“Jazz is a globalized African American freedom vehicle”: Nicole Mitchell (February 19th, Columbia, Missouri)

Again, I had a very busy day reading, hanging out, watching movies, and welcoming back one of our outdoor cats who’d been on a walkabout–little time to listen. BUT I was able to bend a long-promised ear more intently to the wonderful, exploratory jazz of Ms. Nicole Mitchell, former president of the AACM, current professor of music at the University of California-Irvine, and jazz flautist and composer deluxe.

I’d listened to her Mandorla Awakening II–Emerging Worlds several times last year, and her interstellar settings (very much in the path of the great Sun Ra), magnanimity (there’s always as much space for her collaborators as she makes for herself–often more), feeling for poetry (both literal and figurative), and her activism (explicit or not, her work is always addressing the struggle) consistently hit me hard in the solar plexus.

Yesterday, for the first time, I took in her Intergalactic Beings album, and this cut stuck with me for most of the day:

 

I was also dazzled by both Mitchell’s playing, composition and band leading and (the great jazz bassist) Alan Silva’s artistic contributions to this video from Mandorla Awakening II:

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