“It’s Growing: Most Euphonious Fruit of First Quarter, 2021”

Music Spring has apparently sprung–although I’m not yet hearing anything that will knock most people’s socks off; for that matter, the only two records I’ve been addicted to are (no surprise) #1 and (ranked “low” because I have a strong Ornette Coleman bias) #5. Also, 14 out of 50 (*) are jazz recordings, none of them that straight-ahead; however, lest you suspect me musically anhedoniacal, I would classify seven of them FUN (!). I’m catching on! Maybe I’m catching back on. In other news?

POETRY is in the house (#s 22 and 25–the former a must for all you trad Brit Lit majors, the latter pretty fucking FUN itself, but just remember what the lit-heads in your life consider fun)…

I just dove into the Doomed & Stoned series (honoring a silent pledge to my metalhead friend Vance, for whose sake I will try 4-5 metal albums a year, though this collection might be more accurately described as “stoner rock”), fished its Scottish entry out of the loch, and found it consistently satisfied my riff requirements and seldom repelled me with overly ugly singing…

I think I got a bit overexcited about the Julien Baker album simply because she was coming forth with more energy, but she remains an attractively sullen writer, to me at least, because that’s been my usual attitude du jour lately…

I am fucking hooked on Roisin Murphy. Anything you wanna serve up, even if it’s “just” a remix.

OK, kids, keep in mind that this coming Friday (May 7) is the (reputedly) last Bandcamp Friday. Many of the links below go straight to these records’ Bandcamp page. Put your money where you ears are, ’cause we know you’re streaming your ass off.

(Items which are new to the list are bolded; also, the order–always a touch whimsically arrived at–has shifted significantly from March. Items followed by an # are either reissues, fresh compilations of older material, or archival finds).

  1. JuJu: Live at 131 Prince Street*#
  2. Julius Hemphill: The Boyé Multinational Crusade for Harmony*#
  3. James Brandon Lewis: Jesup Wagon*
  4. Neil Young and Crazy Horse: Down in the Rust Bucket !#
  5. Miguel Zenon: Law Years—The Music of Ornette Coleman*
  6. R.A.P. Ferreira: Bob’s Son !
  7. Ashnikko: Demidevil !
  8. Various Artists: He’s Bad!—11 Bands Decimate the Beat of Bo Diddley !
  9. Dax Pierson: Nerve Bumps (A Queer Divine Satisfaction)
  10. Gimenez Lopez: Reunion en la granja*
  11. Penelope Scott: Public Void !
  12. Paris: Safe Space Invader
  13. Byard Lancaster: My Pure Joy*#
  14. Jazmine Sullivan: Heaux Tales
  15. Hamiet Blueitt: Bearer of the Holy Flame*#
  16. Dawn Richard: Second Line !
  17. Various Artists: Alan Lomax’s American Patchwork#
  18. Peter Stampfel: Peter Stampfel’s 20th Century in 100 Songs
  19. Hasaan Ibn Ali: Metaphysics—The Lost Atlantic Album*#
  20. Various Artists: Doomed & Stoned in Scotland
  21. Genesis Owusu: Smiling with No Teeth
  22. Marianne Faithfull (with Warren Ellis): She Walks in Beauty
  23. Lukah: When the Black Hand Touches You
  24. Damon Locks / Black Monument Ensemble: NOW
  25. Various Artists: Allen Ginsberg’s The Fall of America–A 50th Anniversary Musical Tribute
  26. Various Artists: Indaba Is
  27. Wau Wau Collectif: Yaral Sa Doom
  28. Yvette Janine Jackson: Freedom
  29. Jason Moran & Milford Graves: Live at Big Ears*
  30. Nermin Niazi: Disco Se Aagay !
  31. Billy Nomates: Emergency Telephone (EP)
  32. Madlib: Sound Ancestors
  33. Joe Strummer: Assembly#
  34. Julien Baker: Little Oblivions
  35. Archie Shepp and Jason Moran: Let My People Go*
  36. Roisin Murphy: Crooked Machine !
  37. Robert Miranda’s Home Music Ensemble: Live at The Bing*#
  38. Ensemble 0: Performs Julius Eastman’s Femenine
  39. Vijay Iyer, Linda Han Oh, and Tyshawn Sorey: Uneasy*
  40. Alder Ego: III*
  41. Shem Tube, Justo Osala, Enos Okola: Guitar Music of Western Kenya
  42. Steve Earle: JT
  43. Jinx Lennon: Liferafts for Latchicos
  44. The Hold Steady: Open Door Policy (Hey–buy this album played live as cheap as you wanna!)
  45. Omar Sosa: East African Journey
  46. Alton Gün: Yol
  47. Various Artists: Edo Funk Explosion, Volume 1 !#
  48. Hearth: Melt*
  49. Floating Points & Pharoah Sanders: Promises*
  50. serpentwithfeet: DEACON

Listening Journal, Southern Journey, March 23, 2014

Struck out from Como and drove south on 55 to deep accompaniment of Alan Lomax’s late-Fifties/early-Sixties field recordings from the same area (McDowell, the Hemphills, Parchman Farm worksongs, a couple of Tyro church chants). SOUTHERN JOURNEY: 61 HIGHWAY, it’s called. You need to listen to it some day, though it should be called 51 HIGHWAY. As we drove down the pine-lined four-lane, the music threw us back into a crueler time–a wild goat perched under a bridge over the highway reinforced that feeling.

Then we visited that place where, as Sam Phillips once said, “the soul of man never dies”: the world of Chester Arthur Burnett, The Howlin’ Wolf, aided and abetted by Hubert Sumlin on wild guitar, Otis Spann on rolling 88s, and Willie Dixon, on bass and pen & paper. I sang along silently and mimed playing the solos the whole way. Top 10 record: the rockin’ chair cover/MOANIN’ AT MIDNIGHT twofer. You haven’t lived until you’ve heard Wolf overload a mic or Sumlin cut the air with a note.

After we crossed over into Louisiana, it was time for ZYDECO STOMP DOWN (various live tracks, including Nathan and the Zydeco Cha-Chas’ truth-telling “Everything on the Hog”) and ALLIGATOR STOMP, highlighted by Rockin’ Sidney’s paean to his daughter (not his lover) “My Toot-Toot,” Cleveland Crochet’s “Sugar Bee,” and a Cajun cover of Chuck Berry’s “Promised Land.” This was designed to get us primed for the wind-up of Thibodaux, Louisiana’s Swamp Stomp, which we thoroughly enjoyed over beer, jambalaya, fried pickles, and a shrimp po-boy. Saw Cameron DuPuy’s band, which was OK, but the Pine Leaf Boys, mixing some Jerry Lee and George Jones into their Cajun stylings, took the prize. A tall black man in a cowboy hat and shirt with cut-off sleeves danced his Cajun/r&b fusion style with at least 10 different women, including an energetic 70+-year-old white woman. I thought to myself, “Would she have been out there with him in ’64?” Maybe so, but it IS a new world.

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Zoomed on to New Orleans, listening to ‘OZ along the way (we pledged $10 a month), inched up Rampart Street, which was flooded with deliriously happy people leaving the high school brass band competition at Armstrong Park, parked on Treme (just around the corner from St. Augustine church, from SHAKE THE DEVIL OFF!), and walked against a chilly breeze up to Congo Square to watch The Hot Eight Brass Band, who were smokin’, and augmented by a Mardi Gras Indian.

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Both of us are a little ailing: Nicole’s got a sore throat, my back’s whacked. We are applying a dose of Sidney Bechet as we fade out in the hotel room….