Tag: The delines

Things Are Unhinged, but Members of The Earth, Do Not Bend to The Set-Up (Living to Listen’s Favorite Records, March ’26)

The national dumpster fire is raging so hot that The Delines’ sobering but skillful portraits and tales (hit the link below) sound like Sly and The Family Stone’s Greatest Hits in comparison. I hope you all are getting out in the street or otherwise making your presence felt—if you’re hostile to the notion that there’s something to defeat out there, you’re come to wrong blog. You probably don’t like music anyway, and you’re certainly not likely to cotton to any of these new platters.

Developments? I’ve zeroed in on a new and very solid candidate for record of the year, at least so far: Tanya Tagaq’s angry and intense new record—she’s good at those, but to my ear this is her best. I once again exalt a splendid recording by one of Argentina’s finest pianists, Rocio Gimenez Lopez, who deserves many more huzzahs and is joined on the 88s by her husband (note album title). It’s an inspired and inspiring recording. If you’d asked me in 2025 if we needed yet another tribute to Duke Ellington, I might have said no, but Jason Moran’s shining and imaginative solo voyage would have made me eat my words. Quandaries: why aren’t more rock-oriented six-string worshippers on the Bill Orcutt train (maybe they are, and I’m just isolated)—a runaway train it is, trailing several creatively skronky recordings over the past few years—and why did Fugazi and Steve Albini agree to abandon the In On the Killtaker the latter “recorded”? If you need some peace, sound-healer Harlan Silverman has some stillness for you. Along with Mr. Moran, the Congolese act Kin’Gongolo Kiniata score a vibrant five asterisks with their debut album, which appears to be associated with a documentary I need to say. KINACT offers up the latest Nyege Nyege dance-racket. Buck 65 keeps passing the test. Finally, Cecil Taylor’s last performance, which includes a spoken scientific trip, has emerged.

Social music notes: a) Nicole and I not only got to witness the 86-year-old jazz groundbreaker Roscoe Mitchell play live, but we experienced him duet with his lab Shuggie, who kept the room in line (the show was arranged by the St. Louis non-profit Dissonant Works, which experimental art fans should keep an eye on); b) We also enjoyed bass player extraordinaire and frequent Bill Evans partner Eddie Gomez, 81 going on 30, lead his expert band through a set of standards and originals as part of Columbia’s annual We Always Swing series; and c) the truly exciting and informative Apple podcast Fela: Fear No Man made two road trips of ours go extremely quickly—check it out, even if you think you know all you need to know about Afrobeat’s Black President. We still have two episodes to go, during which I hope Tony Allen is at least mentioned.

SPOTLIGHT ALBUM OF THE MONTH

Kin’Gongolo Kiniata: Kiniata (Helico Music)*****

New in March (click this for the Jan-Feb list) No asterisk = good / *** = very good / **** = great / ***** = really great

Buck 65: Do Not Bend (self-released) ****

The Delines: The Set-Up (decor) ****

E L U C I D & Sebb Bash: I Guess U Had To Be There (Backwoodz Studioz) ***

Fugazi: Albini Sessions (Dischord) ****

Sophie Gault: Unhinged (Torrez Music Group)

Ernesto Jodos / Rocio Gimenez Lopez: Una casa con dos pianos (Blue Art) ***

KINACT: Kinshasa in Action (Nyege Nyege Tapes)****

Jason Moran: Jason Moran Plays Duke Ellington (Yes Records) *****

Angelika Niescier: Chicago Tapes (Intakt) ****

OHYUNG: IOWA (self-released)

Bill Orcutt: Music in Continuous Motion (Palilalia) *****

Robyn: Sexistential (Konichiwa / Young)

Shabaka: Of the Earth (Shabaka Records) ***

Sideshow: Tigray Funk (10k & UA) ***

Harlan Silverman: Music for Stillness (Mississippi Records)

Tyshawn Sorey: Members…Don’t! (Pi Recordings) *** (out May 29)

Alister Spence: Always Ever (self-released) ****

Station Model Violence: Station Model Violence (Anti Fade)

Tanya Tagaq: Saputjii (Six Shooter) *****

Cecil Taylor New Unit: Words and Music—The Last Bandstand (Fundacja Słuchaj Records)

Various Artists: Born in the City of Tanta–Lower Egyptian Urban Folklore and Bedouin

Shaabi from Libya’s Bourini Records 1968-75 (Sublime Frequencies) ***

Weld Khadija ou L-Farqa L-Jilaliya:  Walad Haja Radio Annajah 718 راديو النجاح (Hive Mind)

2025: Too Cool for Me To Have Forgotten (or Missed)

Blanco teta: La Debacle de las Divas (Les Disques Bongo Joe)

kangding ray: SIRAT—Original Motion Picture Soundtrack (Invada)

Vintage Albums I Deeply Enjoyed This Month

Kauro Abe: Winter 1972

Abdul Al-Hannan: The Third World

Polly Bradfield: Solo Violin Improvisations

Cairo Free Jazz Ensemble: Heliopolis

Arthur Doyle + 4: Alabama Feeling

Gang of Four: Another Day Another Dollar EP

G.L. Unit: Oran Gu Tang!

The Grateful Dead: Rockin’ The Rhein

Wardell Gray: Memorial (Volumes 1 & 2)

L7: Fast and Frightening

Ikue Mori: Painted Desert

Mount Everest Trio: Waves from Albert Ayler

Kasey Musgraves: Same Trailer, Different Park

Kasey Musgraves: Golden Hour

Kasey Musgraves: Deeper Well

Public Image Limited: Second Edition

Jimmy Rushing: Rushing Lullabies

Masahiko Sato Trio: Penetration

The Stanley Brothers: The King Years 1961-1965

Swamp Dogg: Total Destruction to the Mind

Swamp Dogg: Gag a Maggot

Charles Tyler: Eastern Man Alone

John Tchicai and Cadentia Nova Danca: Afrodisiaca

Sonny Boy Williamson: The Essential Sonny Boy Williamson

Bob Wills & The Texas Playboys: The Tiffany Transcriptions, Volume 3—Basin Street Blues

The Frank Wright Quartet: Church Number Nine

Hey! I Read, Too—and So Should You!

Martin Amis: Money

Dan Flores: Coyote America—A Natural and Supernatural History

Laurel Holliday: Children of the Troubles—Our Lives in the Crossfire of Northern Ireland

Yasunari Kawabata: Snow Country

Freya McClements & Joe Duffy: Children of the Troubles

John D. MacDonald: The Deep Blue Good-By

Toni Morrison: Beloved

Edna O’Brien: Lantern Slides—Stories

Elizabeth Strout: Olive Kitteridge

Follow me on Instagram and Substack if you get the notion! Also, more of my education adventures found here.

It Will Not End Here: My 25 Favorite Records of 2025 (if you don’t give me any more time to think about it)

Childers deserves to chill.
Thunder-nakas.
Love, Commitment, and Improv.

It’s New Year’s noonish, and I have to come to a conclusion about the records that got me through this growing mess. 2026 ain’t gonna be much better, I’m afraid—maybe in the music universe, but not on the ground, so to speak. I may have short-changed December; if you didn’t see my December 1st long-list, it’s here. A few December releases did make my Top 25 line-up.

If you have followed this blog for awhile, you’ve already noticed I am a bit restless about formatting. This year, I just alphabetized records most of the year and used an asterisk system to indicate my level of enthusiasm (I am not a critic; I am merely an enthusiast who measures records by the degree to which my short hairs stand up while playing an album). I also did not separate out archival digs or reissues. I vote in the Francis Davis Memorial Jazz Critics Poll, but below, I did not weed out jazz (however, I will share my poll ballot, which would change if I resubmitted it today). To paraphrase Duke Ellington, there’s only two kids of music: good and bad. Seldom this year did I write at much length about albums; if I mentioned them at the top of the post, that indicated that I really cared. Also, my perspective about ordering records is very subjective: my life experiences, prejudices, 42-year-career as an English teacher, my 63-plus years hanging out in the middle of the country, my commitment to being a married man but also to seeking new aesthetic territory to open my mind—those are the determiners, and I respect yours, as different as they may be. Finally, I’m a hardcore Heraclitian (?): you can never step in the same river twice, because you are mutating by the moment and the river just keeps on running. Apply that to a piece of music you’re listening to for, say, the 157th time; I have Professor Longhair’s Crawfish Fiesta on right now, two days after hearing the combo’s unique drummer Johnny Vidocovich play live 40-some years after that record got waxed, and damn right I’m different than I was at 19 and my ears are way better after that show. Anyway…the point is, I’m not asserting that these are rankings that you should mind, my friends.

Thoughts: I have been invulnerable to Americana / folk / alt-country whatever since, oh, 2016. To be honest, even though many artists categorized as such are en resistance, and even though I am a Midwestern white guy one generation removed from the family farm, I just have not wanted to hear what those white (mostly) guys have had to say. Childers (intense vocals conjuring Gary Stewart—read Jimmy McDonough’s new bio of that one), The Delines (really downbeat and sharp writing from off the grid or hanging by the fingernails from it), Tommy Womack (a lifelong struggler apparently indomitable despite not being in denial), and I’ll throw in octogenarian Irish folk legend Christy Moore (fighting his own fight at home but aware of the threats to the world at large) changed that. [ahmed], Los Thuthanaka, and a vintage Hüsker Dü live set were aural fists in the face to creeping (ok, faster than creeping) repression. Among my peers, few have sung the praises of Colombian folk goddess Karol G but that album outjukes Bad Bunny’s. If Danny Brown can get his whole health together, so can I. Death was a constant presence in my personal life in ’25, so Brotzmann’s stunning final live sessions of autumnal free jazz—if he was ever too much for you, this is where to get on board—empowered me. I liked woods’ and Fanon’s reimagining of woods’ original version way more, because it seemed to deliberately tackle the problem folks occasionally have with woods’ tracks. And I’ll stop with a big plug for Natural Information Society’s perfectly-titled album: I saw the group perform the piece (on the album, in multiple versions) live and was completely mesmerized by their militantly disciplined minimalism across nearly an hour’s playing (36 minutes in its long version here). Apologies to Sudan Archives, Lil’ Wayne, C-MAT, and maybe-just-maybe Geese for not giving your work the time it very likely deserved

Living to Listen’s Top 25 for ’25 

  1. Tyler Childers: Snipe Hunter (RCA / Hickman Holler)
  2. The Delines: Mr. Luck & Ms. Doom (Jealous Butcher) 
  3. [ahmed]: Sama’a [Audition] (Otoroku) 
  4. Los Thuthanaka: Los Thuthanaka (Studio Pankara)
  5. Hüsker Dü: 1985—The Miracle Year (Numero Group) 
  6. Karol G: Tropicoqueta (Bichota)
  7. Sabrina Carpenter: Man’s Best Friend (Island)
  8. Bad Bunny: DeBI TiRAR MaS FOToS (Rimas Entertainment)
  9. Danny Brown: Stardust (Warp)
  10. Peter Brotzmann: The Quartet (Otoroku) 
  11. August Fanon & billy woods: Gowillog (reimagined) (BackwoodzStudioz)
  12. Steve Lehman: The Music of Anthony Braxton (Pi Recordings)
  13. Christy Moore: A Terrible Beauty (Claddagh) (11/2024 release in Ireland, so I’m counting it)
  14. Natural Information Society: Perseverance Flow (Eremite)
  15. Mary Halvorson: About Ghosts (Nonesuch)
  16. Amina Claudine Myers: Solace of the Mind (Red Hook) 
  17. Ale Hop & Titi Bakorta:  Mapambazuko (Nyege Nyege Tapes) 
  18. Sharp Pins: Balloon Balloon Balloon (K / Perennial Death)
  19. Various Artists: The Bottle Tapes (Corbett vs. Dempsey)
  20. Cosmic Ear: TRACES (We Jazz) 
  21. Lily Allen: West End Girl (BMG)
  22. Tommy Womack: Live a Little (Schoolkids)
  23. doseone & Height Keech: Wood Teeth (Hands Made EP)
  24. Dijon: Baby (R&R )
  25. De La Soul: Cabin in the Sky (Mass Appeal) 

My Jazz Critics Poll Ballot (FWIW)

Best New Jazz Albums of 2025

  1. [ahmed]: [Sama’a] (Audition) (Otoroku)
  2. Peter Brotzmann: The Quartet (Otoroku) 
  3. Cosmic Ear: TRACES (We Jazz) 
  4. Mary Halvorson: About Ghosts (Nonesuch) 
  5. Steve Lehman: The Music of Anthony Braxton (Pi Recordings) 
  6. Amina Claudine Myers: Solace of the Mind(Red Hook) 
  7. Deepstaria Enigmatica: The Eternal Now Is the Heart of a New Tomorrow (ESP-Disk)

  8. William Hooker: Jubilation (Org Music) 
  9. OTHERLANDS TRIO: Star Mountain (Intakt)
  10. Joe Chambers, Kevin Diehl, Chad Taylor: Onilu(Eremite)

Rara Avis (reissues and/or music recorded in 2015 or earlier)

  1. Various Artists: The Bottle Tapes (Corbett vs. Dempsey)
  2. Rahsaan Roland Kirk: Jump Up & Down Fast—Vibrations in the Village, Live at the Village Gate (Resonance) 
  3. Cecil Taylor / Tony Oxley: Flashing Spirits (Burning Ambulance)
  4. Marco Eneidi Quintet: Wheat Fields of Kleylehof (Balance Point Acoustics / Botticelli) 
  5. Shamek Farrah & Sonelius Smith: The World of the Children (Strata-East) 

Best Jazz Vocal Albums

  1. Silvana Estrada: Vendran Suaves Lluvia (Glassnote)
  2. Laura Ann Singh: Mean Reds (Out of Your Head)
  3. Lena Bloch: Marina (Fresh Sounds)

Best Latin Albums

  1. Roger Glenn: My Latin Heart (Patois) 
  2. Miguel Zenon: Vanguardia Subterranea (Miel Music) 
  3. Aruan Ortiz: Creole Renaissance (Intakt)

33 1/3: My Favorite Albums of the Year So Far (January 1st to April 30th)

Whew! It has been a month.

My in-person musical highlights of April were witnessing the L.A. born-and-bred/St. Louis Black Artists Group-associated poet K. Curtis Lyle perform his long and stunning The Collected Poem for Blind Lemon Jefferson, driven by Damon Smith beating the fuck out of his doghouse bass and creating surprising sounds that perfectly punctuated the work, as well as marveling at Jeffrey Lewis magically taking control of St. Louis’ marvelous dive The Sinkhole like the greatest music teacher alive. I’ve included Lyle’s latest work below, even though it was a late-2024 release–so it goes with the slow. Big thanks to the humble, smiling genius Matt Crook and Dismal Niche for their continued imagination and effort to bring underheard sounds to Columbia, Missouri.

Regarding the rest of the new items on my cumulative list of 2025 records I’ve so far been captivated by?

  1. No, I am not on the Nyege Nyege Tapes or Satoko Fujii payrolls, nor do I get review copies from Nyege Nyege Tapes (I demand them from Libra Records jk). Both forces have truly been on a creative roll and bring life and rhythm to my house with each new release.
  2. The Delines, Patterson Hood, and Craig Finn chipped away at the thickening personal ice block separating me from enjoying most of the “Americana” genre.
  3. If you get a chance to see Jeffrey Lewis, take it. You get excellent songs, impish charm, songs for the hear-and-now…and Lewis-illustrated history lessons.
  4. If you are so fed-up you need some in-your-face music, may I direct you to the new Sumac-Moor Mother team-up? Or would you prefer some Backxwash? Or maybe clipping? All three acts are at their finest on these releases.
  5. I believe Argentinian jazz pianist Rocio Gimenez Lopez is one of the least well-known terrific musicians in the world. Her new album of interpretations of jazz classics is sublime. Please give her a shot.
  6. I have pushed the freak-folk/psychedelic-doom/quiet-REAAAAALLLLY fucking loud-quiet Japanese band Les Rallizes Denudes several times here before. Check out the below RSD reissue for maybe the best way into their work.
  7. There are now several Bill Orcutt Guitar Quartet albums out there, many featuring interpretations of the exact same songs in different live settings and also featuring ace Ava Mendoza. You need at least one: you can get the studio version, but I would also take your pick of the live versions, as they all go into different sonic territory. Fans of Quine, 75 Dollar Bill, even Mdou Moctar have no reason to ignore me.
  8. When you hear the NOLA team-up of Galactic and Irma Thomas, you will not believe Irma’s 84. This isn’t their first collab; when they lock in they sound made for each other. And while I’m talking soul, you may have given up on SAULT (not sure why you would have, but they are not exactly stingy with their output, and might have created in you some aural calluses), but please give 10 a chance: it carries a timely, easeful late great-period Sly vibe.
  9. That’s right: Ed Hamell and Jinx Lennon have new records out. Get your rabble roused and your heart emboldened.
  10. The Bitchin’ Bajas’ Cooper Crain: Columbia, Missouri’s Smithton Middle School’s most creative graduate. He wasn’t on my team during his tenure there, but I was made aware of him of my students who were in his orbit.

TO THE LIST: Items in bold are new; I’ve added a track from each album (when available) to an ongoing accompanying Spitify playlist; anything with an asterisk I especially enjoyed; anything fully italicized is an excavation from bygone days; yes, I’m eventually going to put them in order from most enjoyable to simply enjoyable–but not yet.

Ale Hop & Titi Bakorta:  Mapambazuko (Nyege Nyege Tapes)*****

Marshall Allen’s Ghost Horizons: Live in Philadelphia, Volume 1 (Otherly Love Records—out on May 23 but be on the serious look-out!) ***

The Ancients: The Ancients (Eremite)

Ichiko Aoba: Luminescent Creatures (Psychic Hotline)

Artemis: Arboresque (Blue Note) ****

Backxwash: Only Dust Remains (Ugly Hag)****

Bad Bunny: DeBI TiRAR MaS FOToS (Rimas Entertainment)****

Black Milk & Fat Ray: Food from the Gods (Computer Ugly / Fat Beats)

Blacks’ Myths Meets Pat Thomas: The Mythstory School (self-released) ***

Booker T & The Plasmic Bleeds: Ode To BC/LY… And Eye Know BO…. da Prez (Mahakala Music)

Benjamin Booker: Lower (Fire Next Time)

Johnny Bragg: Let Me Dream On (Org Music) ***

Brother Ali & Ant: Satisfied Soul (Mello Music)

Sylvie Courvoisier & Mary Halvorson: Bone Bells (Pyroclastic)

clipping: Dead Channel Sky (Sub Pop)

Christopher Dammann Sextet: Christopher Dammann Sextet (Out of Your Head)

Deepstaria Enigmatica: The Eternal Now Is the Heart of a New Tomorrow (ESP-Disk)

The Delines: Mr. Luck & Ms. Doom (Jealous Butcher)****

DJ Dadaman & Moscow Dollar: Ka Gaza (Nyege Nyege Tapes)

doseone & Steel Tipped Dove: All Portrait, No Chorus (BackwoodzStudios) ****

Ex-Void: In Love Again (Tapete Records)

Craig Finn: Always Been (Tamaric / Thirty Tigers)***

FKA twigs: Eusexua (Young Recordings Limited)

Satoko Fujii GEN: Altitude 1100 Meters (Libra)

Satoko Fujii Trio: Dream a Dream (Libra)****

Satoko Fuji / This is It!: Message (Libra)

Keiji Haino and Natsuki Tamura: what happened there? (Libra)

Galactic and Irma Thomas: Audience with the Queen (Tchoup-Zilla)

Hamell on Trial: Harp (for Harry) (Saustex)

The Hemphill Stringtet: Plays the Music of Julius Hemphill (Out of Your Head Records) Note: release date = April 4, 2025****

Patterson Hood: Exploding Trees & Airplane Screams (ATO)***

William Hooker: Jubilation (Org Music)*****

William Hooker: A Time Within: Live at the New York Jazz Museum, January 14, 1977 (The Control Group / Valley of Search) ***

Horsegirl: Phonetics On and On (Matador)

HHY & The Kampala Unit: Turbo Meltdown (Nyege Nyege Tapes)****

Michael Gregory Jackson: Frequency Equilibrium Koan (moved-by-sound)

Jeong – Bisio Duo (featuring Joe McPhee): Morning Bells Whistle Bright (ESP-Disk) ****

Anthony Joseph: Rowing Up the River to Get Our Names Back (Heavenly Sweetness)****

JPEG Mafia: I Lay Down My Life for You (Director’s Cut) (self-released)*****

Kelela: In the Blue Light (Warp)***

KINGDOM MOLOGI: Kembo (Nyege Nyege Tapes) ***

Lady Gaga: Mayhem (Interscope)

Steve Lehman: The Music of Anthony Braxton (Pi Recordings)*****

Jinx Lennon: The Hate Agents Leer at the Last Agents of Hope (Septic Tiger)

James Brandon Lewis: Apple Cores (Anti-)

Jeffrey Lewis: The Even More Freewheelin’ Jeffrey Lewis (Don Giovanni)

LOLO: LOLO (Black Sweat)

Rocio Gimenez Lopez: La Forma Del Sueno (Blue Art)****

K. Curtis Lyle, Jaap Blonk, Damon Smith, Alex Cunningham: A Radio of the Body

Mazinga: Chinese Democracy Manifest—Greatest Hits, Vol. 2 (Rubber Wolf)

The Mekons: Horror (Fire)***

Mean Mistreater: Do or Die (self-released)

Mac Miller: Baloonerism (Warner Records)

Jako Maron: Mahavelouz (Nyege Nyege Tapes)****

Billy Mohler: The Eternal (Contagious)

Matthew Muneses and Riza Printup: Pag-Ibko, Volume 1 (Irabbagast Records)

David Murray Quartet: The Birdsong Project Presents Birdly Serenade (Verve)

Natural Information Society and Bitchin’ Bahas: Totality (Drag City)

NOBRO: Set Your Pussy Free (Dine Alone) ***

Isabelle Olivier: Impressions (Rewound Echoes)

The Onions: Return to Paradise (Hitt Records)

Bill Orcutt Guitar Quartet: Hauslive 4 (Palilalia)***

Organic Pulse Ensemble: Ad Hoc (Ultraaani Records)*****

Pitch, Rhythm, and Consciousness: Sextet (Reva Records)

Marek Pospieszalski Octet & Zoh Amba (see below): NOW! (Project financed by a scholarship from the Minister of Culture and National Heritage “Młoda Polska” & Katowice City of Music UNESCO) Note: release date = November 29, 2024

Les Rallizes Denudes: Blind Baby Has Its Mother’s Eyes (Life Goes On)

R.A.P. Ferreira: Outstanding Understanding (Ruby Yacht)

Bobby Rush and Kenny Wayne Shepherd: Young Fashioned Ways (Deep Rush / RAM Records) ***

SAULT: 10 (Sault Global)***

Serengeti: mixtape 2 (serengetiraps / self-released)

Serengeti: Palookaville (serengetiraps / self-released) Note: release date = December 25, 2024

The Sex Pistols: Live in the U.S.A. South East Music Hall, Atlanta, January 5th, 1978 (UME)

The Sharp Pins: Radio DDR (K / Perennial Death)****

Luke Stewart / Silt Remembrance Ensemble: The Order (Cuneiform)***

Ray Suhy / Lewis Porter Quartet: What Happens Next(Sunnyside) ***

SUMAC and Moor Mother: The Film (Thrill Jockey)

John Surman: Flashpoint and Undercurrents (Cuneiform Records) ***

Masahiko Tagashi: Session in Paris, Volume 1—Song of the Soil (with Don Cherry and Charlie Haden) (We Want Sounds)

Taj Mahal & Keb’ Mo’: Room on the Porch for Everyone (UMG EP) (Note: a related full album releases in May that contains NONE of these excellent songs)

Ebo Taylor, Adrain Younge, and Ali Shaheed Muhammad: Jazz Is Dead 22 (Jazz is Dead)

Trio Glossia: Trio Glossia (Sonic Transmissions)****

The Tubs: Cotton Crown (self-released)

Sharon Van Etten & The Attachment Theory: Sharon Van Etten & The Attachment Theory (Jagjaguwar)

Various Artists: Prisoners’ Day Compilation (Majazz Project / Palestinian Sound Archive)***

Various Artists: Sweet Rebels—The Golden Era of Algerian Pop-Rai (We Want Sounds) ***

The War & Treaty: Plus One (Mercury Nashville)

Alfred White: The Definitive Alfred White (Music Makers Recordings)

Simon Willson: Bet (Endectomorph Records)

Jeong Lim Yang: Synchronicity (Fully Altered Media) The Young Mothers: Better If You Let It (Sonic Transmissions)****

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