Stephens College Conservatory Ace Sophie Davis Parses the Virtues of Lewis Capaldi’s Broken By Desire To Be Heavenly Sent

As I mentioned below, I am teaching an asynchronous pop music class to a group of Stephens College conservatory students this summer, and enjoying it. One day a little over a week ago, I was scanning the latest hot takes in a Facebook music group I belong to that is made up of avid fans of the hoary but still effectively hortatory pop music critic Robert Christgau. Yes, nerds. It just so happened that Xgau (as he is known to us) had just laid a very positive review upon the Scottish pop person known as Lewis Capaldi in his monthly “Expert Witness” column, concerning his new album Broken By Desire To Be Heavenly Sent. I had skipped Capaldi’s debut album, honestly because Bob’s positive review of it contained phrases that signaled I need not waste my finite seconds exploring it (also, he is an 81-year-old who sometimes tries too hard, it seems to me, to stay relevant to the kiddies). Well, it appeared from my skimming of reactions in that Facebook group that a bit of poptimist vs. rockist acne was breaking out, and, like acne, some of it was funny.

Later in the day, I was grading some student work, suddenly sat bolt upright (usually face down into the keyboard is my usual response), and wrote the class, “Hey, is anyone a Lewis Capaldi fan?”

I waited a few hours, and finally, a lone response popped up in my email: a bright, hardworking, and enthusiastic student named Sophie Davis reported that she loved the album. Rubbing my hands together in mischievousness, I offered her a deal (well, we kind of collaborated on it): if she’d write a full-length review of Broken By Desire, breaking it down to its essence, I’d excuse her from three of the five weekly assignments she had coming up. Of course, it had to be good, but her previous work had already shone, so I felt confident about that part. Also, I did take the dive and listen to the rascal’s record–and kinda kinda liked it. As the descendent of two Scottish lines that began in castles that don’t look so good right now, I was now rooting a bit for him, but mostly, I was hoping Sophie might nudge me off the fence. She did. Here’s what she came up with:

Lewis Capaldi’s Broken By Desire To Be Heavenly Sent: A Tour of That Rollercoaster Called Love.

A review by Sophie Davis, Stephens College Conservatory

Lewis Capaldi’s Broken By Desire To Be Heavenly Sent” is an album that speaks about love as a whole: the good, the bad, and the ugly. When I say that listening to this album is an absolute rollercoaster, I mean it wholeheartedly. While studying this album and searching for common themes, I found myself thinking I had found the overall theme multiple times, only for it to change every other song. With this in mind, I will be taking you through each theme, as well as dissecting the emotion behind it and its effect on my soul.

Capaldi starts off the album strong with “Forget Me.” My immediate reaction to this song was that this album was about to be a breakup album, but not in the typical sense. It’s true—this is a breakup album in many ways, but it’s still very unique and well-crafted. “Forget Me” is the kind of break-up song that makes you want to dance around the room and scream along to the lyrics. It perfectly captures the moment of feeling betrayal, as you realize the other person is moving on and, in turn, forgetting you. This is the perfect way to start an album, as it gives us our first theme: the fear of letting go of an old love.

Moving forward in the album, we are met with “Wish You The Best.” This song perfectly captures the realization that you don’t always get the closure of telling someone how much you still love them even after breaking up. This is the moment of acceptance—realizing that you just want what’s best for the person you love, even if their best is without you. He contemplates everything he did wrong that could have possibly led to the parting between him and his previous lover. In the end, we see fully his acceptance of the fact that all he can do is be happy for her and everything she has accomplished without him. (Also, as a side note, this music video is soul crushing and beautiful.)

“Pointless” is one of my top three songs on Broken By Desire. When first listening to it, I was immediately under the impression that he was talking about a current lover. However, upon listening to it more, I realized that he could very well be talking about a love that is yet to come into his life. The lines “I’ll wait for you/ You’ll wait for me, too” make me believe this is a possibility. Plus? The very solid understanding about what he gets from her and what she gets from him makes me think this is about someone for whom he is patiently waiting. This song is truly talking about the purest form of love that any human can experience. It fills my soul with so much joy and reveals the good parts of love. One thing that is very beautiful about Lewis Capaldi’s voice is that, because he has such a raspy belt, it adds such a one-of-a-kind sound to the ballads on this album, especially including this song. So, not only are we getting this beautiful ballad that perfectly captures a healthy and balanced love, but we have the rawness of Capaldi’s voice to add to that. “Pointless” is the first song on the album that introduces us to a fully positive aspect of love and gives many hope for a future love that they have yet to meet.

“Heavenly Kind of State of Mind” is another song that you can dance around the room to. It perfectly captures the excitement of finding new love and the joy you get from that. You can roll the windows down and listen to it with the love of your life. The lyrics “Now I think about you all of the time/ What a heavenly kind of state of mind” perfectly capture how beautiful life becomes when you are in love with someone who is good for your soul. “Heavenly Kind of State of Mind” is how it feels when you start to see life in color again when you have someone to love who also loves you so fully.

“Haven’t You Ever Been In Love Before” gives us a chance to see how two very different people view love. While Lewis is singing about a man who is ready to jump in and lay everything out on the table with his heart on his sleeve, the chorus reveals the girl’s perspective: how love hasn’t treated her well and is something that she has a hard time viewing positively. While he is completely ready to take this love by storm, she is hesitant. This is the point in the album when we start to see the less pretty parts of loving someone, because, despite it seeming perfectly balanced, we still see the struggles that come with relationships.

“Love The Hell Out of You” is another song that is among my top three on Broken By Desire. Its theme is simple: loving someone on their hard days, especially when their mental health is low, is never an issue when they do the same for you. Capaldi gives his loved one a little pep talk throughout the song as a way to show that he is here for them, no matter what they are going through. This song is exactly how a long warm hug from the right person feels. It’s simply lovely, because it shows the imperfections in a relationship and how to work through them with each other.

“Burning” is when the album starts to return to the heartbreak side of love: it deals with the realization that a relationship may no longer be healthy for either person, and staying in it is only going to make this realization more prominent and true. It’s about realizing that putting forth the energy it takes to keep this spark alive is no longer worth it and is only causing more pain for each person. It discusses the importance of knowing when to let go, even when you don’t want to. The exhaustion of holding onto something that no longer serves you is far too difficult to deal with and, after a while, it is better to let it all go.

“Any Kind Of Life” explores the struggle of wanting to hold on when you know it won’t do you any good to. The lyrics “Hope, have you some that I could borrow?” are heartbreaking to hear for anyone who has ever felt the fear that comes from leaving someone who was once such a huge part of their daily routine. One large theme we can now see in this album is the stages of grief that we go through with those who are still living. This song is the definition of denial, as Capaldi struggles to let go of this love that was his everything. His desperation to save this love conjures for me an image of someone struggling to keep water in their cupped hands. No matter how carefully you move, the water begins to slip through the cracks in your hands until it’s gone and there’s nothing else that can be done about it. This is the unfortunate and ugly side of heartbreak and love.

“The Pretender” is the last song of my top three from Broken By Desire: the definition of putting on a mask in order to fit into the world of someone else. This song is features Capaldi begging someone to tell him who to be so that he can be loved. As far as stages of grief go, he is bargaining with the person he is singing to. The idea of “I’ll do anything” in order to be loved is gut-wrenching, but so well evoked by the artist. Not only does it capture this bargaining mindset, but it also sheds light on something that many people of all generations experience: hiding how we really feel and who we truly are in order to make others feel comfortable and happy around us. Pretending like one isn’t “on the edge of a knife” is a very common problem for those who struggle with their mental health, and it’s oddly comforting to hear it represented in a song.

“Leave Me Slowly” reminds me of a classic Eighties heartbreak ballad. This is the kind of song that could be playing as you slow dance with the person you love for the last time, and you both know it. It’s conveys the feeling of deeply taking in the last moments you have with this person before you part ways. You get to eavesdrop as he returns to the time when they first met, and the appealing moments they shared together in this relationship. This is him asking the one he loves to take one more moment before they leave to just be with him. This song is how it feels to hug someone for the last time.

“How This Ends” is fueled by the anger that comes with heartbreak. Capaldi sings about how much time he wasted on this love and how it has all been for nothing, completely forgetting all of the good moments they shared. His anger can be felt in everyone’s chest, as we have all gone through this moment. This song presents the image of someone tearing their apartment apart as they try to destroy any trace of the person who caused them this much pain, feeling betrayed, used and defeated. Capaldi treats this whole experience as if his love for her was nothing more than a mistake, something he could have easily avoided had he chosen to not fall in love in the first place. The ending is too difficult for him to handle, and he longs for it to change—immediately.

“How I’m Feeling Now” ends the album in a very sad way. When we think of self-obsession, we usually imagine someone who is in love with themselves and is sort of narcissistic. We don’t usually think of a person who is trapped in their own mind. This is brilliant writing, because it gives everyone an idea of just how paralyzing mental illness can be, and how much it affects every aspect of our lives. The chorus is where our eyes are opened to the depth of Capaldi’s view of the world when facing mental illness: “So here’s to my beautiful life/ That seems to leave me so unsatisfied/ No sense of self but self-obsessed/ I’m always trapped inside my fucking head.” It is a not-so-happy toast at the end of a dinner party as someone reveals that they are miserable and broken, a sort of “in case you were wondering” moment where this person is confessing that their life is still difficult despite all the time that’s passed. Despite the misery communicated by this song, hope still flickers at the end, as Capaldi reasons that, one day, he will be okay—a fitting end to this brilliant album.

Many themes power this album: love—the good, the bad, and the ugly; the stages of grief as experienced through love; and (my personal favorite, I now realize) non-linear healing. We have our good days and we have our bad days, and, if we are lucky, we have someone who is with us through all of it. However, when those people aren’t around or when they leave, although healing slows, it’s still in motion. Love is the purest emotion anyone can feel. It can either fill a person with joy, or with utter despair—depending on who you ask. In the end, love is truly what gets each of us through the day. The beauty behind Broken By Desire To Be Heavenly Sent lies in the fact that Lewis Capaldi does not hold back when taking the listener on a tour of every aspect of love. His singing communicates so much raw emotion through these songs and the story they tell taken altogether. Capaldi has fully shown us what love is and how magnificent and awful it can be, in a complete pop music masterpiece.

Blogmaster’s Note: Very nice job, Sophie! I am glad I’ve been off the rollercoaster and on solid ground for a couple-three decades–but even so, much of the Capaldi wisdom you extracted still occasionally applies. Thanks for being game!

THIS STUFF! FEELS GOOD!: 110 Truly Interesting Records We’ve Received So Far in ’23 (not bad!)

Hi! I hope summer is off to as dazzling a musical start for you as it has for me! Not only have the records come marching in, but I am teaching a very enjoyable asynchronous class for Stephens College that’s built around Susan Rogers‘ and Ogi OgasThis Is What It Sounds Like (you yourselves might well love not only the book but its fun associated website), which take a look at why our brains push us toward certain kinds of music and not others. My students are doing excellent work: I will send an essay by one of them up very soon, in which the author will enter the current Lewis Capaldi fuck-him/marry-him/kill-him scrum in enthusiastic form. They have to construct, explain, and interpret their unique listening profiles (see the book) for their final project, and I’m definitely looking forward to that.

Nut Notes:

*Boy howdy, that boygenius album has subtle and often barbed charms. Is it just me, or has the counterattack begun?

*It’s quite a boast, but Buck 65 wins this month’s “Truth in Title Advertising” award by a hair over

*…JESSIE WARE, who got extra points for punctuation and makes me feel young again–seriously. For the record, I am currently 61, and can someone put her and Roisin Murphy on a US tour so I can go dance deliriously and live deliciously?

*The Dropkick Murphys dropped their second (?) album of (literally) unsung Woody Guthrie songs last month–how’d I miss the first, which came out LAST YEAR (it just came in the mail yesterday)? While I was blasting it on Memorial Day, Nicole remarked, “Does his stuff stay relevant or what?” She’s an Okie, so she might be biased–but she’s also correct.

*Wild Up released their third record interpreting the amazing minimalist (but not exactly) work of Julius Eastman. This one is a bit more in your face, which is partly the particular Eastman compositions they chose to work with, but I bet they’ve spent some time with Eight Songs for a Mad King, where he makes one particular unforgettable vocal appearance.

*Nourished by Time…that is one eccentric but impressive r&b album. I was lazy sampling it and assumed from the cover it was going to be a rap album–I know next to nothing about this act–but it sure as hell is not.

*Little Rock, Arkansas’ Kari Faux has a special title message for you that she backs up on her new record.

*Simply put, you’re gonna want that Mahlathini and the Mahotella Queens record at the top of the “old stuff” list. I can’t believe it looking back, but I saw a show on that tour–I should have been too ignant to know–and it.is.theshit.

*You think harp and jazz is a twain that never should meet? Brandee Younger does not agree, nor did Dorothy Ashby, whose very convincing soon-come 5-LP reconsideration by New Land Younger contributes notes for.

*”If you’re doing business with a religious son of a bitch, get it in writing!” It is SO nice to hear William S. Burroughs‘ inimitable and often prophetic voice coming from my speakers again, via Dais Records’ sharply assembled compilation of 1960s recordings. (That italicized quote isn’t on the record–look for Uncommon Quotes, if it’s still available–but many other worthy utterances are.)

*MARK LOMAX II never makes a foolish move.

*Brazil in the house…always. Check out #27 and #31 for sure.

*Kate Gentile‘s new free/experimental/jazz record is like walking blindfolded through a wind-blown percussion forest in the middle of the night.

*I have a feeling that The Gennett Suite, in which the artists “elasticize” the sound of the original classic recordings released on that label (think Bix), may meet with some jazz argumentation. I stand with Buselli and Walarab–the originals are strong enough to be stretched. They shine in this new light.

*Many (of the few) readers of the blog probably already know that Lux Interior and Ivy Rorshach of The Cramps were ace 45 collectors. I’m a BIG fan of theirs, but even I was not aware that Righteous Records is more deeply mining their collection, getting past that legendary stuff (“Love Me,” “I Can’t Hardly Stand It,” “The Strangeness in Me,’ “Bop Pills”–I can go on) and finding even more pretty worthy curiosities. Don’t miss the latest at the very end of the list, and it’s just the latest volume.

(Bolded items are new to the list)

  1. Gina Burch: I Play My Bass Loud (Third Man)
  2. 100 gecs: 10,000 gecs (Dog Show/Atlantic)
  3. boygenius: the record (Interscope)
  4. Buck 65: Super Dope (self-released?)
  5. Jessie Ware: That! Feels Good! (Universal)
  6. billy woods & Kenny Segal: Maps (Backwoodz Studios)
  7. Liv.eGirl in The Half Pearl (Real Life / AWAL)
  8. Kelela: Raven (Warp)
  9. National Information Society: Since Time is Gravity (Eremite)
  10. Allen Lowe and the Constant Sorrow Orchestra: In the Dark (ESP-Disk)
  11. Rodrigo Campos: Pagode Novo(YB Music)
  12. Ethnic Heritage Ensemble: Spirit Gatherer—A Tribute to Don Cherry (Spiritmuse)
  13. Yaeji: With a Hammer (XL Recordings)
  14. Jason Moran: From the Dancehall to the Battlefield (Yes Records)
  15. London Brew: London Brew (Concord)
  16. Fire! Orchestra: Echoes (Rune Grammofon)
  17. Wadada Leo Smith: Fire Illuminations (Kabell)
  18. The Mark Lomax II Trio: Tapestry (CFG Multimedia)
  19. Dropkick Murphys: Okemah Rising (Dummy Luck Music)
  20. Islandman (featuring Okay Temiz and Muhlis Berberoglu: Direct-to-Disc Sessions (Night Dreamer)
  21. Parannoul: After the Magic (Poclanos/Top Shelf)
  22. Belle and Sebastian: Late Developers (Matador)
  23. Satoko Fujii & Otomo Yoshihide: Perpetual Motion (Ayler Records)
  24. The Urban Art Ensemble: “Ho’opomopono” (CFG Multimedia 16-minute single)
  25. The Necks: Travel (Northern Spy)
  26. Kali Uchis: Red Moon in Venus (Geffen)
  27. Marina Sena: Vicio Inerente (Sony)
  28. Wild Up: Julius Eastman, Volume 3—If You’re So Smart, Why Aren’t You Rich? (New Amsterdam)
  29. Willie Nelson: I Don’t Know a Thing About Love—The Songs of Harlan Howard (Legacy)
  30. Allen Lowe and The Constant Sorrow Orchestra: America—The Rough Cut (ESP-Disk)
  31. Edward Simon: Femeninas (ArtistShare)
  32. Tyshawn Sorey: Continuing (Pi Recordings)
  33. Nourished by Time: Erotic Probiotic 2 (Scenic Route)
  34. Walter Daniels: “From Death to Texas” / “Seems Like a Dream” (Spacecase Records 45)
  35. Tyler Keith & The Apostles: Hell to Pay (Black & Wyatt)
  36. Algiers: Shook (Matador)
  37. KAYTRAMINE: KAYTRAMIUNE, Amine, & KAYTRANADA (CLBN)
  38. Withered Hand: How to Love (Reveal)
  39. ensemble 0: Jojoni (Crammed Discs)
  40. Henry Threadgill: The Other One (Pi)
  41. Kari Faux: REAL BITCHES DON’T DIE (drunk sum wtr records)
  42. Kiko El Crazy: Pila’e Teteo (Rimas)
  43. Kill Bill—The Rapper: Fullmetal Kaiju (EXO)
  44. Lewis Capaldi: Broken By Desire To Be Heavenly Sent (Vertigo Berline)
  45. Rough Image: Rough Image (WV Sorcerer Productions)
  46. Ingrid Laubrock: The Last Quiet Place (Pyroclastic)
  47. Rob Mazurek & Exploding Star Orchestra: Lightning Dreamers (International Anthem)
  48. Kaze & Ikue Mori: Crustal Movement (Circum/Libra)
  49. DJ Black Low: Impumelelo (Awesome Tapes from Africa)
  50. Rocket 88: House of Jackpots (12XU)
  51. Taiko Saito: Tears of a Cloud (Trouble in the East)
  52. JPEGMAFIA x Danny Brown: Scaring the Hoes (self-released)
  53. Lakecia Benjamin: Phoenix (Whirlwind)
  54. Mat Muntz: Phantom Islands (Orenda)
  55. Satoko Fujii: Torrent (Libra Records)
  56. Javon Jackson: “With Peter Bradley”—Soundtrack and Original Score (Solid Jackson)
  57. Das Kondensat: Anderen Planeten(Why Play Jazz)
  58. Iris DeMent: Workin’ On a World (FlariElla)
  59. David Mirarchi: Ink Folly, Orchid Gleam (Unbroken Sounds) (coming soon….)
  60. Baaba Maal: Being (Atelier Live/Marathon Artists)
  61. Romulo Froes & Tiago Rosas: Na Goela (YB Music)
  62. Buselli – Wallarab Jazz Orchestra: The Gennett Suite (Patois Records)
  63. Florian Arbenz: Conversation #9—Targeted (Hammer Recordings)
  64. James Brandon Lewis: Eye of I (Anti-)
  65. Tomas Fujiwara’s Triple Double: March On (self-released EP—coming in March)
  66. Ice SpiceLike…?(10K Projects / Capitol Records EP)
  67. otay:onii: Dream Hacker (WV Sorcerer Productions)
  68. Sylvie Courvoisier & Cory Smythe: The Rite of Spring—Spectre d’un songe (Pyroclastic)
  69. Nakimbembe Embaire Group: Nakimbembe Embaire Group (Nyege Nyege Tapes)
  70. Karol G: Manana Sera Bonito (Universal Music Latino)
  71. Andrew Cyrille: Music Delivery / Percussion (Intakt)
  72. Kate Gentile: b i o m e i.i (Obliquity)
  73. Yves Tumor:Praise a Lord Who Chews but Which Does Not Consume; (Or Simply, Hot Between Worlds) (Warp)
  74. Lonnie Holley: Oh Me Oh My (Jagjaguwar)
  75. Lana Del Rey: Did you know that there’s a tunnel under Ocean Blvd (Polydor)
  76. Yonic South: Devo Challenge Cup (Wild Honey)
  77. Rudy Royston: Day (Greenleaf Music)
  78. Lankum: False Lankum (Rough Trade)
  79. Staples Jr. Singers: Tell Heaven (EP) (Luaka Bop) Note: the vinyl gets you more great minutes of testifying.
  80. Brandee Younger: Brand New Life (Impulse!)
  81. Heinali: Kyiv Eternal (Injazero)
  82. Tri-County Liquidators: “Flies” / “Weep Then Whisper” / “Bitter” (self-released)
  83. Vinny Golia Quartet: No Refunds (Unbroken Sounds)
  84. Black Country, New Road: Live at Bush Hall (Ninja Tune)
  85. The Art Ensemble of Chicago: From Paris to Paris (Rogue Art)
  86. Clarence “Bluesman” Davis: Shake It For Me (Music Maker Foundation)
  87. Aroof Aftab, Vijay Iyer & Shahzad, Ismaily: Love in Exile (Verve)
  88. Asher Gamedze: Turbulence and Pulse (International Anthem)
  89. Angel Bat Dawid: Requiem for Jazz (International Anthem)
  90. Kara Jackson: Why Does the Earth Give Us People to Love? (September Recordings)
  91. Billy Valentine: Billy Valentine and The Universal Truth (Flying Dutchman)

Excavations and Reissues

(Note: These are not in order of my love for them–still sorting that out.)

  1. Mahlathini and the Mahotella Queens: Music Inferno—The Indestructible Beat Tour 1988-89 (Umsakazo Records)
  2. Dorothy Ashby: With Strings Attached (New Land Records)
  3. Walter Bishop, Jr.: Bish at the Bank—Live in Baltimore (Cellar Live)
  4. William S. Burroughs: Nothing Here But the Recordings (Dais Records)
  5. Balka Sound: Balka Sound(Strut)
  6. Hiatus Kaiyote: Choose Your Weapon (Flying Buddha / Sony Masterworks)
  7. Dream Dolphin: Gaia—Selected Ambient & Downtempo Works (1996​-​2003) (Music from Memory)
  8. Various Artists: Purple Haze from East, Volume 1 (WV Sorcerer Productions)
  9. Various Artists: Purple Haze from East, Volume 2 (WV Sorcerer Productions)
  10. Shizuka: Heavenly Persona (Black Editions)
  11. Jacqueline Humbert & David Rosenboom: Daytime Viewing (Unseen Worlds)
  12. Bob Dylan: Time Out of Mind Stripped Naked (Columbia)
  13. Various Artists: Blacklips Bar—Androgyns and Deviants / Industrial Romance for Bruised and Battered Angels 1992-1995 (Anthology Recordings)
  14. RP Boo: Legacy Volume 2 (Planet Mu)
  15. Les Raillizes Denudes: ’77 Live (Temporal Drift)
  16. Luther Thomas: 11th Street Fire Suite (Corbett vs. Dempsey)
  17. Eddie Lockjaw Davis and Shirley Scott: Cookin’ With Jaws and The Queen(Craft)
  18. Professor James Benson: The Gow-Dow Experience (Jazzman Records)
  19. Various Artists: Strontium 90, Shrimps & Gumbo—Lux & Ivy Dig Motorcycle Boots & Mutants (Righteous Records)