Where (The) Future Unfolds: Five Months of Engaging Rekkids, Year 2019

 

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My Album-Lover’s Honor Roll for 2019 (as of June 3, 2019)

(bolded items are new additions to the ongoing list)

  1. Little Simz: Grey Area
  2. Various Artists: A Day in the Life–Impressions of Pepper*
  3. Jamila Woods: Legacy! Legacy!
  4. Beyoncé: Homecoming
  5. Royal Trux: White Stuff
  6. Control Top: Covert Contracts
  7. Senyawa: Sujud*
  8. Billie Eilish: WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
  9. Yugen Blakrok: Anima Mysterium
  10. James Brandon Lewis: An Unruly Manifesto
  11. Damon Locks / Black Monument Ensemble: Where Future Unfolds
  12. Kel Assouf: Black Tenere
  13. The Comet is Coming: Trust in the Lifeforce of the Deep Mystery
  14. Aesop Rock & TOBACCO: Malibu Ken
  15. Heroes Are Gang Leaders: The Amiri Baraka Sessions
  16. Mdou Moctar: Ilana (The Creator)
  17. 2 Chainz: Rap or Go to the League
  18. Dave: PSYCHODRAMA
  19. Quelle Chris: Guns
  20. Ben Lamar Gay: Confetti in the Sky Like Fireworks
  21. Tanya Tagaq: Toothsayer EP
  22. Steve Lacy: Apollo XXI
  23. Various Artists: Weaponize Your Sound
  24. Lizzo: Cuz I Love You
  25. DKV and Joe McPhee: The Fire Each Time
  26. The New Orleans Dance Hall Quartet: Tricentennial Hall Dance 17. October
  27. Joachim Kuhn: Melodic Ornette Coleman—Piano Works XIII
  28. The Coathangers: The Devil You Know
  29. Megan Thee Stallion: Fever
  30. Lee Scratch Perry: Rainford
  31. Joel Ross: Kingmaker
  32. Flying Lotus: Flamagra
  33. Angel-Ho: Death Becomes Her
  34. Usted Saami: God is Not a Terrorist
  35. Youssou N’Dour: History
  36. Guitar Wolf: Love & Jett
  37. LPX: Junk of the Heart (EP)
  38. Deerhunter: Death in Midsummer
  39. Various Artists: Typical Girls Three
  40. Various Artists: Travailler, C’est Trop Dur–The Lyrical Legacy of Caesar Vincent
  41. Nots: 3
  42. Judy and The Jerks: Music for Donuts
  43. Tyler, The Creator: IGOR
  44. Fennesz: Agora
  45. Salif Keita: Un autre blanc
  46. Robert Forster: Inferno
  47. Harriet Tubman: The Terror End of Beauty
  48. The Art Ensemble of Chicago: We Are On the Edge
  49. Ibibio Sound Machine: Doko Mien
  50. Solange: When I Get Home
  51. Freddie Douggie: Live on Juneteenth
  52. Joe McPhee / John Butcher: At the Hill of James Magee
  53. Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
  54. Helado Negro: This is How You Smile
  55. Ahmed Ag Kaedy: Akaline Kidal
  56. Lost Bayou Ramblers: Rodents of Unusual Size (Soundtrack to the Motion Picture)
  57. slowthai: Great About Britain
  58. Silkroad Assassins: State of Ruin
  59. Mekons: Deserted
  60. Zeal & Ardor: Live in London
  61. Que Vola: Que Vola
  62. Miguel: Te Lo Dije EP
  63. Mary Faust: Farm Fresh
  64. Kelsey Lu: Blood
  65. Bassekou Kouyate & Ngoni Ba: Miri
  66. Hama: Houmeissa
  67. Steve Earle: Guy
  68. Mdou Moctar: Blue Stage Session
  69. Beth Gibbons with the Polish National Radio Symphony Orchestra (conducted by Krzysztof Penderecki): Henryk Gorecki—Symphony #3 (Symphony of Sorrow Songs)
  70. Ill Considered: 5
  71. Leyla McCalla: Capitalist Blues
  72. Girls on Grass: Dirty Power
  73. Stella Donnelly: Beware of the Dogs
  74. Matthew Shipp Trio: Signature
  75. Weyes Blood: Titanic Rising
  76. Shovels & Rope: By Blood
  77. The King Khan Experience: Turkey Ride
  78. Angel Bat Dawid: The Oracle
  79. Better Oblivion Community Center: Better Oblivion Community Center
  80. Alfredo Rodriguez and Pedrito Martinez: Duologue
  81. Spiral Stairs: We Wanna Be Hyp-No-Tized
  82. Our Native Daughters: Songs of Our Native Daughters
  83. Rosie Flores: A Simple Case of The Blues
  84. CZARFACE & Ghostface Killah: Czarface Meets Ghostface
  85. Jenny Lewis: On the Line

*Technically, these are 2018 releases, but for now, I’m claiming their impact is being felt more strongly this year.

New Releases of Older Material

  1. Eric Dolphy: Musical Prophet
  2. Burnt Sugar: 20th Anniversary Mixtapes—Groiddest Schizznits, Vols. 1-3
  3. Various Artists: Outro Tempo II–Electronic and Contemporary Music from Brazil 1984-1996
  4. Various Artists: All the Young Droogs–60 Juvenile Delinquent Wrecks
  5. Primal Scream: Maximum Rock ‘n’ Roll—The Singles
  6. Various Artists: Rhapsody in Bronze
  7. Sir Shina Peters and His Internation Stars: Sewele
  8. Various Artists: Nigeria 70–No Wahala, Highlife, Afro-Funk & Juju 1973-1987
  9. Lee Moses: How Much Longer Must I Wait? Singles & Rarities 1965-1972
  10. Terry Allen & The Panhandle Mystery Band: Pedal Steal + Four Corners

 

Afternoon Freak (May 14th, 2018, Columbia, MO)

Grab-bag Day, for various and sundry reasons. The post title refers to the name of the newest band to be highlighted in Joyful Noise’s White Label Series, to which I subscribe. One album a month, in a 500-copy vinyl run, chosen and annotated by an already-established artist who believes it’s worthy of broader and deeper exposure. Afternoon Freak’s “The Blind Strut” is in the May spotlight:

Odd thing: the curator here is in the band, so he’s got a vested interest. He’s also named Mike Watt, and he’s on bass here in an instro combo with Danny Frankel on drums and Matt Mottel on various keyboards. I will always extend Watt encouragement and critical latitude; The Minutemen have been and always will be a guiding light for me, musically and philosophically–plus, a better dude cannot be found. Trouble is, I’ve yet to truly get with any of his solo ventures, though this comes close. Mottel seems to be the lead voice among the three, Watt plays with restraint, finds the groove, and pitches his ear closely, Frankel rides the grooves ably. The tracks are catchy, a tad repetitious–this kind of date puts pressure on someone to be very imaginative–and evocative of multiple possible influences (remember the instros on Second Edition?), but they are not an irritant upon the ear. Four tracks A-side that get where they’re going; three on the B that stretch out, if a bit monotonously. All of Joyful Noise’s White Label releases have been interesting; one’s been terrific, and one great. This one wouldn’t do badly thrown on a venue PA before a cool band’s gig.

If you’re a Scratch Perry fan and haven’t heard his work with Jah Lion on Colombia Colly, you have your weekly grail hunt. The physical media’s a little scarce, but let the above track from the album be a motivator for you–one of the all-time greatest Perry sound effects leading into a ghostly voice reaching back to Peggy Lee.

 

Sometimes I get an irresistible hankering for the work of Gene Pitney. For some folks, I imagine he’s the opposite of cool: straight-looking, corny-sounding, a persistent profferer of melodramatic pop, caught in an unfashionable time capsule. For me, he’s a gone kind of cool: hitmaker deluxe (16 in the Top 40), studio tinkerer (multi-tracking his own vocals and instruments on “I’m Gonna Love My Life Away”), writer of “Hello Mary Lou” and “He’s a Rebel,” ace Spector avatar (“Every Little Breath I Take”), early coverer of and sideman for the Glimmer Twins (“That Girl Belongs to Yesterday”), hit duet singer with none other than George Jones (“I’ve Got Five Dollars and It’s Saturday night), master of geography songs (“Mecca,” “24 Hours from Tulsa,” “Last Exit to Brooklyn”), poet of teen you-and-me-against-the-world (“Town Without Pity”). As Jerry Lee might say, “Top that, motherfucker!” Pitney might have said it himself–in Italian.

Tempted? A brief Pitney Playlist for ya:

Persistent profferer of melodramatic pop–with a difference, huh?

Short-shrift Division:

I received my copy of Offbeat! yesterday and noted some interesting new records being reviewed. Sometimes I suspect I am critically soft-minded in that I will like anything if it’s in a New Orleans or south Louisianan tradition. Sampling these records with Apple Music, I was able to reassure myself that I can exercise critical discretion. I’m violating a blog rule by writing about lukewarm creations, but I suppose I need to show I can do it for the record:

Chas Justus & The Jury–Pale (really pale), characterless, zestless, sterilized Western swing. Merely skilled playing and boring vocals.

Cha Wa: Spyboy–To scope in further, I truly thought there was no such thing as an enervating Mardi Gras Indian record. I was wrong. This is record suffers from having a very finely-tuned funk-field.

Keith Frank & The Soileau Zydeco Band: Return of the King–I am nutso for Frank’s “Haterz.” But his recent insistence on walking his zydeco into urban musical neighborhoods makes it less tough and contagious.

Big Sam’s Funky Nation: Songs in the Key of Funk, Volume 1–I am always seeing Sam’s gigs touted in Offbeat! (and hearing them recommended on ‘OZ when in NOLA myself). First sentence of the current review of this album includes the phrase “[t]he heavyweight champion of rocking, brassy, NOLA funk.” This wouldn’t make it out of Golden Gloves.

Ok, never again…