Things Are Unhinged, but Members of The Earth, Do Not Bend to The Set-Up (Living to Listen’s Favorite Records, March ’26)

The national dumpster fire is raging so hot that The Delines’ sobering but skillful portraits and tales (hit the link below) sound like Sly and The Family Stone’s Greatest Hits in comparison. I hope you all are getting out in the street or otherwise making your presence felt—if you’re hostile to the notion that there’s something to defeat out there, you’re come to wrong blog. You probably don’t like music anyway, and you’re certainly not likely to cotton to any of these new platters.

Developments? I’ve zeroed in on a new and very solid candidate for record of the year, at least so far: Tanya Tagaq’s angry and intense new record—she’s good at those, but to my ear this is her best. I once again exalt a splendid recording by one of Argentina’s finest pianists, Rocio Gimenez Lopez, who deserves many more huzzahs and is joined on the 88s by her husband (note album title). It’s an inspired and inspiring recording. If you’d asked me in 2025 if we needed yet another tribute to Duke Ellington, I might have said no, but Jason Moran’s shining and imaginative solo voyage would have made me eat my words. Quandaries: why aren’t more rock-oriented six-string worshippers on the Bill Orcutt train (maybe they are, and I’m just isolated)—a runaway train it is, trailing several creatively skronky recordings over the past few years—and why did Fugazi and Steve Albini agree to abandon the In On the Killtaker the latter “recorded”? If you need some peace, sound-healer Harlan Silverman has some stillness for you. Along with Mr. Moran, the Congolese act Kin’Gongolo Kiniata score a vibrant five asterisks with their debut album, which appears to be associated with a documentary I need to say. KINACT offers up the latest Nyege Nyege dance-racket. Buck 65 keeps passing the test. Finally, Cecil Taylor’s last performance, which includes a spoken scientific trip, has emerged.

Social music notes: a) Nicole and I not only got to witness the 86-year-old jazz groundbreaker Roscoe Mitchell play live, but we experienced him duet with his lab Shuggie, who kept the room in line (the show was arranged by the St. Louis non-profit Dissonant Works, which experimental art fans should keep an eye on); b) We also enjoyed bass player extraordinaire and frequent Bill Evans partner Eddie Gomez, 81 going on 30, lead his expert band through a set of standards and originals as part of Columbia’s annual We Always Swing series; and c) the truly exciting and informative Apple podcast Fela: Fear No Man made two road trips of ours go extremely quickly—check it out, even if you think you know all you need to know about Afrobeat’s Black President. We still have two episodes to go, during which I hope Tony Allen is at least mentioned.

SPOTLIGHT ALBUM OF THE MONTH

Kin’Gongolo Kiniata: Kiniata (Helico Music)*****

New in March (click this for the Jan-Feb list) No asterisk = good / *** = very good / **** = great / ***** = really great

Buck 65: Do Not Bend (self-released) ****

The Delines: The Set-Up (decor) ****

E L U C I D & Sebb Bash: I Guess U Had To Be There (Backwoodz Studioz) ***

Fugazi: Albini Sessions (Dischord) ****

Sophie Gault: Unhinged (Torrez Music Group)

Ernesto Jodos / Rocio Gimenez Lopez: Una casa con dos pianos (Blue Art) ***

KINACT: Kinshasa in Action (Nyege Nyege Tapes)****

Jason Moran: Jason Moran Plays Duke Ellington (Yes Records) *****

Angelika Niescier: Chicago Tapes (Intakt) ****

OHYUNG: IOWA (self-released)

Bill Orcutt: Music in Continuous Motion (Palilalia) *****

Robyn: Sexistential (Konichiwa / Young)

Shabaka: Of the Earth (Shabaka Records) ***

Sideshow: Tigray Funk (10k & UA) ***

Harlan Silverman: Music for Stillness (Mississippi Records)

Tyshawn Sorey: Members…Don’t! (Pi Recordings) *** (out May 29)

Alister Spence: Always Ever (self-released) ****

Station Model Violence: Station Model Violence (Anti Fade)

Tanya Tagaq: Saputjii (Six Shooter) *****

Cecil Taylor New Unit: Words and Music—The Last Bandstand (Fundacja Słuchaj Records)

Various Artists: Born in the City of Tanta–Lower Egyptian Urban Folklore and Bedouin

Shaabi from Libya’s Bourini Records 1968-75 (Sublime Frequencies) ***

Weld Khadija ou L-Farqa L-Jilaliya:  Walad Haja Radio Annajah 718 راديو النجاح (Hive Mind)

2025: Too Cool for Me To Have Forgotten (or Missed)

Blanco teta: La Debacle de las Divas (Les Disques Bongo Joe)

kangding ray: SIRAT—Original Motion Picture Soundtrack (Invada)

Vintage Albums I Deeply Enjoyed This Month

Kauro Abe: Winter 1972

Abdul Al-Hannan: The Third World

Polly Bradfield: Solo Violin Improvisations

Cairo Free Jazz Ensemble: Heliopolis

Arthur Doyle + 4: Alabama Feeling

Gang of Four: Another Day Another Dollar EP

G.L. Unit: Oran Gu Tang!

The Grateful Dead: Rockin’ The Rhein

Wardell Gray: Memorial (Volumes 1 & 2)

L7: Fast and Frightening

Ikue Mori: Painted Desert

Mount Everest Trio: Waves from Albert Ayler

Kasey Musgraves: Same Trailer, Different Park

Kasey Musgraves: Golden Hour

Kasey Musgraves: Deeper Well

Public Image Limited: Second Edition

Jimmy Rushing: Rushing Lullabies

Masahiko Sato Trio: Penetration

The Stanley Brothers: The King Years 1961-1965

Swamp Dogg: Total Destruction to the Mind

Swamp Dogg: Gag a Maggot

Charles Tyler: Eastern Man Alone

John Tchicai and Cadentia Nova Danca: Afrodisiaca

Sonny Boy Williamson: The Essential Sonny Boy Williamson

Bob Wills & The Texas Playboys: The Tiffany Transcriptions, Volume 3—Basin Street Blues

The Frank Wright Quartet: Church Number Nine

Hey! I Read, Too—and So Should You!

Martin Amis: Money

Dan Flores: Coyote America—A Natural and Supernatural History

Laurel Holliday: Children of the Troubles—Our Lives in the Crossfire of Northern Ireland

Yasunari Kawabata: Snow Country

Freya McClements & Joe Duffy: Children of the Troubles

John D. MacDonald: The Deep Blue Good-By

Toni Morrison: Beloved

Edna O’Brien: Lantern Slides—Stories

Elizabeth Strout: Olive Kitteridge

Follow me on Instagram and Substack if you get the notion! Also, more of my education adventures found here.

A Moment of Silence for January 2026—Then Let It Blast! Some Records (and Books) That Kept My Head Up During the Horror

I retreated into music and books this month. The books I chose to help me find answers and a path forward; the music I explored to stay connected.

As usual with Januaries past, new so-called pop (and semi-pop) music oozed out slowly. Jazz, as is its wont, continued to issue forth like a live Sonny Rollins calypso solo. You will see evidence of such in my list, though maybe my perception is due to my leanings (jazz has been a more reliable stimulant to me than anything as I’ve grown suddenly into my sixties).

Also as usual, I am restless when it comes to formatting this blog, and this year, along with tracking my favorite new releases, I’ve decided to return to documenting older purchases I’ve recently returned to and the books I’m currently reading. In this post, I shamefacedly shine light on a few albums I should have pushed harder last year, especially one by the great Memphis singer of bluesy rhythm and blues (the blues? what are those?), Talibah Safiya. She has a new one in the February chute that I paid for the privilege of sampling early—see below. Verdict: it, too, is terrific—she has a gift for soft grit, something like legendary trumpeter Clifford Brown’s tone of “soft fire” (can’t remember what musician described it thus). The other most notable “coming soon” release is the product of the ever-sublime, ever-simply complex music partnership of bassist.cellist Tomeka Reid and guitarist Mary Halvorson.

I will always supply links to my recommendations. I would post a playlist, but I am not thrilled with the connections of any streaming platform, and, if the recommendation has a Bandcamp link, you can play tracks from there.

If the urge strikes you, check out my education Substack, The Overeem (Failed) Farewell to Teaching Tour, which almost always makes contact with the world of music even though I can’t play an instrument and I’ve taught English for the last 42 years. My other WordPress blog, the original Overeem Farewell to Teaching Tour, has deeper and broader reaches, especially as it traces every day of my final year of public school teaching (2012-2014) as well as my wife Nicole’s and my winding trek through peak COVID (March 2020-March 2021). For rock and rollers, it also includes school-related pieces on Dead Moon (played at my school), Bobby Rush (housed the audience at my school), and Chuck Berry (provoked a parent to question my principal about my morals).

Keep your eye on the ball, don’t turn away from life, and don’t panic. Freedom is a constant struggle, but it doesn’t have to be this horrible. Be the opposite of what they are. And get your feet in the street if the situation calls you to it.

SPOTLIGHT ALBUM OF THE MONTH

Mark Lomax II: The Unity Suite (CFG Multimedia)

Dr. Lomax and his combo continue to deliver spiritual jazz of considerable power—you can meditate to it, but it hits your body as well. His music is disciplined and devout, yet it celebrates and inspires freedom, not to mention the title adjective—we need all of that right now.

Other Favorite New Albums, January 2026 

Julianna Barwick & Mary Lattimore: Tragic Magic (In Finé)

Dry Cleaning: Secret Love (4AD)

Art Edmaiston & Chad Fowler: Memphis Mandala (Mahakala Music)

fakemink: The Boy who cried Terrified . (EtnaVeraVela EP)

Fanfare Ciocarlia: Devil’s Tale (Asphalt Tango)

Al Green: To Love Somebody (Fat Possum EP)

Javon Jackson: Jackson Plays Dylan (Solid Jackson/Palmetto)

Joyce Manor: I Used to Go to This Bar (Epitaph)

Tomeka Reid: dance! skip! hop! (Out of Your Head Records)

Ren: Vincent’s Tale (self-released…I think) 

Talibah Safiya: Eternal (self-released…I think)

SAULT: Chapter 1 (Forever Living Originals)

Noé Sécula & Jorge Rossy: A Sphere Between Other Obsessions (Fresh Sounds)

Alan Silva Celestrial Communication Ensemble: 2000-06-24 Amherst (Eremite)

Slutworld: Slut Intent (self-released EP)

Harriet Tubman & Georgia Muldrow: Electrical Field of Love (Pi Recordings)

Twisted Teens: Blame the Clown (Jazz Life)

2025: Gone But Too Cool for Me to Have Forgotten

C-MAT: Euro-Country (CMATBABY)

Griot Galaxy: Live on WUOM 1979 (Two Rooms)

Anthony Joseph: Rowing Up the River to Get My Name Back (Heavenly Sweetness)

Talibah Safiya: a lil’ more Black Magic (High Water)

Vintage Albums I Deeply Enjoyed

79rs Gang: Fire on the Bayou (Urban Unrest / Sinking City)

79rs Gang: Expect the Unexpected (Sinking City)

Collocutor: Continuation (On the Corner)

The Killer Shrews: The Killer Shrews (Enemy)

Donal Lunny: Donal Lunny’s Definitive Moving Hearts (Warner Ireland)

The Supreme AngelsIf I’m Too High (Nashboro)

The Supreme AngelsThe Supreme Angels (Nashboro)

Hey! I Read, Too! 

Adam Morgan: A Danger to the Minds of Young Girls—Margaret C. Anderson, Book Bans, and the Fight to Modernize Literature (One Signal)

Sivina Ocampo: The Promise (City Lights)

József Debreczeni: Cold Crematorium (St. Martin’s Press)

Orlando Reade: What In Me Is Dark—The Revolutionary Afterlife of Paradise Lost (Astra House)

Amerikkkan Top 40: Some New (and Relatively New) Albums That May Help Get You Through the Morning News If You Can Stand to Read It

Hi! I’m early with my 2025 blog update, but I ain’t buying anything Friday anyway (I hope it isn’t Bandcamp Friday). If you happen to be a new reader, what I try to do at the end of each month is highlight the new albums–or recently excavated older works–that I’ve truly enjoyed, that have kept me sane, that have moved me, that have challenged me, etc. etc. etc. A thing about me: I’m the kind of person who always tries to order something different on the menu every time he goes to a restaurant, and I’m even more that way with music. I love a lot of it, I don’t think in genres, I am fascinated as much by pure sound and mood as I am by conventionally structured songs and lyrics, and I see myself as a scout, a finder, a tout (albeit a somewhat inexpressive one, as I’d rather you sample some of this stuff than me try to tell you why it is so attractive to me zzzzzzzzzz). Maybe you should start with the album covers, the album titles, the label names–and recently I’ve been including a boo-hiss Spotify playlist that includes tracks from each work (if possible–I get review copies ahead of time, which I will try to note and which aren’t yet represented in “the stream”–and not everything is on Spotify, in case you didn’t know). Finally, IRL (I’ve always wanted to use that!), I am an English teacher of 41 years’ vintage (a lightly sweet grape Boone’s Farm ’84), and because of my love for reading and teaching novels, I prefer albums to singles–I want to experience an act’s whole world, not just a moment where maybe they got hit by lightning inspiration or just got lucky.

Each month I’ll add to the previous month’s existing list, and bold-face those entries so you know they’re new. Some items may disappear if they fade for me or I just glitch. I’m starting by listing them alphabetically until order of love begins to establish itself, which it hasn’t quite, yet. This month, FOUR asterisks (****) will indicate a few discs I’m really enchanted by, and FIVE asterisks a few discs I’m really really enchanted by. Eventually, too, I’ll separate the list into really new stuff and those excavations I mentioned.

I hope you find something below that makes your day and creates the illusion that we aren’t necessarily facing a barbarian takeover. Take a chance, why doncha?

THE LIST (January 1 – February 26, 2025)

Ale Hop & Titi Bakorta: Mapambazuko (Nyege Nyege Tapes)*****

The Ancients: The Ancients (Eremite)

Bad Bunny: DeBI TiRAR MaS FOToS (Rimas Entertainment)****

Black Milk & Fat Ray: Food from the Gods (Computer Ugly / Fat Beats)

Booker T & The Plasmic Bleeds: Ode To BC/LY… And Eye Know BO…. da Prez (Mahakala Music)

Benjamin Booker: Lower(Fire Next Time)

Brother Ali & Ant: Satisfied Soul (Mello Music)

Sylvie Courvoisier & Mary Halvorson: Bone Bells (Pyroclastic) Note: release date = March 14, 2025

doseone & Steel Tipped Dove: All Portrait, No Chorus (BackwoodzStudios) ****

Ex-Void: In Love Again(Tapete Records)

FKA twigs: Eusexua (Young Recordings Limited)

Satoko Fujii GENAltitude 1100 Meters (Libra)

Satoko Fujii Trio: Dream a Dream (Libra)****

Keiji Haino and Natsuki Tamura: what happened there? (Libra)

The Hemphill Stringtet: Plays the Music of Julius Hemphill (Out of Your Head Records) Note: release date = April 4, 2025****

William Hooker: Jubilation (Org Music)*****

Horsegirl: Phonetics On and On (Matador)

Michael Gregory Jackson: Frequency Equilibrium Koan (moved-by-sound)

Anthony Joseph: Rowing Up the River to Get Our Names Back (Heavenly Sweetness)****

JPEG Mafia: I Lay Down My Life for You (Director’s Cut) (self-released)*****

Kelela: In the Blue Light (Warp)***

Steve Lehman: The Music of Anthony Braxton (Pi Recordings)*****

James Brandon Lewis: Apple Cores (Anti-)

LOLO: LOLO (Black Sweat)

Mean Mistreater: Do or Die (self-released)

Mac Miller: Baloonerism (Warner Records)

Jako Maron: Mahavelouz (Nyege Nyege Tapes)****

Isabelle Olivier: Impressions (Rewound Echoes)

Marek Pospieszalski Octet & Zoh Amba (see below): NOW! (Project financed by a scholarship from the Minister of Culture and National Heritage “Młoda Polska” & Katowice City of Music UNESCO) Note: release date = November 29, 2024

R.A.P. Ferreira: Outstanding Understanding (Ruby Yacht)

Serengeti: Palookaville (serengetiraps / self-released) Note: release date = December 25, 2024

Ebo Taylor, Adrain Younge, and Ali Shaheed Muhammad: Jazz Is Dead 22 (Jazz is Dead)

Trio Glossia: Trio Glossia (Sonic Transmissions)****

Sharon Van Etten & The Attachment Theory: Sharon Van Etten & The Attachment Theory (Jagjaguwar)

The War & Treaty: Plus One (Mercury Nashville)

Jesse Welles: Middle (Jesse Welles Music)

Alfred White: The Definitive Alfred White (Music Makers Recordings)

Simon Willson: Bet (Endectomorph Records)

Jeong Lim Yang: Synchronicity (Fully Altered Media)

The Young Mothers: Better If You Let It (Sonic Transmissions)****

Breath of Air–The Best Records of 2022, January 1 – August 1

As I mentioned last post, I am enjoying fewer free hours to just blast new stuff. My sweetie’s home for the summer, and I feel like I’ve been taking two rigorous classes from Will Friedwald in the history of pop-jazz vocals and music that’s moved from the stage to the American Songbook. Thus, while I’m taking a deep dive into post-Trio Nat King Cole, I feel like I’ve been ignoring many explosions happening in the (not to say pop) music world. Funnily, however, it was while 98.7% engaged in the story of “Mack the Knife” (from Friedwald’s fab Stardust Memories) that I happened to try to be also listening to black midi’s Hellfire and its surging, stop-and-go, nattering power that I heard a kinship between the song, Brecht-Weill’s Threepenny Opera, and that herky-jerky, angry and complicated new album. More amusing, I am currently spending some time with my mom in her senior apartment (my brother and I just sold our parents’ house–my dad died suddenly in June 2020), and, as I am trying to get down to my teaching weight (210ish) and as I arise three hours before she does, I’ve been taking long (3.5 mile) walks and catching up with the new things. Since during the day I have been trying to finish Friedwald’s excellent but FUCKING METICULOUS Straighten Up and Fly Right: The Life and Music of Nat King Cole, and one can only listen to certain (i.e., not NEW) music while plowing through it, and since I have company and won’t put headphones on as a result, the walks are the only time I can really blast some stuff. I know you’ve been waiting for what’s that amusing: though I had intended to wait until stellar songwriting vet Tommy Womack’s new album I Thought I Was Fine arrived in CD form so I could enjoy it that way, I decided to queue it up on my first walk. Well…not only is it really damn great (especially if you’re an old, aching, regretful rock and roll filled with longing), but…yes…wait some more for it…Womack closes down the album with a couple of AMERICAN SONGBOOK NUGGETS (!!!!), “That Lucky Old Sun” and “Miss Otis Regrets”! Friedwald would approve, and Womack does not trip over his effects boxes interpreting them. It seems like a vast world, but one keeps being reminded it’s pretty small.

Couple more things:

Beyonce’s Renaissance just kicked my ass on the same walk as the Womack, and 2/3rds of the way through I thought it her best, but then it kinda lost momentum. What she’s trying to do is no easy thing: a tribute to straight-up dance music that bangs top to bottom. That’s a lot of tracks, Bey.

If you’re receptive to free jazz, you need your ears on Kentuckian Zoh Amba, who can blow and wail to bring Ayler’s ghost a smile.

I am very susceptible to jazz violin. Billy Bang, Leroy Jenkins, Claude Fiddler Williams, Ray Nance–the GREAT Stuff Smith? I listen to at least one of them heavily every month, especially Stuff. Charlie Burnham fiddled on Blood Ulmer’s Odyssey records, and he’s doing some pretty amazing things in his new band, Breath of Air.

I bet some of you have bought multiple mixes of Johnny Thunders and The Heartbreakers’ LAMF. Is this new “found mixes” yet another stab? No, it’s the thing.

Can a dude make music with a curled-up leaf? Don’t trust me when I say, “Oh yeah”–check out Biluka’s Leaf-Playing in Quito (1960-1965) and find yourself marveling, “That’s a leaf?”

Bolded items are new to the list

New Music 

  1. 75 Dollar Bill: Social Music at Troost, Volume 3–Other People’s Music (Black Editions Group)
  2. Rosalia: MOTOMAMI (Columbia)
  3. Billy Woods: Aethiope(Backwoodz Studios)
  4. Tanya TagaqTongues (Six Shooter) 
  5. Ricky Ford: The Wailing Sounds of Ricky Ford—Paul’s Scene (Whaling City Sounds)
  6. Stro Elliot & James Brown: Black & Loud—James Brown Reimagined (Polydor)
  7. Miranda Lambert: Palomino (Vanner)
  8. Willie Nelson: A Beautiful Time (Sony)
  9. Tommy Womack: I Thought I Was Fine (Schoolkids Records)
  10. Wadada Leo Smith: The Emerald Duets (TUM)
  11. Superchunk: Wild Loneliness (Merge)
  12. Gonora Sounds: Hard Times Never Kill (Phantom Limb)
  13. Wet Leg: Wet Leg (Domino)
  14. Beyoncé: Renaissance (Parkwood Entertainment)
  15. Amber Mark:Three Dimensions Deep (PMR / Interscope) 
  16. Etran de L’AirAgadez (Sahel Sounds)
  17. Morgan Wade: Reckless (Deluxe) (Ladylike) 
  18. Lady Wray: Piece of Me (Big Crown)
  19. Bob Vylan: Bob Vylan Presents The Price of Life (Ghost Theatre)
  20. Moor Mother: Jazz Codes (Anti-)
  21. Mark Lomax II: Prismatic Refractions, Volume I (self-released)
  22. Horace Andy: Midnight Rocker (On-U Sound)
  23. black midi: Hellfire (Rough Trade)
  24. ensemble 0: Music Nuvulosa (Sub Rosa)
  25. Anna von HausswoolffLive at Montreaux Jazz Festival (Southern Lord) 
  26. Various Artists: Lespri Ka—New Directions in Gwoka Music from Guadeloupe (Time Capsule Sounds) 
  27. Ches Smith: Interpret It Well (Pyroclastic)
  28. Mark Lomax Trio: Plays Mingus (CFG Multimedia)
  29. 700 Bliss: Nothing to Declare (Hyperdub)
  30. Heroes Are Gang Leaders: LeAutoRoiGraphy (577 Records)
  31. Jinx Lennon: Pet Rent (Septic Tiger)
  32. Freakons: Freakons (Fluff & Gravy)
  33. Daniel Villareal: Panama ’77 (International Anthem)
  34. Mary Gauthier: Dark Enough to See the Stars (Thirty Tigers)
  35. Ama Gogela: Phelimuncasi (Nyege Nyege Tapes)
  36. Joy Guidry:Radical Acceptance (Whited Sepulchre)
  37. Kehlani: blue water road (TSNMI/Atlantic)
  38. Zoh Amba: O, Sun (Tzadik)
  39. Felipe Salles: Tiyo’s Songs of Life (Tapestry)
  40. Nancy Mounir: Nozhet El Nofous (Terrorbird)
  41. Javon Jackson & Nikki Giovanni: The Gospel According to Nikki Giovanni (Solid Jackson) 
  42. Oumou Sangare: Timbuktu (World Circuit Limited)
  43. Various Artists: Hidden Waters—Strange and Sublime Sounds from Rio de Janiero (Sounds and Colours)
  44. Nduduzo Makhathini: In the Spirit of Ntu (Universal)
  45. Gard Nilssen Acoustic Unity: Elastic Wave (ECM)
  46. Miguel Zeñon: Musica de las Americas (Miel Music)
  47. Isaiah Collier & The Chosen Few: Lift Every Voice (Division 81 Records)
  48. Priscilla BlockWelcome to the Block Party (InDent)
  49. Anitta: Versions of Me (Warner)
  50. Serengeti: Kaleidoscope III (Audiocon)
  51. Kendrick Lamar: Mr. Morale & The Big Steppers(pgLang/Top Dawg Entertainment/Aftermath/Interscope)
  52. OGJB: Ode to O (TUM) (Note: Band name – O = Oliver Lake, G = Graham Haynes, J = Joe Fonda, B = Barry Altschul / Title – O = Ornette) 
  53. Andrew Cyrille, William Parker, and Enrico Rava: Two Blues for Cecil (TUM) 
  54. Luke Stewart’s Silt TrioThe Bottom(Cuneiform) 
  55. Tyler Mitchell: Dancing Shadows (featuring Marshall Allen) (Mahakala Music)
  56. Wild Up: Julius Eastman, Volume 2—Joy Boy (New Amsterdam)
  57. Carl Stone: Wat Dong Moon Lek (Unseen Worlds)
  58. Mitski: Laurel Hell (Dead Oceans)
  59. Breath of Air: Breath of Air (Burning Ambulance Music)
  60. Immanuel Wilkins: The 7th Hand (Blue Note) 
  61. David Murray Brave New World Trio: Seriana Promethea (Intakt)
  62. Fulu MizikiNgbaka (EP)
  63. David Virelles: Nuna (Pi / El Tivoli)
  64. Steve Lehman: Xaybu—The Unseen (Pi Recordings)
  65. Tom Zé: Lingua Brasiliera (Selo Sesc)
  66. Leikeli47: Shape Up (Hardcover/RCA)
  67. Hurray for The Riff Raff: Life on Earth (Nonesuch)
  68. Rokia Koné and Jacknife Lee: Bamanan (3DFamily)
  69. Tomas Fujiwara: Triple Double (Firehouse 12)
  70. DJ Black Low: Uwami (Awesome Tapes from Africa)
  71. Ibibio Sound Machine: Electricity (Merge)
  72. Zoh Amba: O Life, O Light, Volume 1 (577 Records)
  73. Burton/McPherson Trio: The Summit Rock Session at Seneca Village (Giant Step Arts)
  74. Kahil El’Zabar Quartet: A Time for Healing (Spirit Muse)
  75. Pastor Champion: I Just Want to Be a Good Man (Luaka Bop)
  76. Nduduzo Makhathini: In the Spirit of Ntu (Blue Note)
  77. Pusha T: It’s Almost Dry (G.O.O.D. Music/Def Jam)
  78. Elza SoaresElza Ao Vivo No Municipal (Deck)
  79. Nilufer Yanya: Painless (ATO)
  80. Satoko Fujii and Joe Fonda: Thread of Light (Fundacja Słuchaj)
  81. Charli XCX: Crash (Atlantic)
  82. Pete Malinverni: On the Town—Pete Malinverni Plays Leonard Bernstein(Planet Arts) 
  83. David Friend & Jerome Begin: Post- (New Amsterdam)
  84. Dedicated Men of Zion: The Devil Don’t Like It (Bible & Tire)
  85. Tyshawn Sorey Trio: Mesmerism (Pi Recordings)
  86. Space AfrikaHonest Labour (Dais)
  87. Charlotte Adigery & Bolis Pupul: Topical Dancer (DeeWee)
  88. Earl Sweatshirt: Sick! (Tan Cressida / Warner) 
  89. Belle & Sebastian: A Bit of Previous (Matador)
  90. Big Thief: Dragon New Warm Mountain I Believe in You (4AD)
  91. Jeff Arnal and Curt Cloninger: Drum Major Instinct (Mahakala Music)
  92. Tee Grizzley: Half Tee Half Beast (self-released)
  93. Hoodoo Gurus: Chariot of The Gods (Big Time Photographic Recordings)
  94. Natsuki TamuraSummer Tree (Libra)
  95. (D)ivo: Perelman, Berne, Malaby, Carter (Mahakala Music)
  96. Daniel Carter et al.: Telepatica (577 Records)
  97. Ghais Guevara: There Will Be No Super-Slave (self-released)
  98. Spoon:Lucifer on the Sofa (Matador)
  99. Pierre Kwenders: Jose Louis and the Paradox of Love (Arts & Crafts)
  100. Manel Fortia: Despertar (Segell Microscopi/Altafonte)
  101. Ray Wylie Hubbard: Co-Starring Too (Big Machine)
  102. Various Artists: if you fart make it sound good (WA Records)
  103. Marta Sanchez: SAAM (Spanish American Art Museum) (Whirlwind)
  104. Earthgang: Ghetto Gods (Dreamville/Interscope)
  105. Mavis Staples & Levon Helm: Carry Me Home (Anti-)

Archival Digs:

  1. Los Golden Boys: Cumbia de Juventud (Mississippi Records)
  2. Albert Ayler: Revelations—The Complete ORTF 1970 Fondation Maeght Recordings(Elemental)
  3. Cecil Taylor:The Complete Legendary Live Return Concert at the Town Hall (Oblivion)
  4. Various Artists: Lovers Rock—The Soulful Sound of Romantic Reggae (Trojan)
  5. The Heartbreakers: LAMF—The ’77 Found Mixes (Jungle)
  6. Albert Ayler: La Cave Live 1966 (Ezz-Thetics) 
  7. Various Artists: Cumbia Sabrosa—Tropical Sound System Bangers From The Discos Fuentes Vaults 1961-1981 (Rocafort Records)
  8. Biluka y Los Canibales: Leaf-Playing in Quito (1960-1965) (Honest Jon’s)
  9. Various Artists: A Chat About the Beauty of the Moon at Night–Hawaiian Steel Guitar Masters 1913-1921 (Magnificent Sounds)
  10. The Rolling Stones: Live at the El Mocambo (Interscope)
  11. Son House: Forever on My Mind (Easy Eye Sound)
  12. Lavender Country:Blackberry Rose and Other Songs & Sorrows (Don Giovanni)
  13. Horace Tapscott Quintet: Legacies for Our Grandchildren (Dark Tree)
  14. Various Artists: The D-Vine Spirituals—Sacred Soul (Bible & Tire)
  15. Kabaka International Guitar Band: Kabaka International Guitar Band (Palenque Records)
  16. The Pyramids: AOMAWA—The 1970s Recordings (Strut)
  17. Hermeto Pascoal: Hermeto (Far Out Recordings)
  18. Sun Ra: Sun Ra Arkestra Meets Salah Ragab in Egypt (Strut)
  19. Asha Puthi: The Essential Asha Puthi (Mr. Bongo)
  20. Malik’s Emerging Force Art Trio: Time and Condition (moved-by-sound)
  21. Volta Jazz: Air Volta (Numero)
  22. Various Artists: From Lion Mountain—Traditional Music of Yeha, Ethiopia (Dust-to-Digital)
  23. Ronnie Boykins: The Will Come is Now (ESP-Disk)
  24. Cecil Taylor: Respiration (Fundacja Stuchaj)
  25. Norma Tanega: Studio and Demo Recordings, 1964-1971 (Anthology)
  26. Irma Thomas: New Orleans Jazz & Heritage Festival 1976 (Good Time)
  27. Afrika Negra: Antologia, Volume 1 (Bongo Joe)
  28. Various Artists: Summer of Soul (Legacy)
  29. Ann Peebles and the Hi Rhythm Section: Live in Memphis (Memphis International)
  30. Neil Young: Carnegie Hall 1970 (Reprise)