Back To School: Living to Listen’s Favorite Records, January 1st to September 1st, 2025

To my regular readers: As I type, I have already begun my 42nd (consecutive) year as a teacher. This fall, I am teaching two on-line freshman composition classes at Stephens College (one with the school’s Conservatory and built around Sasha Geffen’s alternative pop history Glitter Up The Dark–read it yourself, folks!—and the other with its regular women’s college students, who are reading Octavia Butler’s Kindred. In addition, I will be teaching an in-person 3.5-week, M-F, three-hours-per-block freshman comp class starting in mid-October; they, too, will be reading Butler’s book. Most of you will not need to guess why I’ve chosen those books to build a composition class around; my Missouri readers will have no doubt. Anyway, I’m devoting this post to my students, so I will now proceed to, ahem, address them….

To my students: Welcome to Living to Listen, the longest list of lovely licorice pizza in Blogtown! When I was your age (zzzzz….) in 1980, I could not have made a list of 35 albums I even owned, nor barely 50 I had heard from beginning to end (I was a singles kid then). If I’d been asked to construct my favorites from those, on the list would have been Bruce Springsteen’s Darkness on the Edge of Town, Elvis Costello’s Armed Forces, The B-52s, Bob Seger’s Night Moves, The Velvet Underground’s 1969 Live, X’s Los Angeles, Black Sabbath’s We Sold Our Soul for Rock and Roll, “Rapper’s Delight,” Teddy Pendergrass’ Teddy, Neil Young’s Live Rust, Bob Dylan’s Highway 61 Revisited, The Clash’s London Calling, The Sex Pistols’ Never Mind the Bollocks, Cher’s most recent album (serious outlier)…well, I’ll stop there. Today, the year isn’t even over and the following list isn’t numbered, but odds are it will exceed 200 by New Year’s Eve 2026 and those will just be the ones I heard that I liked.

What’s the point? Good question. Often I wonder that myself. What I think I’m doing is helping my readers wade through a perpetual tsunami of new recordings—literally any sentient being can now make a record and make it available to the public—and find something that will transfix, delight, provoke, stimulate, energize, and maybe even transform them from the creatures that they are…because they did one or more of those things to me. What I am probably doing is nearer to yodeling into the Grand Canyon at 2 a.m. What I am sure I am doing at the very least is preparing myself to vote in a couple of year-end “Best of the Year” polls (though I have yet to even pull my Top 10 out of the jungle below) as well as committing to cybermemory a record (make that very plural) of what I was putting my ear to at the time. It may also appear that I am showing off and that may well be accurate, but I’d argue that I don’t spend money or time on much else than listening to music, books, movie theaters, Stephens Conservatory productions, teaching, and my very saintly bride. Oh yes, food. And occasionally drink. I have to be forced to buy new clothes, I would never drive anything if I didn’t have to, one house will do, thank you—in other words, really, music is not only an obsession for me but a lifeline. I am not religious, but sometimes I have argued with friends that every record in the house (yes, I and you should BUY music to keep food on our musicmakers’plates) is like a book of humanity’s bible to me. Seriously.

A quick scan of my 2025 favorites reveals a few things about me: 1) I listen to a lot of music; 2) I am not exactly a poptimist (I really like Olivia, Beyonce, Rihanna, Harry, and Billie, for example, but I merely seriously admire Taylor Swift and have no use for Sabrina—nor a lot of men who make poppy pop music, and I really only like one of Harry’s albums); 3) Looks like I lean hard toward improvisational jazz (especially the Scandinavian variety—they distill the best stuff!), but it frees my mind, goes great with reading, and fits an ideal I hold about living with other people; 4) I am apparently working for Nyege Nyege Tapes out of Uganda as well as the prolific Japanese jazz pianist Satoko Fujii; and—gotta stop somewhere—5) unlike many, many white men my age (63.666), I like rap music. The list does not show that I LOVE country music, but as far as today’s purveyors go, it’s mostly the women that bend my ear. I love Tyler Childers and Zach Bryan because they sing with intensity and they write outside the lines of the stereotypical “rural” coloring book.

So…sample some stuff! I would expect you haven’t heard of a lot of it, but I’ll warn you that that is not because it’s not good—it’s a wide, wide world out there! Each record listing includes a link to a way to get ahold of it or learn about it, a Spotify link (I hate that platform, but I feel I have no choice) for the whole list that follows it, and next you will see the meaning of my typology (?). I hope you find something that lifts you! Also, if something you love from 2025 isn’t on the list, that doesn’t necessarily mean I don’t like it—I might not have gotten to it yet. I also might not have simply gotten it yet. Or it could be it just don’t move me! Students, peace to you unless you have to protect others, then and always may you stay safe, please write so well you’re proud of the output, and talk to me about some of these platters!

MY LIST OF AURAL PLEASURE

January 1 – September 1, 2025

BOLD = New to the List

ASTERISKED* = Damn good!*** to Holy SHIT!*****

ITALICIZED: Excavations from the Past / Reissues

Aesop Rock: Black Hole Superette (Rhymesayers) ****


Africa Express: …Presents…Bahidora (World Circuit Limited) ****

Amarae: Black Star (Golden Angel) ***

Zoh Amba: Sun (Smalltown Supersound) ****

Ale Hop & Titi Bakorta:  Mapambazuko (Nyege Nyege Tapes) *****


Marshall Allen’s Ghost Horizons: Live in Philadelphia, Volume 1 (Otherly Love Records) ****


The Ancients: The Ancients (Eremite) ***


Ichiko Aoba: Luminescent Creatures (Psychic Hotline)


Artemis: Arboresque (Blue Note) ****

Backxwash: Only Dust Remains (Ugly Hag) ****

Bad Bunny: DeBI TiRAR MaS FOToS (Rimas Entertainment) ****
*

Julien Baker & Torres: Send a Prayer My Way (Matador) ****


Bar-B-Q Killers: The Last Shit, Part 1 (Chunklet 45)

Gina Birch: Trouble (Third Man)

The Bitter Ends: The Bitter Ends (Trouble in River City)


Black Milk & Fat Ray: Food from the Gods (Computer Ugly / Fat Beats)


Blacks’ Myths Meets Pat Thomas: The Mythstory School (self-released) ***


Yugen Blakrok: The Illusion Of Being (I.O.T. Records) ***
*

Blood Orange: Essex Honey (RCA) ***

Booker T & The Plasmic Bleeds: Ode To BC/LY… And Eye Know BO…. da Prez (Mahakala Music)


Benjamin Booker: Lower (Fire Next Time)


Johnny Bragg: Let Me Dream On (Org Music) ***


Brother Ali & Ant: Satisfied Soul (Mello Music)


Buck 65: Keep Moving (self-released) ****

Peter Brotzmann: The Quartet (Otoroku) *****

Master Wilburn Burchette: Master Wilburn Burchette’s Psychic Meditation Music (Numero Group) ***

Joe Chambers, Kevin Diehl, Chad Taylor: Onilu (Eremite) ****

Tyler Childers: Snipe Hunter (RCA / Hickman Holler) ****

Christer Bothén 3: L’Invisible (thanatosis) ****

clipping: Dead Channel Sky (Sub Pop)


Clipse: Let God Sort ‘Em Out (Roc Nation) ***

Common and Pete Rock: The Auditorium, Volume 1 (Casa Loma)

Cosmic Ear: TRACES (We Jazz) *****


Sylvie Courvoisier & Mary Halvorson: Bone Bells (Pyroclastic) ***

Chuck D: Chuck D Presents Enemy Radio—Radio Armageddon (Soundspeak)

Christopher Dammann Sextet: Christopher Dammann Sextet (Out of Your Head)
 ***

Deepstaria Enigmatica: The Eternal Now Is the Heart of a New Tomorrow (ESP-Disk)
 ****

The Delines: Mr. Luck & Ms. Doom (Jealous Butcher) ****


DJ Dadaman & Moscow Dollar: Ka Gaza (Nyege Nyege Tapes)


DJ Haram: Beside Myself (Hyperdub)

DJ Shaun-D: From Bubbling to Dutch House (Nyege Nyege Tapes)


Big Chief Bo Dollis Jr. & The Wild Magnolias: Chip Off The Old Block (Strong Place)

Doseone & Height Keech: Wood Teeth (Hands Made EP) ****

doseone & Steel Tipped Dove: All Portrait, No Chorus (BackwoodzStudios) ****

Earl Sweatshirt: Live Laugh Love (Tan Cressida) ***

Silke Eberhard Trio: Being-A-Ning (Intakt)

Eddy Current Suppression Ring: Shapes and Forms (Cool Death EP) ***

Marty Ehrlich Trio Exaltation: This Time (Sunnyside) ***

Electric Satie: Gymnopedia ’99 (In Sheep’s Clothing) ****

Marco Eneidi Quintet: Wheat Fields of Kleylehof (Balance Point Acoustics / Botticelli) ****

Mark Ernestus’ Ndagga Rhythm Force: Khadim (Ndagga) ***

Ex-Void: In Love Again (Tapete Records)

Fieldwork: Thereupon (Pi Records) ****

Craig Finn: Always Been (Tamaric / Thirty Tigers) ***


FKA twigs: Eusexua (Young Recordings Limited)


Robert Forster: Strawberries (Tapete) ****

Satoko Fujii GENAltitude 1100 Meters (Libra)


Satoko Fujii Trio: Dream a Dream (Libra) ****


Satoko Fuji / This is It!: Message (Libra)

Karol G: Tropicoqueta (Bichota) ****

Galactic and Irma Thomas: Audience with the Queen (Tchoup-Zilla)

Girl Scout: Headache (self-released EP)

Roger Glenn: My Latin Heart (Patois) ***

Woody Guthrie: Woody at Home, Vol 1 + 2 (Shamus) ****

Keiji Haino and Natsuki Tamura: what happened there? (Libra)


Mary Halvorson: About Ghosts (Nonesuch) *****

Hamell on Trial: Harp (for Harry) (Saustex)

Heat On: Heat On (Cuneiform)


The Hemphill Stringtet: Plays the Music of Julius Hemphill (Out of Your Head Records)


Patterson Hood: Exploding Trees & Airplane Screams (ATO) ***


William Hooker: Jubilation (Org Music) *****


William Hooker: A Time Within: Live at the New York Jazz Museum, January 14, 1977 (The Control Group / Valley of Search) ***


Horsegirl: Phonetics On and On (Matador)


HHY & The Kampala Unit: Turbo Meltdown (Nyege Nyege Tapes) ****

Hunx and His Punks: Walk Out on This World (Get Better) ****

Hüsker Dü: January 30, Parts 1 & 2 (Numero EP) ***** (Numero box on the way….)

Mikko Innanen and Ingebrigt Häker Flaten: Live in Espoo (Sonic Transmissions)

Michael Gregory Jackson: Frequency Equilibrium Koan (moved-by-sound)


Jeong – Bisio Duo (featuring Joe McPhee): Morning Bells Whistle Bright (ESP-Disk) ****


JLZ & GG: Medio Grave (Nyege Nyege Tapes) ***

Rico Jones: Bloodlines (Giant Step Arts)

Anthony Joseph: Rowing Up the River to Get Our Names Back (Heavenly Sweetness) ****

JPEG Mafia: I Lay Down My Life for You (Director’s Cut) (self-released) ****

Kelela: In the Blue Light (Warp) ***


KINGDOM MOLOGI: Kembo (Nyege Nyege Tapes) ****

Kronos Quartet + The Hard Rain Collective: Hard Rain (Red Hot Org EP)

Lady Gaga: Mayhem (Interscope)


Lambrini Girls: Who Let The Dogs Out (City Slang US) *****

Steve Lehman: The Music of Anthony Braxton (Pi Recordings) *****


José Lencastre: Inner Voices (Burning Ambulance) ***

Jinx Lennon: The Hate Agents Leer at the Last Agents of Hope (Septic Tiger) ***


James Brandon Lewis: Apple Cores (Anti-)


James Brandon Lewis Quartet: Abstraction is Deliverance (Intakt) ***

Jeffrey Lewis: The Even More Freewheelin’ Jeffrey Lewis (Don Giovanni)


Little Simz: Lotus (AWAL) ****

LOLO: LOLO (Black Sweat)


Rocio Gimenez Lopez: La Forma Del Sueno (Blue Art) ****


Rocio Gimenez Lopez: La Palabra Repetida (Blue Art) ***

K. Curtis Lyle, Jaap Blonk, Damon Smith, Alex Cunningham: A Radio of the Body

Jako Maron: Mahavelouz (Nyege Nyege Tapes) ****


Mazinga: Chinese Democracy Manifest—Greatest Hits, Vol. 2 (Rubber Wolf)


Mean Mistreater: Do or Die (self-released)
 ***

The Mekons: Horror (Fire) ***


Ava Mendoza/Gabby Fluke-Mogul/Carolina Perez: Mama Killa (Burning Ambulance) ***

M(h)aol: Something Soft (Merge) ***

Mac Miller: Baloonerism (Warner Records)


Billy Mohler: The Eternal (Contagious)


Moonchild Sanelly: Full Moon (self-released)

MonoNeon: You Had Your Chance…Bad Attitude! (Color Red) ****


Christy Moore: A Terrible Beauty (Claddagh) *****

Jason Moran/Trondheim Jazz Orchestra/Ole Morten Vågan: Go To Your North (Yes Records)

Matthew Muneses and Riza Printup: Pag-Ibko, Volume 1 (Irabbagast Records)


David Murray Quartet: The Birdsong Project Presents Birdly Serenade (Verve)

Amina Claudine Myers: Solace of the Mind (Red Hook) ****

Natural Information Society and Bitchin’ Bahas: Totality (Drag City)


Louis Nevins: The Fumes (Cavetone Records) ***

Alick Nkhata: Radio Lusaka (Mississippi Records) ***

NOBRO: Set Your Pussy Free (Dine Alone) ***

Nourished By Time: The Passionate Ones (XL)

Isabelle Olivier: Impressions (Rewound Echoes)


The Onions: Return to Paradise (Hitt Records)


Bill Orcutt Guitar Quartet: Hauslive 4 (Palilalia) ***


Organic Pulse Ensemble: Ad Hoc (Ultraaani Records) *****

Aruan Ortiz: Creole Renaissance (Intakt) ***

Pan Afrikan Peoples Arkestra Led by Horace Tapscott: Live at Widney High December 26th, 1971 (The Village) ***


Ivo Perelmamn and Matthew Shipp: Armageddon Flower (TAO Forms)

Pitch, Rhythm, and Consciousness: Sextet (Reva Records)


Marek Pospieszalski Octet & Zoh Amba: NOW! (Project financed by a scholarship from the Minister of Culture and National Heritage “Młoda Polska” & Katowice City of Music UNESCO)

Public Enemy: Black Sky Over The Projects—Apartment 2025 (self-released) ***

Les Rallizes Denudes: Blind Baby Has Its Mother’s Eyes (Life Goes On)


Les Rallizes Denudes: Jittoku ’76 (Temporal Drift)

R.A.P. Ferreira: Outstanding Understanding (Ruby Yacht)

Jonathan Richman: Only Frozen Sky Anyway (Blue Arrow)


Adam Rudolph, Dave Liebman, Billy Hart: Beingness (Meta)


Bobby Rush and Kenny Wayne Shepherd: Young Fashioned Ways (Deep Rush / RAM Records) ***

Sverre Sæbo Quintet: If, However, You Have Not Lost Your Self Control (SauaJazz)


SAULT: 10 (Sault Global) ***


Serengeti: mixtape 2 (serengetiraps / self-released)


Serengeti: Palookaville (serengetiraps / self-released) 


The Sex Pistols: Live in the U.S.A. South East Music Hall, Atlanta, January 5th, 1978 (UME)


The Sharp Pins: Radio DDR (K / Perennial Death) ***


Matthew Shipp: The Cosmic Piano (Canteloupe Records) ****

Anthony “Big A” Sherrod: Torchbearer of the Clarksdale Sound (Music Makers Recordings EP)

Slick Rick: Victory (Mass Appeal) ***

Luke Stewart / Silt Remembrance Ensemble: The Order (Cuneiform) ***


Ray Suhy / Lewis Porter Quartet: What Happens Next (Sunnyside) ***


SUMAC and Moor Mother: The Film (Thrill Jockey)


Sun Ra: Nuits de la Fondation Maeght 5 August 1970 (Strut) ***

Superchunk: Songs in the Key of Yikes (Merge) ****

John Surman: Flashpoint and Undercurrents (Cuneiform Records) ***

Atef Swaitat & Abu Ali: Palestinian Bedouin Psychedelic Dabka Archive (Majazz Project/Palestinian Sound Archive) ****

Masahiko Tagashi: Session in Paris, Volume 1—Song of the Soil (with Don Cherry and Charlie Haden) (We Want Sounds)


Taj Mahal and Keb’ Mo’: Room on the Porch (Concord Jazz) 


Taj Mahal & Keb’ Mo’: Room on the Porch for Everyone (UMG EP) 


Cecil Taylor / Tony Oxley: Flashing Spirits (Burning Ambulance)

Ebo Taylor, Adrain Younge, and Ali Shaheed Muhammad: Jazz Is Dead 22 (Jazz is Dead)


Three-Layer Cake: “sounds the color of grounds” (Otherly Love)

Los Thuthanaka: Los Thuthanaka (Studio Pankara) ****

Trio Glossia: Trio Glossia (Sonic Transmissions) ****


The Tubs: Cotton Crown (self-released) ***

Kali Uchis: Sincerely (Capitol) ***

Akira Umeda & Metal Preyers: Clube de Mariposa Mórbida (Nyege Nyege Tapes)

The Untamed Youth: Git Up and Go (Hi-Tide / Nu-Tone)

Various Artists: African Jazz Invites O.K. Jazz (Planet Ilunga) ***


Various Artists: A Tribute to the King of Zydeco (Valcourt) *****

Various Artists: Democracy Forward (Bitter Southerner) ***

Various Artists: Prisoners’ Day Compilation (Majazz Project / Palestinian Sound Archive) ***

Various Artists: Roots Rocking Zimbabwe– The Modern Sound of Harare’ Townships 1975-1980 (Analog Africa) ****


Various Artists: Sweet Rebels—The Golden Era of Algerian Pop-Rai (We Want Sounds) ***

Vibration Black Finger: Everybody Cryin’ Mercy (Enid)

Morgan Wade: The Party is Over (recovered) (Ladylike) ****

The War & Treaty: Plus One (Mercury Nashville)


Wet Leg: moisturizer (Domino) ***

Alfred White: The Definitive Alfred White (Music Makers Recordings)


Wheelhouse: House and Home (Aerophonic)


Simon Willson: Bet (Endectomorph Records)

billy woods: GOLLIWOG (x) (Backwoodz Studios)


Wu-Tang Clan: Black Samson, The Bastard (All Maf / 36 Chambers)

Jeong Lim Yang: Synchronicity (Fully Altered Media) 

Hiroshi Yoshimura: Flora (Temporal Drift) ***

Brandee Younger: Gadabout Season (Impulse) ***

The Young Mothers: Better If You Let It (Sonic Transmissions) ****

Miguel Zenon: Vanguardia Subterranea (Miel Music) ***

Put this SPITify sucker on shuffle and free your ears-so your arse and mind will follow!

I Don’t Feel Tardy. I Don’t Feel Hardy. But I Feel That Wild Loneliness…. (January 1 – March 6, 2022)

Sorry I’m late; life is interfering. Not for the first time has a family (or other loved one’s) health crisis interrupted my much less important obsession with documenting my favorite records of the past days, weeks, months, and years–and with me, it seems, when it rains, it’s like a cow pissin’ off a cliff onto a flat rock. I’m truly multiply occupied (I am also teaching a brand-new class on groundbreaking women in this country’s music that is requiring regular and very exciting hard work), so I am behind in some ways. But I just turned 60, I feel like I’m 35 in a sea of stress, so it must be real love…and the music.

  1. What I’m really waiting for are the new albums by Wet Leg (can the whole album be that good?) and Rosalia (the flamenco touches seem to be wafting away, but on the evidence of the singles, she remains a force). The former’s out soon; the latter will require enduring a multi-month tease.
  2. I often check things out on a whim. Joy Guidry’s new album’s cover and title had me thinking a very interesting rap album–but it’s improvisational jazz, and good stuff at that.
  3. Superchunk’s never been one of my top faves, but their classic What a Time to Be Alive dragged me kicking and screaming into a state of deep admiration and a practice of repeat plays. Their new record is almost a companion piece, but from a completely different and powerful emotional direction–I just listened to it for the first time today and, in the state I’m in, it killed me.
  4. One of the world’s greatest rock and roll deejays, Whitney Shroyer, a longtime friend and advisor, implored me to sample Lady Wray, whom I’d not heard of (it happens–a lot). Though I like its predecessor a little better, from a singing, songwriting, and production standpoint, Piece of Me is a solid pleasure.
  5. Did I tell ya to read Tanya Tagaq’s Split Tooth and check out her new album Tongues? Yes, I did. I was fucking serious. They go together, and they deliver.
  6. It’s not every late winter that you can buy two classic creations by a known wizard reissued from those too-halycon-from-a-preservationist-perspective Seventies. This is one of them. They also call him Hermeto.
  7. High on the “appreciation” scale but wavering on the “diggit” scale: the new offerings by Big Thief and Black Country, New Roads.
  8. Lavender Country is a gay and politically smart-ass country outfit dating back to 1972. Their album in the archival digs category is only three years old, but it might as well have come out today. It is NOT simply a novelty; it’s well-played, wittily sung and written, and will cattle-prod you out of the corner of your ear.
  9. I feel like I’m experiencing an explosion of sharp country music women coming from tantalizingly marginally differentiated viewpoints (JUST IN TIME FOR MY NEW CLASS). Priscilla Block’s the latest, and I’ll let you discover the viewpoint.
  10. Gonora Sounds’ Hard Times Never Kill is a beautiful-sounding album from Zimbabwe.
  11. I wish I had heard Adeem the Artist‘s Cast-Iron Pansexual (like about 20 other 2021 albums) when it came out. Great songs, one of which made me tear up, and he wished me a happy birthday on Twitter!
  12. (Hidden track)(Whispered to avoid having things thrown at me, but…) I’ll say it: Spoon’s never really done it for me. I’ve learned never say never–but my first listen was at 5:15 this morning and it livelied me up. Could have been the Death Wish coffee pods my brother left at my mom’s house, though.

Newbies (new items are bolded):

  1. 75 Dollar Bill: Social Music at Troost, Volume 3–Other People’s Music (Black Editions Group) (left off my original post unaccountably!) 

  1. Tanya Tagaq: Tongues (Six Shooter) 

  1. Superchunk: Wild Loneliness 

  1. Gonora Sounds: Hard Times Never Kill 

  1. Amber Mark: Three Dimensions Deep (PMR / Interscope) 

  1. Javon Jackson & Nikki Giovanni: The Gospel According to Nikki Giovanni (Solid Jackson) 

  1. Etran de L’Air: Agadez 

  1. Morgan Wade: Reckless (Deluxe) (Ladylike) 

  1. Lady Wray: Piece of Me 

  1. Mark Lomax II: Prismatic Refractions, Volume I 

  1. Anna von Hausswoolff: Live at Montreaux Jazz Festival (Southern Lord) 

  1. Various Artists: Lespri Ka—New Directions in Gwoka Music from Guadeloupe (Time Capsule Sounds) 

  1. Joy Guidry: Radical Acceptance 

  1. Spoon: Lucifer on the Sofa 

  1. OGJB: Ode to O (TUM) (Note: Band name – O = Oliver Lake, G = Graham Haynes, J = Joe Fonda, B = Barry Altschul / Title – O = Ornette) 

  1. Andrew Cyrille, William Parker, and Enrico Rava: Two Blues for Cecil (TUM) 

  1. Luke Stewart’s Silt Trio: The Bottom (Cuneiform) 

  1. Priscilla Block: Welcome to the Block Party 

  1. Immanuel Wilkins: The 7th Hand (Blue Note) 

  1. Earl Sweatshirt: Sick! (Tan Cressida / Warner) 

  1. Big Thief: Dragon New Warm Mountain I Believe in You 

  1. Fulu Miziki: Ngbaka (EP) 

  1. Black Country, New Roads: Ants from Up There 

  1. Hurray for The Riff Raff: Life on Earth 

  1. Rokia Koné and Jacknife Lee: Bamanan 

  1. Marta Sanchez: SAAM (Spanish American Art Museum) 

  1. Tomas Fujiwara: Triple Double 

  1. Junglepussy: jp5000 (EP) 

  1. Kahil El’Zabar Quartet: A Time for Healing 

  1. Pete Malinverni:  On the Town—Pete Malinverni Plays Leonard Bernstein (Planet Arts) 

  1. Chief Keef: 4Nem (Glo Gang / RBC) 

  1. The Weeknd: Dawn FM (XO / Republic) 

  1. Martin Wind: Air (Laika) 

  1. Space Afrika: Honest Labour 

  1. Natsuki Tamura: Summer Tree 

Archival Digs: 

Cecil Taylor: The Complete Legendary Live Return Concert at the Town Hall 

Albert Ayler: La Cave Live 1966 (Ezz-Thetics) 

Neil Young: Carnegie Hall 1970 (Reprise) 

Various Artists: Summer of Soul 

Lavender Country: Blackberry Rose and Other Songs & Sorrows

Hermeto Pascoal: Planetário da Gávea 

Hermeto Pascoal: Hermeto (not out yet, but fuck it–it’s worth planning for!)

 

There was more than one Reagan youth

In brief, L-R, each row:

Little Richard: The Georgia Peach

Don’t forget: wotta band!!! Especially Lee Allen on bulldozing tenor and Earl Palmer inventing rock and roll drumming.

Sacred Flute Music from New Guinea

The thought of “sacred flute music” gives me the fan-tods, but, lo and behold, but this stuff is not only inventive, but also a little catchy and fairly varied (for folk music).

Rosalía: Los Ángeles

A debut album of uncommon vocal intensity and focus, augmented almost solely by acoustic guitar. It isn’t quite flamenco, it’s not really pop, but it means business.

Hamid Drake & Joe McPhee: Keep Going

The highlight is the title opener, inspired and partially written by Harriet Tubman and offered to the growing number of us who are demoralized. I’d accept; it works. Elsewhere the two fond and familiar free masters make joyful racket with their drum and horn, respectively.

X-Ray Spex: Germfree Adolescents

I’ve been asked to present at a local high school’s seminar on identity, and given my choice of topics. I’m doing the whole hour on my favorite record ever written by a teenager. A teenage prophet, for teenagers 40 years later to discover.

Charlie Parker: The Complete Savoy & Dial Master Takes

Any day’s a great day to listen to Bird, but The Sound of Redemption, a neat documentary on the art and trials of the Parker-inspired saxophonist Frank Morgan, sent me in his direction. The film’s built around a Morgan tribute concert held at the man’s former home: San Quentin.

Superchunk: What A Time to Be Alive

The best rock and roll album of 2018, partly because it nails the time. I played “Reagan Youth” 5 times today–then I played the very best of Reagan Youth.

Parquet Courts: Stay Awaaake

Instrumentally, these guys know every rock and roll move, sometimes constructing a crazy-quilt out of several in one song. Lyrically, like Superchunk, they seem to be taking a necessary piss (both albums have great songs about fights or fighting). But the “dumb,” affected vocals have built a wall between they and me.

Not so brief after all.

Not THAT Thomas Jefferson! (February 23rd, 2018, Columbia, Missouri)

I love old-time New Orleans jazz records–that so many seem to and might actually have been recorded in an empty VFW hall is a charm I cannot resist–and I was pleasantly surprised earlier this week when those nice kids at Hitt Records gave me a copy of Thomas Jefferson’s If I Could Be with You One Hour Tonight. Jefferson is one of the later-period greats of traditional NOLA trumpeting, and he sounds great on this record I’d never heard of (he’s an affecting singer, too); it was actually recorded at The Lord Napier in Surrey, England, and the set list features some warm surprises (“A Long Way to Tipperary”). One of the clerks, Taylor, had had a conversation with me about a similar record I’d found at the store, and said to me, “Y’know, I don’t know much about this stuff–I probably need to get caught up.” He must be wasting no time.

I have been the beneficiary of great generosity this week, and much of it hasn’t had to do with my birthday. My good friend Isaac, with whom I share a constant stream of wonderful music on a regular basis, alerted me to the release of a new record by Hailu Mergia, an Ethiopian pianist of considerable reknown. If you don’t think you need to hear Ethiopian piano-based music, sorry, but you do. Mergia’s Lala Belu combines fascinating searching melodies (Mariam Gebru, his fellow Ethiopian keyboardist, seems to have minted them) with striking, swirling accordian, dark-toned violin, and lightly funky drums. Here’s the whole record:

Finally…about my entry of 2/22/18? I’d mentioned Joyful Noise Recordings’ “White Label Series”? Well, I gave a deeper listen to one of those, the band Berry’s Everything, Compromised, and I think it’s major, one of the best releases of 2018. The album title’s an unfortunately accurate aspersion cast on the state of the nation, and for pop music political statements, especially in the indie rock vein, it’s remarkably subversive, witty, pointed, and weird. If you’re both pissed and bemused, you might want to pick it up if you can find it.

http://berrytheband.bandcamp.com/album/everything-compromised

Short-shrift Division:

More later, I am sure, on this one, but Superchunk’s new and mordant What A Time to Be Alive is also a real killer with a political edge–and does it rock out!