Sweetness)****

JPEG Mafia: I Lay Down My Life for You (Director’s Cut) (self-released)*****

Kelela: In the Blue Light (Warp)***

Steve Lehman: The Music of Anthony Braxton (Pi Recordings)*****

James Brandon Lewis: Apple Cores (Anti-)

LOLO: LOLO (Black Sweat)

Mean Mistreater: Do or Die (self-released)

Mac Miller: Baloonerism (Warner Records)

Jako Maron: Mahavelouz (Nyege Nyege Tapes)****

Isabelle Olivier: Impressions (Rewound Echoes)

Marek Pospieszalski Octet & Zoh Amba (see below): NOW! (Project financed by a scholarship from the Minister of Culture and National Heritage “Młoda Polska” & Katowice City of Music UNESCO) Note: release date = November 29, 2024

R.A.P. Ferreira: Outstanding Understanding (Ruby Yacht)

Serengeti: Palookaville (serengetiraps / self-released) Note: release date = December 25, 2024

Ebo Taylor, Adrain Younge, and Ali Shaheed Muhammad: Jazz Is Dead 22 (Jazz is Dead)

Trio Glossia: Trio Glossia (Sonic Transmissions)****

Sharon Van Etten & The Attachment Theory: Sharon Van Etten & The Attachment Theory (Jagjaguwar)

The War & Treaty: Plus One (Mercury Nashville)

Jesse Welles: Middle (Jesse Welles Music)

Alfred White: The Definitive Alfred White (Music Makers Recordings)

Simon Willson: Bet (Endectomorph Records)

Jeong Lim Yang: Synchronicity (Fully Altered Media)

The Young Mothers: Better If You Let It (Sonic Transmissions)****

Head Down, Headphones On—One-liner Edition (June 23rd, 2018, Columbia, MO)

Frustrated at not tending to my vast responsibility to, um, someone, I donned the headphones and powered through some new slabs. Fortunately, they were all at least good.

Mdou Moctar Meets Elite Beat in a Budget Dancehall–The star of the Saharan Purple Rain ducks out of the desert and into a club, and things get looser than they tend to on the sands…not a bad idea at all.

Dave Holland: Uncharted Territories–Two septuagenarian vets of European improvised music join two American youngsters for a two-disc creation session, and the kids’ ideas win (as does the listener, in one of the best free records of 2018).

The Young Mothers: Morose–The latest work starring a product of Texas’ House of Gonzalez (one brainstormed by a Norwegian) melds free jazz, rap, punk, metal, and maybe other stuff in a furious attempt to change that mood–be it in us or the musicians themselves.

Rolling Blackouts Coastal Fever: Hope Downs–Seems like folks are struggling to describe this Australian act (they’re not a jam band to my ears), but they seem a more straightforward version of The Feelies to me, and that’s a good thing.

Nidia: Nídia É Má, Nídia É Fudida–Just as I’m wondering when JLin going to deliver another package of EDM even a Southwest Missouri boy can love, I find out a Portuguese wizard damn near matched Black Origami with this quirky jam (there may be hope for me yet).

Bonus Bounce:

An Apple Music playlist of some my recent wanderings in that streaming world.