IT ENDS HERE: My Favorite Albums of 2023

As DJ Heraclitus said, you can’t listen to the same record twice. I was lucky to simply listen to each of these records once (I at least did that), and many of them changed with me when (if?) I came back to them. Anohni’s, though, held my top spot for most of the year and finished there: it’s not a fun record, but this ain’t a fun planet, and I don’t live in a fun state (Missouri), and her album title rings too true around here and so many other places in the world. It’s a reminder to keep fighting, keep living, and keep loving–as well as to knock people off that bridge–and it documents an artist whose singing and writing has grown considerably over the years (the commitment was always there). I might have been influenced by her appearance in two 2023 books on Lou Reed, which caused me to re-examine her early work as well as the Berlin DVD. Anyway, the untamed Niafunke guitarist Bounaly made a strong run at her top spot, even took it for a spell, but that was pure rush instead of a finely honed artistic statement of the times, so…I ended up sticking to my guns. Support trans human beings and fight the heartless to the end.

It was a stunning year for jazz, of all challenging and/or beautiful stripes, and (across genres, too) women continue to make their mark (see next ‘graf). Canto, Chimaera, and Beyond Dragons were among the Top 10 jazz records of the year by anyone, period. The indefatigable Japanese pianist Satoko Fujii (as usual) delivered multiple engaging albums of her own as well as participating in those of others (see the list–they all made it unless I missed one). Make it a 2024 project to investigate her if you’ve yet to.

Jamila Woods took Joni Mitchell to the southside of Chicago. Gina Birch still wears her Docs and plays her bass loud. boygenius are girlgenius. Jessie Ware made us feel good when Roisin Murphy made us feel bad or at best confused. Romy delivered a gorgeous, same-sex-heartbroke (please excuse my awkwardness), late-night electronic telegram. Transformative, liberating lightning hit Corinne Bailey Rae. Big Freedia grew bigger. Kari Faux, Sexxy Red, and–on a different level–K. Michelle handled their shit on the urban streets of the midwest and midsouth. And…oh yeah…Olivia (though could she not have totally rocked OUT on SNL?).

It’s easy to dismiss old soul-blues dudes. I beg of you, LISTEN: 90-year-old Bobby Rush waxed a record that isn’t just good for a nonagenarian–he can still sing, pick, blow, and parse the times with players a quarter of his age–and relative greenhorn Robert Finley handed in a hard-assed, funny, and deep record that Dan Auerbach endowed with just the right touch, do not fear.

Last, this year was the first time I actually witnessed a Top-Tenner play in person. The Columbia Experimental Music Festival went out with a bang, bringing in the titanic tenor of James Brandon Lewis, whose 2-CD For Mahalia / These are Soulful Days (the latter one of the greatest jazz-horn-with-strings performance ever recorded) was the peak of his relatively brief career. We got to see him play with one of his favorite drummers, Chad Taylor, and they ’bout blew the top off of the First Baptist Church of Columbia, Missouri. Speaking of the CEMF, the ending of which has at least temporarily crippled our music scene, its founder Matt Crook somehow found a way to bring the Ukrainian pianist and inventor of continuous music, Lubomyr Melnyk, to town for a solo piano performance in our historic Methodist church downtown. Melnyk debuted a piece called “The Sacred Thousand” at the concert; it had not yet been recorded in the studio. The Bandcamp site for the recently released version says it best: The piece is “[d]edicated to the heroic Ukrainian soldiers who held out against the enormous Russian army for several weeks in the Azov Steel Plant of Mariupol…. it is a spiritual journey into the soul of man… into the Beautiful Depths of our spiritual strength.”

Thank all of you who have visited this blog and worried that I hadn’t bathed in weeks in order to keep up. I have indeed listened to most of these albums at least twice and I vouch for their ability to move you. IF you’re receptive. Happy hollerdays and may 2024 not crush us.

My Final 2023 List

–If an album makes the list, it sounds and feels to me like the equivalent of a Pitchfork 7.5 or better, an All Music 3 ½ stars or better, or an Xgauvian **Honorable Mention or better.
–At this point, one can assume that my Top 20-50 sound to me the equivalent of an A-, but I’m a teacher in my other incarnation, so watch me for grade inflation. It cannot be assumed safely, though, that my Top 10 are all straight A’s.
–After the first 50, my “rankings” are a bit loose—though I’ve been toning them up to represent comparative quality to the degree my sanity is not threatened; similarly, the entirety of my “Excavations and Reissues” I rank pretty loosely other than the Top 10 (in this “final” case).

Items in bold are new to the list I posted at the end of the previous month. I just added a few today—and I’m done.

  1. Anohni: My Back Was a Bridge for You to Cross (Secretly Canadian)
  2. Bounaly: Dimanche a Bamako (Sahel Sounds)
  3. James Brandon Lewis: For Mahalia (with Love) (AUM Fidelity 2-CD version)
  4. Jessie Ware: That! Feels Good! (Universal)
  5. Lubomyr Melnyk: The Sacred Thousand (Jersika Records)
  6. Gina Burch: I Play My Bass Loud (Third Man)
  7. boygenius: the record (Interscope)
  8. Robert Finley: Black Bayou (Easy Eye)
  9. Romy: Midair (Young)
  10. Jamila Woods: Water Made Us (Jagjaguwar)
  11. Sylvie Couvousier: Chimaera (Intakt)
  12. Noname: Sundial (AWAL Recordings America)
  13. Buck 65: Punk Rock B-Boy (self-released)
  14. The Mark Lomax II Trio: Tapestry (CFG Multimedia)
  15. Miguel Zenon & Luis Perdomo: El Arte del Bolero, Volume 2 (ArcArtists)
  16. Wild Up: Julius Eastman, Volume 3—If You’re So Smart, Why Aren’t You Rich? (New Amsterdam)
  17. 100 gecs: 10,000 gecs (Dog Show/Atlantic)
  18. Corinna Bailey Rae: Black Rainbows (Black Rainbows)
  19. Zach Bryan: Zach Bryan (Belting Bronco)
  20. Armand Hammer: We Buy Diabetes Test Strips (Backwoodz Studios)
  21. Big Freedia: Central City (Queen Diva)
  22. Buck 65: Super Dope (self-released)
  23. Ohad Talmor: Back to the Land (Intakt)
  24. The Fugs: Dancing in the Universe (Fugs Records)
  25. Olivia Rodrigo: Guts (Geffen)
  26. Jason Moran: From the Dancehall to the Battlefield (Yes Records)
  27. Hamell on Trial: Bring the Kids (Saustex)
  28. billy woods & Kenny Segal: Maps (Backwoodz Studios)
  29. Gard Nilssen’s Supersonic Orchestra: Family (We Jazz)
  30. Aesop Rock: Integrated Tech Solutions (Rhymesayers)
  31. Mark Turner: Live at the Village Vanguard (Giant Step Arts)
  32. Assiko Golden Band de Grand Yoff: Magg Tekki (Mississippi Records)
  33. Ethnic Heritage Ensemble: Spirit Gatherer—A Tribute to Don Cherry (Spiritmuse)
  34. Wadada Leo Smith: Fire Illuminations (Kabell)
  35. Meshell Ndegeocello: The Omnichord Real Book (Blue Note)
  36. Adriana Calcanhotto: Errante (BMG)
  37. Tyler Mitchell Octet: Sun Ra’s Journey featuring Marshall Allen (Cellar Live)
  38. Christian Scott aTunde Adjuah & Chief Adjuah: Bark Out Thunder Roar Out Lightning (Ropeadope)
  39. National Information Society: Since Time is Gravity (Eremite)
  40. Allen Lowe and the Constant Sorrow Orchestra: In the Dark (ESP-Disk)
  41. Liv.eGirl in The Half Pearl (Real Life / AWAL)
  42. Angelika Niescier, Tomeka Reid, and Savannah Harris: Beyond Dragons (Intakt)
  43. Jelly Roll: Whitsitt Chapel (Stoney Creek)
  44. Fire! Orchestra: Echoes (Rune Grammofon)
  45. Filipe Catto: Belezas Sao Coisis Acesas por Dentro (Joia Moderna)
  46. Dropkick Murphys: Okemah Rising (Dummy Luck Music)
  47. Susan Alcorn: Canto (Relative Pitch)
  48. DJ Maphorisa & Tman Xpress: Chukela (New Money Gang)
  49. Jason Adasiewicz: Roscoe Village—The Music of Roscoe Mitchell (Corbett vs. Dempsey)
  50. K. Michelle: I’m the Problem (No Color No Sound)
  51. Janelle Monae: The Age of Pleasure (Bad Boy)
  52. Joe McPhee and Bill Orcutt: A Mouth at Both Ends (ISSUE)
  53. Matana Roberts: Coin Coin Chapter Five—In the garden (Constellation)
  54. Kari Faux: REAL BITCHES DON’T DIE (drunk sum wtr records)
  55. Brandy Clark: Brandy Clark (Warner)
  56. Ashley McBryde: The Devil I Know (Warner Nashville)
  57. Sexxy Red: Hood Hottest Princess (Open Shift)
  58. Poli & The Gwo Ka Masters: Abri Cyclonique (Real World)
  59. Bobby Rush: All My Love for You (Deep Rush / Thirty Tigers)
  60. Irreversible Entanglements: Protect Your Light (Impulse! / Verve)
  61. Jaimie Branch: Fly or Die Fly or Die ((world war)) (International Anthem)
  62. Yaeji: With a Hammer (XL Recordings)
  63. Bettye LaVette: LaVette! (Jay-Vee)
  64. London Brew: London Brew (Concord)
  65. William Hooker: Flesh & Bones (Org Music)
  66. Tyshawn Sorey: Continuing (Pi Recordings)
  67. J.D. Allen: This (Savant)
  68. Ryoko Ono & Satoko Fujii: Hakuro (label unknown)
  69. Rodrigo Campos: Pagode Novo (YB Music)
  70. Kali Uchis: Red Moon in Venus (Geffen)
  71. Kelela: Raven (Warp)
  72. Isach Skeidsvoll: Dance to Summon (Ultraani Records)
  73. Killer Mike: Michael (Loma Vista)
  74. Emil Amos: Zone Black (Drag City)
  75. Marina Sena: Vicio Inerente (Sony)
  76. Young Fathers: Heavy Heavy (Ninja Tune)
  77. Maria Jose Llergo: Ultrabella (Sony)
  78. David Mirarchi: Ink Folly, Orchid Gleam (Unbroken Sounds) 
  79. Superless: Superless (Oyvind Jazzforum)
  80. Algiers: Shook (Matador)
  81. Buselli – Wallarab Jazz Orchestra: The Gennett Suite (Patois Records)
  82. Lewis Capaldi: Broken By Desire To Be Heavenly Sent (Vertigo Berline)
  83. Low Cut Connie: Art Dealers (Contender)
  84. Tyvek: Overground (Gingko)
  85. corook: serious person (part 1(Atlantic)
  86. Ice Cold Bishop: Generational Curse (Ice Cold Entertainment)
  87. Allen Lowe and The Constant Sorrow Orchestra: America—The Rough Cut (ESP-Disk)
  88. Tri-County Liquidators: cut my teeth (Hitt Rex)
  89. ensemble 0: Jojoni (Crammed Discs)
  90. JLin: Perspective (Planet Mu)
  91. Henry Threadgill: The Other One (Pi)
  92. Zoh Amba & Chris Corsano & Bill Orcutt: The Flower School (Palilalia)
  93. Idris Ackamoor & The Pyramids: Afro-Futuristic Dreams (Strut)
  94. Amanda Shires & Bobbie Nelson: Loving You (ATO)
  95. aja monet: when the poems do what they do (drink sum wtr)
  96. Dlala Thukzin: Permanent Music 3 (Dlala Records EP)
  97. Knoel Scott (featuring Marshall Allen): Celestial (Night Dreamer)
  98. Steve Lehman & Orchestre National de Jazz: Ex Machina (Pi)
  99. Emmet Cohen & Houston Person: Houston Person—Masters Legacy Series, Volume 5 (Bandstand Presents)
  100. Peso Pluma: GENESIS (Double P)
  101. Chappell Roan: The Rise and Fall of a Midwest Princess (KRA)
  102. Elijah Shiffer: Star Jelly (self-released)
  103. Grupo Frontera: El Comienzo (Grupo Frontera)
  104. Ember: August in March (Imani)
  105. Kevin Sun: The Depths of Memory (Endectomorph Music)
  106. Florian Arbenz: Conversation #10—Inland (Hammer)
  107. Withered Hand: How to Lov(Reveal)
  108. Lafayette Gilchrist: Undaunted (Morphius)
  109. Taj Mahal: Savoy (Cheraw S.C.)
  110. Haviah Mighty: Crying Crystals (Mighty Gang)
  111. Willie Nelson: I Don’t Know a Thing About Love—The Songs of Harlan Howard (Legacy)
  112. Morgan Wade: Psychopath (Ladylike)
  113. Shabazz Palaces: Robed in Rareness (Sub Pop)
  114. Parannoul: After the Magic (Poclanos/Top Shelf)
  115. Felo Le Tee & Mellow & Sleazy: The Ill Wise Men (New Money Gang)
  116. The Necks: Travel (Northern Spy)
  117. Lori McKenna: 1988 (CN Records / Thirty Tigers)
  118. Tyler Keith & The Apostles: Hell to Pay (Black & Wyatt)
  119. KAYTRAMINE: KAYTRAMIUNE, Amine, & KAYTRANADA (CLBN)
  120. Various Artists: Red Hot & Ra—Nuclear War (Red Hot Org)
  121. Rome Streetz: Wasn’t Built in a Day (Big Ghost)
  122. Hein Westgaard Trio: First as Farce (Nice Things)
  123. The Urban Art Ensemble: “Ho’opomopono” (CFG Multimedia 16-minute single)
  124. Itamar Borochov: Arba (Greenleaf)
  125. Rodrigo Amado / The Bridge: Beyond the Margins (Trost)
  126. ANTiINDSTRY: Numinous Interference (Muteant Sounds)
  127. Islandman (featuring Okay Temiz and Muhlis Berberoglu: Direct-to-Disc Sessions (Night Dreamer)
  128. Edward SimonFemeninas (ArtistShare)
  129. Trio San (featuring Satoko Fujii and Taiko Saito): Hibiki (Jazzdor)
  130. Kill Bill—The Rapper: Fullmetal Kaiju (EXO)
  131. Speaker Music: Techxodus (Planet Mu)
  132. Andy Fairweather Low: Flang Dang (The Last Music Company)
  133. ARO40: On the Blink (Aerophonic Records)
  134. Bob Vylan: Bob Vylan Presents the Price of Life (Ghost Theatre)
  135. Bombino: Sahel (Partisan)
  136. Son Rompe Pera: Chimborazo (AYA Records)
  137. Rough Image: Rough Image (WV Sorcerer Productions)
  138. Ingrid Laubrock: The Last Quiet Place (Pyroclastic)
  139. Victoria Monet: Jaguar II (Lovett Music)
  140. Homeboy Sandman: I Can’t Sell These Either (self-released)
  141. Havard Wiik & Tim Daisy: Slight Return (Relay)
  142. Various Artists: Red Hot & Ra—SOLAR Sun Ra in Brasil (Red Hot Org)
  143. Rob Mazurek & Exploding Star Orchestra: Lightning Dreamers (International Anthem)
  144. Kaze & Ikue Mori: Crustal Movement (Circum/Libra)
  145. DJ Black Low: Impumelelo (Awesome Tapes from Africa)
  146. Belle and Sebastian: Late Developers  (Matador)
  147. Satoko Fujii & Otomo Yoshihide: Perpetual Motion (Ayler Records)
  148. feeble little horse: Girl with Fish (Saddle Creek)
  149. Rocket 88: House of Jackpots (12XU)
  150. L’Rain: I Killed Your Dog (Mexican Summer)
  151. DJ Sabrina the Teenage DJ: Destiny (Spells on the Telly)
  152. Nasty Facts: Drive My Car (Left for Dead)
  153. Taiko Saito: Tears of a Cloud (Trouble in the East)
  154. JPEGMAFIA x Danny Brown: Scaring the Hoes (self-released)
  155. Rodrigo Campos & Romulo Froes: Elefante (YB Music)
  156. Kalia Vandever: We Fell in Turn (AKP Recordings)
  157. Water from Your Eyes: Everyone’s Crushed (Matador)
  158. Lakecia Benjamin: Phoenix (Whirlwind)
  159. Amaarae: Fountain Baby (Golden Angel/Interscope)
  160. Blondshell: Blondshell (Partisan)
  161. Satoko Fujii: Torrent (Libra Records)
  162. Javon Jackson: “With Peter Bradley”—Soundtrack and Original Score (Solid Jackson)
  163. Doja Cat: Scarlet (Kemosabe)
  164. Tianna Esperanza: Terror (BMG)
  165. YMA & Jadsa: Zelena (Matraca)
  166. Palehound: Eye on the Bat (Polyvinyl)
  167. J Hus: Beautiful and Brutal Yard (Black Butter)
  168. Das Kondensat: Anderen Planeten (Why Play Jazz)
  169. Iris DeMent: Workin’ On a World (FlariElla)
  170. David Murray, Questlove, and Ray Angry: Plumb (J.M.I.)
  171. Tyler Childers: Rustin’ in the Rain (Hickman Holler)
  172. Baaba Maal: Being (Atelier Live/Marathon Artists)
  173. Ed Sanders: The Sanders – Olufsen Poetry and Classical Music Project (Olufsen)
  174. Bob Dylan: Shadow Kingdom (Columbia)
  175. City Girls: Raw (Quality Control/Motown)
  176. Grrrl Gang: Spunky (Kill Rock Stars)
  177. Lana Del Rey: Did you know that there’s a tunnel under Ocean Blvd (Polydor)
  178. Teenage Jesus and The Jean Teasers: I Love You (Triple J Unearthed)
  179. Caroline Davis: Alula—Captivity (Ropeadope)
  180. Kiko El Crazy: Pila’e Teteo (Rimas)
  181. Romulo Froes & Tiago Rosas: Na Goela (YB Music)
  182. Florian Arbenz: Conversation #9—Targeted (Hammer Recordings)
  183. James Brandon Lewis: Eye of I (Anti-)
  184. Sofia Kourtesis: Madres (Ninja Tune)
  185. DJ Manny: Hypnotized (Planet Mu)
  186. Josephus and The George Jonestown Massacre: Call Me Animal—A Tribute to the MC5 (Saustex)
  187. Joanna Sternberg: I’ve Got Me (Fat Possum)
  188. Tracey Nelson: Life Don’t Miss Nobody (BMG)
  189. Etran De L’Air: Live in Seattle (EP) (Sahel Sounds)
  190. Ricardo Dias Gomes: Muito Sol (Hive Mind)
  191. Ice SpiceLike…? (10K Projects / Capitol Records EP)
  192. otay:onii: Dream Hacker (WV Sorcerer Productions)
  193. Sylvie Courvoisier & Cory Smythe: The Rite of Spring—Spectre d’un songe (Pyroclastic)
  194. Money for Guns: All the Darkness That’s in Your Head (CD Baby)
  195. Nourished by Time: Erotic Probiotic 2 (Scenic Route)
  196. Walter Daniels: “From Death to Texas” / “Seems Like a Dream” (Spacecase Records 45)
  197. Nakimbembe Embaire Group: Nakimbembe Embaire Group (Nyege Nyege Tapes)
  198. Shirley Collins: Archangel Hill (Domino)
  199. Karol G: Manana Sera Bonito (Universal Music Latino)
  200. Tinashe: BB/ANG3L (Nice Life)
  201. Hollie Cook: Happy Hour in Dub (Merge)
  202. Andrew Cyrille: Music Delivery / Percussion (Intakt)
  203. Kate Gentile: b i o m e i.i (Obliquity)
  204. Yves Tumor: Praise a Lord Who Chews but Which Does Not Consume; (Or Simply, Hot Between Worlds) (Warp)
  205. Dan Ex Machina: Ex’s Sexts (self-released)
  206. Open Mike Eagle: another triumph of ghetto engineering (AutoReverse)
  207. Yonic South: Devo Challenge Cup (Wild Honey)
  208. Rudy Royston: Day (Greenleaf Music)
  209. Chien Chien Lu: Built in System—Live in New York (Giant Step Arts)
  210. Pangaea: Changing Channels (Hessle Audio)
  211. Lewsberg: Out and About (Lewsberg / 12XU)
  212. Basher: Doubles (Sinking City)
  213. That Mexican OT: Lonestar Luchador (Good Talk)
  214. Daniel Villarreal: Lados B (International Anthem)
  215. Staples Jr. Singers: Tell Heaven (EP) (Luaka Bop) Note: the vinyl gets you more great minutes of testifying.
  216. Brandee Younger: Brand New Life (Impulse!)
  217. Babe, Terror: Teghnojoyg (self-released)
  218. Heinali: Kyiv Eternal (Injazero)
  219. Vinny Golia Quartet: No Refunds (Unbroken Sounds)
  220. Kresten Osgood / Bob Moses / Tisziji Munoz: Spiritual Drum Kingship (Gotta Let It Out)
  221. The Art Ensemble of Chicago: From Paris to Paris (Rogue Art)
  222. Clarence “Bluesman” Davis: Shake It For Me (Music Maker Foundation)
  223. The War and The Treaty: Lover’s Game (Mercury Nashville)
  224. Mendoza Hoff Revels: Echolocation (AUM Fidelity)
  225. Aroof Aftab, Vijay Iyer & Shahzad, Ismaily: Love in Exile (Verve)
  226. Asher Gamedze: Turbulence and Pulse (International Anthem)
  227. Normal Nada the Krakmaxter: Tribal Progressive Heavy Metal (Nyege Nyege Tapes)
  228. Natural Child: Be M’Guest (Natural Child Music)
  229. Tanya Tucker: Sweet Western Sound (Fantasy)
  230. Roman Norfleet and Be Present Art Group: Roman Norfleet and Be Present Art Group (Mississippi Records)
  231. David Dove & Joe McPhee: Where’s the Wine? (C.I.A. Records)
  232. Various Artists: 10 (Music from Memory)
  233. Nellie McKay: Hey Guys, Watch This (Hungry Mouse)
  234. Everything But the Girl: Fuse (Buzzin’ Fly)
  235. Tomas Fujiwara’s Triple Double: March On (self-released)

Excavations and Reissues

  1. Mahlathini and the Mahotella Queens: Music Inferno—The Indestructible Beat Tour 1988-89 (Umsakazo Records)
  2. Kashmere Stage Band: Texas Thunder Soul 1968-1974 (Now-Again)
  3. The Replacements: Tim—Let It Bleed Edition (Rhino)
  4. Various Artists: Piconema–East African Hits On The Colombian Coast (Rocafort Records)
  5. Les Rallizes Denudes: Citta ’93 (Temporal Drift)
  6. Dorothy Ashby: With Strings Attached (New Land Records)
  7. The Jazz Doctors: Intensive Care & Prescriptions Filled 1983-84 (Cadillac Records)
  8. Walter Bishop, Jr.: Bish at the Bank—Live in Baltimore (Cellar Live)
  9. Various Artists: Yebo! Rare Mzansi Party Beats from Apartheid’s Dying Years (BBE)
  10. Pan Afrikan Peoples Arkestra: 60 Years (The Village)
  11. Os Tincoas: Canto Coral Afrobrasiliero (Sanzala Cultural)
  12. Various Artists: Ecuatoriana (Analog Africa)
  13. Leon Keita: Leon Keita (Analog Africa)
  14. Hiroshi Yoshimura: Surround (Temporal Drift)
  15. Balka Sound: Balka Sound (Strut)
  16. Sonic Youth: Live in Brooklyn (Silver Current)
  17. John Coltrane: Evenings at The Village Gate (Impulse!)
  18. Various Artists: Playing for The Man at The Door (Smithsonian Folkways)
  19. Les Rallizes Denudes: BAUS ’93 (Temporal Drift)
  20. Gabe Baltazar: Birdology (Fresh Sounds)
  21. Hiatus Kaiyote: Choose Your Weapon (Flying Buddha / Sony Masterworks)
  22. Dream Dolphin: Gaia—Selected Ambient & Downtempo Works (1996 – 2003) (Music from Memory)
  23. Various Artists: The Soul of Congo – Treasures of the Ngoma label (1948​-​1963) (Planet Ilunga)
  24. Sonny Stitt: Boppin’ in Baltimore—Live at the Left Bank (Jazz Detective)
  25. Ihsan Al-Munzer: Belly Dance (BBE)
  26. Dredd Foole & The Din: See God 1985-1986 (Corbett vs. Dempsey)
  27. Johnny Griffin: Live at Ronnie Scott’s, 1964 (Gearbox)
  28. Nina Simone: You’ve Got to Learn (Verve)
  29. William S. Burroughs: Nothing Here But the Recordings (Dais Records)
  30. Eddie & Ernie: Time Waits for No One (Mississippi Records)
  31. Various Artists: Purple Haze from East, Volume 1 (WV Sorcerer Productions)
  32. Various Artists: Purple Haze from East, Volume 2 (WV Sorcerer Productions)
  33. The Southern University Jazz Ensemble: Goes to Africa with Love (Now-Again)
  34. Roy Campbell / William Parker / Zan Matsuura: Visitation of the Spirits—The Pyramind Trio Live, 1985 (No Business)
  35. Sonny Rollins: Live at Finlandia Hall, Helsinki 1972 (Svart)
  36. Various Artists: The Best of Revelation Records 1959-1962 (NarroWay)
  37. Shizuka: Heavenly Persona (Black Editions)
  38. Jacqueline Humbert & David Rosenboom: Daytime Viewing (Unseen Worlds)
  39. Dorothy Carter: Waillee Waillee (Palo Alto Records)
  40. Various Artists: Blacklips Bar—Androgyns and Deviants / Industrial Romance for Bruised and Battered Angels 1992-1995 (Anthology Recordings)
  41. Wes Montgomery: Maximum Swing (Resonance)
  42. Various Artists: Con Piano, Sublime—Early Recordings from the Caribbean 1907-1921 (Magnificent Sounds)
  43. Various Artists: Space Echo—The Mystery Behind the Cosmic Sound of Cabo Verde Revealed! (Analog Africa)
  44. Ibrahim Hesnawi: The Father of Libyan Reggae (Habibi Funk)
  45. RP Boo: Legacy Volume 2 (Planet Mu)
  46. Les Raillizes Denudes: ’77 Live (Temporal Drift)
  47. Alon Nechushtan: For Those Who Cross the Seas (ESP-Disk)
  48. Eddie Lockjaw Davis and Shirley Scott: Cookin’ With Jaws and The Queen (Craft)
  49. Professor James Benson: The Gow-Dow Experience (Jazzman Records)
  50. Little Bob and The Lollipops: Nobody But You (Mississippi Records)

February Fudge: The Best Records I’ve Heard in 2023, with Exceptions Real, Imagined, and Past Due That I Allowed So I Can Invite a Top 25 + One to My Party

I have resolved not to whine this entry, because, a few days after posting the last one, I realized that a) great new music tends to arise slowly but regularly from the creative volcano and will soon erupt, and b) I should never again imagine that I am going to quit listing albums every month. To quote Coach in LETTERKENNY, it’s fucking embarrassing.

So, though I had to resort to tossing in a couple of new singles, a fantasy EP that I created from a young group’s singles from 2022, and some November ’22 LPs, I have tried to make up for the previous mope by unfurling a long-for-February list of damn fine stuff.

Odd-servations:

  1. I am finding myself increasingly seduced by electronic r&b (or whatever it’s properly called), and, though I am no expert, I find no reason why I shouldn’t consider Liv.e’s new record a model of the subgenre–I even have it listed above Kelela’s, which is splendid, too.
  2. Singles: I mentioned Dr. Mark Lomax’s Urban Art Ensemble’s very therapeutic “Ho’opomopono” last month as a kind of footnote, but it belongs in a more significant way than that, especially during February in all its rampant hostility toward black (in other words, our) history, learning about the depths to which humans can sink along with our many triumphs, and tranquility in general. Also, the great Texas harmonica master Walter Daniels (I first came to know him as a member of the long-gone Jack O’ Fire) has released a truly rock and rolling 45 on the ever-interesting Spacecase label that I can’t quit playing.
  3. Fake EPs: see my note below about mid-Missouri’s Tri-County Liquidators, who I believe will become a force beyond the tri-counties.
  4. I listen to a LOT of music, so I was surprised while reading Dan Charnas’ terrific JDilla bio Dilla Time that I’d never even heard of the Australian unit Hiatus Kaiyote, who’d Dilla-ized themselves in a very interesting way. Seeming seconds after I looked them up, the reissue below was announced. No coincidence, I’m sure. It’s bound to fascinate many of you.
  5. I did not know Japanese psychedelia was a thing–and, truly, that word doesn’t perfectly fit VW Sorceror’s out-there but also excitingly varied two-disc comp Purple Haze from East. Note: no Hendrix covers are therein.
  6. The title of the Dylan excavation I have listed is a joke, but much more accurate than the actual title.
  7. I’m actually sitting on a fence with Iris DeMent’s offering, because it sometimes seems like a checklist of our ills; I often feel similarly about recent DBT records. But her vocal performance is very powerful and passionate–even for her.

(Bolded items are new to the list).

  1. Lakecia Benjamin: Phoenix (Whirlwind)
  2. Liv.e: Girl in The Half Pearl (Real Life / AWAL)
  3. Kelela: Raven (Warp)
  4. Satoko Fujii & Otomo Yoshihide: Perpetual Motion (Ayler Records)
  5. The Necks: Travel (Northern Spy)
  6. Belle and Sebastian: Late Developers (Matador)
  7. Parannoul: After the Magic (Poclanos/Top Shelf)
  8. Jason Moran: From the Dancehall to the Battlefield (Yes Records)
  9. Walter Daniels: “From Death to Texas” / “Seems Like a Dream” (Spacecase Records 45)
  10. Hiatus Kaiyote: Choose Your Weapon (Flying Buddha / Sony Masterworks reissue)*
  11. Algiers: Shook (Matador)
  12. The Urban Art Ensemble: “Ho’opomopono” (CFG Multimedia 16-minute single)
  13. Various Artists: Purple Haze from East, Volume 1 (VW Sorcerer Productions)*
  14. Karol G: Manana Sera Bonito (Universal Music Latino)
  15. Tyler Keith & The Apostles: Hell to Pay (Black & Wyatt)
  16. Staples Jr. Singers: Tell Heaven(EP) (Luaka Bop) Note: the vinyl gets you more great minutes of testifying.
  17. Tomas Fujiwara’s Triple Double: March On (self-released EP—coming in March)
  18. Bob Dylan: Time Out of Mind Stripped Naked (Columbia)
  19. Mat Muntz: Phantom Islands (Orenda)
  20. Iris DeMent: Workin’ On a World (FlariElla)
  21. Various Artists: Turkish-Syrian Earthquake Relief (Canary Records)
  22. James Brandon Lewis: Eye of I (Anti-)
  23. Ice Spice: Like…? (10K Projects / Capitol Records EP)
  24. Yonic South: Devo Challenge Cup (Wild Honey)
  25. The Art Ensemble of Chicago: From Paris to Paris (Rogue Art)
  26. Tri-County Liquidators: “Flies” / “Weep Then Whisper” / “Bitter” (self-released)@

*Technically, these are 2022 releases, but they didn’t show up until November, so I’m letting them under the fence.

@The Tri-County Liquidators are a blossoming young band from Columbia, Missouri, though I assume its members are drawn from beyond Boone County. I’ve taken their three 2022 singles and turned them into a 2023 extended play single. Yes, I’m biased because I’m a Columbian; yes, I’m biased because I taught one of them (bassist, songwriter and vocalist Marielle Carlos), and have known her and one of the guitarists (Spenser Rook, who entered Hickman High School with a blonde Rob Tyner White Panther ‘fro and can play inventively in any style—he also writes and sings) for over a decade; BUT they have a flexible, dynamic sound that’s both delicate and intense, and a reliable local music scene source informs me that these recordings do not capture the intensity they transmit live. I don’t get out to shows much, and they play at a great punk venue at which I’d feel like Tucker Carlson at a Juneteenth picnic, but I hope to see them soon. They are legitimately talented and my crusty listening veteran hypothesis is their potential has barely been brushed. Check ‘em out on Bandcamp.

“It’s Growing: Most Euphonious Fruit of First Quarter, 2021”

Music Spring has apparently sprung–although I’m not yet hearing anything that will knock most people’s socks off; for that matter, the only two records I’ve been addicted to are (no surprise) #1 and (ranked “low” because I have a strong Ornette Coleman bias) #5. Also, 14 out of 50 (*) are jazz recordings, none of them that straight-ahead; however, lest you suspect me musically anhedoniacal, I would classify seven of them FUN (!). I’m catching on! Maybe I’m catching back on. In other news?

POETRY is in the house (#s 22 and 25–the former a must for all you trad Brit Lit majors, the latter pretty fucking FUN itself, but just remember what the lit-heads in your life consider fun)…

I just dove into the Doomed & Stoned series (honoring a silent pledge to my metalhead friend Vance, for whose sake I will try 4-5 metal albums a year, though this collection might be more accurately described as “stoner rock”), fished its Scottish entry out of the loch, and found it consistently satisfied my riff requirements and seldom repelled me with overly ugly singing…

I think I got a bit overexcited about the Julien Baker album simply because she was coming forth with more energy, but she remains an attractively sullen writer, to me at least, because that’s been my usual attitude du jour lately…

I am fucking hooked on Roisin Murphy. Anything you wanna serve up, even if it’s “just” a remix.

OK, kids, keep in mind that this coming Friday (May 7) is the (reputedly) last Bandcamp Friday. Many of the links below go straight to these records’ Bandcamp page. Put your money where you ears are, ’cause we know you’re streaming your ass off.

(Items which are new to the list are bolded; also, the order–always a touch whimsically arrived at–has shifted significantly from March. Items followed by an # are either reissues, fresh compilations of older material, or archival finds).

  1. JuJu: Live at 131 Prince Street*#
  2. Julius Hemphill: The Boyé Multinational Crusade for Harmony*#
  3. James Brandon Lewis: Jesup Wagon*
  4. Neil Young and Crazy Horse: Down in the Rust Bucket !#
  5. Miguel Zenon: Law Years—The Music of Ornette Coleman*
  6. R.A.P. Ferreira: Bob’s Son !
  7. Ashnikko: Demidevil !
  8. Various Artists: He’s Bad!—11 Bands Decimate the Beat of Bo Diddley !
  9. Dax Pierson: Nerve Bumps (A Queer Divine Satisfaction)
  10. Gimenez Lopez: Reunion en la granja*
  11. Penelope Scott: Public Void !
  12. Paris: Safe Space Invader
  13. Byard Lancaster: My Pure Joy*#
  14. Jazmine Sullivan: Heaux Tales
  15. Hamiet Blueitt: Bearer of the Holy Flame*#
  16. Dawn Richard: Second Line !
  17. Various Artists: Alan Lomax’s American Patchwork#
  18. Peter Stampfel: Peter Stampfel’s 20th Century in 100 Songs
  19. Hasaan Ibn Ali: Metaphysics—The Lost Atlantic Album*#
  20. Various Artists: Doomed & Stoned in Scotland
  21. Genesis Owusu: Smiling with No Teeth
  22. Marianne Faithfull (with Warren Ellis): She Walks in Beauty
  23. Lukah: When the Black Hand Touches You
  24. Damon Locks / Black Monument Ensemble: NOW
  25. Various Artists: Allen Ginsberg’s The Fall of America–A 50th Anniversary Musical Tribute
  26. Various Artists: Indaba Is
  27. Wau Wau Collectif: Yaral Sa Doom
  28. Yvette Janine Jackson: Freedom
  29. Jason Moran & Milford Graves: Live at Big Ears*
  30. Nermin Niazi: Disco Se Aagay !
  31. Billy Nomates: Emergency Telephone (EP)
  32. Madlib: Sound Ancestors
  33. Joe Strummer: Assembly#
  34. Julien Baker: Little Oblivions
  35. Archie Shepp and Jason Moran: Let My People Go*
  36. Roisin Murphy: Crooked Machine !
  37. Robert Miranda’s Home Music Ensemble: Live at The Bing*#
  38. Ensemble 0: Performs Julius Eastman’s Femenine
  39. Vijay Iyer, Linda Han Oh, and Tyshawn Sorey: Uneasy*
  40. Alder Ego: III*
  41. Shem Tube, Justo Osala, Enos Okola: Guitar Music of Western Kenya
  42. Steve Earle: JT
  43. Jinx Lennon: Liferafts for Latchicos
  44. The Hold Steady: Open Door Policy (Hey–buy this album played live as cheap as you wanna!)
  45. Omar Sosa: East African Journey
  46. Alton Gün: Yol
  47. Various Artists: Edo Funk Explosion, Volume 1 !#
  48. Hearth: Melt*
  49. Floating Points & Pharoah Sanders: Promises*
  50. serpentwithfeet: DEACON

Quiet Dog

I’m still struggling with what to do with this blog. I flit from idea to idea; I get discouraged because I feel I’m just doing it as an exercise (what’s wrong with that?), and get frustrated because I not only get bored with formats too easily, but also frequently feel my spigot twist violently shut and hear voices telling me I’ve got nothing to say: “You’re just a kind of aggregator!” (What’s wrong with that?)

Anyhow, well, here’s some things I can report from recently.

I had a headphone experience with the New York Dolls’ debut. I’ve listened to that disc a million times, but it really popped out the chicken skin this time ’round. I’m usually the first to roll my eyes when I hear someone (usually around my age) says there isn’t good music anymore, but it’s this shit that makes me wonder (for a few minutes). If anyone or any band is saying this much right now, it’s not being said with so much thrilling musical hell breaking loose all around it. If anyone or any band is loosing this thick a slab of musical hell right now, they ain’t saying near as much. “I’m talkin’ ’bout your overview,” indeed–David’s words must resonate with any conscious adult walking around in this world, and the noise Johnny wrenches from his axe testifies to his resulting dislocation.

I bitched about the mildness of 2019’s best records and got my comeuppance. It’s all coincidence, but March’s music came in like a lioness, and delivered quite a litter. I was really craving a undeniable, catchy, beatwise classic, and I got at least one of those, though its classic status will depend on how many other people feel the same way. To wit:

Little Simz: Grey Area (“Lady Don’t Tek No” division–this is my “undeniable, catchy, beatwise classic, although it tails off a bit on the back end)

Royal Trux: White Stuff (“Rock and Roll Never Gives Up” division)

James Brandon Lewis: An Unruly Manifesto (“Call & Response” division)

2 Chainz: Rap or Go to the League (“Ball is Life” division)

Rosie Flores: A Simple Case of the Blues (“Doing the Work” division)

Dave: PSYCHODRAMA (“Rap Opera” division)

Robert Forster: Inferno (“Old Friends” division)

…and I haven’t even absorbed the new Solange yet.

My life was enriched by a couple Toms. Specifically, Tom Moon, the admirable and indefatigable author of 1000 Records to Hear Before You Die (published in 2008), and Tom Hull, a fellow Midwesterner who quietly, reliably, intelligently and astonishingly keeps record nerds country-wide abreast of a truckload of new records each month that they might want to familiarize themselves with. They are men after my own heart because they strive to listen to the most promising example of damn near everything, the music lovers’ equivalent to diners who’d never order the same thing from the same menu twice if they could help it. Aren’t you suspicious of anyone who just likes one thing? For some reason looking for more reading to add to my already mountainous pile, I realized I hadn’t really looked carefully at the last half of Moon’s book. Many hours later, I had a bulging-at-the-seams Apple Music playlist of mostly international releases like this gem from the Andes:

Mr. Hull was so kind to reference this blog in his monthly Streamnotes report–to my delight (mainly because I was able to pay him back for his many hot and accurate tips) I’d encouraged him to listen to a few items he liked. Here’s a neat thing he pushed me towards:

I suggest that my readers make themselves familiar with both these Tom cats and you’ll seldom lack for anything substantial to feed your ears. And here is a Spotify playlist derived from Moon’s book to back me up.

My wife and I had a Hank Williams jam on a Saturday night. On the way to and back from a dinner at one of our favorite restaurants–one hour round-trip–Nicole and I indulged in a Hillbilly Shakespeare yell-along. Hank’s the country version of Sam Phillips’ comment about Howlin’ Wolf: his music is where the soul of man never dies. Nicole: “Somehow I know the lyrics to all of these songs.” Indeed. It is near mystical. The next day, she beckoned her Facebook friends to share their favorite Hank songs, and we were surprised to find that he is not as well-known and thoroughly absorbed by our population as we thought, another sign of the apocalypse. One of my very favorites (Hiram liked to talk to his heart):

I found out 504 Records is still releasing music. 504 Records is an itsy-bitsy New Orleans label that, in my experience, has never released an uninteresting record. Its focus is local–and why not? New Orleans music is inexhaustible. Whenever I’m in the Crescent City, I head to the French Market, where there is one-count ’em-one music kiosk that always offers 504 stock. The “new” release contains very rare and fascinating recordings by local hero Cousin Joe, James Booker (“The Bayou Maharajah”), and jack-of-all-pickin’ guitar ace Snooks Eaglin. It is nicely titled Rhapsody in Bronze, if you can’t access the French Market you can order it pretty much JUST from Louisiana Music Factory, and…here’s a sample:

Annnnnnnd–guess who’s back? That’s right! The Meat Puppets (on record)…

…and Ian Hunter (on the page–his 1972 tour diary’s seen a new edition published).

Ian