Mike Rayhill and I were both born in conservative Missouri towns in 1962, lived under the watchful eyes of fathers who expected the best, played high school sports seriously (he wrestled, I hooped), attended and graduated with the Class of 1980 from what was then Southwest Missouri State University in Springfield, Missouri, loved rock and roll and Budweiser, and often got tripped up in self-doubt. We had significantly different views on Prince, golf, and pro wrestling, and Mike was an artist while I could only love the arts, but we only really fought once (a damn poker game!) and resonated as brothers always. He roundly approved of my chosen soul mate and proved a great friend to her, too.
Mike was on the far end of a successful career in printing, had found Angel, the love of his life, after a long search, proudly watched his son London bloom (under his close and wise gaze) into an outstanding scholar, athlete and human, graduate from high school, and excel as a college freshman, and through constant diligence and skillful frugality owned free and clear his own house, no easy task these days. The fruit of his meticulous labors had ripened for his enjoyment when pancreatic cancer snatched it away last week. His wife, son, and friends will carry his spirit forward, but never forget, folks, that life isn’t fucking fair.
I can tell you a million stories about Mike, but this is a moment that captures a side of the man I will deeply miss.
Mike and I became fast friends at first meeting (discovering our mutual appreciation for the Minutemen at a Washington Street party in Springfield), and later became roommates for a few years in the late 1980s. One day as I returned home, Mike met me with great urgency.
“DJ Philly Phil, you’ve got to tell me who does this song!”
Then, doing a little light-footed twist and accenting the rhythm with his hands–almost like he was conducting an orchestra (friends will recall this charming nuance of his)–he burst out in song:
“GIVE me just a little more TIME!”
Unfortunately, I had not then nor have I since heard every song ever recorded, and these were not the days of YouTube, streaming, OR the simple Internet, so I replied, “Well, that was wonderfully performed, but nope…I have no clue.”
Mike was not to be denied. He wanted to own the record. “Yes, you have heard it. It’s on oldies radio all the time! OK, now listen!”
He repeated his previous rendition with spot-on accuracy. “Now, did you hear how I sang the word ‘time’? The singer turns that word into a little cry at the end of the line! It’s great! He really needs a little more time! Now, listen!”
Again, he repeated his passionate orchestration, underlining the syllable in question with an upward wave of his hand.
“Mike, I got nuthin’.”
“I’m deeply disappointed in you, Philly Phil.”
He loved that song; talk about the passion, he might have said, because he was quietly about that (and he had R.E.M. on the brain). That dude could needle your ass painfully, but he had a tender heart.
I could have done some research, but those were busy days. Also, I don’t listen to the radio much, but soon after this episode, I finally heard the song. It was just as Mike sang, performed, and explained it: a plea, and like Mike’s feet had done in his demonstration, the music bounced. But the jock didn’t identify the damn song, so I was still holding air.
Fast-forward a couple years. I’m living in Columbia, Nicole and I are blasting some New Orleans rhythm and blues as is still our wont, and we’ve got one of Rhino Records’ three great NOLA volumes on the turntable. We have it turned up loud, and the needle hits The Showmen’s smilingly defiant rock and roll anthem, “It Will Stand.” Suddenly, listening to General Johnson sing “Don’t ya nickname it! / Fact, ya might as well claim it,” I flashed on the facts: that’s the guy! Then, I hit the books–General Johnson went on to lead The Chairmen of the Board, and–sure enough!–deliver “Give Me Just a Little More Time” with that plaintive panache.
I immediately called Mike. “I got it! I got it! Chairmen of the Board and General Johnson do ‘Give Me Just a Little More Time’! They have a greatest hits CD–“
“Sorry, DJ, I found the 45,” he interrupted. “You really let me down. I think you’re a little overrated, man! You’re no Casey Kasem, ya punk!” I laughed, but it did make me sad that I’d delayed his robust gratification and been ignorant of an obvious classic.
Last August, Mike was diagnosed with pancreatic cancer. No, life is not fair, but in Mike’s case it really, really wasn’t. In January, as he was preparing for the inevitable, he asked me to help him find a home for his records, inviting me to keep anything I wanted. I brought his crates home, Hitt Records here in Columbia agreed to help us, and I began sorting them. Among his 45s, along with lots of Elvis and some demos of the first recordings of his band The JimBobs, was “Give Me Just a Little More Time.”
I kept that one.
That title is stabbing me as I write. It’s always going to remind me of Mike’s joy for music, his witty and contagious animation in acting out his enthusiasm for everything from pro wrestling to “The Beverly Hillbillies,” and his love for his friends family and life in general. That love, in his unique fashion, quietly caught the bordering-on-desperate urgency of Johnson’s vocals. As we all should catch it if we fully understand how fragile and ephemeral life is. Mike passed away yesterday morning in the arms of his wife Angel, who caught that wonderful urgency and knew exactly what it was worth.
“Life’s too short to make a mistake.
Let’s think of each other and hesitate!
Young and impatient we may be,
There’s no need to act foolishly.
If we part, our hearts won’t forget it–
Years from now we’ll surely regret it….”
Goodbye, my brother. We won’t forget you.