A DANGER TO OURSELVES: My Favorite Slabs of 2025, January 1 to October 1

Thank the stars we have the music. We also are better-looking than they are.

Side note: my head is spinning re: the recurrence of the “poptimism v. rockism” debate / clarification / writer cage match / white-flag-wave.” I’ve never had any doubt massively popular music is interesting, I am very interested in semi-popular music that exists between those poles, and I guess I sometimes wonder where loving pure sound (in the Pauline Oliveras sense) lies in the debate, or if it matters. I hate feeling guilty because I simply don’t see where Sabrina Carpenter connects with my lived life—I respect her talent, but I don’t need her work like I need the stuff listed below—and I have sampled her as well as seen her perform live on my smart TV. On the other hand, and it’s not just that I’m from her corner of Missouri, Chappell Roan was automatic for me: exuberant, clever, catchy, shifty, transgressive (in a way), imaginative, and charismatic, I find plenty to like. But Deepstar Enigmatica, which seems outside of the scrum, is also automatic and reaches deep inside of me. Probably, what it comes down to is I don’t fully get it, despite my having read Carl Wilson’s Let’s Talk About Love, from which I took this maxim: don’t taste-spar with others, because you don’t know what they’ve been through that spurs them to connect to a piece of music. Ok, done.

MY LIST OF AURAL PLEASURE

January 1 – October 1, 2025

BOLD = New to the List

ASTERISKED* = Damn good! to Holy SHIT!

ITALICIZED: Excavations from the Past / Reissues

Aesop Rock: Black Hole Superette (Rhymesayers) ****


Africa Express: …Presents…Bahidora (World Circuit Limited) ****

Amarae: Black Star (Golden Angel) ***

Zoh Amba: Sun (Smalltown Supersound) ****

Ale Hop & Titi Bakorta:  Mapambazuko (Nyege Nyege Tapes) *****


Marshall Allen’s Ghost Horizons: Live in Philadelphia, Volume 1 (Otherly Love Records) ****


The Ancients: The Ancients (Eremite) ***


Ichiko Aoba: Luminescent Creatures (Psychic Hotline)


Artemis: Arboresque (Blue Note) ****

Mulatu Astatke: Mulatu Plays Mulatu (Strut) ****

Backxwash: Only Dust Remains (Ugly Hag) ****

Bad Bunny: DeBI TiRAR MaS FOToS (Rimas Entertainment) ****
*

Julien Baker & Torres: Send a Prayer My Way (Matador) ****


Bar-B-Q Killers: The Last Shit, Part 1 (Chunklet 45)

Gina Birch: Trouble (Third Man)

The Bitter Ends: The Bitter Ends (Trouble in River City)


Black Milk & Fat Ray: Food from the Gods (Computer Ugly / Fat Beats)


Blacks’ Myths Meets Pat Thomas: The Mythstory School (self-released) ***


Yugen Blakrok: The Illusion Of Being (I.O.T. Records) ***
*

Blood Orange: Essex Honey (RCA) 

Booker T & The Plasmic Bleeds: Ode To BC/LY… And Eye Know BO…. da Prez (Mahakala Music)


Benjamin Booker: Lower (Fire Next Time)


Christer Bothén: Christer Bothén Donso n’goni (Black Truffle) 

Johnny Bragg: Let Me Dream On (Org Music) ***


Patricia Brennan: Of The Near and Far (Pyroclastic) ****

Brother Ali & Ant: Satisfied Soul (Mello Music)
Buck 65: Keep Moving (self-released)

Peter Brotzmann: The Quartet (Otoroku) *****

Master Wilburn Burchette: Master Wilburn Burchette’s Psychic Meditation Music (Numero Group) ***

Joe Chambers, Kevin Diehl, Chad Taylor: Onilu (Eremite) ****

Tyler Childers: Snipe Hunter (RCA / Hickman Holler) ****

Christer Bothén 3: L’Invisible (thanatosis) ****

clipping: Dead Channel Sky (Sub Pop)


Clipse: Let God Sort ‘Em Out (Roc Nation) ***

Common and Pete Rock: The Auditorium, Volume 1 (Casa Loma)

Cosmic Ear: TRACES (We Jazz) *****


Sylvie Courvoisier & Mary Halvorson: Bone Bells (Pyroclastic) ***

Sylvia Courvoisier & Wadada Leo Smith: Angel Falls (Intakt)

Chuck D: Chuck D Presents Enemy Radio—Radio Armageddon(Soundspeak)

Lucrecia Dalt: A Danger to Ourselves (RVNG International) ****

Christopher Dammann Sextet: Christopher Dammann Sextet (Out of Your Head)
 ***

Deepstaria Enigmatica: The Eternal Now Is the Heart of a New Tomorrow (ESP-Disk)
 ****

The Delines: Mr. Luck & Ms. Doom (Jealous Butcher) ****
*

DJ Dadaman & Moscow Dollar: Ka Gaza (Nyege Nyege Tapes)


DJ Haram: Beside Myself (Hyperdub)

DJ Shaun-D: From Bubbling to Dutch House (Nyege Nyege Tapes)


Big Chief Bo Dollis Jr. & The Wild Magnolias: Chip Off The Old Block(Strong Place)

Doseone & Height Keech: Wood Teeth (Hands Made EP) ****

doseone & Steel Tipped Dove: All Portrait, No Chorus (BackwoodzStudios) ****

Earl Sweatshirt: Live Laugh Love (Tan Cressida) ***

Silke Eberhard Trio: Being-A-Ning (Intakt)

Eddy Current Suppression Ring: Shapes and Forms (Cool Death EP) ***

Marty Ehrlich Trio Exaltation: This Time (Sunnyside) ***

Electric Satie: Gymnopedia ’99 (In Sheep’s Clothing) ****

Marco Eneidi Quintet: Wheat Fields of Kleylehof (Balance Point Acoustics / Botticelli) ****

Mark Ernestus’ Ndagga Rhythm Force: Khadim (Ndagga) ***

Ex-Void: In Love Again (Tapete Records)

Shamek Farrah: First Impressions (Strata-East) ***

Shamek Farrah & Sonelius Smith: The World of the Children(Strata-East) ****

Fieldwork: Thereupon (Pi Records) ****

Craig Finn: Always Been (Tamaric / Thirty Tigers) ***


FKA twigs: Eusexua (Young Recordings Limited)


Robert Forster: Strawberries (Tapete) ****

Satoko Fujii GENAltitude 1100 Meters (Libra)


Satoko Fujii Trio: Dream a Dream (Libra) ****


Satoko Fuji / This is It!: Message (Libra)

Tomas Fujiwara: Dream Up (Out of Your Head)

Karol G: Tropicoqueta (Bichota) ****

Galactic and Irma Thomas: Audience with the Queen (Tchoup-Zilla)

Girl Scout: Headache (self-released EP)

Roger Glenn: My Latin Heart (Patois) ****

Woody Guthrie: Woody at Home, Vol 1 + 2 (Shamus) ****

HAIM: I quit (Haim Productions) ****

Keiji Haino and Natsuki Tamura: what happened there? (Libra)


Mary Halvorson: About Ghosts (Nonesuch) *****

Hamell on Trial: Harp (for Harry) (Saustex)

Phil Haynes & Free Country: Liberty Now! (Corner Store Jazz) ***

Heat On: Heat On (Cuneiform)


The Hemphill Stringtet: Plays the Music of Julius Hemphill (Out of Your Head Records)

Horsegirl: Phonetics On and On (Matador)


HHY & The Kampala Unit: Turbo Meltdown (Nyege Nyege Tapes) ****

Patterson Hood: Exploding Trees & Airplane Screams (ATO) ***


William Hooker: Jubilation (Org Music) *****


William Hooker: A Time Within: Live at the New York Jazz Museum, January 14, 1977 (The Control Group / Valley of Search) ***


Hot 8 Brass Band: Big Tuba (Tru Thoughts) ***

Hunx and His Punks: Walk Out on This World (Get Better) ****

Hüsker Dü: January 30, Parts 1 & 2 (Numero EP) ***** (Numero box on the way….)

Mikko Innanen and Ingebrigt Häker Flaten: Live in Espoo (Sonic Transmissions)

Michael Gregory Jackson: Frequency Equilibrium Koan (moved-by-sound)


Jeong – Bisio Duo (featuring Joe McPhee): Morning Bells Whistle Bright (ESP-Disk) ****


JID: God Does Like Ugly (Dreamville/Interscope) ****

JLZ & GG: Medio Grave (Nyege Nyege Tapes) ***

Rico Jones: Bloodlines (Giant Step Arts)

Anthony Joseph: Rowing Up the River to Get Our Names Back (Heavenly Sweetness) ****

JPEG Mafia: I Lay Down My Life for You (Director’s Cut) (self-released) ****

Kelela: In the Blue Light (Warp) ***


KINGDOM MOLOGI: Kembo (Nyege Nyege Tapes) ****

Kronos Quartet + The Hard Rain Collective: Hard Rain (Red Hot Org EP)

Lady Gaga: Mayhem (Interscope)


Lambrini Girls: Who Let The Dogs Out (City Slang US) *****

Steve Lehman: The Music of Anthony Braxton (Pi Recordings) *****


José Lencastre: Inner Voices (Burning Ambulance) ***

Jinx Lennon: The Hate Agents Leer at the Last Agents of Hope (Septic Tiger) ***


James Brandon Lewis: Apple Cores (Anti-)


James Brandon Lewis Quartet: Abstraction is Deliverance (Intakt) ***

Jeffrey Lewis: The Even More Freewheelin’ Jeffrey Lewis (Don Giovanni)


Little Simz: Lotus (AWAL) ****

LOLO: LOLO (Black Sweat)


Rocio Gimenez Lopez: La Forma Del Sueno (Blue Art) ****


Rocio Gimenez Lopez: La Palabra Repetida (Blue Art) ***

K. Curtis Lyle, Jaap Blonk, Damon Smith, Alex Cunningham: A Radio of the Body

Jako Maron: Mahavelouz (Nyege Nyege Tapes) ****


Mahotella Queens: Buya Buya—Come Back (Umsakazo) ****

Mazinga: Chinese Democracy Manifest—Greatest Hits, Vol. 2 (Rubber Wolf)


Mean Mistreater: Do or Die (self-released)
 ***

The Mekons: Horror (Fire) ***


Ava Mendoza/Gabby Fluke-Mogul/Carolina Perez: Mama Killa(Burning Ambulance) ***

Mexstep & Principe Q: Tráfico (Puro Unity EP)

M(h)aol: Something Soft (Merge) ***

Mac Miller: Baloonerism (Warner Records)


Billy Mohler: The Eternal (Contagious)


Moonchild Sanelly: Full Moon (self-released)

MonoNeon: You Had Your Chance…Bad Attitude! (Color Red) ****


Christy Moore: A Terrible Beauty (Claddagh) *****

Jason Moran/Trondheim Jazz Orchestra/Ole Morten Vågan: Go To Your North (Yes Records)

Maria Muldaur: One Hour Mama (Nola Blue)

Matthew Muneses and Riza Printup: Pag-Ibko, Volume 1 (Irabbagast Records)


David Murray Quartet: The Birdsong Project Presents Birdly Serenade (Verve)

Amina Claudine Myers: Solace of the Mind (Red Hook) ****

Natural Information Society and Bitchin’ Bahas: Totality (Drag City)


Louis Nevins: The Fumes (Cavetone Records) ***

Alick Nkhata: Radio Lusaka (Mississippi Records) ***

NOBRO: Set Your Pussy Free (Dine Alone) ***

Nourished By Time: The Passionate Ones (XL)

Isabelle Olivier: Impressions (Rewound Echoes)


The Onions: Return to Paradise (Hitt Records)


Bill Orcutt Guitar Quartet: Hauslive 4 (Palilalia) ***


Organic Pulse Ensemble: Ad Hoc (Ultraaani Records) *****

Aruan Ortiz: Creole Renaissance (Intakt) ***

Kassa Overall: Cream (Warp) ***

Pan Afrikan Peoples Arkestra Led by Horace Tapscott: Live at Widney High December 26th, 1971 (The Village) ***


Ivo Perelmamn and Matthew Shipp: Armageddon Flower (TAO Forms)

Pitch, Rhythm, and Consciousness: Sextet (Reva Records)


Marek Pospieszalski Octet & Zoh Amba: NOW! (Project financed by a scholarship from the Minister of Culture and National Heritage “Młoda Polska” & Katowice City of Music UNESCO)

Preservation & Gabe ‘Nandez: Sortilège (BackwoodzStudioz) ****

The Prize: In the Red (Anti Fade Records) ****

Public Enemy: Black Sky Over The Projects—Apartment 2025 (self-released) ***

Les Rallizes Denudes: Blind Baby Has Its Mother’s Eyes (Life Goes On)


Les Rallizes Denudes: Jittoku ’76 (Temporal Drift)

R.A.P. Ferreira: Outstanding Understanding (Ruby Yacht)

Jussi Reijonen: sayr—salt/thirst (unmusic) *** 

Jonathan Richman: Only Frozen Sky Anyway (Blue Arrow)


Adam Rudolph, Dave Liebman, Billy Hart: Beingness (Meta)


Bobby Rush and Kenny Wayne Shepherd: Young Fashioned Ways (Deep Rush / RAM Records) ***

Sverre Sæbo Quintet: If, However, You Have Not Lost Your Self Control (SauaJazz)


SAULT: 10 (Sault Global) ***


Serengeti: mixtape 2 (serengetiraps / self-released)


Serengeti: Palookaville (serengetiraps / self-released) 


The Sex Pistols: Live in the U.S.A. South East Music Hall, Atlanta, January 5th, 1978 (UME)


The Sharp Pins: Radio DDR (K / Perennial Death) ***


Matthew Shipp: The Cosmic Piano (Canteloupe Records) ****

Patrick Shiroishi: Forgetting is Violent (American Dream)

Anthony “Big A” Sherrod: Torchbearer of the Clarksdale Sound(Music Makers Recordings EP)

$ilkMoney: WHO WATERS THE WILTING GIVING TREE ONCE THE LEAVES DRY UP AND FRUITS NO LONGER BEAR? (Lex)

Slick Rick: Victory (Mass Appeal) ***

Peter Stampfel: Song Shards (Jalopy Records) ***

Luke Stewart / Silt Remembrance Ensemble: The Order (Cuneiform) ***


Ray Suhy / Lewis Porter Quartet: What Happens Next (Sunnyside) ***


SUMAC and Moor Mother: The Film (Thrill Jockey)


Sun Ra: Nuits de la Fondation Maeght 5 August 1970 (Strut) ***

Superchunk: Songs in the Key of Yikes (Merge) ****

John Surman: Flashpoint and Undercurrents(Cuneiform Records) ***

Atef Swaitat & Abu Ali: Palestinian Bedouin Psychedelic Dabka Archive (Majazz Project/Palestinian Sound Archive) ****

Masahiko Tagashi: Session in Paris, Volume 1—Song of the Soil (with Don Cherry and Charlie Haden) (We Want Sounds)


Taj Mahal and Keb’ Mo’: Room on the Porch (Concord Jazz) 


Taj Mahal & Keb’ Mo’: Room on the Porch for Everyone (UMG EP) 


Cecil Taylor / Tony Oxley: Flashing Spirits (Burning Ambulance)

Ebo Taylor, Adrain Younge, and Ali Shaheed Muhammad: Jazz Is Dead 22 (Jazz is Dead)


The Third Mind: Right Now! (Yep Roc)

Three-Layer Cake: “sounds the color of grounds” (Otherly Love)

Los Thuthanaka: Los Thuthanaka (Studio Pankara) ****

Trio Glossia: Trio Glossia (Sonic Transmissions) ****


Trio of Bloom: Trio of Bloom (Pyroclastic) ***

The Tubs: Cotton Crown (self-released) ***

Kali Uchis: Sincerely (Capitol) ***

Akira Umeda & Metal Preyers: Clube de Mariposa Mórbida (Nyege Nyege Tapes)

The Untamed Youth: Git Up and Go (Hi-Tide / Nu-Tone)

Various Artists: African Jazz Invites O.K. Jazz (Planet Ilunga) ***


Various Artists: A Tribute to the King of Zydeco (Valcourt) *****

Various Artists: Democracy Forward (Bitter Southerner) ***

Various Artists: Prisoners’ Day Compilation (Majazz Project / Palestinian Sound Archive) ***

Various Artists: Roots Rocking Zimbabwe– The Modern Sound of Harare’ Townships 1975-1980 (Analog Africa) ****


Various Artists: Sweet Rebels—The Golden Era of Algerian Pop-Rai (We Want Sounds) ***

Vibration Black Finger: Everybody Cryin’ Mercy (Enid)

Morgan Wade: The Party is Over (recovered) (Ladylike) ***

The War & Treaty: Plus One (Mercury Nashville)


Wednesday: Bleeds (Dead Oceans) ***

Wet Leg: moisturizer (Domino) ***

Alfred White: The Definitive Alfred White (Music Makers Recordings)


Wheelhouse: House and Home (Aerophonic)


Simon Willson: Bet (Endectomorph Records)

billy woods: GOLLIWOG (x) (Backwoodz Studios)


Wu-Tang Clan: Black Samson, The Bastard (All Maf / 36 Chambers)

Jeong Lim Yang: Synchronicity (Fully Altered Media) 

Hiroshi Yoshimura: Flora (Temporal Drift) ***

Brandee Younger: Gadabout Season (Impulse) ***

The Young Mothers: Better If You Let It (Sonic Transmissions) ****

Miguel Zenon: Vanguardia Subterranea (Miel Music) ***

SAMPLE THIS STUFF AND OTHER 2025 NOTABLES USING THIS SPITIFY PLAYLIST!

Check out my Substack newsletter if you haven’t already. Just tales from the education front, mostly (I’m in my 42nd year as a classroom teacher).

June, Spoon, Moon…GOONS: My Favorite Albums of 2025, January 1st to June 1st, for Chasing Them Away

Is there balm in Gilead? Hell to the yeah, folks! It might last only 30-75 minutes, but that’s 30-75 minutes not staring into the abyss! Just for example, May gave us four of the best rap albums of 2025, from Canada (the so-on-a-roll-he-must-be-unconscious Buck 65), South Africa (Yugen Blakrok–remember her bar on the Black Panther soundtrack?), and the good ol’ States (billy woods & Aesop Rock); two African compilations that remind us that revolutions can be successful (if complicated); a live excavation that demonstrates what a group of likeminded individuals (The Pan African Peoples Orchestra) can do in their own ‘hood under the guidance of a dedicated leader (Horace Tapscott) to keep hope alive (seriously); the return of Christer Bothen with the band Cosmic Ear; and a transcendently eccentric throwback r&b record that proves that, while the bros squeezed the weird out of Austin, tryin’ that shit on Memphis would be a whole other story (MonoNeon). Also, please attend to 101-year-old Sun Ra Arkestra mainstay Marshall Allen’s live-from-home (aka Philly) album, which is a more proper celebration of his passage into centenarianism than his respectable but sometimes faint solo album. Please sample some of what I’m talking about via the cumulative Spitify playlist I have included at the very bottom. Tits up, people!

Aesop Rock: Black Hole Superette (Rhymesayers) ****
Ale Hop & Titi Bakorta: Mapambazuko (Nyege Nyege Tapes) *****
Marshall Allen’s Ghost Horizons: Live in Philadelphia, Volume 1 (Otherly Love Records) ****
The Ancients: The Ancients (Eremite)
Ichiko Aoba: Luminescent Creatures (Psychic Hotline)
Artemis: Arboresque (Blue Note) ****
Backxwash: Only Dust Remains (Ugly Hag)****
Bad Bunny: DeBI TiRAR MaS FOToS (Rimas Entertainment)****
Julien Baker & Torres: Send a Prayer My Way (Matador) ****
billy woods: GOLLIWOG (x) (Backwoodz Studios)
The Bitter Ends: The Bitter Ends (Trouble in River City)
Black Milk & Fat Ray: Food from the Gods (Computer Ugly / Fat Beats)
Blacks’ Myths Meets Pat Thomas: The Mythstory School (self-released) ***
Yugen Blakrok: The Illusion Of Being (I.O.T. Records) ***
Booker T & The Plasmic Bleeds: Ode To BC/LY… And Eye Know BO…. da Prez (Mahakala Music)
Benjamin Booker: Lower (Fire Next Time)
Johnny Bragg: Let Me Dream On (Org Music) ***
Brother Ali & Ant: Satisfied Soul (Mello Music)
Buck 65: Keep Moving (self-released)
clipping: Dead Channel Sky (Sub Pop)
Cosmic Ear: TRACES (We Jazz) *****
Sylvie Courvoisier & Mary Halvorson: Bone Bells (Pyroclastic)
Christopher Dammann Sextet: Christopher Dammann Sextet (Out of Your Head)
Deepstaria Enigmatica: The Eternal Now Is the Heart of a New Tomorrow (ESP-Disk)
The Delines: Mr. Luck & Ms. Doom (Jealous Butcher)****
DJ Dadaman & Moscow Dollar: Ka Gaza (Nyege Nyege Tapes)
DJ Shaun-D: From Bubbling to Dutch House (Nyege Nyege Tapes)
doseone & Steel Tipped Dove: All Portrait, No Chorus (BackwoodzStudios) ****
Ex-Void: In Love Again (Tapete Records)
Craig Finn: Always Been (Tamaric / Thirty Tigers)***
FKA twigs: Eusexua (Young Recordings Limited)
Robert Forster: Strawberries (Tapete) *****
Satoko Fujii GENAltitude 1100 Meters (Libra)
Satoko Fujii Trio: Dream a Dream (Libra)****
Satoko Fuji / This is It!: Message (Libra)
Keiji Haino and Natsuki Tamura: what happened there? (Libra)
Galactic and Irma Thomas: Audience with the Queen (Tchoup-Zilla)
Hamell on Trial: Harp (for Harry) (Saustex)
The Hemphill Stringtet: Plays the Music of Julius Hemphill (Out of Your Head Records)
Patterson Hood: Exploding Trees & Airplane Screams (ATO)***
William Hooker: Jubilation (Org Music)*****
William Hooker: A Time Within: Live at the New York Jazz Museum, January 14, 1977 (The Control Group / Valley of Search) ***
Horsegirl: Phonetics On and On (Matador)
HHY & The Kampala Unit: Turbo Meltdown (Nyege Nyege Tapes)****
Michael Gregory Jackson: Frequency Equilibrium Koan (moved-by-sound)
Jeong – Bisio Duo (featuring Joe McPhee): Morning Bells Whistle Bright (ESP-Disk) ****
Anthony Joseph: Rowing Up the River to Get Our Names Back (Heavenly Sweetness)****
JPEG Mafia: I Lay Down My Life for You (Director’s Cut) (self-released)*****
Kelela: In the Blue Light (Warp)***
KINGDOM MOLOGI: Kembo (Nyege Nyege Tapes) ***
Lady Gaga: Mayhem (Interscope)
Steve Lehman: The Music of Anthony Braxton (Pi Recordings)*****
Jinx Lennon: The Hate Agents Leer at the Last Agents of Hope (Septic Tiger)***
James Brandon Lewis: Apple Cores (Anti-)
Jeffrey Lewis: The Even More Freewheelin’ Jeffrey Lewis (Don Giovanni)
LOLO: LOLO (Black Sweat)
Rocio Gimenez Lopez: La Forma Del Sueno (Blue Art)****
K. Curtis Lyle, Jaap Blonk, Damon Smith, Alex Cunningham: A Radio of the Body
Jako Maron: Mahavelouz (Nyege Nyege Tapes)****
Mazinga: Chinese Democracy Manifest—Greatest Hits, Vol. 2 (Rubber Wolf)
The Mekons: Horror (Fire)***
Mean Mistreater: Do or Die (self-released)
Mac Miller: Baloonerism (Warner Records)
Billy Mohler: The Eternal (Contagious)
MonoNeon: You Had Your Chance…Bad Attitude! (Color Red) ****
Matthew Muneses and Riza Printup: Pag-Ibko, Volume 1 (Irabbagast Records)
David Murray Quartet: The Birdsong Project Presents Birdly Serenade (Verve)
Natural Information Society and Bitchin’ Bahas: Totality (Drag City)
NOBRO: Set Your Pussy Free (Dine Alone) ***
Isabelle Olivier: Impressions (Rewound Echoes)
The Onions: Return to Paradise (Hitt Records)
Bill Orcutt Guitar Quartet: Hauslive 4 (Palilalia)***
Organic Pulse Ensemble: Ad Hoc (Ultraaani Records)*****
Pan Afrikan Peoples Arkestra Led by Horace Tapscott: Live at Widney High December 26th, 1971 (The Village)***
Ivo Perelmamn and Matthew Shipp: Armageddon Flower (TAO Forms)
Pitch, Rhythm, and ConsciousnessSextet (Reva Records)
Marek Pospieszalski Octet & Zoh Amba: NOW! (Project financed by a scholarship from the Minister of Culture and National Heritage “Młoda Polska” & Katowice City of Music UNESCO)
Les Rallizes Denudes: Blind Baby Has Its Mother’s Eyes (Life Goes On)
R.A.P. Ferreira: Outstanding Understanding (Ruby Yacht)
Adam Rudolph, Dave Liebman, Billy Hart: Beingness (Meta)
Bobby Rush and Kenny Wayne Shepherd: Young Fashioned Ways (Deep Rush / RAM Records) ***
Sverre Sæbo Quintet: If, However, You Have Not Lost Your Self Control (SauaJazz)
SAULT: 10 (Sault Global)***
Serengeti: mixtape 2 (serengetiraps / self-released)
Serengeti: Palookaville (serengetiraps / self-released) 
The Sex Pistols: Live in the U.S.A. South East Music Hall, Atlanta, January 5th, 1978 (UME)
The Sharp Pins: Radio DDR (K / Perennial Death)****
Luke Stewart / Silt Remembrance Ensemble: The Order (Cuneiform)***
Ray Suhy / Lewis Porter Quartet: What Happens Next (Sunnyside) ***
SUMAC and Moor Mother: The Film (Thrill Jockey)
John Surman:Flashpoint and Undercurrents(Cuneiform Records) ***
Masahiko Tagashi: Session in Paris, Volume 1—Song of the Soil (with Don Cherry and Charlie Haden) (We Want Sounds)
Taj Mahal and Keb’ Mo’: Room on the Porch (Concord Jazz)
Taj Mahal & Keb’ Mo’: Room on the Porch for Everyone (UMG EP) 
Ebo Taylor, Adrain Younge, and Ali Shaheed Muhammad: Jazz Is Dead 22 (Jazz is Dead)
Trio Glossia: Trio Glossia (Sonic Transmissions)****
The Tubs: Cotton Crown (self-released)
Kali Uchis: Sincerely (Capitol) ***
Sharon Van Etten & The Attachment Theory: Sharon Van Etten & The Attachment Theory (Jagjaguwar)
Various Artists: African Jazz Invites O.K. Jazz (Planet Ilunga) ***
Various Artists: Prisoners’ Day Compilation (Majazz Project / Palestinian Sound Archive) ***
Various Artists: Roots Rocking Zimbabwe– The Modern Sound of Harare’ Townships 1975-1980 (Analog Africa) ****
Various Artists:Sweet Rebels—The Golden Era of Algerian Pop-Rai (We Want Sounds) ***
The War & Treaty: Plus One (Mercury Nashville)
Alfred White: The Definitive Alfred White (Music Makers Recordings)
Wheelhouse: House and Home (Aerophonic)
Simon Willson: Bet (Endectomorph Records)
Jeong Lim Yang: Synchronicity (Fully Altered Media) 

The Young Mothers: Better If You Let It (Sonic Transmissions)****
Hiroshi Yoshimura: Flora (Temporal Drift) ***

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Fetching Recordings from January 2025–For Month 1, Not Too Skimpy!

I am restless. As a teacher, I cannot teach the same lesson twice the same way (nor should anyone, but maybe I’m wrong). Last year, I tried to write more about the albums I loved on this blog but ended up very unsatisfied, plus it was a pain when it came to assembling a complete year-end list. So…I think this year, I’ll go back to my cumulative listing and let y’all follow the links and divine from those whether the records are worthy of your time…unless you just trust me. I wouldn’t. I am going to stick with closing with a Spotify playlist sampler, though I hate Spotify and, since I receive some review copies, songs from those might not yet be available–especially on this one.

New Releases:

Ale Hop & Titi Bakorta: Mapambazuko (Nyege Nyege Tapes)

Bad Bunny: DeBI TiRAR MaS FOToS (Rimas Entertainment)

Booker T* & The Plasmic Bleeds: Ode To BC/LY… And Eye Know BO…. da Prez (Mahakala Music)

Benjamin Booker: Lower (Fire Next Time)

doseone & Steel Tipped Dove: All Portrait, No Chorus (BackwoodzStudios)

Ex-Void: In Love Again (Tapete Records)

Satoko Fujii GEN: Altitude 1100 Meters (Libra)*

Keiji Haino and Natsuki Tamura: what happened there? (Libra)

LOLO: LOLO (Black Sweat)

Mac Miller: Baloonerism (Warner Records)

Marek Pospieszalski Octet & Zoh Amba (see below): NOW! (Project financed by a scholarship from the Minister of Culture and National Heritage “Młoda Polska” & Katowice City of Music UNESCO) Note: release date = November 29, 2024

Serengeti: Palookaville (serengetiraps / self-released) Note: release date = December 25, 2024

Omar Thomas: Griot Songs (Omar Thomas Music)

Simon Willson: Bet (Endectomorph Records) @

Jeong Lim Yang: Synchronicity (Fully Altered Media)

@Features Neta Raanan, a terrific young saxophonist whose debut last year was SHARP.

*Fujii can’t stop, won’t stop–first album out of considerably over 100 (!!) with a string section.

*A terrific free jazz tenor last heard from about 40+ years ago who’s resurfaced.

Old Stuff I Happily Listened To:

Zoh Amba: Every album she’s released and appeared on. We saw her play live and it was a chicken-skin experience! Blazing and dynamically moody free jazz plus surprise acoustic guitar versions of new songs that both rended and expanded one’s heart. Check out the way she finishes out Myriam Gendron’s track on the playlist below!

Bob Dylan’s folk stuff: I was subbing the other day shortly after A Complete Unknown was released and I’d seen it—it sent be back to my favorites of his early period, especially the first album (what writer recently said he was electric from the first, because the electricity was in the way he sang those songs?) and “Only a Pawn in Their Game,” which I’ve always loved and repeat played to the point it was worming my ear all day)—and I casually sidled up to a table of 10th grade “advanced placement” dudes. Me: “Hey, have you guys heard of Bob Dylan?” Them (in tandem): “He’s dead, right?” I have some issues with the movie but it was entertaining and has a reason for being.

Culture and Burning Spear in the schools: Sometimes if I’m subbing for an old English-teaching comrade, they’ll let me write my own lesson and teach. A recent job was for a guy who teaches classical ideas and world religions and his students are currently studying Judaism; he asked if I could talk about Rastafarian reggae’s connections with Judaism and play some examples. They didn’t know dick about Rastafarianism or reggae, so it was a good call. We studied The Melodians’ “Rivers of Babylon,” sections of Culture’s Two Sevens Clash and aspects of Burning Spear’s Marcus Garvey. I also pushed Safiya Sinclair’s memoir of wrasslin’ to liberate herself from the clutches of her Rasta dad, How to Say Babylon. I’ve listened to reggae every day since.

Sinead O’Connor: Nicole and I watched the SNL Music special ?Love put together (apparently he was ordered by Lorne to exclude any evidence of The Replacements’ TRANSCENDENT appearance, the petty bastard) and got chills revisiting Sinead’s appearance. Listened to her all of the next day (yesterday, as it were) and kept getting chills, though I found myself wondering how much more she could have accomplished without the after-effects of the backlash (as Al Franken said, “She was kind of right,” though I’d say “She was right.”).

Black Female Gospel Warriors All Day on January 20th. Folks? Put the whole of the armour on.

AUGUST 24: 15 New Records That Reached Me

August was a great musical month for us, but new records had little to do with it. Chappell Roan really blew up–deservedly so, but too late for the 2024 list since her record came out in ’23–and I found out her parents were students at Parkview High School in Springfield, Missouri, when I was teaching there. In fact, I was her dad’s student council sponsor, though I don’t remember him very well. We have played that 2023 record a lot and can’t wait for the next one. We also snagged tickets to several concerts scheduled for Columbia’s fabled “We Always Swing!” Jazz Series–check out the schedule, which might be the best in the series’ long history and which was shrewdly enriched by incorporating the sharp ear and skills of Dismal Niche‘s Matt Crook. Also, I discovered a St. Louis jazz series I didn’t know about–it’s only in its 66th year!–and bought tickets to the on-a-serious-roll AACM vet Kahil El’Zabar’s show as well as Nicole Mitchell’s (the best album of her long career is listed below). I’ve built an asynchronous composition class for freshmen around Ann Powers’ alternate American pop history Good Booty here at Stephens College, student writing is just coming in, and it looks promising. Finally, I substitute-taught for a friend at Hickman High School, my old stomping grounds, and he allowed me to construct my own lesson to fit his objectives: we reviewed aspects and “non-negotiables” of poetry by examining the question, “Can song lyrics be poetry with the music and vocals excised?” Students vehemently agreed as we listened to a few songs; I’m usually on the other side of the fence there. I also snuck in a lesson about blackface minstrelsy; Missouri officialdom ain’t so fond of any kind of black history, but Hickman has always been a mental cut above the state it occupies.

OK, my favorites, with my commentary continuing to be limited to single–and I hope simple–sentences (* indicate older recordings brought back to the present in some way):

Patricia Brennan: Breaking Stretch (Pyroclastic) – Brennan threads strands of strange vibraphone magic through all of her very impressive compositions, and this album may be her best yet.

Melissa Carper: Borned in Ya (Mae Music / Thirty Tigers) – First full album by a member of the Wonder Women of Country Music (Carper, Kelly Willis, and Brennen Leigh) since their outstanding EP appeared earlier this year, and it’s a legit doozy, mixing witty originals with soulful covers of standards that aren’t actually country.

Dead Moon: Dead Ahead (Mississippi Records)* – I very seriously ride or die with Dead Moon, the last of the great garage bands; Mississippi Records has been dedicated to keeping all their work in print, and this was their final record, which I’d call autumnal except the Coles would return a decade later with the more explosive band Pierced Arrows.

Phil Haynes: 4 Horns or What?—The Complete American Recordings (Corner Store Jazz)* – I hadn’t heard of Haynes, received a physical copy of this three-CD rerelease + live show, ignored it, then played it out of obligation–only to have my doors blown off by the power of Haynes’ drumming and writing and his employment of some amazing horns (specifically Ellery Eskelin and John Tchicai on saxophones).

Ka: The Thief Next to Jesus (self-released) – The Brownsville, NY, rapper carefully–and lyrically–examines the minefield of Christianity many of us, but specifically Black Americans, are trying to negotiate in these difficult times on perhaps the finest of his many intriguing albums.

Shelby Lynne: Consequences of the Crown (Monument) – She sounds slightly bruised but very much unbowed, as well as justifies folks’ occasional comparisons between her and Dusty Springfield.

Nicole Mitchell and Ballake Sissoko: Bamako * Chicago Sound System (FPE) – I admire Mitchell so much as a thinker and conceptualist and player, but none of her previous albums have stuck with me permanently until now–Sissoko’s kora contributions are the glue that grounds her flute.

Meshell Ndegeocello: No More Water—The Gospel of James Baldwin (Blue Note) The second quietly powerful tribute Meshell’s assayed in ’24–the first honoring Sun Ra–comes at, as Lightnin’ Hopkins and others have sung, a “needed time.”

OKSE: OKSE (BackwoodzStudioz) – As with Superposition (see below), I am at the beck and call of the sharp-eared Norwegian music writer Christopher Monsen–I have even tried to coin the term “Monsen Bucks” to designate how reliably I shed dollars when he raves–who was the first to hip me to this Danish/Swedish/Haitian/American rap-jazz combo that lured none other than Billy Woods onto their fascinating disc.

Ryuichi Sakamoto: Opus (Milan) – I am not a classical music buff, but this is one of the saddest records I have ever heard, and I mean that as a high compliment.

Juma Sultan’s Aboriginal Music Society: Father of Origin (Eremite)* – As with Dead Moon/Pierced Arrows, I ride or die with any record featuring participants in St. Louis’ Black Arts Group; the leader’s on bass, hand drums, and other stuff, but to hear Julius Hemphill, Bobo Shaw, Philip Wilson, and Abdul Wadud on a set of 1969-1970 recordings is a treat.

Moses Sumney: Sophcore (self-released EP) – When I first heard Sumney a few years back, I figured him for a kind of innovator–of depressive r&b or something like that–but the words didn’t hold me like the music and his vocals, and they definitely do here.

Superposition: II (We Jazz) – Another Chris Monsen whisper-in-my-ear, this Finnish group is the latest Scandinavian jazz unit to make me seriously consider traveling to the region and exploring the clubs.

Cecily Wilborn: Kuntry Gurl Playlist (self-released) – This very solid album is not as raw as the title seems to imply, but it’s very high-quality country music with rhythm and blues flavor, Ms. Wilborn can sing and write fetchingly, and I’m intrigued that, though she claims West Memphis, she mentions zydeco and trail rides.

Kathryn Williams & Withered Hand: Willson Williams (One Little Independent Records) – I knew nothing about Kathryn Williams and, for some reason, despite enjoying Dan Wilson’s /Withered Hand’s previous work, thought another contributor might water his very unique yearning, spiritual thing down–but damned if this doesn’t catch me up just as short, and movingly.