THE SPRAWL: A Tentacular List of Really Good Records Released in 2023, Most of Which I Can Remember Listening To (November 1st Update)

Regarding Some of the Newbies:

  1. Soul Music! I thought Robert Finley‘s very solid Sharecropper’s Son, from 2021, was probably going to be the man’s one essential offering–it seems to me hard to follow up a kind of throwback record that appears out of the blue. Unsurprisingly, I was incorrect, as Finley’s new offering is just as powerful musically as its predecessor with a wider emotional range. If that weren’t enough of a blot on my critical faculties, I was also expecting some fall-off from Chicago’s multitalented, multifaceted Jamila Woods even though I advance-ordered her new album–her first two really hit me where I needed hitting, and I suppose I didn’t want to take a chance it might happen again. Well, it did: her writing’s grown; in fact, it’s taken on a personal dimension that reminds me of Joni Mitchell, and the music suits it. You cannot go wrong with either of these individuals’ new albums if my ranking of them hasn’t already convinced you.
  2. A writer whose work I have recommended before and will again now, and which I regularly envy, Brad Luen, remarked to me recently that there is simply a tidal wave (my quasi-paraphrase) of excellent jazz curling down upon us right now. So you love Charlie Parker? Check out Gabe Baltazar‘s lustrous bow to Bird. Can a jazz orchestra truly be supersonic? Buckle yourself in for Norwegian Gard Nilssen‘s proof (yes, it is a jazz orchestra). You can’t really interpret compositions as distinctly abstract as Roscoe Mitchell’s with vibes, can you? Well, Jason Adasiewicz thought so, and, strangely enough, his is one of my very favorite “Roscoe Mitchell” records and has helped me hear the man himself better. Can an intriguingly delicate two-record jazz set that, if you furrow your brow and bend your ear diligently enough, justifies its title The Depths of Memory, also justify its length? The nicely surnamed Kevin Sun says, “No problem,” and there’s a whole other one he has for us I’ve only sampled that seems to prove he’s not kidding. Steel guitar? Jazz? Experimental jazz? Susan Alcorn has news for us. And can Satoko Fujii turn out albums faster than John Zorn without some dip in quality, imagination, versatility, and intensity? Well, Hibiki, a trio also featuring the magic vibraphone of Taiko Saito (vibes are truly having a moment), is only the fourth record she’s on that’s made the list, so…yes. That isn’t even all of the NEW jazz records on the list–but the list is tapping its fingers on my desk.
  3. The Fugs live! And Ed Sanders is not done! (By the way, keep your eyes peeled for his reissuing of America: A History in Verse, which he thinks and I totally agree is the best thing he’s ever written.)
  4. Need some tranquility? Of course you do, if your eyes are open and your heart works! But none of that “nature sounds” or Muzak-y stuff, right? While it does seem like Japanese albums from the 1980s that evoke/create/embody tranquility have been pouring forth from specialty (boutique?) reissue labels for the last few years, Hiroshi Yoshimura‘s 1986 gift Surround (Temporal Drift–these folks know what they are doing) is a cut above. It will force you to sit back and take notice.
  5. Just when I’m thinking, “Rosalia is about to cut flamenco all the way loose” (not yet! not yet!), Maria Jose Llergo‘s Ultrabella saves the day.
  6. Tri-County Liquidators: remember their name. Their first singles were so good I pretended they were an EP and put them on earlier versions of this list, but their first full-length record, piquantly titled cut my teeth and released by Hitt Rex, justifies their growing reputation as Columbia, Missouri’s sharpest current band–and one of the best ever. I’ve lived in Columbia for 33 years and heard plenty of others, and I think that reputation is wholly justified, based on this album (I will witness for the first time Friday night). The music is dynamic and defies category–it evokes multiple subgenres within the arenas of indie, punk, and (I’m just gonna say) pandemic rock–the group operates democratically by design (everyone writes, plays, and sings), they can but don’t cover anyone else, writing songs with wide emotional range and occasional poetic dabs, and they employ a secret weapon. This does not quite honor their dedication to democracy (fucking music writers!), but Spenser Rook’s shape-shifting guitar is something well worth concentrating on. I must confess that I have known Spenser and bassist/singer/songwriter Marielle Carlos since they were high school sophomores–I taught Marielle (though I learned more from her than she did from me), and Spenser once physically guided me to play the riff to The Sonics’ “The Witch” (not exactly Joe Maphis fare in its degree of difficulty, but I am completely devoid of musical talent, so that’s a small miracle). I am straining but (I think) succeeding at maintaining critical distance, but please just listen for yourself. A band that hand-delivers its new vinyl to advance-orderers deserves at least THAT!

The Updated List

* If an album makes the list, it sounds and feels to me like the equivalent of a Pitchfork 7.5 or better, an All Music 3 ½ stars or better, or an Xgauvian **Honorable Mention or better.
* It can be assumed that my Top 30-40 sound to me the equivalent of an A-, but I’m a teacher in my other incarnation so watch me for grade inflation. It cannot be assumed safely, though, that my Top 10 are all straight A’s.
* After the first 50, my “rankings” are a bit loose; similarly, the entirety of my “Excavations and Reissues” I rank pretty loosely other than the Top 3. Also, I usually jigger the rankings every month upon reflection.
* Items in bold are new to the list I posted at the end of the previous month.

  1. Anohni: My Back Was a Bridge for You to Cross (Secretly Canadian)
  2. Olivia Rodrigo: Guts (Geffen)
  3. 100 gecs: 10,000 gecs (Dog Show/Atlantic)
  4. Gina Burch: I Play My Bass Loud (Third Man)
  5. James Brandon Lewis: For Mahalia (with Love) (AUM Fidelity 2-CD version)
  6. boygenius: the record (Interscope)
  7. Buck 65: Super Dope (self-released?)
  8. Jessie Ware: That! Feels Good! (Universal)
  9. Robert Finley: Black Bayou (Easy Eye)
  10. Romy: Midair (Young)
  11. Noname: Sundial (AWAL Recordings America)
  12. Mark Turner: Live at the Village Vanguard (Giant Step Arts)
  13. Jamila Woods: Water Made Us (Jagjaguwar)
  14. Big Freedia: Central City (Queen Diva)
  15. National Information Society: Since Time is Gravity (Eremite)
  16. Allen Lowe and the Constant Sorrow Orchestra: In the Dark (ESP-Disk)
  17. Ethnic Heritage Ensemble: Spirit Gatherer—A Tribute to Don Cherry (Spiritmuse)
  18. Jason Moran: From the Dancehall to the Battlefield (Yes Records)
  19. London Brew: London Brew (Concord)
  20. Fire! Orchestra: Echoes (Rune Grammofon)
  21. Wadada Leo Smith: Fire Illuminations (Kabell)
  22. billy woods & Kenny Segal: Maps (Backwoodz Studios)
  23. Liv.eGirl in The Half Pearl (Real Life / AWAL)
  24. Kelela: Raven (Warp)
  25. The Mark Lomax II Trio: Tapestry (CFG Multimedia)
  26. Ohad Talmor: Back to the Land (Intakt)
  27. Janelle Monae: The Age of Pleasure (Bad Boy)
  28. Les Raillizes Denudes: Citta’ ’93 (Temporal Drift)
  29. Dropkick Murphys: Okemah Rising (Dummy Luck Music)
  30. Isach Skeidsvoll: Dance to Summon (Ultraani Records)
  31. Miguel Zenon & Luis Perdomo: El Arte del Bolero, Volume 2 (ArcArtists)
  32. Wild Up: Julius Eastman, Volume 3—If You’re So Smart, Why Aren’t You Rich? (New Amsterdam)
  33. Parannoul: After the Magic (Poclanos/Top Shelf)
  34. Christian Scott aTunde Adjuah & Chief Adjuah: Bark Out Thunder Roar Out Lightning (Ropeadope)
  35. Corinna Bailey Rae: Black Rainbows (Black Rainbows)
  36. Gabe Baltazar: Birdology (Fresh Sounds)
  37. Yaeji: With a Hammer (XL Recordings)
  38. Jelly Roll: Whitsitt Chapel (Stoney Creek)
  39. The Urban Art Ensemble: “Ho’opomopono” (CFG Multimedia 16-minute single)
  40. Gard Nilssen’s Supersonic Orchestra: Family (We Jazz)
  41. Bettye LaVette: LaVette! (Jay-Vee)
  42. Felo Le Tee & Mellow & Sleazy: The Ill Wise Men (New Money Gang)
  43. Brandy Clark: Brandy Clark (Warner)
  44. Armand Hammer: We Buy Diabetes Test Strips (Backwoodz Studios)
  45. Rodrigo Campos: Pagode Novo (YB Music)
  46. The Necks: Travel (Northern Spy)
  47. Kali Uchis: Red Moon in Venus (Geffen)
  48. Bobby Rush: All My Love for You (Deep Rush / Thirty Tigers)
  49. Marina Sena: Vicio Inerente (Sony)
  50. Shabazz Palaces: Robed in Rareness (Sub Pop)
  51. Young Fathers: Heavy Heavy (Ninja Tune)
  52. Willie Nelson: I Don’t Know a Thing About Love—The Songs of Harlan Howard (Legacy)
  53. Withered Hand: How to Lov(Reveal)
  54. Lori McKenna: 1988 (CN Records / Thirty Tigers)
  55. Jason Adasiewicz: Roscoe Village—The Music of Roscoe Mitchell (Corbett vs. Dempsey)
  56. Tyler Keith & The Apostles: Hell to Pay (Black & Wyatt)
  57. Tri-County Liquidators: cut my teeth (Hitt Rex)
  58. Algiers: Shook (Matador)
  59. Ashley McBryde: The Devil I Know (Warner Nashville)
  60. Kari Faux: REAL BITCHES DON’T DIE (drunk sum wtr records)
  61. Peso Pluma: GENESIS (Double P)
  62. corook: serious person (part 1(Atlantic)
  63. Killer Mike: Michael (Loma Vista)
  64. Emil Amos: Zone Black (Drag City)
  65. Ice Cold Bishop: Generational Curse (Ice Cold Entertainment)
  66. Allen Lowe and The Constant Sorrow Orchestra: America—The Rough Cut (ESP-Disk)
  67. Tyshawn Sorey: Continuing (Pi Recordings)
  68. Morgan Wade: Psychopath (Ladylike)
  69. KAYTRAMINE: KAYTRAMIUNE, Amine, & KAYTRANADA (CLBN)
  70. ensemble 0: Jojoni (Crammed Discs)
  71. JLin: Perspective (Planet Mu)
  72. Sexyy Red: Hood Hottest Princess (Open Shift)
  73. Henry Threadgill: The Other One (Pi)
  74. Zoh Amba & Chris Corsano & Bill Orcutt: The Flower School (Palilalia)
  75. Chappell Roan: The Rise and Fall of a Midwest Princess (KRA)
  76. Lewis Capaldi: Broken By Desire To Be Heavenly Sent (Vertigo Berline)
  77. Idris Ackamoor & The Pyramids: Afro-Futuristic Dreams (Strut)
  78. Amanda Shires & Bobbie Nelson: Loving You (ATO)
  79. aja monet: when the poems do what they do (drink sum wtr)
  80. Knoel Scott (featuring Marshall Allen): Celestial (Night Dreamer)
  81. Ember: August in March (Imani)
  82. Kevin Sun: The Depths of Memory (Endectomorph Music)
  83. Florian Arbenz: Conversation #10—Inland (Hammer)
  84. Meshell Ndegeocello: The Omnichord Real Book (Blue Note)
  85. Taj Mahal: Savoy (Cheraw S.C.)
  86. DJ Sabrina the Teenage DJ: Destiny (Spells on the Telly)
  87. Haviah Mighty: Crying Crystals (Mighty Gang)
  88. Rome Streetz: Wasn’t Built in a Day (Big Ghost)
  89. Hein Westgaard Trio: First as Farce (Nice Things)
  90. Maria Jose Llergo: Ultrabella (Sony)
  91. Irreversible Entanglements: Protect Your Light (Impulse! / Verve)
  92. Jaimie Branch: Fly or Die Fly or Die ((world war)) (International Anthem)
  93. Steve Lehman & Orchestre National de Jazz: Ex Machina (Pi)
  94. Caroline Davis: Alula—Captivity (Ropeadope)
  95. Kiko El Crazy: Pila’e Teteo (Rimas)
  96. Islandman (featuring Okay Temiz and Muhlis Berberoglu: Direct-to-Disc Sessions (Night Dreamer)
  97. Edward SimonFemeninas (ArtistShare)
  98. Trio San (featuring Satoko Fujii and Taiko Saito): Hibiki (Jazzdor)
  99. Susan Alcorn: Canto (Relative Pitch)
  100. Lafayette Gilchrist: Undaunted (Morphius)
  101. Kill Bill—The Rapper: Fullmetal Kaiju (EXO)
  102. Speaker Music: Techxodus (Planet Mu)
  103. Andy Fairweather Low: Flang Dang (The Last Music Company)
  104. ARO40: On the Blink (Aerophonic Records)
  105. Money for Guns: All the Darkness That’s in Your Head (CD Baby)
  106. Matana Roberts: Coin Coin Chapter Five—In the garden (Constellation)
  107. Rough Image: Rough Image (WV Sorcerer Productions)
  108. Ingrid Laubrock: The Last Quiet Place (Pyroclastic)
  109. Victoria Monet: Jaguar II (Lovett Music)
  110. Havard Wiik & Tim Daisy: Slight Return (Relay)
  111. David Murray, Questlove, and Ray Angry: Plumb (J.M.I.)
  112. Rob Mazurek & Exploding Star Orchestra: LightningDreamers (International Anthem)
  113. Kaze & Ikue Mori: Crustal Movement (Circum/Libra)
  114. DJ Black Low: Impumelelo (Awesome Tapes from Africa)
  115. Belle and Sebastian: Late Developers  (Matador)
  116. Satoko Fujii & Otomo Yoshihide: Perpetual Motion (Ayler Records)
  117. feeble little horse: Girl with Fish (Saddle Creek)
  118. Rocket 88: House of Jackpots (12XU)
  119. L’Rain: I Killed Your Dog (Mexican Summer)
  120. Nasty Facts: Drive My Car (Left for Dead)
  121. Taiko Saito: Tears of a Cloud (Trouble in the East)
  122. JPEGMAFIA x Danny Brown: Scaring the Hoes (self-released)
  123. Water from Your Eyes: Everyone’s Crushed (Matador)
  124. Lakecia Benjamin: Phoenix (Whirlwind)
  125. Amaarae: Fountain Baby (Golden Angel/Interscope)
  126. Blondshell: Blondshell (Partisan)
  127. Satoko Fujii: Torrent (Libra Records)
  128. Javon Jackson: “With Peter Bradley”—Soundtrack and Original Score (Solid Jackson)
  129. Doja Cat: Scarlet (Kemosabe)
  130. Tianna Esperanza: Terror (BMG)
  131. YMA & Jadsa: Zelena (Matraca)
  132. Palehound: Eye on the Bat (Polyvinyl)
  133. J Hus: Beautiful and Brutal Yard (Black Butter)
  134. Das Kondensat: Anderen Planeten (Why Play Jazz)
  135. Iris DeMent: Workin’ On a World (FlariElla)
  136. David Mirarchi: Ink Folly, Orchid Gleam (Unbroken Sounds) (coming soon….)
  137. Tyler Childers: Rustin’ in the Rain (Hickman Holler)
  138. Baaba Maal: Being (Atelier Live/Marathon Artists)
  139. The Fugs: Dancing in the Universe (Fugs Records)
  140. Ed Sanders: The Sanders – Olufsen Poetry and Classical Music Project (Olufsen)
  141. Bob Dylan: Shadow Kingdom (Columbia)
  142. Lana Del Rey: Did you know that there’s a tunnel under Ocean Blvd (Polydor)
  143. Romulo Froes & Tiago Rosas: Na Goela (YB Music)
  144. Buselli – Wallarab Jazz Orchestra: The Gennett Suite (Patois Records)
  145. Florian Arbenz: Conversation #9—Targeted (Hammer Recordings)
  146. James Brandon Lewis: Eye of I (Anti-)
  147. Sofia Kourtesis: Madres (Ninja Tune)
  148. Joanna Sternberg: I’ve Got Me (Fat Possum)
  149. Tracey Nelson: Life Don’t Miss Nobody (BMG)
  150. Etran De L’Air: Live in Seattle (EP) (Sahel Sounds)
  151. Everything But the Girl: Fuse (Buzzin’ Fly)
  152. Tomas Fujiwara’s Triple Double: March On (self-released)
  153. Ice SpiceLike…? (10K Projects / Capitol Records EP)
  154. otay:onii: Dream Hacker (WV Sorcerer Productions)
  155. Sylvie Courvoisier & Cory Smythe: The Rite of Spring—Spectre d’un songe (Pyroclastic)
  156. Itamar Borochov: Arba (Greenleaf)
  157. Nourished by Time: Erotic Probiotic 2 (Scenic Route)
  158. Walter Daniels: “From Death to Texas” / “Seems Like a Dream” (Spacecase Records 45)
  159. Nakimbembe Embaire Group: Nakimbembe Embaire Group (Nyege Nyege Tapes)
  160. Shirley Collins: Archangel Hill (Domino)
  161. Karol G: Manana Sera Bonito (Universal Music Latino)
  162. Tinashe: BB/ANG3L (Nice Life)
  163. Hollie Cook: Happy Hour in Dub (Merge)
  164. Andrew Cyrille: Music Delivery / Percussion (Intakt)
  165. Kate Gentile: b i o m e i.i (Obliquity)
  166. Yves Tumor: Praise a Lord Who Chews but Which Does Not Consume; (Or Simply, Hot Between Worlds) (Warp)
  167. Open Mike Eagle: another triumph of ghetto engineering (AutoReverse)
  168. Yonic South: Devo Challenge Cup (Wild Honey)
  169. Rudy Royston: Day (Greenleaf Music)
  170. Chien Chien Lu: Built in System—Live in New York (Giant Step Arts)
  171. Pangaea: Changing Channels (Hessle Audio)
  172. Lewsberg: Out and About (Lewsberg / 12XU)
  173. Basher: Doubles (Sinking City)
  174. That Mexican OT: Lonestar Luchador (Good Talk)
  175. Daniel Villarreal: Lados B (International Anthem)
  176. Staples Jr. Singers: Tell Heaven (EP) (Luaka Bop) Note: the vinyl gets you more great minutes of testifying.
  177. Brandee Younger: Brand New Life (Impulse!)
  178. Babe, Terror: Teghnojoyg (self-released)
  179. Heinali: Kyiv Eternal (Injazero)
  180. Vinny Golia Quartet: No Refunds (Unbroken Sounds)
  181. Kresten Osgood / Bob Moses / Tisziji Munoz: Spiritual Drum Kingship (Gotta Let It Out)
  182. The Art Ensemble of Chicago: From Paris to Paris (Rogue Art)
  183. Clarence “Bluesman” Davis: Shake It For Me (Music Maker Foundation)
  184. The War and The Treaty: Lover’s Game (Mercury Nashville)
  185. Aroof Aftab, Vijay Iyer & Shahzad, Ismaily: Love in Exile (Verve)
  186. Asher Gamedze: Turbulence and Pulse (International Anthem)
  187. Normal Nada the Krakmaxter: Tribal Progressive Heavy Metal (Nyege Nyege Tapes)
  188. Natural Child: Be M’Guest (Natural Child Music)
  189. Tanya Tucker: Sweet Western Sound (Fantasy)

Excavations and Reissues

  1. Mahlathini and the Mahotella Queens: Music Inferno—The Indestructible Beat Tour 1988-89 (Umsakazo Records)
  2. Kashmere Stage Band: Texas Thunder Soul 1968-1974 (Now-Again)
  3. The Replacements: Tim—Let It Bleed Edition (Rhino)
  4. Dorothy Ashby: With Strings Attached (New Land Records)
  5. Walter Bishop, Jr.: Bish at the Bank—Live in Baltimore (Cellar Live)
  6. Various Artists: Yebo! Rare Mzansi Party Beats from Apartheid’s Dying Years (BBE)
  7. Pan Afrikan Peoples Arkestra: 60 Years (The Village)
  8. Os Tincoas: Canto Coral Afrobrasiliero (Sanzala Cultural)
  9. Various Artists: Ecuatoriana (Analog Africa)
  10. Leon Keita: Leon Keita (Analog Africa)
  11. Hiroshi Yoshimura: Surround (Temporal Drift)
  12. Nina Simone: You’ve Got to Learn (Verve)
  13. William S. Burroughs: Nothing Here But the Recordings (Dais Records)
  14. Balka Sound: Balka Sound (Strut)
  15. Sonic Youth: Live in Brooklyn (Silver Current)
  16. John Coltrane: Evenings at The Village Gate (Impulse!)
  17. Various Artists: Playing for The Man at The Door (Smithsonian Folkways)
  18. Hiatus Kaiyote: Choose Your Weapon (Flying Buddha / Sony Masterworks)
  19. Dream Dolphin: Gaia—Selected Ambient & Downtempo Works (1996 – 2003) (Music from Memory)
  20. Sonny Stitt: Boppin’ in Baltimore—Live at the Left Bank (Jazz Detective)
  21. Ihsan Al-Munzer: Belly Dance (BBE)
  22. Eddie & Ernie: Time Waits for No One (Mississippi Records)
  23. Various Artists: Purple Haze from East, Volume 1 (WV Sorcerer Productions)
  24. Various Artists: Purple Haze from East, Volume 2 (WV Sorcerer Productions)
  25. The Southern University Jazz Ensemble: Goes to Africa with Love (Now-Again)
  26. Roy Campbell / William Parker / Zan Matsuura: Visitation of the Spirits—The Pyramind Trio Live, 1985 (No Business)
  27. Sonny Rollins: Live at Finlandia Hall, Helsinki 1972 (Svart)
  28. Various Artists: The Best of Revelation Records 1959-1962 (NarroWay)
  29. Shizuka: Heavenly Persona (Black Editions)
  30. Jacqueline Humbert & David Rosenboom: Daytime Viewing (Unseen Worlds)
  31. Bob Dylan: Time Out of Mind Stripped Naked (Columbia)
  32. Various Artists: Blacklips Bar—Androgyns and Deviants / Industrial Romance for Bruised and Battered Angels 1992-1995 (Anthology Recordings)
  33. Various Artists: Con Piano, Sublime—Early Recordings from the Caribbean 1907-1921 (Magnificent Sounds)
  34. Various Artists: Space Echo—The Mystery Behind the Cosmic Sound of Cabo Verde Revealed! (Analog Africa)
  35. Ibrahim Hesnawi: The Father of Libyan Reggae (Habibi Funk)
  36. RP Boo: Legacy Volume 2 (Planet Mu)
  37. Les Raillizes Denudes: ’77 Live (Temporal Drift)
  38. Eddie Lockjaw Davis and Shirley Scott: Cookin’ With Jaws and The Queen (Craft)
  39. Professor James Benson:The Gow-Dow Experience (Jazzman Records)
  40. Little Bob and The Lollipops: Nobody But You (Mississippi Records)

The Phuncky Feel One (May 11th, 2018, Columbia, MO)

Anytime I get out Cypress Hill’s debut album, I can’t get beyond the first four tracks. Why? Because I just repeat-play those for about a week. I’m sure you will think of others, but no rap album I know opens so strong and so deep. Absolutely classic early Muggs production, unfortunately still spot-on bloody-slice-of-hood-life lyrics (“Being the hunted one is no fun!”), defiant MCing courtesy of B-Real–plus the “Pigs” / “How I Could Just Kill a Man” / “Hand on the Pump” / “Hole in Your Head” sequence is ridiculously catchy and pithy. The rest of the album is fine, but in contrast it might as well be filler. I’m still re-running them this morning–third time, after five times yesterday!

But, what I’m writing to report are two personal memories the record conjures. As a 30-year-old teacher in Missouri, I had few friends who were hip hop fiends. Really, two: my wife Nicole and my buddy and groomsman Mark, who out of the blue could bust multiple bars from Cypress Hill with pinpoint accuracy and attitude. At the time, immediately after he’d explode into MC mode and expostulate, I wasn’t sure what I was supposed to do. I think he probably wanted me to kick in a few bars myself, but a) my memory and articulation weren’t as precise, and b) where Mark had command and rhythm (by the way, did I mention how addictive the accents are on this album?), I “rapped” the way you would imagine a Kansas-farm-rooted white boy might–um, uncertainly. What I did feel like doing was clapping and nodding my approval at Mark’s performance, which seemed a paltry thing in the face of his enthusiasm, commitment, and interpretive skills. Bottom line: 26 years later, I remember his eruptions very fondly.

The other memory is of a moment in the classroom. The school I taught at housed students even a fan like me would have a hard time scooping when it came to the freshest hip hop. Actually, most of the time, I was the student: Spice-1, Brother Lynch Hung, X-Clan, and MC Eiht are just a few acts about whom I specifically remember receiving wisdom. However, shortly after Cypress Hill was released and had become heavily-rotated in our home, I found myself teaching a young man who is still in my pantheon of most enjoyable, intelligent and enriching students I ever shared space with for 180 50-minute classes (that’s 1/6th of a teacher year). “Dice” was damn-near a man at 15: over six feet tall, with an athlete’s build, both an easy, good-humored manner that made him friends and a subtle edge that probably gave most strangers pause, and a mature sense of humor and world view. These gifts were not enough to keep him out of trouble–in fact, they (and the fact he was black, more than occasionally) could land him there. In my class, however, he was a star. He was always on top of our class reading, and he had a talent for being able to voice controversial opinions passionately without creating an apoplectic state among his less-enlightened peers. He was also incredibly receptive; when we read Shane (yeah, it was a novel first!), I figured he might tune out, since he had no obvious ways in. Quite to the contrary: he was engaged in the book beginning to end and simply adapted it to the truths of his world. A damn pleasure to teach–and he knew his hip hop!

One day, just wanting to give something back to him, I cautiously asked him if he’d heard Cypress Hill, expecting to be gently ridiculed.

“Naw! Who’s that?”

The next day, I slipped him a dub of it on cassette, and he returned the following day with this report:

“Mr. O, that shit is wild! They’re on the real, and they’re bilingual! Thanks!”

As much an obsessive as I am, you’d think I’d have had many moments like this in my educator guise, but no, not really–especially where rap is concerned. I will always treasure that moment when I enlightened the student who was consistently enlightening the teacher.

When my Cypress Hill jones kicks in, it always brings memories of Mark and Dice, two of the most impressive men I’ve known. I just hope one day I play it and the problems at the center of “Pigs” and “How I Could Just Kill a Man” are things of the past.

Short-shrift Division:

William Faulkner Reads from His Works (The Sound and The Fury and Light in August)–I always thought he’d sound taller and deeper-chested! Still, I always wondered how you’d read this stuff aloud, and he delivers it with, what else, “an inexhaustible voice.”

Charles Mingus: The Black Saint and the Sinner Lady–Swirling, turbulent jazz on the cusp of madness. Plus, ain’t this the second time I’ve written about it in ’18?

Peter Brotzmann and Fred Lonberg-Holm: Ouroboros–Another second-time subject, and…it’s confirmed…a 21st century free jazz masterpiece.

Jamila Woods: HEAVN–If you missed this poignant poet and gentle singer’s 2016 classic, hey, plenty of American recorded music isn’t disposable. There’s still time for you to be enlightened, inspired, and bewitched by one of Chicago’s finest.

Expository Listening, Expository Thinking: A Lesson that Really Worked!

Today at Stephens College, where I teach freshman comp with a pop music focus, I executed one of those rare lessons that works on every level you hope it will. Feel free to steal and/or adapt it!

My students’ next essay assignment is to focus in on a music-related topic they’re interested in, then choose the appropriate expository mode for exploring it. On Tuesday, we reviewed some of the expository modes I’m encouraging them to try (comparison/contrast, problem-solution, description, definition, cause-effect, classification), but I sensed some anxiety and disconnect. As of last night, partially due to being hella busy this week, I still didn’t have a solution for that condition, so I just slept on it, then woke up with this (funny how that happens to teachers):

In class, we are going to listen to (and watch) four excellent singers–Billie Holiday, Anita O’ Day, Jamilia Woods, and Dolly Parton–in action.

As you listen and watch, you are going to think about the following expository modes of analysis and writing, and jot down corresponding observations you make in your notebook or on your device:

Description (external) – What does the singer sound like and how does she present herself?

Definition (internal) – Who or what does the singer seem to be?

Classification – How would you classify the singer, according to official and unofficial terms of classification?

Cause –> Effect – In listening closely to the singer, what effects do you feel as a result of her performance? What specific aspects of the performance cause those effects?

Comparison/Contrast – How are these singers similar? How do they differ?

By Sunday night, transfer your findings in coherent, expanded, and more specific form to the associated discussion board, and be prepared to respond meaningfully to one fellow students’ post.

We began with the above clip from “The Sound of Jazz”–the famous last hot flame from the doomed Billie Holiday. I prompted them by reviewing the above modes, then played the track for them. Afterwards, just for modelling’s sake, I asked students to share some of their observations:

Description: “soulful,” “relaxed,” “rhythmic.”

Definition: “A woman who knows pain.” “She has experienced a lot.” “She is a singer who connects with her band and the audience.”

Classification: “Blues singer.” “No! Jazz singer!”

Cause–>Effect: “She was glowing!” –> It mesmerized me.” “She was getting in tune, effortlessly…”–> “It left me in awe.”

I could not have responded more accurately myself. From the evidence, my idea seemed to be working. I’ll know for sure when I see the discussion board posts and the essay rough drafts.

The other tracks I played them (I need little reason to show the first to every class I teach, regardless of subject).

(VIDEOS DELETED)

Jamila Woods’ scintillating and brand-new Tiny Desk concert, which I can’t figure out how to embed.

Here’s 117 records from late-2015 to December 31st of this complicated year, the high quality of which I can vouch for from multiple lessons, I mean listens. If I’d have to put a grade on ’em, current and former students and fellow teachers, I didn’t give an A+, and there’s nothing below a B+. 15 days remain in December, so we may have some work turned in just under the wire, and some of these may shift up and down in the spotlight as I keep revisiting them (for example, I may be checking myself too much on the new Stones album; the worst of Jinx Lennon’s two excellent records from 2016 may be getting a boost because I love the best one so much; “grading” the estimable Wadada Leo Smith’s sprawling parks tribute is a chore just the first time through; I just got a new Tom Zé, and he’s dangerous and a grower given repeated exposure); Chicago workaholic Serengeti just dropped a new one today. Nonetheless, I’m posting results. Come back and visit in a few days. However, I suspect that Queen Bey, the charms of whom I’ve mostly resisted her whole career, is unlikely to be knocked off her throne–note that she gets the top spot by virtue of the CD + DVD version. Happy holidays, and support these artists with your cash instead of just streaming or stealing! (More links coming soon!)

2016 TOP 10 FULL-LENGTH RELEASES

  1. Beyoncé: Lemonade (CD +DVD)
  2. Saul Williams: Martyr Loser King
  3. Tyler Keith and The Apostles: Do It for Johnny
  4. Tribe Called Quest: We Got It From Here…Thank You 4 Your Service
  5. Rihanna: Anti
  6. Various Artists: Desconstrucão–A Portrait of São Paulo’s Music Scene
  7. Jinx Lennon: Past Pupil Stay Sane
  8. Car Seat Headrest: Teens of Denial
  9. Tanya Tagaq: Retribution
  10. Jamila Woods: HEAVN

THE REST OF THE TOP 40

  1. J. D. Allen: Americana
  2. Chance the Rapper: Coloring Book
  3. Elza Soares: A Mulher do Fim do Mindo
  4. The Paranoid Style: Rolling Disclosure
  5. Anderson Paak: Malibu
  6. Elizabeth Cook: Exodus of Venus
  7. Anna Hogberg: Anna Hogberg Attack
  8. Joe McPhee and Paal Nilssen-Love: Candy
  9. Blood Orange: Freetown Sound
  10. Bombino: Azel
  11. Vijay Iyer and Wadada Leo Smith: A Cosmic Rhythm in Each Stroke
  12. Alicia Keys: Here
  13. Aesop Rock: The Impossible Kid
  14. Leonard Cohen: You Want It Darker
  15. Meet Your Death: Meet Your Death
  16. Wussy:Forever Sounds
  17. Thao & The Get Down Stay Down: A Man Alive
  18. Jemeel Moondoc and Hilliard Greene: Cosmic Nickolodeon
  19. Parquet Courts: Human Performance
  20. Solange: A Seat at The Table
  21. Drive-By Truckers: American Band
  22. Aram Bajakian: Music Inspired by the Film The Color of Pomegranates
  23. Nots: Cosmetic
  24. Yoni & Geti: Testarossa
  25. Kel Assouf: Tikonen
  26. Tyshawn Sorey: The Inner Spectrum of Variables
  27. Jinx Lennon: Magic Bullets of Madness to Uplift Grief Magnets
  28. Aram Bajakian: Dolphy Variations
  29. John Prine: For Better, Or Worse
  30. Aesop Rock and Homeboy Sandman: Lice 1 & 2: Still Buggin’ (EPs I am considering as a single album–they are free, so hit the hyperlinks)

Best of the Rest (Alphabetical Order)

  1. 75 Dollar Bill: Wood / Metal / Plastic / Pattern / Rhythm / Rock
  2. Beasley, John: MONKestra, Volume 1
  3. Bowie, David: Blackstar
  4. Bradley, Charles: Changes
  5. Braxton, Anthony: 3 Compositions [EEMHM] 2011
  6. Brown, Danny: Atrocity Exhibition
  7. Cavanaugh: Time and Materials (EP)
  8. Cave, Nick: Skeleton Tree
  9. Childbirth: Women’s Rights
  10. Coathangers: Nosebleed Weekend
  11. Dalek: Asphalt for Eden
  12. De La Soul: …and the anonymous nobody
  13. DeJohnette, Jack: In Movement
  14. Del McCoury Band: Del and Woody
  15. Dylan, Bob: Fallen Angels
  16. Fulks, Robbie: Upland Stories
  17. Garbage: Strange Little Birds
  18. Gates, Kevin: Islah
  19. Gray, Macy: Stripped
  20. Kondi, Sorie: The Freetown Tapes (2006-2016)
  21. Konono N1 Meets Batida
  22. Kool and Kass: Barter 7
  23. Lamar, Kendrick: Untitled Unmastered
  24. Lambert, Miranda: The Weight of These Wings
  25. Lewis, Jeffrey, and The Jrams: A Loot-beg Bootleg
  26. Lewis, Linda Gail: Heartache Highway
  27. Lopez-Nussa, Harold: El Viaje
  28. Lost Bayou Ramblers: Rue Vermilion Revival
  29. Lowe, Allen: In the Diaspora of the Diaspora–Down and Out Down East
  30. Lynn, Loretta: Full Circle
  31. Martinez, Pedrito: Habana Dreams
  32. McPhee, Joe, and Ray Boni: Live from the Magic City
  33. The Men: Devil Music
  34. Mexrissey: No Manchester
  35. M. I. A: Aim
  36. Murray, David: Murray, Allen, and Carrington Power Trio–Perfection
  37. Natural Child: Okey-Dokey
  38. N’Dour, Youssou: #SENEGAL REKK (EP)
  39. Neville, Aaron: Apache
  40. Oblivian, Jack, and The Sheiks: The Lone Ranger of Love
  41. Oddisee: Alwasta (EP)
  42. Open Mike Eagle: Hella Personal Film Festival
  43. Perfecto: You Can’t Run from the Rhythm
  44. Person, Houston, and Ron Carter: Chemistry
  45. Pusha T: Darkness Before Dawn
  46. Pussy Riot: xxx
  47. Rolling Stones: Blue & Lonesome
  48. Rollins, Sonny: Holding Down the Stage–Road Shows, Volume Four
  49. Rush, Bobby: Porcupine Meat
  50. Slavic Soul Party!: Plays Duke Ellington’s Far East Suite
  51. Smith, Dr. Lonnie: Evolution
  52. Smith, Wadada Leo: America’s National Parks
  53. Stampfel, Peter, and The Brooklyn & Lower Manhattan Fiddle/Mandolin Swarm: Holiday for Strings
  54. Stetson, Colin: Sorrow–A Reimagining of Gorecki’s Third Symphony
  55. Tempest, Kate: Let Them Eat Chaos
  56. Threadgill, Henry (conductor): Old Locks and Irregular Verbs
  57. Toussaint, Allen: American Tunes
  58. Various Artists: Khmer Rouge Survivors–They Will Kill You, If You Cry
  59. Veloso, Caetano, and Gilberto Gil: Dois Amigos, Um Seculo de Musica–Multishow Live
  60. White Lung: Paradise
  61. Young Philadelphians (with Marc Ribot): Live in Tokyo
  62. Young Thug: Jeffrey
  63. Zé, Tom: Canções Eróticas de Ninar
  64. Zé, Tom: Vira Lata na Via Lactea

New Old Stuff

  1. Various Artists: Music of Morocco–Recorded by Paul Bowles, 1959
  2. Van Morrison: It’s Too Late to Stop Now, Vols. II, II, IV + DVD
  3. Pylon: Live
  4. James Booker: Bayou Maharajah (DVD)
  5. Swanee Quintet: The Complete Nashboro Recordings 1951-1962
  6. Beatles: Live at the Hollywood Bowl
  7. Angry Angles
  8. Julius Eastman: Femenine
  9. Various Artists: Soul Sok Sega–Sega Sounds from Mauritius
  10. Betty Harris: The Lost Queen of New Orleans Soul
  11. Blind Alfred Reed: Appalachian Visionary
  12. Professor Longhair: Live in Chicago
  13. Bob Wills and The Texas Playboys: Let’s Play, Boys–Rediscovered Songs from Bob Wills’ Personal Transcriptions