Tag: zydeco

In From the Storm: My Favorite Records from ’25, January 1st to August 1st

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I fell behind in June but revved up to as close to the front of the line as can be expected, I suppose. I still have much business swirling around my head—every time I’ve dealt with the last piece of post-mortem paperwork, something new arrives in the mail, and there’s always grief—so I’m not going to say much other than what a rush of recorded matter has there been into this deity-forsaken world, and I’m thankful.

I have provided album cover images to stimulate you (above) and links in the items’ titles to lead you to purchase (please buy musicians’ music—please?). Later, I will add an updated Spitify playlist with a track a piece from everything on the list if you want to have a…song tasting. If an item is bolded, it is new to the list; if an item is italicized, it is a newly released record that contains older music (there are a few late-’24 entries that might have flown under your radar); if an item is asterisked, it’s very good up to the everlovin’ shit, depending on the number of *s; if an item you think is dandy isn’t on the list, I might not have caught up to it yet (or it didn’t move me, so it got real gone for a change). A truckload of new thangs have been loosed as I hunt and peck this morning; I’m just gonna have to wait until September 1st for the best of those. I hope you find something that can distract you beatifically (but temporarily) from the destruction at large. And…try the Red Hot Org EP that mixes the Kronos Quartet, Dylan’s most surrealistic protest song, and Terry Riley. It ain’t a spinach ice cream cone—it’s brilliant, and necessary.

AND OH YEAH! Do not overlook two shining 5-asterisk discs: jazz guitarist Mary Halvorson’s most mesmerizing recording in a career of them (special assistance from Patricia Brennan) and Irish folk giant Christy Moore’s powerful take on the troubles nouveux in his country (and the world).

MY LIST OF RECENT AURAL PLEASURE – SAMPLER PLAYLIST BELOW
BOLD = New to the List
ASTERISKED* = Damn good! to Holy SHIT! (one day, I will organize them)
ITALICIZED: Excavations from the Past / Reissues


Aesop Rock: Black Hole Superette (Rhymesayers) ****
Zoh Amba: Sun (Smalltown Supersound) ****
Ale Hop & Titi Bakorta:  Mapambazuko (Nyege Nyege Tapes) *****
Marshall Allen’s Ghost Horizons: Live in Philadelphia, Volume 1 (Otherly Love Records) ****
The Ancients: The Ancients (Eremite) ***
Ichiko Aoba: Luminescent Creatures (Psychic Hotline)
Artemis: Arboresque (Blue Note) ****

Backxwash: Only Dust Remains (Ugly Hag) ****
Bad Bunny: DeBI TiRAR MaS FOToS (Rimas Entertainment)****
Julien Baker & Torres: Send a Prayer My Way (Matador) ****
Gina Birch: Trouble (Third Man)
The Bitter Ends: The Bitter Ends (Trouble in River City)
Black Milk & Fat Ray: Food from the Gods (Computer Ugly / Fat Beats)
Blacks’ Myths Meets Pat Thomas: The Mythstory School (self-released) ***
Yugen Blakrok: The Illusion Of Being (I.O.T. Records) ***
Booker T & The Plasmic Bleeds: Ode To BC/LY… And Eye Know BO…. da Prez (Mahakala Music)
Benjamin Booker: Lower (Fire Next Time)
Johnny Bragg: Let Me Dream On (Org Music) ***
Brother Ali & Ant: Satisfied Soul (Mello Music)
Buck 65: Keep Moving (self-released)
Peter Brotzmann: The Quartet (Otoroku)****
Master Wilburn Burchette: Master Wilburn Burchette’s Psychic Meditation Music (Numero Group)***

Joe Chambers, Kevin Diehl, Chad Taylor: Onilu (Eremite) ****
Tyler Childers: Snipe Hunter (RCA / Hickman Holler)
Christer Bothén 3: L’Invisible  (thanatosis)****
clipping: Dead Channel Sky (Sub Pop)
Clipse: Let God Sort ‘Em Out (Roc Nation)***
Common and Pete Rock: The Auditorium, Volume 1 (Casa Loma)
Cosmic Ear: TRACES (We Jazz) *****
Sylvie Courvoisier & Mary Halvorson: Bone Bells (Pyroclastic)
Chuck D: Chuck D Presents Enemy Radio—Radio Armageddon (Soundspeak)

Christopher Dammann Sextet: Christopher Dammann Sextet (Out of Your Head)Deepstaria Enigmatica: The Eternal Now Is the Heart of a New Tomorrow (ESP-Disk)
The Delines: Mr. Luck & Ms. Doom (Jealous Butcher) ****
DJ Dadaman & Moscow Dollar: Ka Gaza (Nyege Nyege Tapes)
DJ Haram: Beside Myself (Hyperdub)
DJ Shaun-D: From Bubbling to Dutch House (Nyege Nyege Tapes)
Big Chief Bo Dollis Jr. & The Wild Magnolias: Chip Off The Old Block (Strong Place)
Doseone & Height Keech: Wood Teeth (Hands Made EP) ****
doseone & Steel Tipped Dove: All Portrait, No Chorus (BackwoodzStudios) ****

Silke Eberhard Trio: Being-A-Ning (Intakt)
Eddy Current Suppression Ring: Shapes and Forms (Cool Death EP)***
Marty Ehrlich Trio Exaltation: This Time (Sunnyside) ***
Electric Satie: Gymnopedia ’99 (In Sheep’s Clothing)****
Marco Eneidi Quintet: Wheat Fields of Kleylehof (Balance Point Acoustics / Botticelli) ****
Ex-Void: In Love Again (Tapete Records)

Fieldwork: Thereupon (Pi Records)
Craig Finn: Always Been (Tamaric / Thirty Tigers) ***
FKA twigs: Eusexua (Young Recordings Limited)
Robert Forster: Strawberries (Tapete) ****
Satoko Fujii GEN: Altitude 1100 Meters (Libra)
Satoko Fujii Trio: Dream a Dream (Libra) ****
Satoko Fuji / This is It!: Message (Libra)

Galactic and Irma Thomas: Audience with the Queen (Tchoup-Zilla)
Girl Scout: Headache (self-released EP)

Keiji Haino and Natsuki Tamura: what happened there? (Libra)
Mary Halvorson: About Ghosts (Nonesuch)*****
Hamell on Trial: Harp (for Harry) (Saustex)
Heat On: Heat On (Cuneiform)
The Hemphill Stringtet: Plays the Music of Julius Hemphill (Out of Your Head Records)
Patterson Hood: Exploding Trees & Airplane Screams (ATO) ***
William Hooker: Jubilation (Org Music) *****
William Hooker: A Time Within: Live at the New York Jazz Museum, January 14, 1977 (The Control Group / Valley of Search) ***

Horsegirl: Phonetics On and On (Matador)
HHY & The Kampala Unit: Turbo Meltdown (Nyege Nyege Tapes) ****
Hüsker Dü: Jan.30, First Ave., Part 1 (Numero EP) ****

Mikko Innanen and Ingebrigt Häker Flaten: Live in Espoo (Sonic Transmissions)
Michael Gregory Jackson: Frequency Equilibrium Koan (moved-by-sound)

Jeong – Bisio Duo (featuring Joe McPhee): Morning Bells Whistle Bright (ESP-Disk) ****
Rico Jones: Bloodlines (Giant Step Arts)
Anthony Joseph: Rowing Up the River to Get Our Names Back (Heavenly Sweetness) ****
JPEG Mafia: I Lay Down My Life for You (Director’s Cut) (self-released) *****

Karol G: Tropicoqueta (Bichota) ****

Kelela: In the Blue Light (Warp) ***

KINGDOM MOLOGI: Kembo (Nyege Nyege Tapes) ***
Kronos Quartet + The Hard Rain Collective: Hard Rain (Red Hot Org EP)

Lady Gaga: Mayhem (Interscope)
Lambrini Girls: Who Let The Dogs Out (City Slang US) *****
Steve Lehman: The Music of Anthony Braxton (Pi Recordings) *****
José Lencastre: Inner Voices (Burning Ambulance)***
Jinx Lennon: The Hate Agents Leer at the Last Agents of Hope (Septic Tiger) ***
James Brandon Lewis: Apple Cores (Anti-)
James Brandon Lewis Quartet: Abstraction is Deliverance (Intakt) ***
Jeffrey Lewis: The Even More Freewheelin’ Jeffrey Lewis (Don Giovanni)
Little Simz: Lotus (AWAL) ***
LOLO: LOLO (Black Sweat)
Rocio Gimenez Lopez: La Forma Del Sueno (Blue Art) ****
K. Curtis Lyle, Jaap Blonk, Damon Smith, Alex Cunningham: A Radio of the Body

Jako Maron: Mahavelouz (Nyege Nyege Tapes) ****
Mazinga: Chinese Democracy Manifest—Greatest Hits, Vol. 2 (Rubber Wolf)
Mean Mistreater: Do or Die (self-released)***
The Mekons: Horror (Fire) ***
Ava Mendoza/Gabby Fluke-Mogul/Carolina Perez: Mama Killa (Burning Ambulance) ***
M(h)aol: Something Soft (Merge) ***
Mac Miller: Baloonerism (Warner Records)
Billy Mohler: The Eternal (Contagious)
Moonchild Sanelly: Full Moon (self-released)
MonoNeon: You Had Your Chance…Bad Attitude! (Color Red) ****
Christy Moore: A Terrible Beauty (Claddagh) *****
Jason Moran/Trondheim Jazz Orchestra/Ole Morten Vågan: Go To Your North (Yes Records)
Matthew Muneses and Riza Printup: Pag-Ibko, Volume 1 (Irabbagast Records)
David Murray Quartet: The Birdsong Project Presents Birdly Serenade (Verve)
Amina Claudine Myers: Solace of the Mind (Red Hook) ****

Natural Information Society and Bitchin’ Bahas: Totality (Drag City)
Louis Nevins: The Fumes (Cavetone Records)
NOBRO: Set Your Pussy Free (Dine Alone) ***

Isabelle Olivier: Impressions (Rewound Echoes)
The Onions: Return to Paradise (Hitt Records)
Bill Orcutt Guitar Quartet: Hauslive 4 (Palilalia) ***
Organic Pulse Ensemble: Ad Hoc (Ultraaani Records) *****
Aruan Ortiz: Creole Renaissance (Intakt)

Pan Afrikan Peoples Arkestra Led by Horace Tapscott: Live at Widney High December 26th, 1971 (The Village) ***
Ivo Perelmamn and Matthew Shipp: Armageddon Flower (TAO Forms)
Pitch, Rhythm, and Consciousness: Sextet (Reva Records)
Marek Pospieszalski Octet & Zoh Amba: NOW! (Project financed by a scholarship from the Minister of Culture and National Heritage “Młoda Polska” & Katowice City of Music UNESCO)
Public Enemy: Black Sky Over The Projects—Apartment 2025 (self-released) ***

Les Rallizes Denudes: Blind Baby Has Its Mother’s Eyes (Life Goes On)
R.A.P. Ferreira: Outstanding Understanding (Ruby Yacht)
Adam Rudolph, Dave Liebman, Billy Hart: Beingness (Meta)
Bobby Rush and Kenny Wayne Shepherd: Young Fashioned Ways (Deep Rush / RAM Records) ***

Sverre Sæbo Quintet: If, However, You Have Not Lost Your Self Control (SauaJazz)
SAULT: 10 (Sault Global) ***
Serengeti: mixtape 2 (serengetiraps / self-released)
Serengeti: Palookaville (serengetiraps / self-released) 
The Sex Pistols: Live in the U.S.A. South East Music Hall, Atlanta, January 5th, 1978 (UME)
The Sharp Pins: Radio DDR (K / Perennial Death) ****
Matthew Shipp: The Cosmic Piano (Canteloupe Records) ****
Anthony “Big A” Sherrod: Torchbearer of the Clarksdale Sound (Music Makers Recordings EP)
Slick Rick: Victory (Mass Appeal)
Luke Stewart / Silt Remembrance Ensemble: The Order (Cuneiform) ***
Ray Suhy / Lewis Porter Quartet: What Happens Next (Sunnyside) ***
SUMAC and Moor Mother: The Film (Thrill Jockey)
Sun Ra: Nuits de la Fondation Maeght 5 August 1970 (Strut) ***
John Surman:Flashpoint and Undercurrents (Cuneiform Records) ***

Masahiko Tagashi: Session in Paris, Volume 1—Song of the Soil (with Don Cherry and Charlie Haden) (We Want Sounds)
Taj Mahal and Keb’ Mo’: Room on the Porch (Concord Jazz) 
Taj Mahal & Keb’ Mo’: Room on the Porch for Everyone (UMG EP) 
Cecil Taylor / Tony Oxley: Flashing Spirits (Burning Ambulance)
Ebo Taylor, Adrain Younge, and Ali Shaheed Muhammad: Jazz Is Dead 22 (Jazz is Dead)
Three-Layer Cake: “sounds the color of grounds” (Otherly Love)
Trio Glossia: Trio Glossia (Sonic Transmissions) ****
The Tubs: Cotton Crown (self-released)***

Kali Uchis: Sincerely (Capitol) ***
Akira Umeda & Metal Preyers: Clube de Mariposa Mórbida (Nyege Nyege Tapes)
The Untamed Youth: Git Up and Go (Hi-Tide / Nu-Tone)

Various Artists: African Jazz Invites O.K. Jazz (Planet Ilunga) ***
Various Artists: A Tribute to the King of Zydeco (Valcourt)
Various Artists: Democracy Forward (Bitter Southerner)
Various Artists: Prisoners’ Day Compilation (Majazz Project / Palestinian Sound Archive) ***
Various Artists: Roots Rocking Zimbabwe– The Modern Sound of Harare’ Townships 1975-1980 (Analog Africa) ****
Various Artists: Sweet Rebels—The Golden Era of Algerian Pop-Rai (We Want Sounds) ***
Vibration Black Finger: Everybody Cryin’ Mercy (Enid)

The War & Treaty: Plus One (Mercury Nashville)
Wet Leg: moisturizer (Domino)
Alfred White: The Definitive Alfred White (Music Makers Recordings)
Wheelhouse: House and Home (Aerophonic)
Simon Willson: Bet (Endectomorph Records)
billy woods: GOLLIWOG (x) (Backwoodz Studios)
Wu-Tang Clan: Black Samson, The Bastard (All Maf / 36 Chambers)

Jeong Lim Yang: Synchronicity (Fully Altered Media) 
Hiroshi Yoshimura: Flora (Temporal Drift) ***
Brandee Younger: Gadabout Season (Impulse) ***
The Young Mothers: Better If You Let It (Sonic Transmissions)****

SAMPLE THIS SHIT AND PUT IT ON SHUFFLE! We are not alone in the musical cosmos!







	


	


			
				


			

			
Afternoon Freak (May 14th, 2018, Columbia, MO)
		
	
	

		
Grab-bag Day, for various and sundry reasons. The post title refers to the name of the newest band to be highlighted in Joyful Noise’s White Label Series, to which I subscribe. One album a month, in a 500-copy vinyl run, chosen and annotated by an already-established artist who believes it’s worthy of broader and deeper exposure. Afternoon Freak’s “The Blind Strut” is in the May spotlight:




Odd thing: the curator here is in the band, so he’s got a vested interest. He’s also named Mike Watt, and he’s on bass here in an instro combo with Danny Frankel on drums and Matt Mottel on various keyboards. I will always extend Watt encouragement and critical latitude; The Minutemen have been and always will be a guiding light for me, musically and philosophically–plus, a better dude cannot be found. Trouble is, I’ve yet to truly get with any of his solo ventures, though this comes close. Mottel seems to be the lead voice among the three, Watt plays with restraint, finds the groove, and pitches his ear closely, Frankel rides the grooves ably. The tracks are catchy, a tad repetitious–this kind of date puts pressure on someone to be very imaginative–and evocative of multiple possible influences (remember the instros on Second Edition?), but they are not an irritant upon the ear. Four tracks A-side that get where they’re going; three on the B that stretch out, if a bit monotonously. All of Joyful Noise’s White Label releases have been interesting; one’s been terrific, and one great. This one wouldn’t do badly thrown on a venue PA before a cool band’s gig.




If you’re a Scratch Perry fan and haven’t heard his work with Jah Lion on Colombia Colly, you have your weekly grail hunt. The physical media’s a little scarce, but let the above track from the album be a motivator for you–one of the all-time greatest Perry sound effects leading into a ghostly voice reaching back to Peggy Lee.


 




Sometimes I get an irresistible hankering for the work of Gene Pitney. For some folks, I imagine he’s the opposite of cool: straight-looking, corny-sounding, a persistent profferer of melodramatic pop, caught in an unfashionable time capsule. For me, he’s a gone kind of cool: hitmaker deluxe (16 in the Top 40), studio tinkerer (multi-tracking his own vocals and instruments on “I’m Gonna Love My Life Away”), writer of “Hello Mary Lou” and “He’s a Rebel,” ace Spector avatar (“Every Little Breath I Take”), early coverer of and sideman for the Glimmer Twins (“That Girl Belongs to Yesterday”), hit duet singer with none other than George Jones (“I’ve Got Five Dollars and It’s Saturday night), master of geography songs (“Mecca,” “24 Hours from Tulsa,” “Last Exit to Brooklyn”), poet of teen you-and-me-against-the-world (“Town Without Pity”). As Jerry Lee might say, “Top that, motherfucker!” Pitney might have said it himself–in Italian.


Tempted? A brief Pitney Playlist for ya:




Persistent profferer of melodramatic pop–with a difference, huh?


Short-shrift Division:


I received my copy of Offbeat! yesterday and noted some interesting new records being reviewed. Sometimes I suspect I am critically soft-minded in that I will like anything if it’s in a New Orleans or south Louisianan tradition. Sampling these records with Apple Music, I was able to reassure myself that I can exercise critical discretion. I’m violating a blog rule by writing about lukewarm creations, but I suppose I need to show I can do it for the record:


Chas Justus & The Jury–Pale (really pale), characterless, zestless, sterilized Western swing. Merely skilled playing and boring vocals.


Cha Wa: Spyboy–To scope in further, I truly thought there was no such thing as an enervating Mardi Gras Indian record. I was wrong. This is record suffers from having a very finely-tuned funk-field.


Keith Frank & The Soileau Zydeco Band: Return of the King–I am nutso for Frank’s “Haterz.” But his recent insistence on walking his zydeco into urban musical neighborhoods makes it less tough and contagious.


Big Sam’s Funky Nation: Songs in the Key of Funk, Volume 1–I am always seeing Sam’s gigs touted in Offbeat! (and hearing them recommended on ‘OZ when in NOLA myself). First sentence of the current review of this album includes the phrase “[t]he heavyweight champion of rocking, brassy, NOLA funk.” This wouldn’t make it out of Golden Gloves.


Ok, never again…

	


	


			
				


			

			
Strictly Alphabetical (February 12, 2018, Columbia, Missouri)
		
	
	

		
I was all over the map yesterday, and today’s action-packed, so am simply using a time-honored method to bring order to my musical wandering:




Ain’t That the Way / Gorbza – Hardcore holdouts wailing against the dying of the light. Like a cattle prod in these dead-meat times.


At the Finger Palace/ Evan Parker – Not your gramma’s “Fingerprints, Pt. 1 & 2.” Parker’s intense repetitions on this solo sax record can produce micromelodic hallucinations.




Bags and Trane / Milt Jackson & John Coltrane – Just discovered they teamed up; would seem oddly matched–but then there is the blues.




I Remember Harlem / Roy Eldridge – Absolutely poured-gold trumpeting from Little Jazz’s prime–and he wasn’t a bad singer, either.




“Kalenda” / Lost Bayou Ramblers (w / Spider Stacey and Dickie Landry) – The Ramblers proving once again that Cajun music is fairly adaptable, with a Pogue and an avant garde saxophonist not just present, but integrated.




Let It Bleed / The Rolling Stones – I say this for my pal Whitney Shroyer, who only needs to hear me say it (his mind and ears are right): aside from the performances being titanic, this record is a marvel of rock and roll sound engineering, crisp but full-bodied, clean but magnificently, malevolently dirty, balanced but highly defined in its finest parts. Damn.




“Needed Time” / Lightnin’ Hopkins – An addendum to the New York Times’ recent kumbaya story.




NPR’s Tiny Desk Concert / Hurray for the Riff Raff – This ain’t my meat and taters, but Alynda Segarra doesn’t take no for an answer, and that’s a stance I admire.




Top of the Mountain / Dwayne Dopsie and the Zydeco Hellraisers – It’s pronounced DOOP-see, baby, and it’s remarkable how durable the Creole take on r&b has proven to be. Inevitable: the above Hendrix cover.

	


	


			
				


			

			
Listening Journal, Southern Journey, March 27
		
	
	

		
Today our daytime adventure was taking the trolley to Canal and walking all the way to the Bywater neighborhood. Not much music was involved, but we were jump-started out of the hotel room by YouTube videos of James Brown’s Japanese miso commercials. I am not making this up.


On the way back from Bywater (by the way, I HIGHLY recommend Elizabeth’s on Chartres), we stopped in The Marigny and, of course, one more trip to Louisiana Music Factory. The owner must think I am insane–why not get everything in one trip?–but I have to let ideas marinate, plus it takes considerable mental discipline to liberate myself from penny-pinching web purchases and do the right thing: support brick and mortar record stores, especially in NOLA. Also, should the reader assume I am independently wealthy, I have no other spending habits. I’d be wearing a burlap sack if I could get away with it, and if it would add money to my music budget. Yes, I know about streaming and don’t care. Here’s the sum of my booty:


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In the evening, finally able to listen to Bo Dollis, Jr.’s new Mardi Gras Indian rekkid A NEW KIND OF FUNK (it jes grew outta the OLDEST), we drove out to the greatest music venue in America: The Rock ‘N’ Bowl on Carrollton. OK, that ain’t an exaggeration:


The music is always great–this night, new breed zydeco star Geno Delafose and French Rockin’ Boogie, so open and fun and rocking and sweet he had what I assume was a young mentally disabled relative playing washboard and singing along on stage all night.


The crowd? PACKED…with everyone from kids to octogenarians, every shade of pigmentation, across class lines–and almost EVERYONE dances (including us, and I am from the Tom T. Hall school). And most know HOW to dance; we even saw the hoofin’ star of Louisiana Swamp Stomp once again dancing with every free woman on the floor! And…lots of laughter. LOTS.


You can bowl AND listen to live music, and neither activity disrupts the other.


The bar food beats the typical!


The staff is great–a barmaid even tracked me down through the crowd to return a $20 that was “stuck to” the fiver I handed her.


Did I mention the music? It’s a steady diet of SUBSTANTIAL roots rock. Especially zydeco. Just have to mention that Geno zydeco-ized a Lionel Ritchie song–and made it work!


If you do meet friends down here, it is a guaranteed winner. We met two of my former students who happened to be on vacation, too (they are grown, and dating, so it was a pleasure to buy ’em beers and watch ’em dance). Let me let some pics do the rest:


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Mid-City Rock ‘N’ Bowl. 3000 South Carrollton, New Orleans. Before you die.

	


	


			
				


			

			
Listening Journal, Southern Journey, March 23, 2014
		
	
	

		
Struck out from Como and drove south on 55 to deep accompaniment of Alan Lomax’s late-Fifties/early-Sixties field recordings from the same area (McDowell, the Hemphills, Parchman Farm worksongs, a couple of Tyro church chants). SOUTHERN JOURNEY: 61 HIGHWAY, it’s called. You need to listen to it some day, though it should be called 51 HIGHWAY. As we drove down the pine-lined four-lane, the music threw us back into a crueler time–a wild goat perched under a bridge over the highway reinforced that feeling.


Then we visited that place where, as Sam Phillips once said, “the soul of man never dies”: the world of Chester Arthur Burnett, The Howlin’ Wolf, aided and abetted by Hubert Sumlin on wild guitar, Otis Spann on rolling 88s, and Willie Dixon, on bass and pen & paper. I sang along silently and mimed playing the solos the whole way. Top 10 record: the rockin’ chair cover/MOANIN’ AT MIDNIGHT twofer. You haven’t lived until you’ve heard Wolf overload a mic or Sumlin cut the air with a note.


After we crossed over into Louisiana, it was time for ZYDECO STOMP DOWN (various live tracks, including Nathan and the Zydeco Cha-Chas’ truth-telling “Everything on the Hog”) and ALLIGATOR STOMP, highlighted by Rockin’ Sidney’s paean to his daughter (not his lover) “My Toot-Toot,” Cleveland Crochet’s “Sugar Bee,” and a Cajun cover of Chuck Berry’s “Promised Land.” This was designed to get us primed for the wind-up of Thibodaux, Louisiana’s Swamp Stomp, which we thoroughly enjoyed over beer, jambalaya, fried pickles, and a shrimp po-boy. Saw Cameron DuPuy’s band, which was OK, but the Pine Leaf Boys, mixing some Jerry Lee and George Jones into their Cajun stylings, took the prize. A tall black man in a cowboy hat and shirt with cut-off sleeves danced his Cajun/r&b fusion style with at least 10 different women, including an energetic 70+-year-old white woman. I thought to myself, “Would she have been out there with him in ’64?” Maybe so, but it IS a new world.


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Zoomed on to New Orleans, listening to ‘OZ along the way (we pledged $10 a month), inched up Rampart Street, which was flooded with deliriously happy people leaving the high school brass band competition at Armstrong Park, parked on Treme (just around the corner from St. Augustine church, from SHAKE THE DEVIL OFF!), and walked against a chilly breeze up to Congo Square to watch The Hot Eight Brass Band, who were smokin’, and augmented by a Mardi Gras Indian.


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Both of us are a little ailing: Nicole’s got a sore throat, my back’s whacked. We are applying a dose of Sidney Bechet as we fade out in the hotel room….